Songs like Symmetrical by Rozi Plain
Based on a tempo of (+/- 10%) and a similar genre
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MEMORIALS
It's In Our Hands
90 bpm • A min • 03:32 • -7.03db
23% Popularity • 45% Danceability • 87% Energy • 30% Liveness
4% Instrumentalness • 87% Positiveness
23% Popularity • 45% Danceability • 87% Energy • 30% Liveness
4% Instrumentalness • 87% Positiveness
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Carla dal Forno
Come Around
90 bpm • F# Maj • 03:02 • -10.68db
35% Popularity • 82% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 82% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Modern Cosmology
A Time To Blossom
90 bpm • A min • 07:18 • -8.44db
29% Popularity • 69% Danceability • 71% Energy • 12% Liveness
55% Instrumentalness • 65% Positiveness
29% Popularity • 69% Danceability • 71% Energy • 12% Liveness
55% Instrumentalness • 65% Positiveness
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Cate Le Bon
French Boys
90 bpm • G Maj • 05:14 • -8.89db
23% Popularity • 57% Danceability • 45% Energy • 14% Liveness
64% Instrumentalness • 44% Positiveness
23% Popularity • 57% Danceability • 45% Energy • 14% Liveness
64% Instrumentalness • 44% Positiveness
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Rahill
I Smile for E
90 bpm • F Maj • 03:08 • -6.07db
36% Popularity • 69% Danceability • 60% Energy • 52% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 69% Danceability • 60% Energy • 52% Liveness
0% Instrumentalness • 62% Positiveness
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This Is The Kit
Inside Outside
90 bpm • E min • 03:33 • -12.25db
30% Popularity • 68% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 68% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Aoife Nessa Frances
Back to Earth
90 bpm • F Maj • 04:38 • -8.77db
2% Popularity • 34% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
2% Popularity • 34% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Maria Somerville
Kinky Love
90 bpm • B Maj • 04:00 • -7.91db
19% Popularity • 53% Danceability • 74% Energy • 14% Liveness
14% Instrumentalness • 66% Positiveness
19% Popularity • 53% Danceability • 74% Energy • 14% Liveness
14% Instrumentalness • 66% Positiveness
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Luke Temple
Given Our Good Life
89 bpm • B Maj • 05:58 • -15.78db
10% Popularity • 39% Danceability • 45% Energy • 10% Liveness
88% Instrumentalness • 42% Positiveness
10% Popularity • 39% Danceability • 45% Energy • 10% Liveness
88% Instrumentalness • 42% Positiveness
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Bullion
Thirty Two
91 bpm • C Maj • 02:30 • -12.84db
30% Popularity • 59% Danceability • 58% Energy • 6% Liveness
87% Instrumentalness • 80% Positiveness
30% Popularity • 59% Danceability • 58% Energy • 6% Liveness
87% Instrumentalness • 80% Positiveness
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Rahill
Gone Astray
90 bpm • F Maj • 03:21 • -9.6db
28% Popularity • 60% Danceability • 42% Energy • 10% Liveness
37% Instrumentalness • 38% Positiveness
28% Popularity • 60% Danceability • 42% Energy • 10% Liveness
37% Instrumentalness • 38% Positiveness
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This Is The Kit
Two Wooden Spoons
90 bpm • G Maj • 02:48 • -19.57db
48% Popularity • 48% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 52% Positiveness
48% Popularity • 48% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 52% Positiveness
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Rozi Plain
Quarry
90 bpm • E Maj • 04:24 • -13.95db
8% Popularity • 37% Danceability • 22% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
8% Popularity • 37% Danceability • 22% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
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Vanishing Twin
Afternoon X
91 bpm • G# Maj • 04:06 • -8.74db
33% Popularity • 62% Danceability • 74% Energy • 13% Liveness
91% Instrumentalness • 81% Positiveness
33% Popularity • 62% Danceability • 74% Energy • 13% Liveness
91% Instrumentalness • 81% Positiveness
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Modern Nature
Dunes
92 bpm • F Maj • 03:56 • -12.08db
10% Popularity • 51% Danceability • 40% Energy • 15% Liveness
15% Instrumentalness • 34% Positiveness
10% Popularity • 51% Danceability • 40% Energy • 15% Liveness
15% Instrumentalness • 34% Positiveness
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Lael Neale
For No One For Now
91 bpm • D Maj • 04:30 • -3.13db
26% Popularity • 57% Danceability • 86% Energy • 6% Liveness
22% Instrumentalness • 82% Positiveness
26% Popularity • 57% Danceability • 86% Energy • 6% Liveness
22% Instrumentalness • 82% Positiveness
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Blake Mills
There Is No Now
88 bpm • G min • 02:19 • -16.46db
32% Popularity • 68% Danceability • 19% Energy • 14% Liveness
37% Instrumentalness • 33% Positiveness
32% Popularity • 68% Danceability • 19% Energy • 14% Liveness
37% Instrumentalness • 33% Positiveness
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Naima Bock
Working
88 bpm • A min • 02:49 • -8.87db
16% Popularity • 48% Danceability • 40% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
16% Popularity • 48% Danceability • 40% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Rozi Plain
Stolen Shark
91 bpm • D Maj • 03:41 • -10.99db
8% Popularity • 59% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 59% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Loma
Thorn
88 bpm • D Maj • 04:54 • -17.93db
17% Popularity • 50% Danceability • 23% Energy • 38% Liveness
25% Instrumentalness • 7% Positiveness
17% Popularity • 50% Danceability • 23% Energy • 38% Liveness
25% Instrumentalness • 7% Positiveness
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Jenny Hval
Year of Love
92 bpm • G min • 04:13 • -9.23db
30% Popularity • 67% Danceability • 54% Energy • 13% Liveness
2% Instrumentalness • 60% Positiveness
30% Popularity • 67% Danceability • 54% Energy • 13% Liveness
2% Instrumentalness • 60% Positiveness
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Macie Stewart
Tone Pome
92 bpm • E Maj • 01:55 • -14.37db
19% Popularity • 57% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 11% Positiveness
19% Popularity • 57% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 11% Positiveness
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Vanishing Twin
The Conservation of Energy
92 bpm • G Maj • 04:13 • -6.44db
34% Popularity • 47% Danceability • 64% Energy • 13% Liveness
61% Instrumentalness • 26% Positiveness
34% Popularity • 47% Danceability • 64% Energy • 13% Liveness
61% Instrumentalness • 26% Positiveness
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Alabaster DePlume
The Sound of My Feet on This Earth Is a ...
92 bpm • D# min • 03:07 • -12.29db
31% Popularity • 19% Danceability • 35% Energy • 12% Liveness
95% Instrumentalness • 24% Positiveness
31% Popularity • 19% Danceability • 35% Energy • 12% Liveness
95% Instrumentalness • 24% Positiveness
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Rahill
Bended Light
88 bpm • C# min • 02:23 • -10.96db
29% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Anna B Savage
Since We Broke Up
92 bpm • G Maj • 04:39 • -11.75db
7% Popularity • 52% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 52% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Lael Neale
I Am The River
92 bpm • D Maj • 03:32 • -5.93db
36% Popularity • 51% Danceability • 83% Energy • 20% Liveness
74% Instrumentalness • 56% Positiveness
36% Popularity • 51% Danceability • 83% Energy • 20% Liveness
74% Instrumentalness • 56% Positiveness
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Ora Cogan
Feel Life
93 bpm • G min • 03:51 • -8.87db
33% Popularity • 46% Danceability • 64% Energy • 13% Liveness
70% Instrumentalness • 32% Positiveness
33% Popularity • 46% Danceability • 64% Energy • 13% Liveness
70% Instrumentalness • 32% Positiveness
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Rozi Plain
Actually
92 bpm • D Maj • 03:04 • -9.68db
23% Popularity • 53% Danceability • 53% Energy • 8% Liveness
16% Instrumentalness • 64% Positiveness
23% Popularity • 53% Danceability • 53% Energy • 8% Liveness
16% Instrumentalness • 64% Positiveness
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Vanishing Twin
Marbles
93 bpm • G# Maj • 06:17 • -10.02db
23% Popularity • 81% Danceability • 48% Energy • 13% Liveness
89% Instrumentalness • 64% Positiveness
23% Popularity • 81% Danceability • 48% Energy • 13% Liveness
89% Instrumentalness • 64% Positiveness
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Rahill
Hesitations
93 bpm • B Maj • 03:18 • -7.93db
24% Popularity • 60% Danceability • 55% Energy • 21% Liveness
55% Instrumentalness • 49% Positiveness
24% Popularity • 60% Danceability • 55% Energy • 21% Liveness
55% Instrumentalness • 49% Positiveness
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Carla dal Forno
Side By Side
93 bpm • C# Maj • 03:19 • -13.65db
28% Popularity • 69% Danceability • 29% Energy • 38% Liveness
3% Instrumentalness • 27% Positiveness
28% Popularity • 69% Danceability • 29% Energy • 38% Liveness
3% Instrumentalness • 27% Positiveness
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Jana Horn
Love In Return
87 bpm • C Maj • 03:09 • -14.57db
11% Popularity • 67% Danceability • 35% Energy • 13% Liveness
34% Instrumentalness • 13% Positiveness
11% Popularity • 67% Danceability • 35% Energy • 13% Liveness
34% Instrumentalness • 13% Positiveness
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Ishmael Ensemble
Visions of Light
87 bpm • F# Maj • 02:46 • -16.42db
42% Popularity • 24% Danceability • 45% Energy • 17% Liveness
76% Instrumentalness • 62% Positiveness
42% Popularity • 24% Danceability • 45% Energy • 17% Liveness
76% Instrumentalness • 62% Positiveness
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Rozi Plain
Marshes
93 bpm • D Maj • 04:16 • -11.35db
8% Popularity • 41% Danceability • 23% Energy • 11% Liveness
6% Instrumentalness • 6% Positiveness
8% Popularity • 41% Danceability • 23% Energy • 11% Liveness
6% Instrumentalness • 6% Positiveness
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Loma
Who Is Speaking?
86 bpm • F Maj • 02:14 • -15db
33% Popularity • 21% Danceability • 24% Energy • 20% Liveness
64% Instrumentalness • 9% Positiveness
33% Popularity • 21% Danceability • 24% Energy • 20% Liveness
64% Instrumentalness • 9% Positiveness
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Lewsberg
The Corner
94 bpm • G min • 03:14 • -14.46db
38% Popularity • 78% Danceability • 44% Energy • 9% Liveness
91% Instrumentalness • 85% Positiveness
38% Popularity • 78% Danceability • 44% Energy • 9% Liveness
91% Instrumentalness • 85% Positiveness
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Jane Weaver
The Revolution of Super Visions
94 bpm • F# Maj • 05:01 • -7.62db
32% Popularity • 74% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 74% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Rahill
Futbol
94 bpm • G min • 03:32 • -9.07db
38% Popularity • 70% Danceability • 70% Energy • 14% Liveness
60% Instrumentalness • 47% Positiveness
38% Popularity • 70% Danceability • 70% Energy • 14% Liveness
60% Instrumentalness • 47% Positiveness
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Lael Neale
For No One For Now (U.S. Girls Remix)
94 bpm • D Maj • 02:58 • -11.55db
29% Popularity • 78% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 78% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Naima Bock
Campervan
86 bpm • A min • 05:18 • -9.48db
18% Popularity • 19% Danceability • 29% Energy • 9% Liveness
26% Instrumentalness • 15% Positiveness
18% Popularity • 19% Danceability • 29% Energy • 9% Liveness
26% Instrumentalness • 15% Positiveness
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Andre Ethier
Doodah Man
95 bpm • C# Maj • 02:06 • -18.09db
34% Popularity • 71% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 71% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Lewsberg
Angle Of Reflection
94 bpm • E Maj • 03:14 • -12.23db
24% Popularity • 46% Danceability • 49% Energy • 14% Liveness
71% Instrumentalness • 24% Positiveness
24% Popularity • 46% Danceability • 49% Energy • 14% Liveness
71% Instrumentalness • 24% Positiveness
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This Is The Kit
Coming to Get You Nowhere
95 bpm • G Maj • 03:20 • -11db
39% Popularity • 69% Danceability • 52% Energy • 13% Liveness
38% Instrumentalness • 86% Positiveness
39% Popularity • 69% Danceability • 52% Energy • 13% Liveness
38% Instrumentalness • 86% Positiveness
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Gwenno
Porth Ia
95 bpm • C Maj • 03:44 • -13.43db
10% Popularity • 50% Danceability • 43% Energy • 58% Liveness
30% Instrumentalness • 21% Positiveness
10% Popularity • 50% Danceability • 43% Energy • 58% Liveness
30% Instrumentalness • 21% Positiveness
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Jana Horn
Changing Lines
95 bpm • F Maj • 02:26 • -11.7db
13% Popularity • 72% Danceability • 22% Energy • 12% Liveness
67% Instrumentalness • 14% Positiveness
13% Popularity • 72% Danceability • 22% Energy • 12% Liveness
67% Instrumentalness • 14% Positiveness
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Jonnine
Portrait
95 bpm • C# Maj • 02:17 • -17.01db
25% Popularity • 58% Danceability • 13% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
25% Popularity • 58% Danceability • 13% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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Andre Ethier
Nature Compels Me
95 bpm • C# Maj • 05:09 • -18.18db
32% Popularity • 82% Danceability • 19% Energy • 7% Liveness
2% Instrumentalness • 62% Positiveness
32% Popularity • 82% Danceability • 19% Energy • 7% Liveness
2% Instrumentalness • 62% Positiveness
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Alabaster DePlume
Don’t Forget You’re Precious
95 bpm • F min • 03:41 • -12db
29% Popularity • 50% Danceability • 48% Energy • 20% Liveness
48% Instrumentalness • 38% Positiveness
29% Popularity • 50% Danceability • 48% Energy • 20% Liveness
48% Instrumentalness • 38% Positiveness
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David Kitt
Wishing Well
85 bpm • A# Maj • 04:15 • -10db
12% Popularity • 64% Danceability • 57% Energy • 26% Liveness
28% Instrumentalness • 34% Positiveness
12% Popularity • 64% Danceability • 57% Energy • 26% Liveness
28% Instrumentalness • 34% Positiveness
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Vanishing Twin
Big Moonlight (Ookii Gekkou)
85 bpm • E Maj • 04:50 • -11db
28% Popularity • 32% Danceability • 61% Energy • 50% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 32% Danceability • 61% Energy • 50% Liveness
0% Instrumentalness • 47% Positiveness
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Macie Stewart
Where We Live
96 bpm • G# Maj • 03:32 • -14.16db
12% Popularity • 27% Danceability • 13% Energy • 34% Liveness
3% Instrumentalness • 4% Positiveness
12% Popularity • 27% Danceability • 13% Energy • 34% Liveness
3% Instrumentalness • 4% Positiveness
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Jane Weaver
Lux
96 bpm • F Maj • 01:28 • -13.27db
27% Popularity • 19% Danceability • 50% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
27% Popularity • 19% Danceability • 50% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
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Aoife Nessa Frances
This Still Life
96 bpm • E min • 04:31 • -8db
1% Popularity • 32% Danceability • 50% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
1% Popularity • 32% Danceability • 50% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
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Astrel K
Is It It Or Is It i?
96 bpm • C Maj • 05:56 • -5.85db
17% Popularity • 45% Danceability • 57% Energy • 9% Liveness
18% Instrumentalness • 46% Positiveness
17% Popularity • 45% Danceability • 57% Energy • 9% Liveness
18% Instrumentalness • 46% Positiveness
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Ora Cogan
Cowgirl
96 bpm • G Maj • 02:49 • -13.43db
46% Popularity • 73% Danceability • 41% Energy • 12% Liveness
44% Instrumentalness • 75% Positiveness
46% Popularity • 73% Danceability • 41% Energy • 12% Liveness
44% Instrumentalness • 75% Positiveness
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Shana Cleveland
Don't Let Me Sleep
84 bpm • B min • 03:20 • -12.33db
28% Popularity • 29% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
28% Popularity • 29% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Marina Allen
Belong Here
96 bpm • B min • 03:03 • -10.41db
16% Popularity • 56% Danceability • 33% Energy • 8% Liveness
2% Instrumentalness • 52% Positiveness
16% Popularity • 56% Danceability • 33% Energy • 8% Liveness
2% Instrumentalness • 52% Positiveness
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Lewsberg
The Playground
84 bpm • E min • 02:00 • -18.39db
19% Popularity • 69% Danceability • 9% Energy • 13% Liveness
94% Instrumentalness • 21% Positiveness
19% Popularity • 69% Danceability • 9% Energy • 13% Liveness
94% Instrumentalness • 21% Positiveness
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Naima Bock
Dim Dum
84 bpm • G min • 03:55 • -12.89db
14% Popularity • 21% Danceability • 29% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
14% Popularity • 21% Danceability • 29% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Mega Bog
Butterfly
96 bpm • G Maj • 02:50 • -6.61db
9% Popularity • 53% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 53% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Cate Le Bon
Harbour
97 bpm • F Maj • 04:08 • -7.81db
32% Popularity • 74% Danceability • 56% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
32% Popularity • 74% Danceability • 56% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
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Lael Neale
Faster Than The Medicine
84 bpm • G Maj • 04:25 • -9db
25% Popularity • 30% Danceability • 81% Energy • 12% Liveness
7% Instrumentalness • 29% Positiveness
25% Popularity • 30% Danceability • 81% Energy • 12% Liveness
7% Instrumentalness • 29% Positiveness
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Marina Allen
Sleeper Train
83 bpm • E min • 02:36 • -11.87db
34% Popularity • 52% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 52% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Lewsberg
All Things - continued
84 bpm • A min • 02:57 • -20.13db
18% Popularity • 62% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
18% Popularity • 62% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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H. Hawkline
Empty Room
83 bpm • D Maj • 06:40 • -12.54db
12% Popularity • 64% Danceability • 17% Energy • 10% Liveness
33% Instrumentalness • 22% Positiveness
12% Popularity • 64% Danceability • 17% Energy • 10% Liveness
33% Instrumentalness • 22% Positiveness
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This Is The Kit
More Change
98 bpm • B min • 02:29 • -14.11db
34% Popularity • 67% Danceability • 50% Energy • 12% Liveness
2% Instrumentalness • 38% Positiveness
34% Popularity • 67% Danceability • 50% Energy • 12% Liveness
2% Instrumentalness • 38% Positiveness
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Cate Le Bon
Running Away
98 bpm • A# Maj • 05:43 • -8.54db
23% Popularity • 72% Danceability • 47% Energy • 14% Liveness
20% Instrumentalness • 47% Positiveness
23% Popularity • 72% Danceability • 47% Energy • 14% Liveness
20% Instrumentalness • 47% Positiveness
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Nabihah Iqbal
A Tender Victory
98 bpm • D Maj • 03:43 • -6.86db
35% Popularity • 41% Danceability • 80% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
35% Popularity • 41% Danceability • 80% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
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Mega Bog
For the Old World
83 bpm • A min • 03:57 • -9.94db
10% Popularity • 38% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 38% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Lewsberg
Getting Closer
98 bpm • B min • 03:40 • -14.04db
36% Popularity • 69% Danceability • 54% Energy • 12% Liveness
91% Instrumentalness • 51% Positiveness
36% Popularity • 69% Danceability • 54% Energy • 12% Liveness
91% Instrumentalness • 51% Positiveness
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Immersion
Riding the Wave
82 bpm • D Maj • 03:36 • -13.89db
16% Popularity • 35% Danceability • 34% Energy • 22% Liveness
5% Instrumentalness • 48% Positiveness
16% Popularity • 35% Danceability • 34% Energy • 22% Liveness
5% Instrumentalness • 48% Positiveness
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Warpaint
Like Sweetness
82 bpm • A min • 03:50 • -9.92db
40% Popularity • 72% Danceability • 53% Energy • 9% Liveness
83% Instrumentalness • 56% Positiveness
40% Popularity • 72% Danceability • 53% Energy • 9% Liveness
83% Instrumentalness • 56% Positiveness
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Shana Cleveland
I'll Never Know
99 bpm • E Maj • 03:18 • -11.49db
15% Popularity • 31% Danceability • 34% Energy • 11% Liveness
53% Instrumentalness • 22% Positiveness
15% Popularity • 31% Danceability • 34% Energy • 11% Liveness
53% Instrumentalness • 22% Positiveness
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Here We Go Magic
Alone But Moving
82 bpm • D Maj • 03:57 • -7db
35% Popularity • 58% Danceability • 47% Energy • 7% Liveness
5% Instrumentalness • 46% Positiveness
35% Popularity • 58% Danceability • 47% Energy • 7% Liveness
5% Instrumentalness • 46% Positiveness
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Mega Bog
Diary of a Rose
82 bpm • F# min • 04:39 • -10db
29% Popularity • 57% Danceability • 55% Energy • 24% Liveness
4% Instrumentalness • 30% Positiveness
29% Popularity • 57% Danceability • 55% Energy • 24% Liveness
4% Instrumentalness • 30% Positiveness
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Macie Stewart
Golden (For Mark)
82 bpm • F Maj • 02:48 • -14.79db
14% Popularity • 19% Danceability • 20% Energy • 20% Liveness
79% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 20% Energy • 20% Liveness
79% Instrumentalness • 4% Positiveness
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Alabaster DePlume
A Gente Acaba (Vento Em Rosa)
99 bpm • B min • 02:44 • -12.93db
39% Popularity • 25% Danceability • 31% Energy • 13% Liveness
95% Instrumentalness • 9% Positiveness
39% Popularity • 25% Danceability • 31% Energy • 13% Liveness
95% Instrumentalness • 9% Positiveness
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Peel Dream Magazine
Pad
100 bpm • G min • 02:46 • -12.04db
9% Popularity • 33% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 33% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Tonstartssbandht
What Has Happened
100 bpm • E Maj • 07:02 • -15db
31% Popularity • 62% Danceability • 58% Energy • 11% Liveness
37% Instrumentalness • 58% Positiveness
31% Popularity • 62% Danceability • 58% Energy • 11% Liveness
37% Instrumentalness • 58% Positiveness
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Eerie Wanda
Long Time
100 bpm • C# Maj • 03:03 • -12.46db
22% Popularity • 50% Danceability • 37% Energy • 12% Liveness
93% Instrumentalness • 18% Positiveness
22% Popularity • 50% Danceability • 37% Energy • 12% Liveness
93% Instrumentalness • 18% Positiveness
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Loma
Ocotillo
81 bpm • D# Maj • 04:50 • -11.36db
35% Popularity • 54% Danceability • 55% Energy • 8% Liveness
58% Instrumentalness • 42% Positiveness
35% Popularity • 54% Danceability • 55% Energy • 8% Liveness
58% Instrumentalness • 42% Positiveness
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Shabason & Krgovich
In The Middle Of The Day
100 bpm • F Maj • 05:50 • -11.67db
23% Popularity • 68% Danceability • 65% Energy • 8% Liveness
87% Instrumentalness • 88% Positiveness
23% Popularity • 68% Danceability • 65% Energy • 8% Liveness
87% Instrumentalness • 88% Positiveness
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Rozi Plain
Actually - Jericho Remix
100 bpm • D Maj • 04:46 • -11.81db
1% Popularity • 72% Danceability • 36% Energy • 6% Liveness
16% Instrumentalness • 21% Positiveness
1% Popularity • 72% Danceability • 36% Energy • 6% Liveness
16% Instrumentalness • 21% Positiveness
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Avalon Emerson
Sandrail Silhouette
100 bpm • C# Maj • 04:29 • -7.41db
9% Popularity • 61% Danceability • 64% Energy • 9% Liveness
4% Instrumentalness • 35% Positiveness
9% Popularity • 61% Danceability • 64% Energy • 9% Liveness
4% Instrumentalness • 35% Positiveness
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Heather Woods Broderick
Blood Run Through Me - Single Edit
100 bpm • A# Maj • 04:48 • -10.69db
26% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Spencer Cullum
What a Waste of an Echo
100 bpm • F Maj • 04:30 • -15.56db
17% Popularity • 68% Danceability • 32% Energy • 18% Liveness
95% Instrumentalness • 49% Positiveness
17% Popularity • 68% Danceability • 32% Energy • 18% Liveness
95% Instrumentalness • 49% Positiveness
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Luke Temple
Dare I Love
100 bpm • A Maj • 04:32 • -16.87db
11% Popularity • 71% Danceability • 16% Energy • 5% Liveness
4% Instrumentalness • 33% Positiveness
11% Popularity • 71% Danceability • 16% Energy • 5% Liveness
4% Instrumentalness • 33% Positiveness
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H. Hawkline
Last Thing on Your Mind
101 bpm • G Maj • 06:14 • -7.93db
14% Popularity • 80% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 80% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Lewsberg
A Different View
101 bpm • B Maj • 02:59 • -9.68db
23% Popularity • 67% Danceability • 36% Energy • 7% Liveness
93% Instrumentalness • 99% Positiveness
23% Popularity • 67% Danceability • 36% Energy • 7% Liveness
93% Instrumentalness • 99% Positiveness
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Vanishing Twin
Lotus Eater
81 bpm • G Maj • 04:23 • -14.08db
22% Popularity • 50% Danceability • 40% Energy • 68% Liveness
57% Instrumentalness • 46% Positiveness
22% Popularity • 50% Danceability • 40% Energy • 68% Liveness
57% Instrumentalness • 46% Positiveness
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Rozi Plain
Tap To The Chest
101 bpm • E min • 03:32 • -16.51db
8% Popularity • 30% Danceability • 12% Energy • 10% Liveness
8% Instrumentalness • 18% Positiveness
8% Popularity • 30% Danceability • 12% Energy • 10% Liveness
8% Instrumentalness • 18% Positiveness
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Emma Russack
Space and Time
101 bpm • E Maj • 02:36 • -16.03db
18% Popularity • 73% Danceability • 40% Energy • 11% Liveness
69% Instrumentalness • 48% Positiveness
18% Popularity • 73% Danceability • 40% Energy • 11% Liveness
69% Instrumentalness • 48% Positiveness
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This Is The Kit
Scabby Head and Legs
102 bpm • B min • 03:41 • -12.35db
24% Popularity • 55% Danceability • 65% Energy • 30% Liveness
6% Instrumentalness • 38% Positiveness
24% Popularity • 55% Danceability • 65% Energy • 30% Liveness
6% Instrumentalness • 38% Positiveness
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Cloth
Never Know
101 bpm • E min • 05:04 • -10.29db
19% Popularity • 84% Danceability • 35% Energy • 9% Liveness
3% Instrumentalness • 37% Positiveness
19% Popularity • 84% Danceability • 35% Energy • 9% Liveness
3% Instrumentalness • 37% Positiveness
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Clarissa Connelly
Bargain
102 bpm • G# min • 03:05 • -9.66db
18% Popularity • 64% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 64% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Modern Cosmology
Making Something
102 bpm • B min • 06:03 • -8.6db
28% Popularity • 61% Danceability • 55% Energy • 11% Liveness
62% Instrumentalness • 30% Positiveness
28% Popularity • 61% Danceability • 55% Energy • 11% Liveness
62% Instrumentalness • 30% Positiveness
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Rahill
Haenim
79 bpm • G Maj • 03:49 • -8.42db
17% Popularity • 67% Danceability • 43% Energy • 51% Liveness
1% Instrumentalness • 44% Positiveness
17% Popularity • 67% Danceability • 43% Energy • 51% Liveness
1% Instrumentalness • 44% Positiveness
