Songs like Symphony No. 1: III. Allegro by Joonas Kokkonen
Based on a tempo of (+/- 10%) and a similar genre
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Karl Jenkins
Hidden Faces
93 bpm • C# Maj • 01:19 • -23.39db
10% Popularity • 33% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 33% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Rodion Shchedrin
Shchedrin: Carmen Suite: I. Introduction...
93 bpm • C# Maj • 01:32 • -29.64db
11% Popularity • 20% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
11% Popularity • 20% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Igor Stravinsky
Petrushka, K012 (1947 Version), Pt. 4, "...
94 bpm • D Maj • 01:14 • -22.49db
8% Popularity • 28% Danceability • 12% Energy • 38% Liveness
96% Instrumentalness • 32% Positiveness
8% Popularity • 28% Danceability • 12% Energy • 38% Liveness
96% Instrumentalness • 32% Positiveness
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Aivars Kalējs
French Quadrilogy: No. 2, The Dream
94 bpm • G min • 03:43 • -24.4db
13% Popularity • 19% Danceability • 5% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
13% Popularity • 19% Danceability • 5% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
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Joonas Kokkonen
Erekhtheion: II. Hahmo (Shape)
94 bpm • D min • 04:24 • -27.7db
0% Popularity • 22% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 22% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Carl Nielsen
Flute Concerto, FS 119: II. Allegretto, ...
92 bpm • G Maj • 07:27 • -26.44db
7% Popularity • 25% Danceability • 6% Energy • 14% Liveness
83% Instrumentalness • 10% Positiveness
7% Popularity • 25% Danceability • 6% Energy • 14% Liveness
83% Instrumentalness • 10% Positiveness
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MartÍn Palmeri
Misatango, Misa a Buenos Aires: VIII. Cr...
92 bpm • C min • 01:11 • -15.91db
13% Popularity • 16% Danceability • 19% Energy • 13% Liveness
82% Instrumentalness • 17% Positiveness
13% Popularity • 16% Danceability • 19% Energy • 13% Liveness
82% Instrumentalness • 17% Positiveness
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Karl Jenkins
The Golden Age Begins Anew: I. Renewal
92 bpm • G Maj • 03:03 • -15.94db
10% Popularity • 22% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
10% Popularity • 22% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
92 bpm • A# Maj • 01:14 • -46.76db
9% Popularity • 10% Danceability • 0% Energy • 21% Liveness
1% Instrumentalness • 44% Positiveness
9% Popularity • 10% Danceability • 0% Energy • 21% Liveness
1% Instrumentalness • 44% Positiveness
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Bob Chilcott
Weep, O mine eyes - Mixed voices
94 bpm • E Maj • 03:52 • -19.95db
7% Popularity • 16% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Joonas Kokkonen
Symphony No. 3: I. Andante sostenuto
92 bpm • G min • 05:11 • -26.38db
1% Popularity • 13% Danceability • 5% Energy • 16% Liveness
66% Instrumentalness • 4% Positiveness
1% Popularity • 13% Danceability • 5% Energy • 16% Liveness
66% Instrumentalness • 4% Positiveness
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Mikko Salakari
Miserere mei
92 bpm • F# min • 02:40 • -19.78db
9% Popularity • 23% Danceability • 11% Energy • 13% Liveness
10% Instrumentalness • 4% Positiveness
9% Popularity • 23% Danceability • 11% Energy • 13% Liveness
10% Instrumentalness • 4% Positiveness
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Julián De La Chica
Dispersed And Transcendental Chants, Op....
92 bpm • G Maj • 03:47 • -26.55db
17% Popularity • 41% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 41% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Antonín Dvořák
Dvořák: Symphonic Variations in C Majo...
92 bpm • A# min • 01:25 • -30.32db
14% Popularity • 21% Danceability • 5% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
14% Popularity • 21% Danceability • 5% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Béla Bartók
The Wooden Prince, Sz. 60 (Final Version...
94 bpm • E min • 03:11 • -18.15db
8% Popularity • 12% Danceability • 24% Energy • 8% Liveness
47% Instrumentalness • 3% Positiveness
8% Popularity • 12% Danceability • 24% Energy • 8% Liveness
47% Instrumentalness • 3% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: III. O quam tristi...
91 bpm • F# Maj • 02:49 • -25.36db
9% Popularity • 21% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
9% Popularity • 21% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
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ЧЕПЦОВ Александр
A PLAY ABOUT GHOSTS
95 bpm • A# min • 02:46 • -18.89db
8% Popularity • 15% Danceability • 20% Energy • 57% Liveness
56% Instrumentalness • 8% Positiveness
8% Popularity • 15% Danceability • 20% Energy • 57% Liveness
56% Instrumentalness • 8% Positiveness
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Arthur Bliss
Bliss: Cello Concerto: II. Larghetto
95 bpm • C Maj • 07:40 • -24.58db
13% Popularity • 12% Danceability • 10% Energy • 14% Liveness
87% Instrumentalness • 5% Positiveness
13% Popularity • 12% Danceability • 10% Energy • 14% Liveness
87% Instrumentalness • 5% Positiveness
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Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
91 bpm • A# Maj • 03:18 • -47.46db
11% Popularity • 10% Danceability • 0% Energy • 8% Liveness
3% Instrumentalness • 3% Positiveness
11% Popularity • 10% Danceability • 0% Energy • 8% Liveness
3% Instrumentalness • 3% Positiveness
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Carlo Rizzi
Tosca Symphonic Suite - Radio Edit
91 bpm • F# Maj • 03:49 • -15.74db
10% Popularity • 21% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
10% Popularity • 21% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Béla Bartók
The Wooden Prince, Sz. 60 (Final Version...
95 bpm • F Maj • 04:14 • -16.72db
10% Popularity • 20% Danceability • 26% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
10% Popularity • 20% Danceability • 26% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
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SRK:n naiskuoro
Tuuditan tulisoroista
95 bpm • D min • 03:42 • -27db
17% Popularity • 20% Danceability • 4% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 4% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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True LUFS Project
Carmina
90 bpm • C Maj • 01:51 • -15.95db
9% Popularity • 15% Danceability • 18% Energy • 20% Liveness
81% Instrumentalness • 7% Positiveness
9% Popularity • 15% Danceability • 18% Energy • 20% Liveness
81% Instrumentalness • 7% Positiveness
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Joonas Kokkonen
Symphony No. 2: II. Allegro
91 bpm • A Maj • 04:43 • -20.59db
0% Popularity • 30% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
0% Popularity • 30% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Marc-Antoine Charpentier
Charpentier: Te Deum, H. 146: VIII. Te e...
90 bpm • D Maj • 02:15 • -30.38db
10% Popularity • 26% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
10% Popularity • 26% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: V. Quis est homo
90 bpm • A min • 01:26 • -11.92db
9% Popularity • 49% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 49% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Béla Bartók
The Wooden Prince, Sz. 60 (Final Version...
91 bpm • A min • 01:54 • -22.86db
8% Popularity • 34% Danceability • 18% Energy • 63% Liveness
91% Instrumentalness • 19% Positiveness
8% Popularity • 34% Danceability • 18% Energy • 63% Liveness
91% Instrumentalness • 19% Positiveness
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MartÍn Palmeri
Misatango, Misa a Buenos Aires: XI. Sanc...
96 bpm • G min • 02:28 • -15.34db
9% Popularity • 22% Danceability • 23% Energy • 16% Liveness
50% Instrumentalness • 6% Positiveness
9% Popularity • 22% Danceability • 23% Energy • 16% Liveness
50% Instrumentalness • 6% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
96 bpm • G min • 01:42 • -25db
16% Popularity • 12% Danceability • 6% Energy • 23% Liveness
87% Instrumentalness • 4% Positiveness
16% Popularity • 12% Danceability • 6% Energy • 23% Liveness
87% Instrumentalness • 4% Positiveness
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Joonas Kokkonen
Cello Concerto: III. Adagio
90 bpm • F Maj • 06:06 • -26.06db
1% Popularity • 17% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
1% Popularity • 17% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Marc-Antoine Charpentier
Charpentier: Te Deum, H. 146: III. Te ae...
90 bpm • D Maj • 01:43 • -23.77db
11% Popularity • 37% Danceability • 11% Energy • 16% Liveness
3% Instrumentalness • 39% Positiveness
11% Popularity • 37% Danceability • 11% Energy • 16% Liveness
3% Instrumentalness • 39% Positiveness
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Igor Stravinsky
Petrushka, K12 (1947 Version): IIIa. The...
96 bpm • G min • 03:35 • -25.42db
16% Popularity • 32% Danceability • 3% Energy • 32% Liveness
94% Instrumentalness • 11% Positiveness
16% Popularity • 32% Danceability • 3% Energy • 32% Liveness
94% Instrumentalness • 11% Positiveness
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Diego Adinolfi
A Paz Eu Vos Deixo
90 bpm • C Maj • 03:07 • -22.6db
9% Popularity • 17% Danceability • 15% Energy • 13% Liveness
46% Instrumentalness • 7% Positiveness
9% Popularity • 17% Danceability • 15% Energy • 13% Liveness
46% Instrumentalness • 7% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: XII. Quando corpus
97 bpm • G# min • 04:05 • -18.09db
9% Popularity • 14% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Christian Lindberg
Fear
97 bpm • G# Maj • 01:42 • -29.84db
17% Popularity • 14% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
17% Popularity • 14% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Joonas Kokkonen
5 Bagatelles: I. Praeambulum: Allegro vi...
89 bpm • G Maj • 01:41 • -23.59db
0% Popularity • 40% Danceability • 18% Energy • 48% Liveness
87% Instrumentalness • 29% Positiveness
0% Popularity • 40% Danceability • 18% Energy • 48% Liveness
87% Instrumentalness • 29% Positiveness
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Carl Nielsen
Symphony No. 3, Op. 27, FS 60 "Sinfonia ...
89 bpm • F Maj • 08:49 • -21.08db
6% Popularity • 18% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
6% Popularity • 18% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
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Igor Stravinsky
Apollon Musagète, K. 048: VII. Variatio...
97 bpm • A min • 02:23 • -24.72db
8% Popularity • 19% Danceability • 2% Energy • 14% Liveness
74% Instrumentalness • 13% Positiveness
8% Popularity • 19% Danceability • 2% Energy • 14% Liveness
74% Instrumentalness • 13% Positiveness
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Mikko Finneman
Paint My Wall
97 bpm • C min • 01:12 • -12.7db
10% Popularity • 16% Danceability • 32% Energy • 59% Liveness
93% Instrumentalness • 18% Positiveness
10% Popularity • 16% Danceability • 32% Energy • 59% Liveness
93% Instrumentalness • 18% Positiveness
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Miklós Rózsa
The Prayer of Our Lord
89 bpm • D Maj • 02:26 • -12.41db
8% Popularity • 16% Danceability • 30% Energy • 17% Liveness
35% Instrumentalness • 13% Positiveness
8% Popularity • 16% Danceability • 30% Energy • 17% Liveness
35% Instrumentalness • 13% Positiveness
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Veljo Tormis
Reminiscentia / Autumn Landscapes: V. Wi...
97 bpm • D min • 01:16 • -21.93db
8% Popularity • 29% Danceability • 13% Energy • 13% Liveness
97% Instrumentalness • 33% Positiveness
8% Popularity • 29% Danceability • 13% Energy • 13% Liveness
97% Instrumentalness • 33% Positiveness
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Giacomo Puccini
La Bohème, SC 67, Act III: Speravo di t...
89 bpm • F Maj • 02:11 • -20.48db
2% Popularity • 10% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
2% Popularity • 10% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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KNOXVILLETRACKZ
HFTEPG
89 bpm • D min • 01:04 • -41.14db
7% Popularity • 33% Danceability • 1% Energy • 13% Liveness
97% Instrumentalness • 22% Positiveness
7% Popularity • 33% Danceability • 1% Energy • 13% Liveness
97% Instrumentalness • 22% Positiveness
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Maya Badian
Violin Concerto: I. Prelude
97 bpm • C# Maj • 06:45 • -25.97db
6% Popularity • 24% Danceability • 6% Energy • 45% Liveness
5% Instrumentalness • 8% Positiveness
6% Popularity • 24% Danceability • 6% Energy • 45% Liveness
5% Instrumentalness • 8% Positiveness
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MartÍn Palmeri
Misatango, Misa a Buenos Aires: V. Quoni...
89 bpm • C Maj • 01:26 • -12.96db
10% Popularity • 36% Danceability • 29% Energy • 22% Liveness
18% Instrumentalness • 24% Positiveness
10% Popularity • 36% Danceability • 29% Energy • 22% Liveness
18% Instrumentalness • 24% Positiveness
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Sergei Prokofiev
Cinderella Suite, Op. 87: Act I: Introdu...
89 bpm • C Maj • 02:30 • -28.86db
9% Popularity • 9% Danceability • 4% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 4% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
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Manuel de Falla
El amor brujo (Love, the Magician): En l...
89 bpm • G# Maj • 02:15 • -34db
9% Popularity • 14% Danceability • 1% Energy • 19% Liveness
60% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 1% Energy • 19% Liveness
60% Instrumentalness • 4% Positiveness
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Johannes Brahms
Schicksalslied, Op. 54: Orchestral Postl...
98 bpm • C Maj • 02:43 • -32.63db
19% Popularity • 13% Danceability • 2% Energy • 9% Liveness
59% Instrumentalness • 3% Positiveness
19% Popularity • 13% Danceability • 2% Energy • 9% Liveness
59% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Elijah, Op. 70: "The Shall Your Light Sh...
89 bpm • D Maj • 03:38 • -12.76db
8% Popularity • 12% Danceability • 44% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
8% Popularity • 12% Danceability • 44% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
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Charles Villiers Stanford
Magnificat in C
98 bpm • C Maj • 04:34 • -20.6db
8% Popularity • 14% Danceability • 14% Energy • 7% Liveness
58% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 14% Energy • 7% Liveness
58% Instrumentalness • 4% Positiveness
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Edvard Grieg
Symphonic Dances, Op. 64: III. Allegro g...
98 bpm • A Maj • 05:24 • -22.21db
11% Popularity • 32% Danceability • 8% Energy • 22% Liveness
85% Instrumentalness • 21% Positiveness
11% Popularity • 32% Danceability • 8% Energy • 22% Liveness
85% Instrumentalness • 21% Positiveness
► Preview
Atso Almila
Kokkonen : Wedding Piece
98 bpm • A# Maj • 02:23 • -23.07db
2% Popularity • 13% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
2% Popularity • 13% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Gérard Grisey
Mégalithes, Version 3: II. 5-2 - III. 9...
88 bpm • E Maj • 01:49 • -21.25db
14% Popularity • 31% Danceability • 28% Energy • 19% Liveness
28% Instrumentalness • 9% Positiveness
14% Popularity • 31% Danceability • 28% Energy • 19% Liveness
28% Instrumentalness • 9% Positiveness
► Preview
Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
88 bpm • B Maj • 03:32 • -18.03db
9% Popularity • 18% Danceability • 7% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
9% Popularity • 18% Danceability • 7% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
► Preview
Ralph Vaughan Williams
Hymn Tune Prelude on "Song 13" (Version ...
88 bpm • E min • 03:23 • -33.27db
13% Popularity • 10% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
13% Popularity • 10% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
► Preview
Anton Bruckner
Ecce sacerdos magnus, WAB 13
88 bpm • A min • 06:04 • -21.47db
10% Popularity • 20% Danceability • 11% Energy • 25% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 11% Energy • 25% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Manuel de Falla
Falla: El sombrero de tres picos, Pt. 2:...
88 bpm • D Maj • 03:32 • -27.02db
25% Popularity • 27% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
25% Popularity • 27% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 8% Positiveness
► Preview
Sirkka Rautakoski
Aaria, Sairasten Parantaja (Myrskyn Kesk...
88 bpm • D# Maj • 04:26 • -24.83db
12% Popularity • 11% Danceability • 7% Energy • 20% Liveness
76% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 7% Energy • 20% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
The Music Makers, Op. 69: III. With wond...
88 bpm • C min • 01:51 • -16.35db
12% Popularity • 18% Danceability • 27% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
12% Popularity • 18% Danceability • 27% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
► Preview
Joonas Kokkonen
Symphony No. 2: III. Andante
88 bpm • F Maj • 07:26 • -22.67db
0% Popularity • 9% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
0% Popularity • 9% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Béla Bartók
The Wooden Prince, Sz. 60 (Final Version...
88 bpm • D Maj • 02:04 • -22.5db
11% Popularity • 22% Danceability • 12% Energy • 12% Liveness
50% Instrumentalness • 15% Positiveness
11% Popularity • 22% Danceability • 12% Energy • 12% Liveness
50% Instrumentalness • 15% Positiveness
► Preview
Robert Schumann
Romanzen, Book 1, Op. 69: No. 6. Die Kap...
87 bpm • F Maj • 03:29 • -34.86db
18% Popularity • 21% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
18% Popularity • 21% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
► Preview
Niccolò Jommelli
Requiem in D Minor, K. 626 (Paris 1804 V...
88 bpm • E min • 02:37 • -33db
21% Popularity • 9% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Margaret Bonds
Montgomery Variations: VI. Lament
87 bpm • D min • 02:41 • -36.19db
14% Popularity • 10% Danceability • 1% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 1% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
► Preview
Hans Gál
Serenade for Clarinet, Violin and Cello,...
99 bpm • F# min • 02:52 • -24.17db
26% Popularity • 20% Danceability • 3% Energy • 14% Liveness
9% Instrumentalness • 14% Positiveness
26% Popularity • 20% Danceability • 3% Energy • 14% Liveness
9% Instrumentalness • 14% Positiveness
► Preview
Joonas Kokkonen
Cello Concerto: IV. Cadenza: Adagio, leg...
88 bpm • F Maj • 03:27 • -27.88db
1% Popularity • 29% Danceability • 5% Energy • 22% Liveness
66% Instrumentalness • 16% Positiveness
1% Popularity • 29% Danceability • 5% Energy • 22% Liveness
66% Instrumentalness • 16% Positiveness
► Preview
Traditional
St. Lawrence, Jewry: Spliced Surprise Ma...
99 bpm • A# min • 04:09 • -17.12db
8% Popularity • 36% Danceability • 32% Energy • 20% Liveness
97% Instrumentalness • 37% Positiveness
8% Popularity • 36% Danceability • 32% Energy • 20% Liveness
97% Instrumentalness • 37% Positiveness
► Preview
Francis Grier
Flourish and Reverie: I. Flourish
87 bpm • B min • 04:21 • -20.42db
9% Popularity • 9% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
9% Popularity • 9% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Rudolf Moser
Suite, Op. 56: IV. Rondo. Presto
99 bpm • G min • 03:31 • -21.27db
16% Popularity • 26% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 32% Positiveness
16% Popularity • 26% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 32% Positiveness
► Preview
Marc-Antoine Charpentier
Charpentier: Te Deum, H. 146: V. Te per ...
87 bpm • D Maj • 03:40 • -28.53db
9% Popularity • 28% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 28% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Fernand de la Tombelle
Rêverie
99 bpm • E Maj • 02:24 • -22.93db
12% Popularity • 13% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
12% Popularity • 13% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
► Preview
Joonas Kokkonen
Requiem (Arr. J. Linjama for 2 Voices, C...
87 bpm • C Maj • 05:27 • -23.38db
0% Popularity • 14% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
0% Popularity • 14% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Christian Lindberg
Hamnöy 1976 I
99 bpm • G# Maj • 01:02 • -10.97db
17% Popularity • 78% Danceability • 59% Energy • 27% Liveness
94% Instrumentalness • 98% Positiveness
17% Popularity • 78% Danceability • 59% Energy • 27% Liveness
94% Instrumentalness • 98% Positiveness
► Preview
Béla Bartók
The Wooden Prince, Sz. 60 (Final Version...
87 bpm • G Maj • 02:26 • -22.66db
10% Popularity • 22% Danceability • 8% Energy • 52% Liveness
79% Instrumentalness • 9% Positiveness
10% Popularity • 22% Danceability • 8% Energy • 52% Liveness
79% Instrumentalness • 9% Positiveness
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Karol Szymanowski
Stabat Mater, Op. 53: I. Stala Matka bol...
87 bpm • E min • 06:30 • -37db
9% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Maurice Duruflé
Requiem, Op. 9: IX. In paradisum
87 bpm • F# Maj • 02:59 • -22.38db
8% Popularity • 9% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Timothy A. Helisek
Sancte Michael
87 bpm • C min • 04:11 • -15.74db
10% Popularity • 32% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 32% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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KNOXVILLETRACKZ
SBP
100 bpm • F# Maj • 01:04 • -45.36db
20% Popularity • 13% Danceability • 0% Energy • 14% Liveness
100% Instrumentalness • 7% Positiveness
20% Popularity • 13% Danceability • 0% Energy • 14% Liveness
100% Instrumentalness • 7% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: IX. Sancta mater
87 bpm • A# min • 02:55 • -16.37db
8% Popularity • 19% Danceability • 17% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
8% Popularity • 19% Danceability • 17% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
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Carl Nielsen
Pan og Syrinx, Op. 49, FS 87
87 bpm • C Maj • 08:32 • -22.96db
22% Popularity • 10% Danceability • 3% Energy • 12% Liveness
12% Instrumentalness • 4% Positiveness
22% Popularity • 10% Danceability • 3% Energy • 12% Liveness
12% Instrumentalness • 4% Positiveness
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Charles Koechlin
Les Heures persanes (Persian Hours), Op....
86 bpm • A# min • 02:50 • -35.51db
7% Popularity • 10% Danceability • 1% Energy • 11% Liveness
20% Instrumentalness • 3% Positiveness
7% Popularity • 10% Danceability • 1% Energy • 11% Liveness
20% Instrumentalness • 3% Positiveness
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Olivier Calmel
Wood Music - Concerto pour quintette à ...
100 bpm • F# Maj • 06:40 • -15.69db
2% Popularity • 46% Danceability • 29% Energy • 24% Liveness
90% Instrumentalness • 15% Positiveness
2% Popularity • 46% Danceability • 29% Energy • 24% Liveness
90% Instrumentalness • 15% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 1, Op. 67: N...
100 bpm • G Maj • 02:57 • -40.12db
13% Popularity • 17% Danceability • 1% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 1% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
86 bpm • C# Maj • 08:48 • -27.77db
10% Popularity • 15% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
10% Popularity • 15% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Part III, Moses...
100 bpm • F# Maj • 01:36 • -17.32db
12% Popularity • 31% Danceability • 13% Energy • 74% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 31% Danceability • 13% Energy • 74% Liveness
0% Instrumentalness • 25% Positiveness
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Pyotr Ilyich Tchaikovsky
The Snow Maiden, Op. 12, Act II: No. 10,...
86 bpm • F# min • 05:11 • -31.63db
9% Popularity • 9% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Cantio Laudis -kuoro
Kuoro, Te Kalastajat Vetten Syvien
86 bpm • G min • 01:25 • -26.29db
17% Popularity • 12% Danceability • 8% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 12% Danceability • 8% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Edward Elgar
Variations on an Original Theme Enigma, ...
100 bpm • C Maj • 01:19 • -25.27db
15% Popularity • 20% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
15% Popularity • 20% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
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MartÍn Palmeri
Misatango, Misa a Buenos Aires: VII. Et ...
86 bpm • F min • 01:05 • -14.52db
12% Popularity • 34% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 34% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Jean Sibelius
Sibelius: Symphony No. 7 in C Major, Op....
86 bpm • C Maj • 07:39 • -24db
11% Popularity • 14% Danceability • 7% Energy • 20% Liveness
87% Instrumentalness • 3% Positiveness
11% Popularity • 14% Danceability • 7% Energy • 20% Liveness
87% Instrumentalness • 3% Positiveness
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Joonas Kokkonen
Symphony No. 1: IV. Adagio
85 bpm • E Maj • 05:56 • -23.27db
0% Popularity • 9% Danceability • 5% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
0% Popularity • 9% Danceability • 5% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Clive Osgood
Magnificat: No. 6, Esurientes implevit
101 bpm • E Maj • 02:50 • -28.13db
24% Popularity • 20% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
24% Popularity • 20% Danceability • 5% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
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Ferdinand David
Trombone Concertino in E-flat Major, Op....
85 bpm • C min • 01:41 • -17.84db
11% Popularity • 26% Danceability • 3% Energy • 19% Liveness
92% Instrumentalness • 5% Positiveness
11% Popularity • 26% Danceability • 3% Energy • 19% Liveness
92% Instrumentalness • 5% Positiveness
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Edward Elgar
From the Bavarian Highlands, Op. 27 (Ver...
86 bpm • F Maj • 03:40 • -28db
13% Popularity • 17% Danceability • 4% Energy • 9% Liveness
41% Instrumentalness • 6% Positiveness
13% Popularity • 17% Danceability • 4% Energy • 9% Liveness
41% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Symphony No. 2, Op. 52, "Lobgesang": I. ...
101 bpm • G min • 06:24 • -31.07db
15% Popularity • 15% Danceability • 3% Energy • 14% Liveness
93% Instrumentalness • 8% Positiveness
15% Popularity • 15% Danceability • 3% Energy • 14% Liveness
93% Instrumentalness • 8% Positiveness
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Joose Vähäsöyrinki
Resitatiivi, Silloin Jeesus Ojensi Käte...
101 bpm • G min • 02:12 • -19.61db
11% Popularity • 21% Danceability • 20% Energy • 12% Liveness
64% Instrumentalness • 5% Positiveness
11% Popularity • 21% Danceability • 20% Energy • 12% Liveness
64% Instrumentalness • 5% Positiveness
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Jean Sibelius
Symphony No. 5 in E-flat major, Op. 82: ...
85 bpm • D# Maj • 08:52 • -22.42db
12% Popularity • 13% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
12% Popularity • 13% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Erik Satie
Gnossienne No. 3 (Orch. Corp)
102 bpm • A min • 02:20 • -41.1db
8% Popularity • 30% Danceability • 0% Energy • 6% Liveness
20% Instrumentalness • 4% Positiveness
8% Popularity • 30% Danceability • 0% Energy • 6% Liveness
20% Instrumentalness • 4% Positiveness
