Songs like Symphony in C Minor, VB 148, "Symphonie funebre": IV. Adagio by Joseph Martin Kraus
Based on a tempo of (+/- 10%) and a similar genre
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Joseph Martin Kraus
Symphony in C Minor, VB 148, "Symphonie ...
104 bpm • C min • 07:26 • -25db
6% Popularity • 24% Danceability • 3% Energy • 13% Liveness
73% Instrumentalness • 7% Positiveness
6% Popularity • 24% Danceability • 3% Energy • 13% Liveness
73% Instrumentalness • 7% Positiveness
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Giovanni Battista Viotti
Serenade in G Major, Op. 23, No. 3, G. 1...
104 bpm • G Maj • 01:54 • -25.52db
25% Popularity • 40% Danceability • 9% Energy • 15% Liveness
96% Instrumentalness • 70% Positiveness
25% Popularity • 40% Danceability • 9% Energy • 15% Liveness
96% Instrumentalness • 70% Positiveness
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リボル・ペシェック
交響曲 第31番 「パリ」 K.297～...
104 bpm • D Maj • 06:05 • -23.73db
8% Popularity • 28% Danceability • 3% Energy • 20% Liveness
27% Instrumentalness • 12% Positiveness
8% Popularity • 28% Danceability • 3% Energy • 20% Liveness
27% Instrumentalness • 12% Positiveness
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George Frideric Handel
Alcina, HWV 34, Act II: Entrée des Song...
103 bpm • D# Maj • 01:31 • -29.82db
32% Popularity • 15% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 15% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Joseph Haydn
Die sieben letzten Worte unseres Erlöse...
103 bpm • G min • 04:21 • -22.81db
7% Popularity • 34% Danceability • 0% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
7% Popularity • 34% Danceability • 0% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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Josef Mysliveček
Keyboard Concerto No. 1 in B-Flat Major:...
103 bpm • A# Maj • 02:36 • -22.59db
16% Popularity • 42% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 72% Positiveness
16% Popularity • 42% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 72% Positiveness
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Johann Sebastian Bach
Partita No. 2 in C Minor, BWV 826 (Arr. ...
105 bpm • C min • 01:40 • -21.13db
16% Popularity • 45% Danceability • 12% Energy • 13% Liveness
66% Instrumentalness • 68% Positiveness
16% Popularity • 45% Danceability • 12% Energy • 13% Liveness
66% Instrumentalness • 68% Positiveness
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Joseph Martin Kraus
Fiskarena (The Fishermen), VB 40: No. 20...
106 bpm • D Maj • 05:33 • -21.53db
2% Popularity • 33% Danceability • 4% Energy • 14% Liveness
76% Instrumentalness • 19% Positiveness
2% Popularity • 33% Danceability • 4% Energy • 14% Liveness
76% Instrumentalness • 19% Positiveness
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Carl Ditters von Dittersdorf
Oboe Concerto in D Minor, L. 25b: II. Ad...
102 bpm • G Maj • 03:18 • -24.04db
8% Popularity • 24% Danceability • 3% Energy • 21% Liveness
72% Instrumentalness • 22% Positiveness
8% Popularity • 24% Danceability • 3% Energy • 21% Liveness
72% Instrumentalness • 22% Positiveness
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Daniel Auber
Julie, S. 1: Finale
102 bpm • C# Maj • 01:56 • -20db
14% Popularity • 53% Danceability • 8% Energy • 7% Liveness
95% Instrumentalness • 23% Positiveness
14% Popularity • 53% Danceability • 8% Energy • 7% Liveness
95% Instrumentalness • 23% Positiveness
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Franz Liszt
Don Sanche (The Castle of Love), S476/R1...
102 bpm • A# Maj • 01:01 • -23.29db
19% Popularity • 35% Danceability • 8% Energy • 16% Liveness
90% Instrumentalness • 15% Positiveness
19% Popularity • 35% Danceability • 8% Energy • 16% Liveness
90% Instrumentalness • 15% Positiveness
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Czech Philharmonic Chamber Orchestra
Leos Janacek :: Suite for Strings, 3rd m...
106 bpm • G Maj • 01:26 • -17.23db
24% Popularity • 36% Danceability • 7% Energy • 23% Liveness
65% Instrumentalness • 32% Positiveness
24% Popularity • 36% Danceability • 7% Energy • 23% Liveness
65% Instrumentalness • 32% Positiveness
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Dmitri Shostakovich
24 Preludes, Op. 34 (Excerpts Arr. B. Ha...
102 bpm • C# Maj • 00:59 • -22db
23% Popularity • 60% Danceability • 23% Energy • 12% Liveness
91% Instrumentalness • 80% Positiveness
23% Popularity • 60% Danceability • 23% Energy • 12% Liveness
91% Instrumentalness • 80% Positiveness
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Joseph Martin Kraus
Requiem in D Minor, VB 1: V. Lacrymosa d...
102 bpm • G min • 04:26 • -28.82db
1% Popularity • 18% Danceability • 3% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
1% Popularity • 18% Danceability • 3% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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Antoine Reicha
Wind Quintet No. 3, Op. 88: III. Menuett...
102 bpm • G Maj • 02:44 • -17.8db
12% Popularity • 53% Danceability • 21% Energy • 17% Liveness
90% Instrumentalness • 66% Positiveness
12% Popularity • 53% Danceability • 21% Energy • 17% Liveness
90% Instrumentalness • 66% Positiveness
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Antonio Salieri
Concerto for Oboe, Violin and Cello in D...
102 bpm • G Maj • 07:14 • -22db
7% Popularity • 21% Danceability • 9% Energy • 12% Liveness
70% Instrumentalness • 8% Positiveness
7% Popularity • 21% Danceability • 9% Energy • 12% Liveness
70% Instrumentalness • 8% Positiveness
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Luigi Cherubini
Sciant gentes: I. Sciant gentes
102 bpm • F# min • 03:41 • -21.12db
8% Popularity • 22% Danceability • 9% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 9% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Joseph Haydn
Symphony No. 21 in A Major, Hob. I:21: I...
102 bpm • A Maj • 04:05 • -10.03db
9% Popularity • 57% Danceability • 53% Energy • 33% Liveness
85% Instrumentalness • 83% Positiveness
9% Popularity • 57% Danceability • 53% Energy • 33% Liveness
85% Instrumentalness • 83% Positiveness
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Michael Haydn
Missa pro defuncto Archiepiscopo Sigismu...
102 bpm • C min • 01:29 • -19.04db
12% Popularity • 40% Danceability • 13% Energy • 7% Liveness
9% Instrumentalness • 32% Positiveness
12% Popularity • 40% Danceability • 13% Energy • 7% Liveness
9% Instrumentalness • 32% Positiveness
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Various Artists
Romance No.2 in F, Op.50
107 bpm • A min • 08:16 • -27.05db
9% Popularity • 25% Danceability • 5% Energy • 8% Liveness
17% Instrumentalness • 5% Positiveness
9% Popularity • 25% Danceability • 5% Energy • 8% Liveness
17% Instrumentalness • 5% Positiveness
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Antonín Dvořák
Serenade for Winds in D Minor, Op. 44: I...
101 bpm • D min • 06:04 • -19.53db
13% Popularity • 40% Danceability • 11% Energy • 12% Liveness
89% Instrumentalness • 26% Positiveness
13% Popularity • 40% Danceability • 11% Energy • 12% Liveness
89% Instrumentalness • 26% Positiveness
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Joseph Martin Kraus
Fiskarena (The Fishermen), VB 40: No. 12...
107 bpm • A Maj • 01:33 • -22.19db
2% Popularity • 46% Danceability • 9% Energy • 7% Liveness
84% Instrumentalness • 71% Positiveness
2% Popularity • 46% Danceability • 9% Energy • 7% Liveness
84% Instrumentalness • 71% Positiveness
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Edvard Grieg
Norwegian Peasant Dances, Op. 72
101 bpm • G min • 02:27 • -16.53db
7% Popularity • 39% Danceability • 20% Energy • 18% Liveness
90% Instrumentalness • 15% Positiveness
7% Popularity • 39% Danceability • 20% Energy • 18% Liveness
90% Instrumentalness • 15% Positiveness
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Joseph Haydn
Die Sieben letzten Worte unseres Erlöse...
107 bpm • D min • 04:14 • -22.25db
14% Popularity • 31% Danceability • 3% Energy • 11% Liveness
49% Instrumentalness • 5% Positiveness
14% Popularity • 31% Danceability • 3% Energy • 11% Liveness
49% Instrumentalness • 5% Positiveness
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Joseph Boulogne Chevalier de Saint-Georges
Violin Concerto in G Major, Op. 2 No. 1:...
101 bpm • C Maj • 06:34 • -27.94db
14% Popularity • 26% Danceability • 2% Energy • 15% Liveness
13% Instrumentalness • 6% Positiveness
14% Popularity • 26% Danceability • 2% Energy • 15% Liveness
13% Instrumentalness • 6% Positiveness
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Leó Weiner
Divertimento No. 1, Op. 20: IV. Verbunko...
107 bpm • C Maj • 02:30 • -21.7db
15% Popularity • 53% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 52% Positiveness
15% Popularity • 53% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 52% Positiveness
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Michael Haydn
Missa Sanctae Ursulae, MH 546: Credo (So...
108 bpm • C Maj • 02:11 • -21.15db
12% Popularity • 42% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
12% Popularity • 42% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
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Giovanni Battista Viotti
Viotti / Arr. Mozart: Violin Concerto in...
100 bpm • E Maj • 05:24 • -26db
8% Popularity • 20% Danceability • 11% Energy • 13% Liveness
27% Instrumentalness • 7% Positiveness
8% Popularity • 20% Danceability • 11% Energy • 13% Liveness
27% Instrumentalness • 7% Positiveness
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Johann Christian Bach
Requiem: Requiem: 2. Aria (B). Quantus t...
108 bpm • A# Maj • 03:18 • -26.26db
8% Popularity • 34% Danceability • 7% Energy • 28% Liveness
2% Instrumentalness • 12% Positiveness
8% Popularity • 34% Danceability • 7% Energy • 28% Liveness
2% Instrumentalness • 12% Positiveness
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Joseph Haydn
Symphony No. 21 in A Major, Hob. I:21: I...
101 bpm • A Maj • 03:38 • -10.92db
9% Popularity • 45% Danceability • 54% Energy • 29% Liveness
85% Instrumentalness • 71% Positiveness
9% Popularity • 45% Danceability • 54% Energy • 29% Liveness
85% Instrumentalness • 71% Positiveness
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Felix Mendelssohn
Paulus, Op. 36, MWV A14 / Part 1: No. 5 ...
109 bpm • A# Maj • 03:23 • -17.62db
9% Popularity • 35% Danceability • 21% Energy • 8% Liveness
1% Instrumentalness • 25% Positiveness
9% Popularity • 35% Danceability • 21% Energy • 8% Liveness
1% Instrumentalness • 25% Positiveness
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Leopold Mozart
Concerto in D Major for Trumpet, 2 Horns...
100 bpm • D Maj • 04:09 • -15.44db
9% Popularity • 54% Danceability • 19% Energy • 16% Liveness
87% Instrumentalness • 36% Positiveness
9% Popularity • 54% Danceability • 19% Energy • 16% Liveness
87% Instrumentalness • 36% Positiveness
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Carl Stamitz
Sinfonia Concertante in D Major: I. Alle...
109 bpm • D Maj • 11:06 • -17.61db
3% Popularity • 35% Danceability • 17% Energy • 14% Liveness
61% Instrumentalness • 20% Positiveness
3% Popularity • 35% Danceability • 17% Energy • 14% Liveness
61% Instrumentalness • 20% Positiveness
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Ludwig van Beethoven
12 Contredanses, WoO 14: No. 10 in C Maj...
109 bpm • C Maj • 01:12 • -15.81db
12% Popularity • 62% Danceability • 30% Energy • 16% Liveness
58% Instrumentalness • 46% Positiveness
12% Popularity • 62% Danceability • 30% Energy • 16% Liveness
58% Instrumentalness • 46% Positiveness
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Daniel Auber
Léocadie, S. 12: Act II Entr'acte
99 bpm • D Maj • 01:06 • -23db
26% Popularity • 53% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 60% Positiveness
26% Popularity • 53% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 60% Positiveness
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Giovanni Paisiello
Proserpine: Overture in D Major: III. Al...
99 bpm • D Maj • 01:08 • -13.83db
24% Popularity • 64% Danceability • 47% Energy • 10% Liveness
96% Instrumentalness • 96% Positiveness
24% Popularity • 64% Danceability • 47% Energy • 10% Liveness
96% Instrumentalness • 96% Positiveness
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Joseph Haydn
Die sieben letzten Worte unseres Erlöse...
99 bpm • E Maj • 05:25 • -20.11db
9% Popularity • 26% Danceability • 13% Energy • 9% Liveness
38% Instrumentalness • 4% Positiveness
9% Popularity • 26% Danceability • 13% Energy • 9% Liveness
38% Instrumentalness • 4% Positiveness
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Saverio Mercadante
Mercadante : Flute Concerto in D major :...
110 bpm • A Maj • 05:12 • -16.69db
11% Popularity • 48% Danceability • 17% Energy • 10% Liveness
86% Instrumentalness • 68% Positiveness
11% Popularity • 48% Danceability • 17% Energy • 10% Liveness
86% Instrumentalness • 68% Positiveness
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Michael Haydn
Requiem in B-Flat Major, MH 838: I. Requ...
110 bpm • A# Maj • 04:54 • -24.09db
10% Popularity • 22% Danceability • 7% Energy • 23% Liveness
25% Instrumentalness • 4% Positiveness
10% Popularity • 22% Danceability • 7% Energy • 23% Liveness
25% Instrumentalness • 4% Positiveness
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![O Worship the King, All Glorious Above! (Attrib. M. Haydn) [Arr. J. Walker for Choir & Organ] cover art](https://i.scdn.co/image/ab67616d00001e029a91bb525a73260e553938d1)
Joseph Martin Kraus
O Worship the King, All Glorious Above! ...
98 bpm • G Maj • 02:36 • -18.39db
1% Popularity • 17% Danceability • 20% Energy • 10% Liveness
37% Instrumentalness • 4% Positiveness
1% Popularity • 17% Danceability • 20% Energy • 10% Liveness
37% Instrumentalness • 4% Positiveness
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Mrs. Miggins
Farmland
110 bpm • F Maj • 02:39 • -23db
11% Popularity • 35% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
11% Popularity • 35% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Samuel Arnold
Macbeth: March for Macbeth
110 bpm • D Maj • 01:49 • -13.6db
12% Popularity • 64% Danceability • 29% Energy • 6% Liveness
84% Instrumentalness • 55% Positiveness
12% Popularity • 64% Danceability • 29% Energy • 6% Liveness
84% Instrumentalness • 55% Positiveness
► Preview
Gustav Holst
A Fugal Concerto, Op. 40: I. Moderato
110 bpm • D Maj • 01:59 • -22.61db
22% Popularity • 52% Danceability • 14% Energy • 41% Liveness
94% Instrumentalness • 70% Positiveness
22% Popularity • 52% Danceability • 14% Energy • 41% Liveness
94% Instrumentalness • 70% Positiveness
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Johann Baptist Vanhal
Oboe Concertino in G Major, Bryan G5: II...
98 bpm • G Maj • 03:24 • -20.64db
17% Popularity • 33% Danceability • 6% Energy • 13% Liveness
26% Instrumentalness • 35% Positiveness
17% Popularity • 33% Danceability • 6% Energy • 13% Liveness
26% Instrumentalness • 35% Positiveness
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Michael Haydn
Symphony No. 25 in G Major, P. 16: II. A...
99 bpm • C Maj • 03:54 • -25.33db
9% Popularity • 28% Danceability • 4% Energy • 8% Liveness
5% Instrumentalness • 28% Positiveness
9% Popularity • 28% Danceability • 4% Energy • 8% Liveness
5% Instrumentalness • 28% Positiveness
► Preview
Johann Sebastian Bach
Partita No. 1 in B-Flat Major, BWV 825 (...
98 bpm • F Maj • 02:09 • -19.29db
15% Popularity • 61% Danceability • 16% Energy • 19% Liveness
90% Instrumentalness • 48% Positiveness
15% Popularity • 61% Danceability • 16% Energy • 19% Liveness
90% Instrumentalness • 48% Positiveness
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Daniel Auber
Fiorella, S. 15: Act III Entr'acte
111 bpm • A# Maj • 01:05 • -21db
25% Popularity • 53% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 23% Positiveness
25% Popularity • 53% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 23% Positiveness
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Christoph Willibald Gluck
Alceste (Sung in French): Overture
97 bpm • D min • 06:25 • -20db
7% Popularity • 21% Danceability • 8% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 8% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: I. Boisterous Bo...
111 bpm • A min • 03:15 • -20.89db
14% Popularity • 35% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 40% Positiveness
14% Popularity • 35% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 40% Positiveness
► Preview
Leopold Mozart
Symphony in G Major, Eisen G8: II. Andan...
111 bpm • G min • 02:07 • -30.64db
21% Popularity • 49% Danceability • 1% Energy • 12% Liveness
10% Instrumentalness • 14% Positiveness
21% Popularity • 49% Danceability • 1% Energy • 12% Liveness
10% Instrumentalness • 14% Positiveness
► Preview
Michael Haydn
Missa pro defuncto Archiepiscopo Sigismu...
111 bpm • C min • 08:02 • -20.95db
11% Popularity • 33% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 33% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Johann Wenzel Kalliwoda
6 Nocturnes, Op. 186: Nocturne No. 2: Al...
97 bpm • C Maj • 03:14 • -23.58db
29% Popularity • 26% Danceability • 7% Energy • 13% Liveness
73% Instrumentalness • 22% Positiveness
29% Popularity • 26% Danceability • 7% Energy • 13% Liveness
73% Instrumentalness • 22% Positiveness
► Preview
Daniel Auber
La bergère châtelaine, S. 5 (Excerpts)...
111 bpm • A Maj • 01:07 • -14.69db
28% Popularity • 60% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 40% Positiveness
28% Popularity • 60% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 40% Positiveness
► Preview
Alessandro Gozzo
Direzioni Contrarie
111 bpm • D# min • 01:49 • -21db
8% Popularity • 18% Danceability • 7% Energy • 17% Liveness
91% Instrumentalness • 6% Positiveness
8% Popularity • 18% Danceability • 7% Energy • 17% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Johann Georg Albrechtsberger
Partita in F Major: IV. Finale: Allegro
111 bpm • F Maj • 04:16 • -21.17db
9% Popularity • 45% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 39% Positiveness
9% Popularity • 45% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 39% Positiveness
► Preview
Giovanni Battista Viotti
Viotti / Arr. Mozart: Violin Concerto in...
97 bpm • E min • 08:16 • -18.14db
9% Popularity • 42% Danceability • 25% Energy • 8% Liveness
12% Instrumentalness • 55% Positiveness
9% Popularity • 42% Danceability • 25% Energy • 8% Liveness
12% Instrumentalness • 55% Positiveness
► Preview
东京爱乐交响乐团
主啊！期望赐给喜讯
97 bpm • G Maj • 05:00 • -20.54db
10% Popularity • 13% Danceability • 18% Energy • 20% Liveness
88% Instrumentalness • 17% Positiveness
10% Popularity • 13% Danceability • 18% Energy • 20% Liveness
88% Instrumentalness • 17% Positiveness
► Preview
Joseph Martin Kraus
Proserpin, VB 19: Scene 1: Recitative: J...
97 bpm • F Maj • 01:35 • -24.22db
0% Popularity • 50% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 50% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Johann Baptist Vanhal
Concerto in D major for Double-bass and ...
97 bpm • A Maj • 08:57 • -30.12db
8% Popularity • 20% Danceability • 2% Energy • 50% Liveness
88% Instrumentalness • 17% Positiveness
8% Popularity • 20% Danceability • 2% Energy • 50% Liveness
88% Instrumentalness • 17% Positiveness
► Preview
Giovanni Paisiello
Piano Concerto No. 4 in G Minor: III. (R...
112 bpm • G min • 07:41 • -18.14db
13% Popularity • 43% Danceability • 20% Energy • 16% Liveness
92% Instrumentalness • 27% Positiveness
13% Popularity • 43% Danceability • 20% Energy • 16% Liveness
92% Instrumentalness • 27% Positiveness
► Preview
Johann Christian Bach
Symphony in F Major, Op. 3, No. 5, W. C5...
112 bpm • C Maj • 02:08 • -17db
16% Popularity • 38% Danceability • 21% Energy • 12% Liveness
97% Instrumentalness • 64% Positiveness
16% Popularity • 38% Danceability • 21% Energy • 12% Liveness
97% Instrumentalness • 64% Positiveness
► Preview
Johann Wenzel Kalliwoda
6 Nocturnes, Op. 186: No. 2, Allegretto,...
96 bpm • C Maj • 03:06 • -17db
20% Popularity • 39% Danceability • 17% Energy • 15% Liveness
90% Instrumentalness • 43% Positiveness
20% Popularity • 39% Danceability • 17% Energy • 15% Liveness
90% Instrumentalness • 43% Positiveness
► Preview
Igor Stravinsky
Pulcinella Suite: VI. Gavotta (con due v...
112 bpm • D Maj • 04:11 • -29.01db
7% Popularity • 26% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
7% Popularity • 26% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
► Preview
Joseph Martin Kraus
Requiem in D Minor, VB 1: XI. Agnus Dei ...
112 bpm • F Maj • 03:46 • -23.65db
2% Popularity • 28% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 28% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Niccolò Jommelli
Requiem, Responsorium: III. Dum veneris
113 bpm • C Maj • 00:59 • -24.25db
16% Popularity • 22% Danceability • 6% Energy • 46% Liveness
5% Instrumentalness • 4% Positiveness
16% Popularity • 22% Danceability • 6% Energy • 46% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Sabine Meyer
Mozart: Clarinet Concerto in A Major, K....
96 bpm • D Maj • 02:03 • -21.4db
11% Popularity • 12% Danceability • 6% Energy • 7% Liveness
83% Instrumentalness • 8% Positiveness
11% Popularity • 12% Danceability • 6% Energy • 7% Liveness
83% Instrumentalness • 8% Positiveness
► Preview
Felix Mendelssohn
Sinfonia No. 4 in C Minor, MWV N4: III. ...
113 bpm • C min • 02:40 • -18.88db
12% Popularity • 53% Danceability • 30% Energy • 15% Liveness
73% Instrumentalness • 84% Positiveness
12% Popularity • 53% Danceability • 30% Energy • 15% Liveness
73% Instrumentalness • 84% Positiveness
► Preview
George Frideric Handel
Concerto a due cori No. 2, HWV 333: V. A...
113 bpm • F Maj • 03:31 • -20.27db
17% Popularity • 59% Danceability • 24% Energy • 13% Liveness
84% Instrumentalness • 67% Positiveness
17% Popularity • 59% Danceability • 24% Energy • 13% Liveness
84% Instrumentalness • 67% Positiveness
► Preview
Daniel Auber
Emma, ou la promesse imprudente, S. 6 (E...
96 bpm • D Maj • 01:37 • -27.91db
25% Popularity • 25% Danceability • 0% Energy • 9% Liveness
50% Instrumentalness • 43% Positiveness
25% Popularity • 25% Danceability • 0% Energy • 9% Liveness
50% Instrumentalness • 43% Positiveness
► Preview
Joseph Martin Kraus
Soliman den andra: Marcia degli Gianniza...
112 bpm • G# Maj • 01:24 • -12.07db
1% Popularity • 65% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
1% Popularity • 65% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Igor Stravinsky
Pulcinella Suite: I. Sinfonia. Allegro m...
96 bpm • G Maj • 01:53 • -18.82db
10% Popularity • 54% Danceability • 6% Energy • 24% Liveness
37% Instrumentalness • 51% Positiveness
10% Popularity • 54% Danceability • 6% Energy • 24% Liveness
37% Instrumentalness • 51% Positiveness
► Preview
Joseph Haydn
Die sieben letzten Worte unseres Erlöse...
96 bpm • A# Maj • 06:44 • -30.09db
8% Popularity • 22% Danceability • 0% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 0% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Symphony No. 1 in C Major, Op. 21: II. A...
113 bpm • C Maj • 07:11 • -22.8db
10% Popularity • 36% Danceability • 3% Energy • 8% Liveness
12% Instrumentalness • 18% Positiveness
10% Popularity • 36% Danceability • 3% Energy • 8% Liveness
12% Instrumentalness • 18% Positiveness
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Samuel Arnold
Overture in D Major, Op. 8, No. 4: III. ...
96 bpm • D Maj • 02:15 • -19.44db
20% Popularity • 58% Danceability • 11% Energy • 11% Liveness
81% Instrumentalness • 82% Positiveness
20% Popularity • 58% Danceability • 11% Energy • 11% Liveness
81% Instrumentalness • 82% Positiveness
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Daniel Auber
Lestocq, S. 24: Act III Entr'acte
113 bpm • G min • 01:35 • -20.04db
22% Popularity • 34% Danceability • 7% Energy • 8% Liveness
85% Instrumentalness • 22% Positiveness
22% Popularity • 34% Danceability • 7% Energy • 8% Liveness
85% Instrumentalness • 22% Positiveness
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Lajos Lencsés
Epigrammak (Epigrams) (arr. L. Lencses):...
96 bpm • G# Maj • 01:38 • -21.88db
11% Popularity • 18% Danceability • 8% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 8% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
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Joseph Martin Kraus
Fiskarena (The Fishermen), VB 40: No. 8....
96 bpm • F Maj • 01:44 • -22.34db
2% Popularity • 40% Danceability • 10% Energy • 9% Liveness
33% Instrumentalness • 60% Positiveness
2% Popularity • 40% Danceability • 10% Energy • 9% Liveness
33% Instrumentalness • 60% Positiveness
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Joseph Haydn
The Seven Last Words of our Saviour on t...
96 bpm • A# Maj • 06:44 • -25.26db
10% Popularity • 19% Danceability • 4% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 4% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
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Carl Ditters von Dittersdorf
Concerto for Double Bass and Orchestra i...
114 bpm • A Maj • 07:02 • -20.02db
10% Popularity • 38% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 30% Positiveness
10% Popularity • 38% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 30% Positiveness
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Samuel Arnold
Macbeth: Menuetto to be Play’d at the ...
113 bpm • D Maj • 00:56 • -17db
29% Popularity • 60% Danceability • 3% Energy • 9% Liveness
83% Instrumentalness • 32% Positiveness
29% Popularity • 60% Danceability • 3% Energy • 9% Liveness
83% Instrumentalness • 32% Positiveness
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Carl Stamitz
Sinfonia Concertante in D Major: III. Ro...
114 bpm • D Maj • 05:00 • -18db
11% Popularity • 34% Danceability • 11% Energy • 8% Liveness
48% Instrumentalness • 26% Positiveness
11% Popularity • 34% Danceability • 11% Energy • 8% Liveness
48% Instrumentalness • 26% Positiveness
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Dr. Jeffrey Thompson
Violin Concerto in E Minor, Andante
95 bpm • C Maj • 08:00 • -28.07db
11% Popularity • 13% Danceability • 5% Energy • 7% Liveness
24% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 5% Energy • 7% Liveness
24% Instrumentalness • 4% Positiveness
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Joseph Martin Kraus
Requiem in D Minor, VB 1: IX. Sanctus, s...
95 bpm • A Maj • 01:03 • -22.57db
2% Popularity • 33% Danceability • 8% Energy • 17% Liveness
10% Instrumentalness • 4% Positiveness
2% Popularity • 33% Danceability • 8% Energy • 17% Liveness
10% Instrumentalness • 4% Positiveness
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Lenka Cafourkova
Wybór z Aktu I: Uwertura
95 bpm • D Maj • 02:02 • -19.39db
8% Popularity • 53% Danceability • 21% Energy • 10% Liveness
85% Instrumentalness • 54% Positiveness
8% Popularity • 53% Danceability • 21% Energy • 10% Liveness
85% Instrumentalness • 54% Positiveness
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Francesco Geminiani
Concerti Grossi, Op. 7: No. 6 in B-Flat ...
114 bpm • A# min • 01:18 • -18.63db
19% Popularity • 19% Danceability • 18% Energy • 36% Liveness
76% Instrumentalness • 17% Positiveness
19% Popularity • 19% Danceability • 18% Energy • 36% Liveness
76% Instrumentalness • 17% Positiveness
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Carl Philipp Emanuel Bach
Sonatina in D Major, Wq. 96 H. 449: II. ...
114 bpm • D Maj • 02:33 • -14db
22% Popularity • 56% Danceability • 22% Energy • 9% Liveness
87% Instrumentalness • 70% Positiveness
22% Popularity • 56% Danceability • 22% Energy • 9% Liveness
87% Instrumentalness • 70% Positiveness
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Samuel Arnold
Overture in F Major, Op. 8, No. 3: II. A...
95 bpm • A# Maj • 01:59 • -29db
22% Popularity • 27% Danceability • 1% Energy • 9% Liveness
61% Instrumentalness • 27% Positiveness
22% Popularity • 27% Danceability • 1% Energy • 9% Liveness
61% Instrumentalness • 27% Positiveness
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Giacomo Meyerbeer
Der Fischer und das Milchmädchen: VI. A...
115 bpm • C Maj • 02:39 • -18.22db
18% Popularity • 41% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 34% Positiveness
18% Popularity • 41% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 34% Positiveness
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Joseph Martin Kraus
Requiem in D Minor, VB 1: III. Kyrie ele...
115 bpm • F Maj • 01:54 • -22.61db
2% Popularity • 25% Danceability • 11% Energy • 22% Liveness
11% Instrumentalness • 4% Positiveness
2% Popularity • 25% Danceability • 11% Energy • 22% Liveness
11% Instrumentalness • 4% Positiveness
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Odaline de la Martinez
Smyth: Fête Galante - Overture: Saraban...
94 bpm • C Maj • 01:20 • -20.45db
18% Popularity • 56% Danceability • 13% Energy • 18% Liveness
96% Instrumentalness • 56% Positiveness
18% Popularity • 56% Danceability • 13% Energy • 18% Liveness
96% Instrumentalness • 56% Positiveness
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Joseph Haydn
Concerto for 2 Horns in E-Flat Major, Ho...
115 bpm • D# Maj • 05:12 • -18.42db
15% Popularity • 58% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 39% Positiveness
15% Popularity • 58% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 39% Positiveness
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Antonio Vivaldi
Vivaldi: Flute Concerto in F Major, Op. ...
94 bpm • F Maj • 05:24 • -16.21db
5% Popularity • 50% Danceability • 28% Energy • 14% Liveness
90% Instrumentalness • 54% Positiveness
5% Popularity • 50% Danceability • 28% Energy • 14% Liveness
90% Instrumentalness • 54% Positiveness
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Unico Wilhelm van Wassenaer
6 Concerti Armonici / No. 5 in F Minor: ...
115 bpm • D# Maj • 01:34 • -14.57db
11% Popularity • 63% Danceability • 30% Energy • 13% Liveness
67% Instrumentalness • 55% Positiveness
11% Popularity • 63% Danceability • 30% Energy • 13% Liveness
67% Instrumentalness • 55% Positiveness
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Johann Sebastian Bach
Brandenburg Concerto No. 1 in F Major, B...
94 bpm • F Maj • 08:28 • -19.76db
12% Popularity • 23% Danceability • 10% Energy • 22% Liveness
57% Instrumentalness • 18% Positiveness
12% Popularity • 23% Danceability • 10% Energy • 22% Liveness
57% Instrumentalness • 18% Positiveness
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Joseph Martin Kraus
Requiem in D Minor, VB 1: IV. Dies irae,...
115 bpm • D Maj • 01:36 • -22.49db
2% Popularity • 39% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
2% Popularity • 39% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Ernst Wilhelm Wolf
Symphony in E-Flat Major: II. Allegretto
93 bpm • A# Maj • 02:14 • -21.67db
23% Popularity • 59% Danceability • 1% Energy • 15% Liveness
28% Instrumentalness • 33% Positiveness
23% Popularity • 59% Danceability • 1% Energy • 15% Liveness
28% Instrumentalness • 33% Positiveness
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Joseph Haydn
Die sieben letzten Worte unseres Erlöse...
115 bpm • D min • 06:07 • -24.39db
11% Popularity • 24% Danceability • 5% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
11% Popularity • 24% Danceability • 5% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
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Various Artists
Clarinet Concerto in A: Third Movement
116 bpm • A Maj • 09:25 • -23.97db
10% Popularity • 36% Danceability • 5% Energy • 10% Liveness
70% Instrumentalness • 36% Positiveness
10% Popularity • 36% Danceability • 5% Energy • 10% Liveness
70% Instrumentalness • 36% Positiveness
