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Sweet Tears
Songs like
Sweet Tears
by
Roy Ayers Ubiquity
Based on a tempo of (+/- 10%) and a similar genre
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Gil Scott-Heron
When You Are Who You Are
125 bpm • A# Maj • 03:22 • -9db
39% Popularity • 65% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Roy Ayers Ubiquity
Sweet Tears
125 bpm • D min • 03:32 • -15db
20% Popularity • 50% Danceability • 56% Energy • 9% Liveness
24% Instrumentalness • 27% Positiveness
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Monk Montgomery
Reality
124 bpm • A# Maj • 05:40 • -14.86db
11% Popularity • 45% Danceability • 48% Energy • 8% Liveness
79% Instrumentalness • 49% Positiveness
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Andy Bey
Rosemary Blue
124 bpm • F min • 03:22 • -12.26db
8% Popularity • 55% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Azymuth
Estreito De Taruma
124 bpm • C min • 04:18 • -18.44db
32% Popularity • 71% Danceability • 35% Energy • 6% Liveness
90% Instrumentalness • 94% Positiveness
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Ronnie Laws
Stay Still
126 bpm • G min • 07:24 • -8.55db
15% Popularity • 40% Danceability • 54% Energy • 53% Liveness
35% Instrumentalness • 44% Positiveness
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RAMP
Give It
126 bpm • B min • 04:42 • -10.35db
12% Popularity • 71% Danceability • 69% Energy • 9% Liveness
13% Instrumentalness • 81% Positiveness
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Roy Ayers Ubiquity
It Ain't Your Sign It's Your Mind
124 bpm • F Maj • 03:28 • -12.61db
24% Popularity • 63% Danceability • 78% Energy • 9% Liveness
18% Instrumentalness • 77% Positiveness
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Gil Scott-Heron
Combinations
124 bpm • A min • 03:39 • -17.41db
24% Popularity • 58% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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Leon Thomas
Just in Time to See the Sun
124 bpm • C# Maj • 02:56 • -15db
16% Popularity • 56% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Little Beaver
A Tribute To Wes
124 bpm • G Maj • 03:59 • -6.47db
24% Popularity • 59% Danceability • 76% Energy • 6% Liveness
1% Instrumentalness • 78% Positiveness
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Ronnie Laws
Momma
126 bpm • B min • 04:23 • -13.75db
15% Popularity • 39% Danceability • 92% Energy • 7% Liveness
60% Instrumentalness • 28% Positiveness
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Idris Muhammad
The Saddest Thing
123 bpm • A Maj • 07:06 • -12.95db
20% Popularity • 56% Danceability • 46% Energy • 12% Liveness
94% Instrumentalness • 31% Positiveness
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Roy Ayers Ubiquity
Hey, Uh, What You Say Come On
126 bpm • C min • 03:45 • -11.46db
28% Popularity • 45% Danceability • 92% Energy • 7% Liveness
2% Instrumentalness • 71% Positiveness
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Gil Scott-Heron
You Could Be My Brother
126 bpm • F Maj • 06:22 • -17.21db
16% Popularity • 69% Danceability • 20% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
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Eddie Kendricks
Date With The Rain
123 bpm • A Maj • 02:40 • -12.35db
38% Popularity • 62% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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David Axelrod
Don't You Worry 'Bout A Thing
127 bpm • C min • 03:42 • -11.39db
26% Popularity • 64% Danceability • 60% Energy • 13% Liveness
66% Instrumentalness • 66% Positiveness
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Horace Silver
I've Had A Little Talk
123 bpm • F# Maj • 03:49 • -6.09db
26% Popularity • 59% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Black Ivory
You and I
127 bpm • D# Maj • 07:04 • -8.17db
22% Popularity • 34% Danceability • 54% Energy • 44% Liveness
18% Instrumentalness • 23% Positiveness
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Roy Ayers Ubiquity
The Third Eye
123 bpm • F min • 06:21 • -15.44db
38% Popularity • 71% Danceability • 46% Energy • 11% Liveness
3% Instrumentalness • 71% Positiveness
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Earth, Wind & Fire
Caribou
123 bpm • F Maj • 03:25 • -11.35db
13% Popularity • 48% Danceability • 73% Energy • 35% Liveness
72% Instrumentalness • 87% Positiveness
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Little Beaver
Party Down - Pt. 1
127 bpm • F min • 03:16 • -14db
40% Popularity • 78% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Tom Browne
Martha
122 bpm • D Maj • 03:39 • -6.79db
12% Popularity • 64% Danceability • 84% Energy • 17% Liveness
18% Instrumentalness • 56% Positiveness
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Herbie Hancock
Come Running to Me
122 bpm • D min • 08:24 • -14.87db
30% Popularity • 56% Danceability • 36% Energy • 12% Liveness
26% Instrumentalness • 50% Positiveness
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Donald Byrd
Love's So Far Away
128 bpm • F min • 06:03 • -10.89db
27% Popularity • 59% Danceability • 86% Energy • 9% Liveness
80% Instrumentalness • 97% Positiveness
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Roy Ayers Ubiquity
I Don't Know How To Love Him
127 bpm • G Maj • 04:02 • -18.91db
16% Popularity • 25% Danceability • 22% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
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Mandrill
Hang Loose
128 bpm • G min • 04:48 • -11db
18% Popularity • 54% Danceability • 80% Energy • 12% Liveness
16% Instrumentalness • 94% Positiveness
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Little Beaver
Party Down - Pt. 2
128 bpm • F min • 03:34 • -15db
29% Popularity • 82% Danceability • 43% Energy • 11% Liveness
60% Instrumentalness • 95% Positiveness
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Minnie Riperton
Every Time He Comes Around
128 bpm • G min • 03:54 • -10.07db
40% Popularity • 66% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Ronnie Foster
Happy Song
121 bpm • C Maj • 04:26 • -13.95db
11% Popularity • 72% Danceability • 64% Energy • 31% Liveness
9% Instrumentalness • 88% Positiveness
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Milton Wright
Brother & Sisters
129 bpm • C Maj • 03:16 • -8.01db
30% Popularity • 67% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Pharoah Sanders
As You Are
129 bpm • G# min • 05:08 • -11db
25% Popularity • 35% Danceability • 40% Energy • 58% Liveness
0% Instrumentalness • 24% Positiveness
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Tarika Blue
Love It
121 bpm • A min • 03:55 • -12.4db
21% Popularity • 41% Danceability • 54% Energy • 31% Liveness
8% Instrumentalness • 36% Positiveness
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Dexter Wansel
You Can Be What You Wanna Be
121 bpm • A min • 05:03 • -7.64db
17% Popularity • 74% Danceability • 64% Energy • 15% Liveness
6% Instrumentalness • 87% Positiveness
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Don Blackman
Since You Been Away So Long
129 bpm • B min • 05:14 • -13.01db
19% Popularity • 69% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Roy Ayers Ubiquity
Cincinnati Growl
121 bpm • G# min • 03:54 • -12.92db
14% Popularity • 76% Danceability • 65% Energy • 6% Liveness
18% Instrumentalness • 91% Positiveness
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O'Donel Levy
I Believe In Miracles
121 bpm • C min • 05:48 • -8.49db
13% Popularity • 55% Danceability • 49% Energy • 7% Liveness
73% Instrumentalness • 40% Positiveness
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Rodney Franklin
Endless Flight
129 bpm • C# min • 04:52 • -13.77db
17% Popularity • 46% Danceability • 66% Energy • 47% Liveness
11% Instrumentalness • 48% Positiveness
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Tarika Blue
Truth Is The Key
130 bpm • D min • 06:49 • -14.2db
28% Popularity • 60% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Starcrost
Quicksand
120 bpm • C min • 05:04 • -6.67db
28% Popularity • 55% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Sun
Time Is Passing
120 bpm • F min • 07:11 • -14.43db
14% Popularity • 59% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Roy Ayers Ubiquity
It's So Sweet
129 bpm • G Maj • 04:23 • -14.52db
8% Popularity • 45% Danceability • 61% Energy • 8% Liveness
79% Instrumentalness • 63% Positiveness
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Milton Wright
Friends & Buddies
120 bpm • E min • 03:22 • -6.93db
35% Popularity • 70% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The New Birth
Do It Again
130 bpm • A min • 04:39 • -10.5db
15% Popularity • 40% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Harris & Orr
Spread Love
120 bpm • G min • 05:25 • -13.15db
9% Popularity • 48% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
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Gil Scott-Heron
The Klan
120 bpm • D min • 04:48 • -15.13db
21% Popularity • 78% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Gene Harris
Green River
130 bpm • B min • 03:04 • -9.44db
28% Popularity • 63% Danceability • 85% Energy • 12% Liveness
62% Instrumentalness • 92% Positiveness
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Roy Ayers Ubiquity
This Side Of Sunshine
130 bpm • C# Maj • 03:16 • -13db
26% Popularity • 35% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
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Jack McDuff
Ju Ju
120 bpm • C# min • 06:30 • -12.85db
9% Popularity • 71% Danceability • 62% Energy • 10% Liveness
72% Instrumentalness • 67% Positiveness
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Charles Earland
I Will Never Tell
131 bpm • E min • 06:14 • -8.88db
8% Popularity • 57% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Dexter Wansel
Together Once Again
131 bpm • F Maj • 04:22 • -9.78db
13% Popularity • 37% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Gil Scott-Heron
The Middle of Your Day
131 bpm • G Maj • 04:32 • -9.66db
19% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Pharoah Sanders
Love Is Here
131 bpm • D# Maj • 04:42 • -11.68db
25% Popularity • 43% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
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Roy Ayers Ubiquity
Evolution
130 bpm • G# Maj • 04:36 • -12.71db
14% Popularity • 46% Danceability • 86% Energy • 5% Liveness
21% Instrumentalness • 82% Positiveness
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Tarika Blue
You'll Be With Me
132 bpm • A min • 07:10 • -13.09db
18% Popularity • 47% Danceability • 51% Energy • 6% Liveness
15% Instrumentalness • 60% Positiveness
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James Mason
Free
132 bpm • A# Maj • 03:43 • -9.04db
19% Popularity • 69% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Little Beaver
Let's Stick Together
119 bpm • B min • 05:05 • -17.73db
20% Popularity • 76% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Idris Muhammad
Super Bad
119 bpm • C Maj • 05:29 • -12.71db
23% Popularity • 71% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Johnny "Guitar" Watson
It’s All About You
119 bpm • G min • 04:05 • -8.89db
19% Popularity • 52% Danceability • 45% Energy • 43% Liveness
0% Instrumentalness • 20% Positiveness
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Roy Ayers Ubiquity
The Golden Rod
131 bpm • F Maj • 03:03 • -13.21db
27% Popularity • 49% Danceability • 77% Energy • 29% Liveness
10% Instrumentalness • 85% Positiveness
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Eddie Kendricks
Then Came You
132 bpm • F min • 07:40 • -12.95db
13% Popularity • 55% Danceability • 53% Energy • 11% Liveness
33% Instrumentalness • 70% Positiveness
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Tom Browne
Come For the Ride
119 bpm • E min • 04:44 • -7.9db
15% Popularity • 69% Danceability • 79% Energy • 3% Liveness
40% Instrumentalness • 83% Positiveness
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Brief Encounter
Good Thing, Bad Thing
118 bpm • F# min • 04:13 • -11.86db
13% Popularity • 61% Danceability • 56% Energy • 10% Liveness
3% Instrumentalness • 79% Positiveness
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Idris Muhammad
I’m A Believer
119 bpm • C Maj • 05:18 • -15.31db
19% Popularity • 62% Danceability • 41% Energy • 15% Liveness
1% Instrumentalness • 64% Positiveness
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Cleveland Eaton
All Your Lover, All Day, All Night
118 bpm • C min • 09:28 • -16.04db
11% Popularity • 76% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Milton Wright
Get No Lovin' Tonight
118 bpm • B min • 03:59 • -7db
33% Popularity • 70% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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Dexter Wansel
Life on Mars
118 bpm • G Maj • 05:49 • -9.87db
32% Popularity • 64% Danceability • 86% Energy • 31% Liveness
56% Instrumentalness • 35% Positiveness
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Judy Roberts
Never Was Love
118 bpm • E min • 04:04 • -15.05db
13% Popularity • 44% Danceability • 68% Energy • 10% Liveness
3% Instrumentalness • 70% Positiveness
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Roy Ayers Ubiquity
Fruit
117 bpm • C Maj • 03:52 • -11.32db
11% Popularity • 88% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Gene Harris
Love Talkin'
133 bpm • D Maj • 04:49 • -13db
25% Popularity • 33% Danceability • 60% Energy • 10% Liveness
77% Instrumentalness • 31% Positiveness
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Donald Byrd
Lansana's Priestess
117 bpm • C Maj • 07:39 • -9db
33% Popularity • 48% Danceability • 88% Energy • 38% Liveness
34% Instrumentalness • 89% Positiveness
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Milton Wright
Po' Man
118 bpm • A Maj • 06:27 • -5.44db
17% Popularity • 74% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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Syreeta
Black Maybe
117 bpm • F# Maj • 04:34 • -10db
26% Popularity • 36% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Rufus
Somebody's Watching You
117 bpm • B min • 03:10 • -11.16db
26% Popularity • 62% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Roy Ayers Ubiquity
Brother Green (The Disco King)
118 bpm • F Maj • 05:43 • -12.08db
15% Popularity • 58% Danceability • 78% Energy • 11% Liveness
21% Instrumentalness • 87% Positiveness
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Pleasure
Ghettos Of The Mind
116 bpm • F Maj • 05:06 • -11.47db
19% Popularity • 47% Danceability • 68% Energy • 13% Liveness
38% Instrumentalness • 72% Positiveness
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Lamont Dozier
Rose
134 bpm • F# min • 04:12 • -9.07db
17% Popularity • 40% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Milton Wright
Black Man
118 bpm • D Maj • 04:15 • -6.81db
19% Popularity • 57% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Twennynine
Best of Friends
116 bpm • C Maj • 03:52 • -9.91db
17% Popularity • 69% Danceability • 75% Energy • 28% Liveness
10% Instrumentalness • 76% Positiveness
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Sky's The Limit
Don’t Be Afraid - Instrumental
116 bpm • E min • 03:41 • -12.3db
8% Popularity • 47% Danceability • 58% Energy • 11% Liveness
70% Instrumentalness • 81% Positiveness
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Roy Ayers Ubiquity
Stranded In The Jungle
133 bpm • D Maj • 04:00 • -12.71db
10% Popularity • 65% Danceability • 59% Energy • 23% Liveness
10% Instrumentalness • 94% Positiveness
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Fatback Band
Groovy Kind of Day
116 bpm • F Maj • 05:08 • -8.76db
13% Popularity • 67% Danceability • 70% Energy • 66% Liveness
0% Instrumentalness • 52% Positiveness
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Ronnie McNeir
Extra Extra
116 bpm • G# Maj • 04:47 • -12.79db
13% Popularity • 62% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Milton Wright
Leave Me Alone
117 bpm • E min • 03:41 • -9.89db
25% Popularity • 77% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Gil Scott-Heron
Is That Jazz?
135 bpm • G# min • 03:44 • -12.43db
32% Popularity • 62% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Jon Lucien
Rashida
135 bpm • B min • 06:09 • -16.49db
16% Popularity • 30% Danceability • 24% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
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Roy Ayers Ubiquity
He's A Superstar
117 bpm • G min • 05:37 • -14.34db
18% Popularity • 61% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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La Mont Zeno Theatre
Black Land of the Nile
135 bpm • B min • 02:56 • -9.04db
9% Popularity • 45% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Air
Baby I Don't Know Where Love
135 bpm • F Maj • 04:32 • -11.31db
18% Popularity • 48% Danceability • 59% Energy • 15% Liveness
1% Instrumentalness • 70% Positiveness
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Pharoah Sanders
Pharomba
135 bpm • G# Maj • 04:31 • -10db
20% Popularity • 49% Danceability • 86% Energy • 7% Liveness
19% Instrumentalness • 59% Positiveness
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Donald Byrd
Woman Of The World
115 bpm • F Maj • 06:51 • -10.53db
32% Popularity • 68% Danceability • 53% Energy • 38% Liveness
21% Instrumentalness • 38% Positiveness
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Jon Lucien
Lady Love
135 bpm • C min • 04:59 • -15.12db
23% Popularity • 32% Danceability • 28% Energy • 11% Liveness
64% Instrumentalness • 45% Positiveness
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Gil Scott-Heron
Morning Thoughts
115 bpm • E min • 04:40 • -14.56db
26% Popularity • 51% Danceability • 40% Energy • 36% Liveness
31% Instrumentalness • 24% Positiveness
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Roy Ayers Ubiquity
Love From The Sun
134 bpm • F# min • 02:43 • -13.68db
19% Popularity • 57% Danceability • 49% Energy • 15% Liveness
1% Instrumentalness • 59% Positiveness
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Gene Harris
If You Can't Find Love Let Love Find You
115 bpm • D Maj • 06:13 • -11.99db
9% Popularity • 70% Danceability • 61% Energy • 7% Liveness
12% Instrumentalness • 67% Positiveness
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Ronnie Foster
Easier Said Than Done
115 bpm • C Maj • 04:44 • -11.93db
15% Popularity • 60% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Les McCann
Sometimes I Cry
136 bpm • F# Maj • 05:22 • -15.44db
33% Popularity • 48% Danceability • 26% Energy • 10% Liveness
80% Instrumentalness • 54% Positiveness
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Mandrill
Cohelo
115 bpm • G Maj • 01:45 • -8.64db
37% Popularity • 74% Danceability • 53% Energy • 45% Liveness
76% Instrumentalness • 87% Positiveness
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Little Beaver
Get into the Party Life
136 bpm • G min • 04:08 • -15db
40% Popularity • 78% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Roy Ayers Ubiquity
Running Away
116 bpm • A# min • 03:57 • -12.26db
30% Popularity • 84% Danceability • 54% Energy • 2% Liveness
0% Instrumentalness • 86% Positiveness
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Sweet Tears