Songs like Swan Lake, Op. 20, TH.12 / Act 3: Pas de deux: Introduction (Moderato) - Variations I & II - Coda by Pyotr Ilyich Tchaikovsky
Based on a tempo of (+/- 10%) and a similar genre
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
51% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
51% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Pablo de Sarasate
Zapateado Op. 23
113 bpm • A Maj • 03:21 • -18db
36% Popularity • 55% Danceability • 29% Energy • 11% Liveness
30% Instrumentalness • 64% Positiveness
36% Popularity • 55% Danceability • 29% Energy • 11% Liveness
30% Instrumentalness • 64% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: Calm at Sea
113 bpm • E Maj • 03:02 • -17db
33% Popularity • 20% Danceability • 22% Energy • 58% Liveness
80% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 22% Energy • 58% Liveness
80% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
113 bpm • F Maj • 04:56 • -15.7db
47% Popularity • 51% Danceability • 14% Energy • 17% Liveness
74% Instrumentalness • 21% Positiveness
47% Popularity • 51% Danceability • 14% Energy • 17% Liveness
74% Instrumentalness • 21% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: II....
113 bpm • A Maj • 06:36 • -26db
36% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
36% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Symphony No. 40 in G Minor, K. 5...
114 bpm • G min • 07:12 • -18.09db
53% Popularity • 36% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 21% Positiveness
53% Popularity • 36% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 21% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64: Introduction
112 bpm • E Maj • 02:38 • -25db
33% Popularity • 19% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 11% Positiveness
33% Popularity • 19% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 11% Positiveness
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Sergei Rachmaninoff
Prelude in G Minor, Op. 23, No. 5 - Live...
114 bpm • G min • 03:52 • -17db
43% Popularity • 39% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
43% Popularity • 39% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Pyotr Ilyich Tchaikovsky
Pique Dame, Act I: Otkuda eti slyozy
112 bpm • F min • 04:58 • -13.3db
7% Popularity • 36% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
7% Popularity • 36% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
The Four Seasons: Concerto No. 1 in E Ma...
112 bpm • E Maj • 03:22 • -17db
51% Popularity • 49% Danceability • 14% Energy • 25% Liveness
74% Instrumentalness • 23% Positiveness
51% Popularity • 49% Danceability • 14% Energy • 25% Liveness
74% Instrumentalness • 23% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: II. Andante
112 bpm • C min • 01:52 • -24db
57% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
57% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Edvard Grieg
Lyric Pieces, Book 9, Op. 68: Badnlat (C...
112 bpm • E Maj • 02:11 • -35.63db
60% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
60% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): V....
111 bpm • G Maj • 01:44 • -40.56db
44% Popularity • 47% Danceability • 1% Energy • 10% Liveness
35% Instrumentalness • 28% Positiveness
44% Popularity • 47% Danceability • 1% Energy • 10% Liveness
35% Instrumentalness • 28% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade in C Major, Op. 48: I. Pezzo in...
112 bpm • C Maj • 09:30 • -19db
32% Popularity • 32% Danceability • 27% Energy • 37% Liveness
82% Instrumentalness • 16% Positiveness
32% Popularity • 32% Danceability • 27% Energy • 37% Liveness
82% Instrumentalness • 16% Positiveness
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Léo Delibes
Delibes: Sylvia: Act III. Cortège de Ba...
115 bpm • E Maj • 06:01 • -15db
33% Popularity • 42% Danceability • 36% Energy • 71% Liveness
86% Instrumentalness • 22% Positiveness
33% Popularity • 42% Danceability • 36% Energy • 71% Liveness
86% Instrumentalness • 22% Positiveness
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Antonio Vivaldi
Concerto for Strings in A Minor, RV 161:...
115 bpm • A min • 01:38 • -15db
57% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
57% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: Arietta
111 bpm • D# Maj • 01:23 • -31db
64% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
64% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
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Sergei Rachmaninoff
Prélude in C-Sharp Minor, Op. 3, No. 2
115 bpm • F# min • 03:43 • -19db
45% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
45% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Camille Saint-Saëns
Danse macabre in G Minor, Op. 40
116 bpm • G min • 07:12 • -20.42db
54% Popularity • 44% Danceability • 18% Energy • 6% Liveness
66% Instrumentalness • 17% Positiveness
54% Popularity • 44% Danceability • 18% Energy • 6% Liveness
66% Instrumentalness • 17% Positiveness
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Pyotr Ilyich Tchaikovsky
Marche slave, Op. 31, TH 45
111 bpm • A# min • 09:24 • -14db
35% Popularity • 36% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
35% Popularity • 36% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
110 bpm • G min • 01:27 • -33db
53% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
53% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Polovt...
110 bpm • D Maj • 10:42 • -15db
48% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
48% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: IV. Allegro mode...
110 bpm • D Maj • 02:04 • -22db
42% Popularity • 39% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 39% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 27% Positiveness
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Igor Stravinsky
The Firebird: Scene 1: The Firebird's Lu...
117 bpm • B Maj • 02:46 • -33.6db
41% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
41% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Aram Khachaturian
Gayaneh, Ballet Suite: Gayaneh's Adagio
117 bpm • G# Maj • 04:00 • -32.62db
33% Popularity • 18% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Slavonic March, Op. 31, TH 45
110 bpm • A# min • 09:15 • -19.16db
37% Popularity • 32% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
37% Popularity • 32% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Bacchanale
109 bpm • A min • 08:02 • -23db
32% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
32% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550: I. A...
109 bpm • G min • 07:31 • -17db
54% Popularity • 42% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
54% Popularity • 42% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
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Georges Bizet
Carmen Suite No. 2 (Arr. E. Guiraud): IV...
109 bpm • F Maj • 02:48 • -22db
45% Popularity • 40% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 21% Positiveness
45% Popularity • 40% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 21% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
43% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
43% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Johann Strauss II
Die Fledermaus: Overture
109 bpm • D Maj • 07:40 • -14.49db
43% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
43% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
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Pyotr Ilyich Tchaikovsky
Fee des Lilas (Variation VI)
116 bpm • C Maj • 01:20 • -15.03db
41% Popularity • 21% Danceability • 28% Energy • 36% Liveness
88% Instrumentalness • 40% Positiveness
41% Popularity • 21% Danceability • 28% Energy • 36% Liveness
88% Instrumentalness • 40% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: IV. Waltz 1
109 bpm • A# Maj • 02:47 • -19db
35% Popularity • 24% Danceability • 21% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
35% Popularity • 24% Danceability • 21% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
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Frédéric Chopin
Preludes, Op. 28: No. 4, Largo
109 bpm • A min • 02:11 • -25.93db
61% Popularity • 38% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
61% Popularity • 38% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
117 bpm • D min • 02:18 • -26db
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
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Adolphe Adam
Giselle: Andantino
117 bpm • G# Maj • 01:37 • -27.54db
30% Popularity • 30% Danceability • 4% Energy • 8% Liveness
21% Instrumentalness • 25% Positiveness
30% Popularity • 30% Danceability • 4% Energy • 8% Liveness
21% Instrumentalness • 25% Positiveness
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Ottorino Respighi
Ancient Airs And Dances, Suite No. 3, P....
109 bpm • C min • 03:03 • -19.21db
44% Popularity • 20% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
44% Popularity • 20% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake, Op. 20, TH.12 / Act 1: No. 2 ...
110 bpm • A Maj • 05:24 • -14.99db
28% Popularity • 30% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 21% Positiveness
28% Popularity • 30% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 21% Positiveness
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Dmitri Shostakovich
Shostakovich: Cello Concerto No. 1 in E-...
117 bpm • G# Maj • 06:27 • -22.16db
36% Popularity • 47% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
36% Popularity • 47% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Violins in B Minor, Op. 3...
118 bpm • B min • 03:37 • -17db
47% Popularity • 49% Danceability • 30% Energy • 8% Liveness
19% Instrumentalness • 63% Positiveness
47% Popularity • 49% Danceability • 30% Energy • 8% Liveness
19% Instrumentalness • 63% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
108 bpm • F Maj • 12:38 • -22.76db
37% Popularity • 25% Danceability • 4% Energy • 11% Liveness
71% Instrumentalness • 14% Positiveness
37% Popularity • 25% Danceability • 4% Energy • 11% Liveness
71% Instrumentalness • 14% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 23 in A Major, K. 488...
108 bpm • F# min • 05:33 • -28db
42% Popularity • 27% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
42% Popularity • 27% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Symphony Elegant
Romeo and Juliet, Fantasy Overture
108 bpm • C# Maj • 03:16 • -31.55db
44% Popularity • 16% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
44% Popularity • 16% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
String Sextet in D Minor, Op. 70, "Souve...
109 bpm • D Maj • 10:26 • -16db
47% Popularity • 35% Danceability • 24% Energy • 40% Liveness
68% Instrumentalness • 33% Positiveness
47% Popularity • 35% Danceability • 24% Energy • 40% Liveness
68% Instrumentalness • 33% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: VI. Waltz 2
108 bpm • C min • 03:13 • -18.31db
64% Popularity • 32% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
64% Popularity • 32% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
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Sergei Prokofiev
Prokofiev: Suite No. 2 from Romeo and Ju...
108 bpm • A min • 01:53 • -13.79db
41% Popularity • 40% Danceability • 32% Energy • 8% Liveness
95% Instrumentalness • 39% Positiveness
41% Popularity • 40% Danceability • 32% Energy • 8% Liveness
95% Instrumentalness • 39% Positiveness
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Johannes Brahms
Hungarian Dance No. 5 in G Minor, WoO 1,...
107 bpm • F# min • 02:30 • -18.67db
51% Popularity • 35% Danceability • 5% Energy • 23% Liveness
15% Instrumentalness • 30% Positiveness
51% Popularity • 35% Danceability • 5% Energy • 23% Liveness
15% Instrumentalness • 30% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550: I. M...
119 bpm • G min • 07:15 • -12.97db
46% Popularity • 33% Danceability • 33% Energy • 13% Liveness
75% Instrumentalness • 28% Positiveness
46% Popularity • 33% Danceability • 33% Energy • 13% Liveness
75% Instrumentalness • 28% Positiveness
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Frédéric Chopin
Chopin: Nocturne No. 8 in D-Flat Major, ...
107 bpm • C# Maj • 05:38 • -24db
53% Popularity • 36% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
53% Popularity • 36% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
The Sleeping Beauty, Op. 66, TH.13 / Act...
118 bpm • G# Maj • 00:50 • -29db
43% Popularity • 64% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 75% Positiveness
43% Popularity • 64% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 75% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: I. Allegro
119 bpm • G Maj • 01:56 • -22db
58% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
58% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Camille Saint-Saëns
Danse Macabre, Op. 40, R.171
107 bpm • G min • 07:22 • -23.9db
58% Popularity • 37% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
58% Popularity • 37% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Horn Concerto No. 4 in E-Flat Ma...
120 bpm • D# Maj • 03:43 • -21.16db
30% Popularity • 37% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
30% Popularity • 37% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
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Antonio Vivaldi
Concerto for Strings in G Major, RV 151,...
107 bpm • D Maj • 01:19 • -17.56db
64% Popularity • 43% Danceability • 29% Energy • 37% Liveness
91% Instrumentalness • 63% Positiveness
64% Popularity • 43% Danceability • 29% Energy • 37% Liveness
91% Instrumentalness • 63% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 1: N...
119 bpm • A# Maj • 09:58 • -19.66db
41% Popularity • 28% Danceability • 7% Energy • 6% Liveness
89% Instrumentalness • 11% Positiveness
41% Popularity • 28% Danceability • 7% Energy • 6% Liveness
89% Instrumentalness • 11% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1: 2. Aragonaise
120 bpm • D min • 02:11 • -24db
30% Popularity • 33% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
30% Popularity • 33% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
► Preview
Alexander Glazunov
Raymonda, Act III: Variation 3
106 bpm • E Maj • 01:26 • -33.12db
43% Popularity • 28% Danceability • 2% Energy • 6% Liveness
59% Instrumentalness • 22% Positiveness
43% Popularity • 28% Danceability • 2% Energy • 6% Liveness
59% Instrumentalness • 22% Positiveness
► Preview
Dmitri Shostakovich
Symphony No. 5 in D Minor, Op. 47: IV. A...
106 bpm • A# Maj • 08:59 • -13.38db
37% Popularity • 28% Danceability • 35% Energy • 16% Liveness
91% Instrumentalness • 12% Positiveness
37% Popularity • 28% Danceability • 35% Energy • 16% Liveness
91% Instrumentalness • 12% Positiveness
► Preview
Lang Lang
Piano Sonata No. 16 in C Major, K. 545 "...
120 bpm • C Maj • 04:54 • -23db
52% Popularity • 31% Danceability • 21% Energy • 14% Liveness
93% Instrumentalness • 64% Positiveness
52% Popularity • 31% Danceability • 21% Energy • 14% Liveness
93% Instrumentalness • 64% Positiveness
► Preview
Joseph Haydn
String Quartet No. 62 in C Major, Op. 76...
106 bpm • G Maj • 07:42 • -28db
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade: The Tale of the Kalendar P...
121 bpm • B min • 03:20 • -24.4db
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Symphony No. 6 in B Minor, Op. 74, TH 30...
106 bpm • B min • 09:28 • -20db
42% Popularity • 15% Danceability • 7% Energy • 22% Liveness
80% Instrumentalness • 4% Positiveness
42% Popularity • 15% Danceability • 7% Energy • 22% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Symphony No. 3 in A Minor, Op. 56, MWV N...
121 bpm • A min • 09:36 • -13db
48% Popularity • 33% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
48% Popularity • 33% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
► Preview
AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
121 bpm • C Maj • 07:50 • -21.45db
39% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
39% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
105 bpm • E Maj • 03:16 • -14db
53% Popularity • 47% Danceability • 16% Energy • 11% Liveness
97% Instrumentalness • 43% Positiveness
53% Popularity • 47% Danceability • 16% Energy • 11% Liveness
97% Instrumentalness • 43% Positiveness
► Preview
Johann Sebastian Bach
Violin Concerto No. 1 in A Minor, BWV 10...
105 bpm • A min • 03:23 • -14.4db
35% Popularity • 57% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 76% Positiveness
35% Popularity • 57% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 76% Positiveness
► Preview
Niccolò Paganini
Violin Concerto No. 2 in B Minor, Op. 7,...
105 bpm • B min • 08:43 • -23.55db
48% Popularity • 47% Danceability • 18% Energy • 37% Liveness
31% Instrumentalness • 24% Positiveness
48% Popularity • 47% Danceability • 18% Energy • 37% Liveness
31% Instrumentalness • 24% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: The Sleeping Beauty, Op. 66...
105 bpm • A# Maj • 04:39 • -16.55db
28% Popularity • 28% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 31% Positiveness
28% Popularity • 28% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 31% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): I....
122 bpm • C min • 01:28 • -25.02db
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Franz Schubert
Auf dem Wasser zu singen, D. 774 - Trans...
105 bpm • G# min • 03:52 • -20.8db
47% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
47% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Pablo de Sarasate
Zigeunerweisen, Op. 20: III. Un poco pi�...
105 bpm • C min • 01:53 • -27db
35% Popularity • 19% Danceability • 5% Energy • 18% Liveness
38% Instrumentalness • 11% Positiveness
35% Popularity • 19% Danceability • 5% Energy • 18% Liveness
38% Instrumentalness • 11% Positiveness
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Alexander Glazunov
Raymonda, Op. 57: Act I - Pizzicato
104 bpm • D Maj • 01:18 • -38db
35% Popularity • 38% Danceability • 1% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
35% Popularity • 38% Danceability • 1% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
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Carl Philipp Emanuel Bach
Solfeggietto in C minor, Wq. 117/2
122 bpm • F min • 01:16 • -26.68db
56% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
56% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
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Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Paul Dukas
L'Apprenti Sorcier
123 bpm • C# Maj • 10:39 • -21db
38% Popularity • 32% Danceability • 25% Energy • 26% Liveness
63% Instrumentalness • 10% Positiveness
38% Popularity • 32% Danceability • 25% Energy • 26% Liveness
63% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Flute Concerto No. 2 in D major, K.314/2...
123 bpm • D Maj • 05:45 • -18.76db
40% Popularity • 57% Danceability • 12% Energy • 24% Liveness
86% Instrumentalness • 66% Positiveness
40% Popularity • 57% Danceability • 12% Energy • 24% Liveness
86% Instrumentalness • 66% Positiveness
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Alexander Glazunov
Raymonda, Act I: Prelude et Variation
104 bpm • B Maj • 01:16 • -29db
35% Popularity • 40% Danceability • 4% Energy • 7% Liveness
96% Instrumentalness • 19% Positiveness
35% Popularity • 40% Danceability • 4% Energy • 7% Liveness
96% Instrumentalness • 19% Positiveness
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Carl Maria von Weber
Variations on a Theme from the Opera Sil...
123 bpm • A# Maj • 01:10 • -17.02db
48% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
48% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
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Fritz Kreisler
Schön Rosmarin
104 bpm • G Maj • 02:17 • -20.46db
30% Popularity • 50% Danceability • 15% Energy • 6% Liveness
19% Instrumentalness • 71% Positiveness
30% Popularity • 50% Danceability • 15% Energy • 6% Liveness
19% Instrumentalness • 71% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
123 bpm • F# min • 02:13 • -21.37db
45% Popularity • 57% Danceability • 9% Energy • 14% Liveness
77% Instrumentalness • 60% Positiveness
45% Popularity • 57% Danceability • 9% Energy • 14% Liveness
77% Instrumentalness • 60% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
52% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
52% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake Suite, Op. 20a: II. Waltz
103 bpm • A Maj • 06:59 • -15.19db
29% Popularity • 27% Danceability • 14% Energy • 9% Liveness
80% Instrumentalness • 15% Positiveness
29% Popularity • 27% Danceability • 14% Energy • 9% Liveness
80% Instrumentalness • 15% Positiveness
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Alexander Glazunov
Raymonda, Act III: Variation 4
103 bpm • D min • 02:26 • -29.45db
37% Popularity • 25% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 25% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Italian Polka
103 bpm • D# Maj • 02:09 • -27db
37% Popularity • 47% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
37% Popularity • 47% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
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Felix Mendelssohn
Symphony No. 3 in A Minor, Op. 56 "Scott...
124 bpm • A min • 09:40 • -16.82db
17% Popularity • 35% Danceability • 22% Energy • 7% Liveness
88% Instrumentalness • 20% Positiveness
17% Popularity • 35% Danceability • 22% Energy • 7% Liveness
88% Instrumentalness • 20% Positiveness
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Wolfgang Amadeus Mozart
Sonata for Piano and Violin in E Minor, ...
124 bpm • E min • 05:37 • -21.19db
52% Popularity • 35% Danceability • 12% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
52% Popularity • 35% Danceability • 12% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
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Johann Strauss II
Strauss II, J: Frühlingsstimmen, Op. 41...
103 bpm • A# Maj • 06:01 • -25.75db
37% Popularity • 27% Danceability • 4% Energy • 16% Liveness
80% Instrumentalness • 27% Positiveness
37% Popularity • 27% Danceability • 4% Energy • 16% Liveness
80% Instrumentalness • 27% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 1: N...
103 bpm • A Maj • 07:16 • -17.51db
47% Popularity • 25% Danceability • 10% Energy • 15% Liveness
83% Instrumentalness • 10% Positiveness
47% Popularity • 25% Danceability • 10% Energy • 15% Liveness
83% Instrumentalness • 10% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: III. The Young Pr...
103 bpm • G Maj • 09:54 • -31.17db
24% Popularity • 16% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
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Fritz Kreisler
Praeludium and Allegro
103 bpm • E min • 05:45 • -17.31db
32% Popularity • 39% Danceability • 25% Energy • 15% Liveness
66% Instrumentalness • 19% Positiveness
32% Popularity • 39% Danceability • 25% Energy • 15% Liveness
66% Instrumentalness • 19% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 3...
124 bpm • G# min • 00:52 • -41.7db
64% Popularity • 29% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 69% Positiveness
64% Popularity • 29% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 69% Positiveness
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Edward Elgar
Cello Concerto in E Minor, Op. 85: I. Ad...
102 bpm • E min • 08:13 • -21.03db
39% Popularity • 14% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 14. Fin...
102 bpm • C Maj • 01:53 • -15db
37% Popularity • 60% Danceability • 34% Energy • 8% Liveness
91% Instrumentalness • 61% Positiveness
37% Popularity • 60% Danceability • 34% Energy • 8% Liveness
91% Instrumentalness • 61% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 2: N...
124 bpm • D Maj • 03:19 • -19.08db
38% Popularity • 33% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
38% Popularity • 33% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
