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Symmetry - Dark Version
Songs like
Symmetry - Dark Version
by
SYML
Based on a tempo of (+/- 10%) and a similar genre
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Jaymes Young
Moondust - Stripped
73 bpm • F# min • 03:36 • -13.38db
47% Popularity • 56% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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SYML
Hurt for Me
73 bpm • B min • 03:39 • -18db
47% Popularity • 55% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Tom Rosenthal
How Have You Been?
73 bpm • C Maj • 02:48 • -15.1db
49% Popularity • 38% Danceability • 3% Energy • 15% Liveness
3% Instrumentalness • 12% Positiveness
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Edith Whiskers
Acorns Fooling
73 bpm • D# Maj • 02:31 • -17.79db
29% Popularity • 25% Danceability • 3% Energy • 11% Liveness
10% Instrumentalness • 11% Positiveness
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Noah Cyrus
July
72 bpm • A min • 02:32 • -9.6db
74% Popularity • 71% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Billie Eilish
No Time To Die
74 bpm • E min • 04:02 • -13.27db
76% Popularity • 38% Danceability • 22% Energy • 8% Liveness
1% Instrumentalness • 5% Positiveness
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Roo Panes
Lullaby Love
74 bpm • A min • 03:58 • -12.44db
39% Popularity • 51% Danceability • 22% Energy • 11% Liveness
6% Instrumentalness • 31% Positiveness
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Tom Odell
Heal
72 bpm • C# Maj • 03:13 • -12.94db
73% Popularity • 44% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Ocie Elliott
Like a River
74 bpm • D# Maj • 03:35 • -11.27db
60% Popularity • 62% Danceability • 38% Energy • 12% Liveness
84% Instrumentalness • 28% Positiveness
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Duncan Laurence
Arcade
72 bpm • A min • 03:05 • -11.64db
75% Popularity • 45% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Noah Cyrus
July
73 bpm • A min • 02:36 • -8.95db
85% Popularity • 71% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Austin Farwell
New Home
72 bpm • F Maj • 02:06 • -22.79db
70% Popularity • 38% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
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Lissom
Mascaron
72 bpm • A min • 04:59 • -18.88db
33% Popularity • 16% Danceability • 11% Energy • 9% Liveness
44% Instrumentalness • 6% Positiveness
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KALEO
All the Pretty Girls
75 bpm • C# Maj • 04:29 • -6.61db
72% Popularity • 47% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Alex Kehm
Intimacy
75 bpm • F min • 01:57 • -12.99db
53% Popularity • 55% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Hazlett
Blame The Moon
75 bpm • A# Maj • 03:43 • -15.38db
68% Popularity • 50% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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David Kushner
Look Back & Laugh
75 bpm • D Maj • 02:44 • -10db
62% Popularity • 55% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Lowswimmer
Can't Be By Myself
75 bpm • E Maj • 02:55 • -11.67db
45% Popularity • 44% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Sasha Alex Sloan
Dancing With Your Ghost
75 bpm • B Maj • 03:17 • -8.28db
78% Popularity • 63% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Sufjan Stevens
Visions of Gideon
75 bpm • F min • 04:07 • -18.2db
66% Popularity • 25% Danceability • 31% Energy • 9% Liveness
68% Instrumentalness • 20% Positiveness
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Portair
Lying to Myself
75 bpm • F# min • 03:32 • -10.19db
44% Popularity • 46% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
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Jake Houlsby
Howl
75 bpm • A# Maj • 03:38 • -14.95db
46% Popularity • 51% Danceability • 35% Energy • 12% Liveness
79% Instrumentalness • 27% Positiveness
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Celeste
Strange
71 bpm • D Maj • 04:15 • -9.88db
71% Popularity • 29% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Cigarettes After Sex
Sunsetz
75 bpm • F Maj • 03:35 • -9.4db
84% Popularity • 40% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 13% Positiveness
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Taylor Swift
exile
76 bpm • F# Maj • 04:45 • -8.43db
80% Popularity • 30% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Lana Del Rey
Happiness is a butterfly
70 bpm • D Maj • 04:32 • -10.99db
76% Popularity • 47% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Lorde
Liability
76 bpm • A# min • 02:51 • -11.25db
72% Popularity • 59% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Lumineers
Ophelia
76 bpm • F Maj • 02:40 • -6.52db
69% Popularity • 66% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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mehro
howling
76 bpm • E Maj • 03:33 • -11db
45% Popularity • 50% Danceability • 35% Energy • 11% Liveness
35% Instrumentalness • 20% Positiveness
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James Bay
Us
70 bpm • C Maj • 03:01 • -4.15db
72% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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SYML
Believer
76 bpm • C Maj • 04:23 • -8db
53% Popularity • 68% Danceability • 36% Energy • 41% Liveness
0% Instrumentalness • 36% Positiveness
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Bon Iver
Skinny Love
76 bpm • E min • 03:58 • -14.03db
71% Popularity • 59% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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noel.smt
need a love
70 bpm • D min • 01:51 • -24.82db
60% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Andrew Belle
Pieces (Hushed)
70 bpm • F min • 03:18 • -11db
51% Popularity • 52% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Tom Rosenthal
Middle Of My Mind
77 bpm • D Maj • 02:44 • -14.27db
44% Popularity • 61% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Edith Whiskers
Can't Help Falling in Love
77 bpm • C Maj • 03:02 • -17.38db
42% Popularity • 42% Danceability • 2% Energy • 9% Liveness
2% Instrumentalness • 32% Positiveness
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SYML
Lost Myself
70 bpm • D# Maj • 03:34 • -8.69db
48% Popularity • 60% Danceability • 37% Energy • 10% Liveness
12% Instrumentalness • 35% Positiveness
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Alexander 23
IDK You Yet
77 bpm • C# Maj • 03:04 • -11.73db
75% Popularity • 65% Danceability • 31% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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BANNERS
Ghosts
77 bpm • C Maj • 04:10 • -7.15db
50% Popularity • 50% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Lissom
Big Sleep
77 bpm • A min • 03:41 • -17.57db
39% Popularity • 16% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 20% Positiveness
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The Paper Kites
Paint
77 bpm • E Maj • 03:11 • -13.05db
62% Popularity • 55% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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James Arthur
Train Wreck
77 bpm • F# min • 03:28 • -5.73db
80% Popularity • 31% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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SYML
Rising Upside Down
69 bpm • G min • 02:34 • -24.9db
40% Popularity • 29% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Tom Rosenthal
Hugging You - Acoustic
78 bpm • G# Maj • 03:53 • -20.46db
55% Popularity • 40% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Dean Lewis
Half A Man
78 bpm • C Maj • 02:59 • -11.58db
75% Popularity • 51% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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The Fray
Look After You
78 bpm • F# min • 04:26 • -3.02db
77% Popularity • 45% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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FINNEAS
Love is Pain
78 bpm • A Maj • 03:44 • -15.33db
53% Popularity • 61% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Ruelle
Carry You
78 bpm • G Maj • 04:28 • -7.37db
56% Popularity • 44% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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SYML
Sweet Home - Nostalgia Version
78 bpm • G Maj • 04:07 • -15.81db
35% Popularity • 56% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Shawn Mendes
It'll Be Okay
78 bpm • G Maj • 03:42 • -11.88db
73% Popularity • 40% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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CHPTRS
Last Chance (Alternate Version)
68 bpm • D# Maj • 05:51 • -12.45db
47% Popularity • 11% Danceability • 25% Energy • 10% Liveness
6% Instrumentalness • 5% Positiveness
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Billie Eilish
What Was I Made For? [From The Motion Pi...
78 bpm • C Maj • 03:42 • -17.67db
91% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Tom Rosenthal
Go Solo
78 bpm • C# Maj • 02:22 • -12.91db
70% Popularity • 59% Danceability • 9% Energy • 12% Liveness
4% Instrumentalness • 21% Positiveness
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Richy Mitch & The Coal Miners
Evergreen
79 bpm • D# Maj • 01:27 • -11.66db
89% Popularity • 56% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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SYML
TRUE
78 bpm • C min • 03:06 • -11db
40% Popularity • 56% Danceability • 44% Energy • 18% Liveness
7% Instrumentalness • 12% Positiveness
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Joep Beving
Beving: Ala
79 bpm • G min • 02:00 • -22.84db
66% Popularity • 32% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 30% Positiveness
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Freya Ridings
Lost Without You
67 bpm • F# Maj • 03:45 • -9.27db
68% Popularity • 39% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Billie Eilish
Six Feet Under
68 bpm • B min • 03:09 • -12.73db
73% Popularity • 58% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Lissom
Contour
80 bpm • A Maj • 03:04 • -19.33db
37% Popularity • 40% Danceability • 17% Energy • 9% Liveness
45% Instrumentalness • 32% Positiveness
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Passenger
Sword from the Stone
80 bpm • C min • 03:21 • -9.33db
59% Popularity • 62% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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SYML
I Wanted to Leave - Recorded at St. Mark...
80 bpm • C min • 02:53 • -22.32db
45% Popularity • 48% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 15% Positiveness
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Labrinth
Forever
80 bpm • E min • 03:22 • -7.78db
70% Popularity • 56% Danceability • 46% Energy • 11% Liveness
72% Instrumentalness • 20% Positiveness
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The Irrepressibles
In This Shirt
80 bpm • A Maj • 05:35 • -9.58db
72% Popularity • 29% Danceability • 39% Energy • 16% Liveness
38% Instrumentalness • 4% Positiveness
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Billie Eilish
listen before i go
80 bpm • C Maj • 04:02 • -23.02db
76% Popularity • 32% Danceability • 6% Energy • 39% Liveness
0% Instrumentalness • 8% Positiveness
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Lord Huron
Meet Me In The Woods
81 bpm • F# min • 04:22 • -6.76db
63% Popularity • 54% Danceability • 93% Energy • 7% Liveness
46% Instrumentalness • 60% Positiveness
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Patrick Watson
Better in the Shade
81 bpm • C min • 03:36 • -15db
45% Popularity • 42% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 10% Positiveness
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SYML
Leave Like That
80 bpm • C Maj • 03:31 • -19.67db
43% Popularity • 56% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Lissom
Doppelgänger
81 bpm • G# min • 03:29 • -18.45db
59% Popularity • 28% Danceability • 15% Energy • 11% Liveness
36% Instrumentalness • 14% Positiveness
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Tom Rosenthal
Soon Goodbye, Now Love
82 bpm • E Maj • 01:51 • -15db
51% Popularity • 38% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Woodlock
Forever Ago
82 bpm • A Maj • 04:42 • -17db
52% Popularity • 43% Danceability • 20% Energy • 8% Liveness
7% Instrumentalness • 7% Positiveness
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Genevieve Stokes
Habits
82 bpm • A Maj • 02:14 • -9.47db
68% Popularity • 66% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Sleeping At Last
Touch
82 bpm • C Maj • 04:16 • -11.83db
67% Popularity • 42% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Gregory Alan Isakov
San Luis
82 bpm • G min • 04:32 • -12.76db
72% Popularity • 57% Danceability • 43% Energy • 12% Liveness
26% Instrumentalness • 25% Positiveness
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Billie Eilish
when the party's over
83 bpm • E Maj • 03:16 • -14.08db
85% Popularity • 37% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Flower Face
Back to You
83 bpm • D Maj • 03:22 • -15.12db
47% Popularity • 39% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Kodaline
Everything Works Out in the End
83 bpm • C Maj • 03:37 • -11.29db
66% Popularity • 55% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Jonah Kagen
broken
84 bpm • C# Maj • 03:15 • -12db
61% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Lissom
Limbo
84 bpm • A min • 03:58 • -22.45db
49% Popularity • 12% Danceability • 7% Energy • 10% Liveness
77% Instrumentalness • 6% Positiveness
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Jamie Duffy
Solas
85 bpm • E min • 03:12 • -17db
70% Popularity • 31% Danceability • 34% Energy • 9% Liveness
89% Instrumentalness • 36% Positiveness
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SYML
The Dark
85 bpm • G Maj • 04:58 • -12db
43% Popularity • 45% Danceability • 24% Energy • 8% Liveness
2% Instrumentalness • 6% Positiveness
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Lewis Capaldi
Forever
85 bpm • C# Maj • 03:30 • -7.12db
74% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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The Neighbourhood
Daddy Issues
85 bpm • A# Maj • 04:20 • -9.46db
86% Popularity • 59% Danceability • 52% Energy • 12% Liveness
15% Instrumentalness • 34% Positiveness
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Amber Run
Amen
85 bpm • F Maj • 03:05 • -11.44db
48% Popularity • 50% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Lissom
Trouble
63 bpm • C min • 02:56 • -16.95db
38% Popularity • 39% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Jake Etheridge
Wherever I May Go
85 bpm • G Maj • 03:01 • -13.86db
40% Popularity • 38% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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The Cinematic Orchestra
That Home
85 bpm • A Maj • 01:43 • -14.21db
72% Popularity • 41% Danceability • 16% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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SYML
Before You Knew It Was Me
86 bpm • C# Maj • 03:12 • -11.72db
39% Popularity • 46% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 8% Positiveness
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Charlie Cunningham
Headlights
86 bpm • A Maj • 03:32 • -15.47db
49% Popularity • 62% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 51% Positiveness
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Billie Marten
Bird
86 bpm • F# Maj • 03:40 • -12.75db
43% Popularity • 24% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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The Irrepressibles
Two Men in Love
87 bpm • F Maj • 06:26 • -12.35db
50% Popularity • 24% Danceability • 36% Energy • 12% Liveness
6% Instrumentalness • 10% Positiveness
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Lana Del Rey
hope is a dangerous thing for a woman li...
87 bpm • E min • 05:24 • -13.21db
65% Popularity • 49% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Lord Huron
The Night We Met
87 bpm • D Maj • 03:28 • -9.51db
90% Popularity • 54% Danceability • 37% Energy • 64% Liveness
28% Instrumentalness • 10% Positiveness
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Gibran Alcocer
Idea 10
87 bpm • G min • 02:08 • -20.45db
76% Popularity • 34% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 71% Positiveness
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mehro
hideous
87 bpm • E Maj • 03:13 • -7.53db
52% Popularity • 64% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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The Cinematic Orchestra
To Believe
87 bpm • E min • 05:27 • -11.4db
47% Popularity • 18% Danceability • 10% Energy • 23% Liveness
24% Instrumentalness • 5% Positiveness
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Bruno Major
Places We Won't Walk
88 bpm • D# Maj • 02:49 • -16db
61% Popularity • 39% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Lissom
Big Sleep - Sped Up
88 bpm • B min • 03:13 • -17.42db
39% Popularity • 45% Danceability • 17% Energy • 11% Liveness
4% Instrumentalness • 23% Positiveness
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Dean Lewis
Waves - Acoustic
89 bpm • D Maj • 04:08 • -11.42db
55% Popularity • 41% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Matt Hartke
London's Song
89 bpm • E Maj • 02:58 • -14.85db
61% Popularity • 56% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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mehro
who are you
89 bpm • C min • 04:10 • -11db
45% Popularity • 36% Danceability • 29% Energy • 11% Liveness
18% Instrumentalness • 49% Positiveness
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Symmetry - Dark Version