Songs like Symphony No. 7, Op. 119: Movement V by Boris Ivanovich Tishchenko
Based on a tempo of (+/- 10%) and a similar genre
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Kurt Weill
Excerpts from Dreigroschenoper: Zuhälte...
134 bpm • E min • 01:04 • -21.6db
18% Popularity • 36% Danceability • 8% Energy • 14% Liveness
5% Instrumentalness • 49% Positiveness
18% Popularity • 36% Danceability • 8% Energy • 14% Liveness
5% Instrumentalness • 49% Positiveness
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Béla Bartók
Violin Rhapsody No. 1, Sz. 87 (Version f...
134 bpm • G Maj • 10:06 • -11.2db
23% Popularity • 44% Danceability • 30% Energy • 8% Liveness
3% Instrumentalness • 26% Positiveness
23% Popularity • 44% Danceability • 30% Energy • 8% Liveness
3% Instrumentalness • 26% Positiveness
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Rolf Wallin
Whirld: IV. Rubedo
135 bpm • G Maj • 05:57 • -26.01db
16% Popularity • 33% Danceability • 16% Energy • 46% Liveness
21% Instrumentalness • 10% Positiveness
16% Popularity • 33% Danceability • 16% Energy • 46% Liveness
21% Instrumentalness • 10% Positiveness
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Boris Ivanovich Tishchenko
Concerto for Flute, Piano and Strings, O...
135 bpm • G Maj • 04:39 • -17.99db
0% Popularity • 58% Danceability • 24% Energy • 17% Liveness
91% Instrumentalness • 45% Positiveness
0% Popularity • 58% Danceability • 24% Energy • 17% Liveness
91% Instrumentalness • 45% Positiveness
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Lennox Berkeley
Divertimento, Op.18: I. Prelude. Moderat...
135 bpm • D min • 03:43 • -23.18db
15% Popularity • 32% Danceability • 6% Energy • 20% Liveness
85% Instrumentalness • 11% Positiveness
15% Popularity • 32% Danceability • 6% Energy • 20% Liveness
85% Instrumentalness • 11% Positiveness
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Christian Lindberg
Final Ride
133 bpm • A# Maj • 01:47 • -17.08db
16% Popularity • 32% Danceability • 82% Energy • 66% Liveness
82% Instrumentalness • 7% Positiveness
16% Popularity • 32% Danceability • 82% Energy • 66% Liveness
82% Instrumentalness • 7% Positiveness
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Maurice Ravel
Miroirs No. 4: Alborada Del Gracioso
135 bpm • D Maj • 06:33 • -23.99db
12% Popularity • 27% Danceability • 3% Energy • 32% Liveness
48% Instrumentalness • 7% Positiveness
12% Popularity • 27% Danceability • 3% Energy • 32% Liveness
48% Instrumentalness • 7% Positiveness
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Heitor Villa-Lobos
Fantasia for Cello & Orchestra, W454: II...
133 bpm • D# Maj • 07:00 • -26.09db
10% Popularity • 26% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
10% Popularity • 26% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
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Franz Schubert
Fantasie in C Major, D. 934: I. Andante ...
135 bpm • C Maj • 03:13 • -30.92db
13% Popularity • 18% Danceability • 5% Energy • 11% Liveness
21% Instrumentalness • 5% Positiveness
13% Popularity • 18% Danceability • 5% Energy • 11% Liveness
21% Instrumentalness • 5% Positiveness
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Paul Chihara
Concerto-Fantasy: II. Interlude
133 bpm • C# Maj • 03:47 • -25.08db
13% Popularity • 22% Danceability • 7% Energy • 60% Liveness
86% Instrumentalness • 5% Positiveness
13% Popularity • 22% Danceability • 7% Energy • 60% Liveness
86% Instrumentalness • 5% Positiveness
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Milo Paulus
Proving the Existence of Folkloric Creat...
135 bpm • A min • 03:17 • -21.72db
10% Popularity • 38% Danceability • 13% Energy • 9% Liveness
45% Instrumentalness • 10% Positiveness
10% Popularity • 38% Danceability • 13% Energy • 9% Liveness
45% Instrumentalness • 10% Positiveness
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Christian Lindberg
Devils Train
133 bpm • F# Maj • 01:26 • -19.15db
18% Popularity • 41% Danceability • 48% Energy • 40% Liveness
92% Instrumentalness • 46% Positiveness
18% Popularity • 41% Danceability • 48% Energy • 40% Liveness
92% Instrumentalness • 46% Positiveness
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Erik Satie
Relâche, Pt. 1: No. 3, Entrée de la fe...
133 bpm • D Maj • 01:16 • -33.3db
10% Popularity • 20% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 20% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Benedetto Marcello
Introduzione, aria e presto: I. Largo e ...
133 bpm • E min • 01:04 • -11.83db
23% Popularity • 41% Danceability • 38% Energy • 45% Liveness
69% Instrumentalness • 50% Positiveness
23% Popularity • 41% Danceability • 38% Energy • 45% Liveness
69% Instrumentalness • 50% Positiveness
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Soeui Lee
Three Bagatelles: No. 2, Divertimenti in...
132 bpm • A# min • 03:57 • -18.35db
21% Popularity • 27% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
21% Popularity • 27% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
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Benjamin Britten
Sinfonia da Requiem, Op. 20: III. Requie...
136 bpm • G Maj • 06:06 • -28.19db
5% Popularity • 15% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
5% Popularity • 15% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Cinderella Suite, Op. 87: Act III: Amoro...
132 bpm • C Maj • 03:11 • -23.15db
9% Popularity • 16% Danceability • 8% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 8% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
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Boris Ivanovich Tishchenko
Violin Concerto No. 1, Op. 9: I. Moderat...
132 bpm • D Maj • 08:31 • -21.4db
0% Popularity • 40% Danceability • 9% Energy • 8% Liveness
9% Instrumentalness • 8% Positiveness
0% Popularity • 40% Danceability • 9% Energy • 8% Liveness
9% Instrumentalness • 8% Positiveness
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Mieczysław Weinberg
Trumpet Concerto in B-Flat Major, Op. 94...
136 bpm • F# Maj • 01:17 • -26.13db
21% Popularity • 18% Danceability • 4% Energy • 18% Liveness
77% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 4% Energy • 18% Liveness
77% Instrumentalness • 4% Positiveness
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![Ólafur Liljurós: [Crotchet = c. 96] cover art](https://i.scdn.co/image/ab67616d00001e0233c5d178cecc0ab03656565b)
Jórunn Viðar
Ólafur Liljurós: [Crotchet = c. 96]
136 bpm • C Maj • 01:19 • -24.57db
8% Popularity • 18% Danceability • 3% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 3% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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フランツ シュトラウス
ノクターン 作品 7（ホルンと�...
136 bpm • C# Maj • 05:47 • -23.69db
11% Popularity • 17% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
11% Popularity • 17% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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Arnold Rosner
Variations on a Theme by Frank Martin, O...
136 bpm • A Maj • 01:57 • -32.98db
15% Popularity • 15% Danceability • 2% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
15% Popularity • 15% Danceability • 2% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
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Franz Schubert
Schubert: String Quartet No. 15 in G Maj...
132 bpm • G Maj • 07:08 • -22.14db
7% Popularity • 35% Danceability • 3% Energy • 7% Liveness
80% Instrumentalness • 33% Positiveness
7% Popularity • 35% Danceability • 3% Energy • 7% Liveness
80% Instrumentalness • 33% Positiveness
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Boris Ivanovich Tishchenko
Concerto for Violin, Piano and String Or...
132 bpm • D# Maj • 06:33 • -21.18db
0% Popularity • 48% Danceability • 27% Energy • 27% Liveness
83% Instrumentalness • 21% Positiveness
0% Popularity • 48% Danceability • 27% Energy • 27% Liveness
83% Instrumentalness • 21% Positiveness
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Manuel de Falla
Harpsichord Concerto: III. Vivace (fless...
131 bpm • D Maj • 04:16 • -23.62db
15% Popularity • 55% Danceability • 17% Energy • 10% Liveness
48% Instrumentalness • 65% Positiveness
15% Popularity • 55% Danceability • 17% Energy • 10% Liveness
48% Instrumentalness • 65% Positiveness
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Manuel Seco de Arpe
Piano Concerto, Op. 72: III. Maestoso. A...
131 bpm • G Maj • 07:37 • -17.3db
0% Popularity • 24% Danceability • 19% Energy • 66% Liveness
88% Instrumentalness • 3% Positiveness
0% Popularity • 24% Danceability • 19% Energy • 66% Liveness
88% Instrumentalness • 3% Positiveness
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Radoslaw Pallarz
Ephesiaka: Ephesiaka
131 bpm • E min • 01:56 • -32.91db
6% Popularity • 27% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
6% Popularity • 27% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Christian Lindberg
Burning Chaos
137 bpm • F# Maj • 02:22 • -16.87db
17% Popularity • 35% Danceability • 63% Energy • 62% Liveness
81% Instrumentalness • 36% Positiveness
17% Popularity • 35% Danceability • 63% Energy • 62% Liveness
81% Instrumentalness • 36% Positiveness
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Sergei Prokofiev
Prokofiev: Violin Concerto No. 1 in D Ma...
137 bpm • A min • 03:57 • -26.75db
18% Popularity • 52% Danceability • 19% Energy • 6% Liveness
32% Instrumentalness • 47% Positiveness
18% Popularity • 52% Danceability • 19% Energy • 6% Liveness
32% Instrumentalness • 47% Positiveness
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Boris Ivanovich Tishchenko
String Quartet No. 3, Op. 47: II. Presto...
132 bpm • F Maj • 03:56 • -14.37db
0% Popularity • 51% Danceability • 30% Energy • 22% Liveness
70% Instrumentalness • 38% Positiveness
0% Popularity • 51% Danceability • 30% Energy • 22% Liveness
70% Instrumentalness • 38% Positiveness
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Bernhard Henrik Crusell
Introduction et air suédois, Op. 12: In...
137 bpm • D# min • 01:04 • -25.02db
18% Popularity • 33% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
18% Popularity • 33% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Johannes Brahms
Symphony N. 1 in C Minore, Op. 68 - IV. ...
131 bpm • C Maj • 05:02 • -26.78db
9% Popularity • 17% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Trittico botticelliano, P. 151: I. La pr...
130 bpm • A Maj • 06:05 • -21.8db
8% Popularity • 38% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
8% Popularity • 38% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
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Christian Lindberg
Frustration
138 bpm • G min • 01:48 • -28.75db
16% Popularity • 15% Danceability • 8% Energy • 34% Liveness
95% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 8% Energy • 34% Liveness
95% Instrumentalness • 3% Positiveness
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Arnold Rosner
Variations on a Theme by Frank Martin, O...
138 bpm • A min • 02:16 • -23.84db
16% Popularity • 19% Danceability • 4% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 4% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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Boris Ivanovich Tishchenko
Piano Sonata No. 4, Op. 53: II. Tranquil...
132 bpm • C Maj • 09:23 • -28.99db
0% Popularity • 48% Danceability • 0% Energy • 7% Liveness
82% Instrumentalness • 8% Positiveness
0% Popularity • 48% Danceability • 0% Energy • 7% Liveness
82% Instrumentalness • 8% Positiveness
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Francis Poulenc
Trois mouvements perpétuels, FP 14b: I....
138 bpm • A# Maj • 01:29 • -25.68db
0% Popularity • 41% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 40% Positiveness
0% Popularity • 41% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 40% Positiveness
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Charles Camilleri
Malta Suite for Clarinet and Piano: III....
139 bpm • A min • 01:55 • -19.44db
9% Popularity • 49% Danceability • 24% Energy • 12% Liveness
95% Instrumentalness • 54% Positiveness
9% Popularity • 49% Danceability • 24% Energy • 12% Liveness
95% Instrumentalness • 54% Positiveness
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Jean Sibelius
Symphony No. 5 in E-flat major, Op. 82: ...
129 bpm • G Maj • 09:26 • -26.97db
14% Popularity • 22% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 22% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Erik Satie
Relâche, Pt. 1: No. 10, Final
129 bpm • D Maj • 01:14 • -21.39db
8% Popularity • 48% Danceability • 15% Energy • 9% Liveness
49% Instrumentalness • 36% Positiveness
8% Popularity • 48% Danceability • 15% Energy • 9% Liveness
49% Instrumentalness • 36% Positiveness
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Erwin Schulhoff
5 Pieces for String Quartet: No. 2, Alla...
129 bpm • C Maj • 03:02 • -25.02db
19% Popularity • 45% Danceability • 9% Energy • 8% Liveness
41% Instrumentalness • 10% Positiveness
19% Popularity • 45% Danceability • 9% Energy • 8% Liveness
41% Instrumentalness • 10% Positiveness
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Boris Ivanovich Tishchenko
Symphony No. 5, Op. 67: I. Prelude
137 bpm • F Maj • 09:56 • -17.01db
0% Popularity • 24% Danceability • 2% Energy • 9% Liveness
75% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 2% Energy • 9% Liveness
75% Instrumentalness • 4% Positiveness
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Maurice Ravel
Valses Nobles Et Sentimentales: III. Mod...
129 bpm • G Maj • 01:25 • -21.14db
8% Popularity • 28% Danceability • 7% Energy • 10% Liveness
72% Instrumentalness • 7% Positiveness
8% Popularity • 28% Danceability • 7% Energy • 10% Liveness
72% Instrumentalness • 7% Positiveness
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Karsten Masch
Opus No. 5 Karsten Masch - Tubae Spei - ...
140 bpm • C# min • 03:12 • -16.48db
31% Popularity • 37% Danceability • 24% Energy • 12% Liveness
85% Instrumentalness • 14% Positiveness
31% Popularity • 37% Danceability • 24% Energy • 12% Liveness
85% Instrumentalness • 14% Positiveness
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Jean Sibelius
Karelia Overture, Op. 10
129 bpm • C Maj • 08:00 • -13.45db
1% Popularity • 20% Danceability • 19% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
1% Popularity • 20% Danceability • 19% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
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Caleb J. Both
String Quartet in G Minor - "Elementary ...
140 bpm • G min • 02:58 • -18.4db
10% Popularity • 44% Danceability • 5% Energy • 10% Liveness
62% Instrumentalness • 28% Positiveness
10% Popularity • 44% Danceability • 5% Energy • 10% Liveness
62% Instrumentalness • 28% Positiveness
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Christian Lindberg
Tromsö 2018 I
128 bpm • C Maj • 01:11 • -11db
15% Popularity • 54% Danceability • 41% Energy • 61% Liveness
80% Instrumentalness • 52% Positiveness
15% Popularity • 54% Danceability • 41% Energy • 61% Liveness
80% Instrumentalness • 52% Positiveness
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Boris Ivanovich Tishchenko
String Quartet No. 1, Op. 8: II. Allegro...
131 bpm • C Maj • 02:12 • -17.05db
0% Popularity • 52% Danceability • 24% Energy • 9% Liveness
58% Instrumentalness • 29% Positiveness
0% Popularity • 52% Danceability • 24% Energy • 9% Liveness
58% Instrumentalness • 29% Positiveness
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Antonín Dvořák
Slavonic Dances, Series II., Op. 72, B. ...
140 bpm • F# min • 04:36 • -15.1db
9% Popularity • 24% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 16% Positiveness
9% Popularity • 24% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 16% Positiveness
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Alberto Ginastera
Estancia, Op. 8: Scene 5, El Amanecer - ...
140 bpm • A# Maj • 01:14 • -23.23db
12% Popularity • 20% Danceability • 6% Energy • 11% Liveness
66% Instrumentalness • 8% Positiveness
12% Popularity • 20% Danceability • 6% Energy • 11% Liveness
66% Instrumentalness • 8% Positiveness
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Edvard Grieg
Symphonic Dances, Op. 64: I. Allegro mod...
141 bpm • G Maj • 06:28 • -19.76db
15% Popularity • 27% Danceability • 9% Energy • 7% Liveness
71% Instrumentalness • 7% Positiveness
15% Popularity • 27% Danceability • 9% Energy • 7% Liveness
71% Instrumentalness • 7% Positiveness
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Ferdinand David
Trombone Concertino in E-flat Major, Op....
127 bpm • D# Maj • 01:00 • -14.56db
18% Popularity • 32% Danceability • 32% Energy • 15% Liveness
92% Instrumentalness • 33% Positiveness
18% Popularity • 32% Danceability • 32% Energy • 15% Liveness
92% Instrumentalness • 33% Positiveness
► Preview
Harald Sæverud
Peer Gynt, Op. 28: Suite No. 1: Hymn aga...
141 bpm • A min • 02:43 • -22.22db
8% Popularity • 14% Danceability • 8% Energy • 4% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 8% Energy • 4% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Boris Ivanovich Tishchenko
Sonata for Piano No.4, Op. 53 II.
131 bpm • F Maj • 08:15 • -20.9db
0% Popularity • 52% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 10% Positiveness
0% Popularity • 52% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 10% Positiveness
► Preview
Juan Pablo Fernández Ramos
Las tres culturas: 3. Los pasos de Jehov...
127 bpm • D min • 04:08 • -33.21db
10% Popularity • 21% Danceability • 1% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
10% Popularity • 21% Danceability • 1% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
► Preview
Camille Saint-Saëns
Parysatis, R. 312: Introduction. Air de ...
142 bpm • F Maj • 02:42 • -20.36db
9% Popularity • 38% Danceability • 9% Energy • 18% Liveness
95% Instrumentalness • 7% Positiveness
9% Popularity • 38% Danceability • 9% Energy • 18% Liveness
95% Instrumentalness • 7% Positiveness
► Preview
Agneta Krilova
The Rose Petal Waltz
126 bpm • C# Maj • 04:00 • -21.86db
16% Popularity • 30% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
16% Popularity • 30% Danceability • 11% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Ferdinand David
Trombone Concertino in E-flat Major, Op....
127 bpm • D# Maj • 01:01 • -15.36db
22% Popularity • 25% Danceability • 23% Energy • 62% Liveness
85% Instrumentalness • 19% Positiveness
22% Popularity • 25% Danceability • 23% Energy • 62% Liveness
85% Instrumentalness • 19% Positiveness
► Preview
Georges Bizet
Bizet: L'Arlésienne Suite No. 1, Op. 23...
142 bpm • E Maj • 04:26 • -24.85db
4% Popularity • 22% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 12% Positiveness
4% Popularity • 22% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 12% Positiveness
► Preview
Boris Ivanovich Tishchenko
Piano Sonata No. 10, Op. 4/124 "Eureka":...
131 bpm • E Maj • 06:21 • -32.44db
0% Popularity • 51% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
0% Popularity • 51% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Alberto Ginastera
Estancia, Op. 8: Scene 1, El Amanecer - ...
144 bpm • C Maj • 01:33 • -18.56db
13% Popularity • 48% Danceability • 42% Energy • 61% Liveness
90% Instrumentalness • 40% Positiveness
13% Popularity • 48% Danceability • 42% Energy • 61% Liveness
90% Instrumentalness • 40% Positiveness
► Preview
Lennox Berkeley
Divertimento, Op.18: II. Nocturne. Andan...
125 bpm • D# min • 05:12 • -27.74db
8% Popularity • 17% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
Mieczysław Weinberg
Trumpet Concerto in B-Flat Major, Op. 94...
144 bpm • F Maj • 01:01 • -14.16db
19% Popularity • 54% Danceability • 35% Energy • 46% Liveness
90% Instrumentalness • 62% Positiveness
19% Popularity • 54% Danceability • 35% Energy • 46% Liveness
90% Instrumentalness • 62% Positiveness
► Preview
Jean Sibelius
Lemminkäinen, Op. 22: IV. Lemminkäinen...
144 bpm • C min • 06:36 • -24.5db
11% Popularity • 29% Danceability • 20% Energy • 7% Liveness
86% Instrumentalness • 12% Positiveness
11% Popularity • 29% Danceability • 20% Energy • 7% Liveness
86% Instrumentalness • 12% Positiveness
► Preview
Stanisław Moniuszko
Verbum nobile: Overture
125 bpm • G Maj • 05:14 • -20.58db
23% Popularity • 37% Danceability • 11% Energy • 22% Liveness
91% Instrumentalness • 46% Positiveness
23% Popularity • 37% Danceability • 11% Energy • 22% Liveness
91% Instrumentalness • 46% Positiveness
► Preview
Boris Ivanovich Tishchenko
String Quartet No. 1, Op. 8: II. Allegro...
129 bpm • G Maj • 02:18 • -17.82db
0% Popularity • 51% Danceability • 17% Energy • 14% Liveness
68% Instrumentalness • 38% Positiveness
0% Popularity • 51% Danceability • 17% Energy • 14% Liveness
68% Instrumentalness • 38% Positiveness
► Preview
Aigars Raumanis
The Closed Courtyard
144 bpm • C min • 09:18 • -21.57db
11% Popularity • 44% Danceability • 14% Energy • 14% Liveness
60% Instrumentalness • 7% Positiveness
11% Popularity • 44% Danceability • 14% Energy • 14% Liveness
60% Instrumentalness • 7% Positiveness
► Preview
Christian Lindberg
Tromsö 2018 IV
124 bpm • C# Maj • 01:01 • -8db
19% Popularity • 59% Danceability • 51% Energy • 39% Liveness
96% Instrumentalness • 45% Positiveness
19% Popularity • 59% Danceability • 51% Energy • 39% Liveness
96% Instrumentalness • 45% Positiveness
► Preview
Mieczysław Weinberg
The Passenger, Op. 97: Vorspiel
125 bpm • F# min • 02:46 • -23.06db
13% Popularity • 38% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
13% Popularity • 38% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
► Preview
Claude Debussy
Debussy: La Mer, CD 111, L. 109: III. Di...
145 bpm • C# Maj • 09:00 • -21.06db
0% Popularity • 15% Danceability • 17% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
0% Popularity • 15% Danceability • 17% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Giacomo Puccini
Preludio Sinfonico
145 bpm • A Maj • 09:25 • -21.62db
10% Popularity • 14% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
10% Popularity • 14% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Boris Ivanovich Tishchenko
String Quartet No. 2, Op. 13: I. Allegro...
129 bpm • G Maj • 12:16 • -17.9db
0% Popularity • 41% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
0% Popularity • 41% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Franz Schmidt
Notre Dame, Op. 2: Intermezzo. Sehr zur�...
123 bpm • C# Maj • 03:38 • -24.31db
10% Popularity • 17% Danceability • 10% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 10% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Robert Burrell
Serenade for Strings: I. First Movement
123 bpm • G Maj • 07:24 • -11.79db
9% Popularity • 44% Danceability • 23% Energy • 10% Liveness
79% Instrumentalness • 20% Positiveness
9% Popularity • 44% Danceability • 23% Energy • 10% Liveness
79% Instrumentalness • 20% Positiveness
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Witold Lutosławski
Concerto for Orchestra: I. Intrada. Alle...
123 bpm • F# min • 07:14 • -21.93db
11% Popularity • 30% Danceability • 13% Energy • 10% Liveness
81% Instrumentalness • 5% Positiveness
11% Popularity • 30% Danceability • 13% Energy • 10% Liveness
81% Instrumentalness • 5% Positiveness
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Claude Debussy
6 Épigraphes antiques, L. 131: VI. Pour...
123 bpm • G# Maj • 02:13 • -26.72db
9% Popularity • 20% Danceability • 6% Energy • 21% Liveness
88% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 6% Energy • 21% Liveness
88% Instrumentalness • 4% Positiveness
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François de Roubaix
Clara 1939
122 bpm • F Maj • 04:01 • -17.07db
24% Popularity • 24% Danceability • 23% Energy • 10% Liveness
3% Instrumentalness • 10% Positiveness
24% Popularity • 24% Danceability • 23% Energy • 10% Liveness
3% Instrumentalness • 10% Positiveness
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Boris Ivanovich Tishchenko
Sonata for Piano No.9, Op. 114 II.
141 bpm • C Maj • 05:59 • -25.14db
0% Popularity • 38% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 45% Positiveness
0% Popularity • 38% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 45% Positiveness
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Jean Sibelius
Symphony No. 2 in D Major, Op. 43: I. Al...
122 bpm • D Maj • 09:58 • -25.36db
31% Popularity • 26% Danceability • 7% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
31% Popularity • 26% Danceability • 7% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
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Erik Satie
Relâche, Pt. 2: No. 10, La femme rejoin...
148 bpm • C min • 01:01 • -38.39db
9% Popularity • 16% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 16% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Olivier Messiaen
Turangalîla-Symphony: I. Introduction. ...
148 bpm • A# min • 06:08 • -19.2db
18% Popularity • 26% Danceability • 42% Energy • 38% Liveness
65% Instrumentalness • 8% Positiveness
18% Popularity • 26% Danceability • 42% Energy • 38% Liveness
65% Instrumentalness • 8% Positiveness
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Richard Wagner
Tristan und Isolde, WWV 90: VII, Schmach...
121 bpm • A min • 01:05 • -13.52db
17% Popularity • 28% Danceability • 27% Energy • 34% Liveness
70% Instrumentalness • 22% Positiveness
17% Popularity • 28% Danceability • 27% Energy • 34% Liveness
70% Instrumentalness • 22% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: II. Ost...
121 bpm • C Maj • 01:46 • -28.9db
18% Popularity • 34% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 23% Positiveness
18% Popularity • 34% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 23% Positiveness
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Boris Ivanovich Tishchenko
Piano Sonata No. 6, Op. 64: I. Allegro m...
141 bpm • G min • 08:02 • -14.57db
0% Popularity • 51% Danceability • 34% Energy • 14% Liveness
87% Instrumentalness • 16% Positiveness
0% Popularity • 51% Danceability • 34% Energy • 14% Liveness
87% Instrumentalness • 16% Positiveness
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Eric Coates
Cinderella: 7. Cinderella, once more sit...
148 bpm • G Maj • 01:13 • -36.75db
16% Popularity • 12% Danceability • 0% Energy • 9% Liveness
65% Instrumentalness • 3% Positiveness
16% Popularity • 12% Danceability • 0% Energy • 9% Liveness
65% Instrumentalness • 3% Positiveness
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Charles Gounod
Gounod: Petite Symphonie in B-Flat for 9...
121 bpm • A# Maj • 04:03 • -16.12db
1% Popularity • 65% Danceability • 18% Energy • 14% Liveness
80% Instrumentalness • 68% Positiveness
1% Popularity • 65% Danceability • 18% Energy • 14% Liveness
80% Instrumentalness • 68% Positiveness
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Jean Françaix
String Trio: II. Scherzo - Vivo
120 bpm • G Maj • 03:27 • -20.97db
7% Popularity • 54% Danceability • 8% Energy • 12% Liveness
7% Instrumentalness • 50% Positiveness
7% Popularity • 54% Danceability • 8% Energy • 12% Liveness
7% Instrumentalness • 50% Positiveness
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mantekito loko
carino es hola de un poco de ruido
120 bpm • D min • 01:55 • -24.42db
8% Popularity • 66% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
8% Popularity • 66% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
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Ferruccio Busoni
Concerto in D Major, Op. 35a: III. Alleg...
149 bpm • G Maj • 06:49 • -24.5db
15% Popularity • 37% Danceability • 14% Energy • 10% Liveness
64% Instrumentalness • 29% Positiveness
15% Popularity • 37% Danceability • 14% Energy • 10% Liveness
64% Instrumentalness • 29% Positiveness
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Boris Ivanovich Tishchenko
Concerto for Violin, Piano and String Or...
126 bpm • C Maj • 08:15 • -21.09db
0% Popularity • 30% Danceability • 26% Energy • 19% Liveness
63% Instrumentalness • 9% Positiveness
0% Popularity • 30% Danceability • 26% Energy • 19% Liveness
63% Instrumentalness • 9% Positiveness
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Nikolai Rimsky-Korsakov
Pictures at an Exhibition: Tuileries
120 bpm • C# min • 01:01 • -23.9db
11% Popularity • 33% Danceability • 5% Energy • 10% Liveness
35% Instrumentalness • 13% Positiveness
11% Popularity • 33% Danceability • 5% Energy • 10% Liveness
35% Instrumentalness • 13% Positiveness
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Canada's National Arts Centre Orchestra
Symphony No.9 in E-Flat Major, Op.70: V:...
119 bpm • C# Maj • 06:56 • -21.03db
15% Popularity • 40% Danceability • 9% Energy • 4% Liveness
44% Instrumentalness • 20% Positiveness
15% Popularity • 40% Danceability • 9% Energy • 4% Liveness
44% Instrumentalness • 20% Positiveness
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Marcel Barsotti
Auf zur Kattlervilla
119 bpm • A# Maj • 01:55 • -22.96db
16% Popularity • 28% Danceability • 9% Energy • 8% Liveness
95% Instrumentalness • 10% Positiveness
16% Popularity • 28% Danceability • 9% Energy • 8% Liveness
95% Instrumentalness • 10% Positiveness
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Charles Koechlin
The Seven Stars' Symphony, Op. 132: II. ...
119 bpm • A min • 02:17 • -24.68db
12% Popularity • 26% Danceability • 9% Energy • 13% Liveness
78% Instrumentalness • 11% Positiveness
12% Popularity • 26% Danceability • 9% Energy • 13% Liveness
78% Instrumentalness • 11% Positiveness
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Rodion Shchedrin
Shchedrin: Carmen Suite: XII. Fortune-Te...
119 bpm • A# min • 04:47 • -19.86db
18% Popularity • 19% Danceability • 13% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 13% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Boris Ivanovich Tishchenko
Concerto for Violin, Piano & String Orch...
126 bpm • D# Maj • 06:58 • -20.55db
0% Popularity • 48% Danceability • 24% Energy • 12% Liveness
51% Instrumentalness • 30% Positiveness
0% Popularity • 48% Danceability • 24% Energy • 12% Liveness
51% Instrumentalness • 30% Positiveness
► Preview
Olivier Messiaen
Turangalîla-Symphony: IV. Chant d'amour...
118 bpm • A Maj • 10:24 • -21.52db
12% Popularity • 32% Danceability • 22% Energy • 8% Liveness
64% Instrumentalness • 5% Positiveness
12% Popularity • 32% Danceability • 22% Energy • 8% Liveness
64% Instrumentalness • 5% Positiveness
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Miljan Minic
Bright Horizon
118 bpm • C Maj • 01:37 • -38.78db
25% Popularity • 53% Danceability • 1% Energy • 13% Liveness
99% Instrumentalness • 31% Positiveness
25% Popularity • 53% Danceability • 1% Energy • 13% Liveness
99% Instrumentalness • 31% Positiveness
