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Symphony No. 1 in D major, Wq. 183/1: Symphony No....
Songs like
Symphony No. 1 in D major, Wq. 183/1: Symphony No. 1 in D major, Wq. 183/1: I. Allegro di molto
by
Carl Philipp Emanuel Bach
Based on a tempo of (+/- 10%) and a similar genre
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Carl Philipp Emanuel Bach
Symphony No. 1 in D major, Wq. 183/1: Sy...
149 bpm • C# Maj • 06:17 • -18db
24% Popularity • 29% Danceability • 16% Energy • 18% Liveness
3% Instrumentalness • 28% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: Marche au...
148 bpm • A# Maj • 07:11 • -17.76db
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92% Instrumentalness • 33% Positiveness
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Orfeo ed Euridice, Wq. 30: Dance Of The ...
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Serenade In G Major "Eine Kleine Nachtmu...
148 bpm • F# Maj • 07:46 • -24.18db
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Arcangelo Corelli
Sonata in D Major, No. 1: I. Grave - All...
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La Prinzette, Wq. 117 No. 21, H. 91
150 bpm • E Maj • 02:14 • -26.94db
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Concerto grosso No. 1 in D Major, Op. 6:...
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74% Instrumentalness • 38% Positiveness
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90% Instrumentalness • 10% Positiveness
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91% Instrumentalness • 13% Positiveness
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91% Instrumentalness • 18% Positiveness
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94% Instrumentalness • 40% Positiveness
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91% Instrumentalness • 58% Positiveness
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0% Instrumentalness • 74% Positiveness
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36% Instrumentalness • 42% Positiveness
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93% Instrumentalness • 62% Positiveness
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68% Instrumentalness • 32% Positiveness
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85% Instrumentalness • 60% Positiveness
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90% Instrumentalness • 4% Positiveness
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25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Pyotr Ilyich Tchaikovsky
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20% Popularity • 42% Danceability • 27% Energy • 7% Liveness
57% Instrumentalness • 36% Positiveness
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95% Instrumentalness • 60% Positiveness
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92% Instrumentalness • 36% Positiveness
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56% Instrumentalness • 21% Positiveness
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78% Instrumentalness • 4% Positiveness
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74% Instrumentalness • 50% Positiveness
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92% Instrumentalness • 83% Positiveness
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91% Instrumentalness • 61% Positiveness
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26% Popularity • 30% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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134 bpm • C Maj • 01:17 • -34db
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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133 bpm • A min • 09:24 • -16db
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86% Instrumentalness • 10% Positiveness
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Carl Philipp Emanuel Bach
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135 bpm • G Maj • 02:16 • -22db
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90% Instrumentalness • 75% Positiveness
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48% Instrumentalness • 4% Positiveness
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133 bpm • A# Maj • 02:30 • -31.61db
21% Popularity • 16% Danceability • 15% Energy • 19% Liveness
82% Instrumentalness • 22% Positiveness
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166 bpm • F# min • 02:17 • -29db
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88% Instrumentalness • 50% Positiveness
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9% Instrumentalness • 71% Positiveness
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133 bpm • G# Maj • 05:05 • -19.1db
24% Popularity • 18% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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135 bpm • A# Maj • 04:05 • -22db
46% Popularity • 38% Danceability • 9% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
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167 bpm • A min • 04:22 • -19.3db
37% Popularity • 38% Danceability • 10% Energy • 5% Liveness
10% Instrumentalness • 46% Positiveness
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Johann Sebastian Bach
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133 bpm • G Maj • 02:42 • -31.81db
26% Popularity • 30% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Robert Schumann
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132 bpm • D# Maj • 06:48 • -18db
15% Popularity • 41% Danceability • 20% Energy • 14% Liveness
81% Instrumentalness • 38% Positiveness
► Preview
Janos Sebestyen
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132 bpm • A min • 04:57 • -21.79db
41% Popularity • 34% Danceability • 27% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
► Preview
Karoly Botvay
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132 bpm • G min • 05:21 • -25.06db
40% Popularity • 31% Danceability • 9% Energy • 30% Liveness
3% Instrumentalness • 9% Positiveness
► Preview
Carl Philipp Emanuel Bach
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166 bpm • G Maj • 01:04 • -25db
48% Popularity • 33% Danceability • 25% Energy • 15% Liveness
87% Instrumentalness • 95% Positiveness
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Johann Christian Bach
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169 bpm • G Maj • 03:47 • -23.45db
27% Popularity • 15% Danceability • 7% Energy • 8% Liveness
51% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
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132 bpm • A# min • 04:47 • -21.67db
21% Popularity • 18% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Arcangelo Corelli
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169 bpm • D Maj • 01:54 • -15.5db
48% Popularity • 26% Danceability • 30% Energy • 15% Liveness
8% Instrumentalness • 52% Positiveness
► Preview
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132 bpm • D# min • 01:29 • -22db
45% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
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William Boyce
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131 bpm • C# Maj • 04:06 • -15.92db
25% Popularity • 46% Danceability • 21% Energy • 8% Liveness
63% Instrumentalness • 40% Positiveness
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Carl Philipp Emanuel Bach
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133 bpm • D min • 08:14 • -20.49db
15% Popularity • 41% Danceability • 18% Energy • 13% Liveness
84% Instrumentalness • 33% Positiveness
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Johann Christian Bach
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132 bpm • E Maj • 02:25 • -21.08db
26% Popularity • 46% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
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Joseph Haydn
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131 bpm • F# Maj • 10:48 • -18.33db
7% Popularity • 40% Danceability • 8% Energy • 8% Liveness
89% Instrumentalness • 28% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
58% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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Wolfgang Amadeus Mozart
Ein Musikalischer Spass, "A Musical Joke...
131 bpm • E Maj • 04:09 • -24db
24% Popularity • 40% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Tomaso Albinoni
Concerto a cinque No. 2, Op. 9: I. Alleg...
169 bpm • C# min • 03:54 • -14db
41% Popularity • 33% Danceability • 26% Energy • 5% Liveness
77% Instrumentalness • 51% Positiveness
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Carl Philipp Emanuel Bach
Symphony in F Major, Wq. 183, No. 3: I. ...
132 bpm • B Maj • 05:21 • -17.17db
9% Popularity • 35% Danceability • 22% Energy • 10% Liveness
68% Instrumentalness • 31% Positiveness
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Felix Mendelssohn
Piano Concerto No. 2 in D Minor, Op. 40,...
131 bpm • A# Maj • 07:44 • -30.09db
36% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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131 bpm • C Maj • 08:12 • -23.05db
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Janos Sebestyen
Concerto In The Italian Style, BWV 971, ...
131 bpm • D min • 05:04 • -24db
42% Popularity • 38% Danceability • 9% Energy • 7% Liveness
89% Instrumentalness • 19% Positiveness
► Preview
Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
36% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
170 bpm • D# Maj • 07:53 • -21db
41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
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Symphony No. 1 in D major, Wq. 183/1: Symphony No....