Songs like Sweet Natural Girl by Emerson Drive
Based on a tempo of (+/- 10%) and a similar genre
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Keith Anderson
I Still Miss You
156 bpm • D# Maj • 03:55 • -5.39db
15% Popularity • 51% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 51% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Luke Bryan
I Know You're Gonna Be There
156 bpm • G# Maj • 03:36 • -4.45db
40% Popularity • 56% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 56% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Emerson Drive
Fishin' In The Dark
156 bpm • D Maj • 04:07 • -5db
29% Popularity • 57% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 57% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Deric Ruttan
That's How I Wanna Go Out
156 bpm • F Maj • 03:54 • -3.9db
16% Popularity • 38% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 38% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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SHeDAISY
Passenger Seat
156 bpm • A Maj • 03:25 • -3.23db
31% Popularity • 46% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 46% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
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Terri Clark
Emotional Girl
157 bpm • B Maj • 03:08 • -6.73db
31% Popularity • 62% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 62% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Craig Campbell
Family Man
156 bpm • B Maj • 03:39 • -7.08db
41% Popularity • 55% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 55% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Doc Walker
Country Girl
157 bpm • B Maj • 03:29 • -10.55db
1% Popularity • 45% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
1% Popularity • 45% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Chris Janson
Cut Me Some Slack
155 bpm • D Maj • 02:51 • -4db
26% Popularity • 64% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 64% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Jake Owen
Cherry On Top
154 bpm • A Maj • 03:37 • -4.55db
20% Popularity • 54% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 54% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Andy Griggs
How Cool Is That
157 bpm • B Maj • 03:12 • -6db
13% Popularity • 42% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 42% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Darius Rucker
History In The Making
158 bpm • C Maj • 03:29 • -6db
42% Popularity • 48% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 48% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Emerson Drive
Tilt-a-Whirl
154 bpm • F# Maj • 03:20 • -2.98db
6% Popularity • 56% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
6% Popularity • 56% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Ashton Shepherd
Sounds So Good
154 bpm • E Maj • 03:27 • -4db
34% Popularity • 52% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 52% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Lee Brice
Picture Of Me
154 bpm • A# min • 04:31 • -3.85db
32% Popularity • 45% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 45% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Toby Keith
Jacky Don Tucker
158 bpm • E Maj • 03:03 • -3.9db
27% Popularity • 55% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 55% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Kip Moore
Reckless (Still Growin' Up)
158 bpm • F# Maj • 04:36 • -5.93db
38% Popularity • 61% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 61% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Tebey
Jealous of the Sun
158 bpm • C# Maj • 03:14 • -4db
26% Popularity • 46% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 46% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Chase Bryant
Take it On Back
158 bpm • D Maj • 04:06 • -5.38db
40% Popularity • 56% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 56% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Aaron Lines
You Can't Hide Beautiful
158 bpm • F Maj • 03:50 • -9db
24% Popularity • 45% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 45% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Little Big Town
A Little More You
158 bpm • D# Maj • 04:25 • -7db
37% Popularity • 57% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 57% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Brett Kissel
Raise Your Glass
158 bpm • C Maj • 03:51 • -5db
24% Popularity • 56% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 56% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Doc Walker
I'm Gonna Make You Love Me
158 bpm • C Maj • 02:57 • -6.19db
17% Popularity • 57% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 57% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Darryl Worley
If Something Should Happen
159 bpm • E Maj • 04:39 • -9db
33% Popularity • 56% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 56% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Jake Owen
Settin' The World On Fire
160 bpm • E Maj • 03:47 • -3.82db
27% Popularity • 50% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 50% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Ronnie Dunn
Ain't No Trucks In Texas
152 bpm • G# Maj • 03:20 • -3.89db
35% Popularity • 39% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 39% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Halfway to Hazard
Daisy
160 bpm • F Maj • 05:36 • -4.16db
21% Popularity • 52% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 52% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Brett Kissel
Cool with That
152 bpm • A Maj • 03:49 • -4.74db
33% Popularity • 43% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 43% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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Crossin Dixon
Don't Waste Your Pretty
150 bpm • A# Maj • 02:49 • -3.31db
9% Popularity • 56% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 56% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Darryl Worley
Have You Forgotten?
160 bpm • G Maj • 04:02 • -5.98db
47% Popularity • 48% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 48% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Dierks Bentley
Five
162 bpm • D Maj • 04:45 • -6.64db
30% Popularity • 46% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 46% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Toby Keith
Lost You Anyway
150 bpm • F# min • 03:38 • -3.79db
30% Popularity • 40% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
30% Popularity • 40% Danceability • 74% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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Emerson Drive
Moon Shine
162 bpm • C Maj • 03:19 • -4.8db
4% Popularity • 52% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
4% Popularity • 52% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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James Barker Band
Lawn Chair Lazy
162 bpm • C# Maj • 03:16 • -5db
39% Popularity • 59% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
39% Popularity • 59% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Kip Moore
Dirt Road
150 bpm • C Maj • 03:23 • -5.21db
44% Popularity • 62% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
44% Popularity • 62% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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River Town Saints
A Little Bit Goes a Long Way
150 bpm • A Maj • 03:16 • -2.28db
24% Popularity • 58% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 58% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Cole Swindell
Dozen Roses & a Six-Pack
150 bpm • G# Maj • 04:29 • -4.01db
36% Popularity • 46% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 46% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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James Otto
The Man That I Am
150 bpm • F# min • 03:58 • -5.82db
15% Popularity • 55% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 55% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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James Wesley
Real
150 bpm • F Maj • 03:36 • -6.57db
21% Popularity • 38% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 38% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Lee Brice
Beautiful Every Time
150 bpm • B Maj • 03:30 • -4.53db
33% Popularity • 44% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 44% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Kip Moore
Faith When I Fall
150 bpm • F# Maj • 04:41 • -8db
33% Popularity • 49% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 49% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Darryl Worley
I Will Hold My Ground
163 bpm • A Maj • 04:03 • -5.26db
25% Popularity • 46% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 46% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Darius Rucker
Miss You
149 bpm • G# Maj • 04:01 • -7db
30% Popularity • 63% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 63% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Bobby Wills
Down By The River
164 bpm • C Maj • 03:45 • -4db
27% Popularity • 50% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 50% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Gretchen Wilson
Homewrecker
149 bpm • E Maj • 03:25 • -5.71db
41% Popularity • 50% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 50% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Emerson Drive
Lucky Man
164 bpm • G Maj • 03:36 • -6.41db
8% Popularity • 45% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 45% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Dustin Lynch
She Cranks My Tractor
164 bpm • G Maj • 03:08 • -4.14db
40% Popularity • 45% Danceability • 93% Energy • 46% Liveness
0% Instrumentalness • 84% Positiveness
40% Popularity • 45% Danceability • 93% Energy • 46% Liveness
0% Instrumentalness • 84% Positiveness
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Jamie O'Neal
Somebody's Hero
164 bpm • C# Maj • 03:41 • -6db
40% Popularity • 49% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 49% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Buddy Jewell
Sweet Southern Comfort
148 bpm • D Maj • 03:32 • -7db
48% Popularity • 50% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 50% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Old Dominion
Wake up Loving You
148 bpm • G# Maj • 03:48 • -8.2db
43% Popularity • 58% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 58% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Toby Keith
Love Me If You Can
148 bpm • F Maj • 03:36 • -6.26db
34% Popularity • 57% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 57% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Chuck Wicks
Us Again
148 bpm • C# Maj • 03:39 • -6.42db
25% Popularity • 50% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 50% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Keith Anderson
Lost In This Moment
148 bpm • A# Maj • 04:33 • -6db
1% Popularity • 49% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
1% Popularity • 49% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Andy Griggs
I Miss You The Most
148 bpm • D Maj • 03:09 • -7.46db
17% Popularity • 51% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 51% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Big & Rich
Lost in This Moment
148 bpm • B Maj • 03:30 • -7db
32% Popularity • 60% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 60% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Darius Rucker
I Got Nothin'
148 bpm • A Maj • 03:24 • -5.37db
40% Popularity • 55% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 55% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Brett Kissel
I Didn't Fall in Love with Your Hair
148 bpm • F Maj • 03:18 • -7.33db
31% Popularity • 42% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 42% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Brad Paisley
Anything Like Me
165 bpm • D Maj • 04:13 • -8.88db
37% Popularity • 53% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 53% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Trent Tomlinson
Just Might Have Her Radio On
165 bpm • D Maj • 03:38 • -5db
40% Popularity • 46% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
40% Popularity • 46% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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The Washboard Union
Head Over Heels
165 bpm • A# Maj • 03:16 • -4.35db
20% Popularity • 47% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 47% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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Steve Holy
Love Don't Run
147 bpm • C Maj • 03:39 • -3db
31% Popularity • 51% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 51% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Josh Turner
Everything Is Fine
166 bpm • D Maj • 03:34 • -6.65db
41% Popularity • 54% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
41% Popularity • 54% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Darius Rucker
She's Beautiful
166 bpm • E Maj • 04:05 • -6.13db
28% Popularity • 42% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 42% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Brad Paisley
Anything Like Me
165 bpm • D Maj • 04:28 • -9.24db
45% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
45% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Johnny Reid
You Still Own Me
166 bpm • D# Maj • 03:40 • -7.35db
15% Popularity • 49% Danceability • 75% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 49% Danceability • 75% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
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Phil Vassar
Just Another Day In Paradise
146 bpm • D Maj • 03:53 • -5.56db
56% Popularity • 60% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 60% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Emerson Drive
She Always Gets What She Wants
166 bpm • F# min • 03:55 • -3.96db
11% Popularity • 47% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 47% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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Chase Rice
How She Rolls
146 bpm • E Maj • 02:59 • -5.27db
24% Popularity • 46% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 46% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Jason Blaine
They Don't Make Em Like That Anymore
146 bpm • F Maj • 03:43 • -3.88db
27% Popularity • 46% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 46% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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LOCASH
Keep in Mind
146 bpm • A Maj • 03:47 • -4.42db
18% Popularity • 56% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 56% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Ronnie Dunn
That's Why They Make Jack Daniels
146 bpm • D# Maj • 03:23 • -5db
38% Popularity • 53% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 53% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Lee Brice
She Ain't Right
146 bpm • A Maj • 03:12 • -5db
39% Popularity • 47% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 47% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Jason McCoy
She's Good for Me
146 bpm • G Maj • 03:27 • -3.62db
14% Popularity • 52% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 52% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Toby Keith
She Never Cried in Front of Me
146 bpm • G Maj • 03:59 • -5db
46% Popularity • 46% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 46% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Big & Rich
Live This Life
146 bpm • E Maj • 04:24 • -4.45db
34% Popularity • 48% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 48% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Sugarland
Baby Girl - 3rd Version/Remix/Single Ver...
167 bpm • C# Maj • 03:59 • -3db
44% Popularity • 44% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 44% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Bryan White
Sittin' on Go
168 bpm • E Maj • 03:08 • -7.62db
28% Popularity • 56% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 56% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Phil Vassar
American Child
168 bpm • D Maj • 03:13 • -9.14db
22% Popularity • 40% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 40% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Emerson Drive
Still Got Yesterday
145 bpm • D Maj • 03:40 • -4.87db
16% Popularity • 60% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 60% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Andy Griggs
This I Gotta See
168 bpm • F# Maj • 03:46 • -6.44db
19% Popularity • 49% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 49% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Jason Blaine
Rock It Country Girl
168 bpm • A# Maj • 03:52 • -4.67db
16% Popularity • 46% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 46% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Jamie O'Neal
Trying To Find Atlantis
168 bpm • E Maj • 03:28 • -4.36db
29% Popularity • 61% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 61% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 79% Positiveness
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Luke Bryan
Goodbye Girl
145 bpm • E Maj • 02:38 • -8.25db
38% Popularity • 56% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 56% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Tim Hicks
She Don’t Drink Whiskey Anymore
144 bpm • A min • 03:03 • -5.18db
17% Popularity • 50% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 50% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Emerson Drive
You Still Own Me
168 bpm • C Maj • 03:53 • -5.56db
13% Popularity • 51% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 51% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Andy Griggs
If Heaven
145 bpm • E Maj • 03:30 • -9db
36% Popularity • 52% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 52% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Jake Owen
Something About A Woman
144 bpm • G Maj • 03:13 • -4.44db
28% Popularity • 52% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 52% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Dallas Smith
Jumped Right In
144 bpm • D# Maj • 03:57 • -3.4db
30% Popularity • 46% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 46% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Steve Azar
I Don't Have To Be Me ('Til Monday) - Si...
169 bpm • G# Maj • 03:16 • -4db
46% Popularity • 50% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
46% Popularity • 50% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Blaine Larsen
Teaching Me How To Love You
144 bpm • C Maj • 02:49 • -5db
15% Popularity • 57% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 57% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Emerson Drive
A Good Man
168 bpm • C# Maj • 03:04 • -6db
28% Popularity • 53% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 53% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Joe Nichols
I'll Wait For You
144 bpm • A Maj • 04:07 • -9db
41% Popularity • 46% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 46% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Big & Rich
8th of November
169 bpm • D Maj • 04:58 • -2.67db
44% Popularity • 26% Danceability • 73% Energy • 44% Liveness
0% Instrumentalness • 28% Positiveness
44% Popularity • 26% Danceability • 73% Energy • 44% Liveness
0% Instrumentalness • 28% Positiveness
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Lee Brice
Good Man
144 bpm • G# min • 03:24 • -9.54db
35% Popularity • 52% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 52% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Josh Turner
All Over Me
170 bpm • C# Maj • 03:19 • -7db
47% Popularity • 55% Danceability • 78% Energy • 19% Liveness
1% Instrumentalness • 89% Positiveness
47% Popularity • 55% Danceability • 78% Energy • 19% Liveness
1% Instrumentalness • 89% Positiveness
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Blaine Larsen
The Best Man
144 bpm • D Maj • 03:27 • -4.39db
16% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Brett Kissel
Airwaves
170 bpm • G# Maj • 03:29 • -5db
37% Popularity • 50% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 50% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Emerson Drive
Let It Roll
170 bpm • C# Maj • 03:59 • -4.29db
12% Popularity • 52% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 52% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
