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Symphonie fantastique, Op. 14, H. 48: II. Un bal
Songs like
Symphonie fantastique, Op. 14, H. 48: II. Un bal
by
Hector Berlioz
Based on a tempo of (+/- 10%) and a similar genre
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141 bpm • E Maj • 03:50 • -27.29db
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91% Instrumentalness • 12% Positiveness
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Haydn: Symphony No. 94 in G Major, Hob. ...
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92% Instrumentalness • 33% Positiveness
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23% Instrumentalness • 36% Positiveness
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66% Instrumentalness • 10% Positiveness
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66% Instrumentalness • 74% Positiveness
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22% Instrumentalness • 15% Positiveness
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90% Instrumentalness • 12% Positiveness
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93% Instrumentalness • 7% Positiveness
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92% Instrumentalness • 36% Positiveness
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0% Instrumentalness • 7% Positiveness
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73% Instrumentalness • 36% Positiveness
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76% Instrumentalness • 4% Positiveness
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81% Instrumentalness • 11% Positiveness
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86% Instrumentalness • 38% Positiveness
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26% Instrumentalness • 45% Positiveness
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74% Instrumentalness • 18% Positiveness
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90% Instrumentalness • 27% Positiveness
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76% Instrumentalness • 11% Positiveness
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87% Instrumentalness • 4% Positiveness
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6% Instrumentalness • 7% Positiveness
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AntonÃn Dvořák
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75% Instrumentalness • 29% Positiveness
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80% Instrumentalness • 12% Positiveness
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63% Instrumentalness • 25% Positiveness
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85% Instrumentalness • 30% Positiveness
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95% Instrumentalness • 28% Positiveness
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Hector Berlioz
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90% Instrumentalness • 29% Positiveness
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AntonÃn Dvořák
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33% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
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128 bpm • A# Maj • 01:11 • -15db
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31% Instrumentalness • 67% Positiveness
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Ludwig van Beethoven
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128 bpm • D Maj • 10:16 • -20db
32% Popularity • 40% Danceability • 9% Energy • 36% Liveness
6% Instrumentalness • 24% Positiveness
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Joseph Haydn
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156 bpm • F# min • 05:40 • -17.03db
44% Popularity • 34% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
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Richard Wagner
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127 bpm • A# Maj • 03:27 • -17.06db
27% Popularity • 19% Danceability • 25% Energy • 37% Liveness
98% Instrumentalness • 22% Positiveness
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Hector Berlioz
Grande messe des morts, Op. 5, "Requiem"...
128 bpm • C Maj • 09:59 • -20.94db
13% Popularity • 20% Danceability • 18% Energy • 26% Liveness
10% Instrumentalness • 11% Positiveness
► Preview
Ottorino Respighi
Suite No. 1, P. 109: I. Balletto Detto '...
127 bpm • D Maj • 02:59 • -22.83db
28% Popularity • 37% Danceability • 3% Energy • 5% Liveness
91% Instrumentalness • 26% Positiveness
► Preview
Modest Mussorgsky
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127 bpm • G Maj • 01:49 • -16.84db
49% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
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Aaron Copland
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127 bpm • E Maj • 03:34 • -15db
30% Popularity • 37% Danceability • 27% Energy • 24% Liveness
93% Instrumentalness • 26% Positiveness
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Carl Maria von Weber
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157 bpm • D# Maj • 01:58 • -20db
37% Popularity • 36% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 43% Positiveness
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Nikolai Rimsky-Korsakov
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126 bpm • A# Maj • 01:13 • -21.83db
53% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
► Preview
Hector Berlioz
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128 bpm • G# Maj • 02:30 • -24db
7% Popularity • 34% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Anton Bruckner
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126 bpm • C min • 05:58 • -16db
17% Popularity • 21% Danceability • 22% Energy • 12% Liveness
10% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
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126 bpm • G min • 05:59 • -24db
44% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
125 bpm • E min • 09:41 • -19.15db
46% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Aaron Copland
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125 bpm • G Maj • 03:26 • -18.64db
38% Popularity • 47% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 23% Positiveness
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César Franck
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125 bpm • G Maj • 09:15 • -15db
3% Popularity • 18% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Hector Berlioz
Berlioz: Les Nuits d'été, Op. 7, H 81b...
127 bpm • F# Maj • 04:10 • -22.83db
12% Popularity • 26% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Benjamin Britten
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124 bpm • A# Maj • 01:27 • -24db
46% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
160 bpm • A# Maj • 06:53 • -16db
30% Popularity • 42% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
124 bpm • F Maj • 08:31 • -23.81db
33% Popularity • 21% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Felix Mendelssohn
Mendelssohn: Violin Concerto in E Minor,...
161 bpm • E Maj • 06:39 • -18.15db
37% Popularity • 33% Danceability • 22% Energy • 36% Liveness
18% Instrumentalness • 46% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: II. Arabi...
123 bpm • F Maj • 04:54 • -18.41db
23% Popularity • 44% Danceability • 10% Energy • 10% Liveness
32% Instrumentalness • 24% Positiveness
► Preview
Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
53% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
162 bpm • A min • 04:23 • -20db
28% Popularity • 29% Danceability • 32% Energy • 16% Liveness
91% Instrumentalness • 9% Positiveness
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Symphonie fantastique, Op. 14, H. 48: II. Un bal