Songs like Tahi Nei Taru Kino by Daphne Walker
Based on a tempo of (+/- 10%) and a similar genre
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Aotearoa Maori Chorale
Manu Rere Pa Mai / Hoki Hoki Tonu Mai / ...
137 bpm • F Maj • 04:03 • -15.71db
10% Popularity • 31% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 31% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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John Rowles
Bluebird Lullabye
137 bpm • F Maj • 03:48 • -17.51db
11% Popularity • 47% Danceability • 31% Energy • 42% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 47% Danceability • 31% Energy • 42% Liveness
0% Instrumentalness • 36% Positiveness
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Roger Miller
Walking In Sunshine
137 bpm • F# Maj • 02:33 • -13.05db
26% Popularity • 67% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 67% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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The Merrymen
Wreck of the John B.
137 bpm • D Maj • 02:42 • -17.19db
8% Popularity • 78% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 78% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
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George Hamilton IV
You Are My Sunshine
138 bpm • E Maj • 02:11 • -15.87db
37% Popularity • 52% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 52% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Daphne Walker
Tahi Nei Taru Kino
137 bpm • C min • 02:11 • -18.05db
10% Popularity • 56% Danceability • 21% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 56% Danceability • 21% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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Aotearoa Maori Chorale
Terehu E
137 bpm • F Maj • 02:45 • -16.89db
9% Popularity • 21% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 21% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Dinah Lee
Do the Blue Beat
138 bpm • D Maj • 02:05 • -9.28db
22% Popularity • 73% Danceability • 61% Energy • 24% Liveness
3% Instrumentalness • 84% Positiveness
22% Popularity • 73% Danceability • 61% Energy • 24% Liveness
3% Instrumentalness • 84% Positiveness
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St. Joseph's Maori Girls College
I Roto I Te Tohu (Tune: Shackled)
136 bpm • C Maj • 02:22 • -18.46db
15% Popularity • 34% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 34% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Russ Hamilton
We Will Make Love (Alternate Take)
138 bpm • A Maj • 02:47 • -13db
16% Popularity • 66% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 66% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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The Topp Twins
Yodelling Accordian Gal
138 bpm • A# Maj • 03:00 • -10.05db
11% Popularity • 33% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 33% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Sue Thompson
Big Mable Murphy
136 bpm • D# Maj • 03:15 • -11.77db
10% Popularity • 67% Danceability • 46% Energy • 19% Liveness
1% Instrumentalness • 78% Positiveness
10% Popularity • 67% Danceability • 46% Energy • 19% Liveness
1% Instrumentalness • 78% Positiveness
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Aotearoa Maori Chorale
Tahi Nei Tarukino
136 bpm • A Maj • 02:16 • -13.39db
15% Popularity • 35% Danceability • 27% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 35% Danceability • 27% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
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Gogi Grant
The Wayward Wind
138 bpm • B Maj • 02:37 • -15db
20% Popularity • 54% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 54% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Sandy Posey
What a Woman in Love Won't Do - Re-Recor...
139 bpm • E Maj • 02:09 • -18.57db
31% Popularity • 80% Danceability • 19% Energy • 13% Liveness
3% Instrumentalness • 89% Positiveness
31% Popularity • 80% Danceability • 19% Energy • 13% Liveness
3% Instrumentalness • 89% Positiveness
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Daphne Walker
Tahi Nei Tahu Kino
139 bpm • A# Maj • 02:09 • -14.49db
1% Popularity • 58% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
1% Popularity • 58% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
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Tony Bennett
In the Middle of an Island - New Mono to...
139 bpm • D Maj • 02:08 • -7.13db
9% Popularity • 36% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 36% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Roger Miller
Walkin' In The Sunshine - Single Version
135 bpm • F# Maj • 02:33 • -7.18db
22% Popularity • 69% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 69% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Dickey Lee
Weekends
135 bpm • A Maj • 03:19 • -11.55db
9% Popularity • 60% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 60% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Aotearoa Maori Chorale
Tama Ngakau Marie
139 bpm • F Maj • 02:12 • -14.57db
17% Popularity • 26% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 26% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Brook Benton
The Boll Weevil Song
135 bpm • F Maj • 02:38 • -16.34db
10% Popularity • 69% Danceability • 36% Energy • 35% Liveness
22% Instrumentalness • 81% Positiveness
10% Popularity • 69% Danceability • 36% Energy • 35% Liveness
22% Instrumentalness • 81% Positiveness
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Te Roopu Kia Ora
Tirama Mai
139 bpm • E Maj • 01:30 • -23.19db
13% Popularity • 38% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 38% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Constellations
Maori's on 45
140 bpm • B Maj • 03:12 • -14.34db
17% Popularity • 64% Danceability • 50% Energy • 49% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 64% Danceability • 50% Energy • 49% Liveness
0% Instrumentalness • 74% Positiveness
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Pua Almeida
Kuuipo Onaona
134 bpm • D Maj • 02:54 • -10.09db
11% Popularity • 66% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 66% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Daphne Walker
Hilo Hattie
134 bpm • F Maj • 02:04 • -11.53db
0% Popularity • 63% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 63% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
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Aotearoa Maori Chorale
E Pari Ra
140 bpm • F Maj • 03:07 • -15.01db
10% Popularity • 28% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 28% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Max Bygraves
When I'm Sixty Four
140 bpm • G Maj • 02:07 • -10.59db
10% Popularity • 57% Danceability • 55% Energy • 45% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 57% Danceability • 55% Energy • 45% Liveness
0% Instrumentalness • 90% Positiveness
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Na Leo Pilimehana
Crushed Flowers
134 bpm • C Maj • 02:23 • -18.38db
11% Popularity • 76% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 76% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Peter Posa
Wheels
134 bpm • B min • 01:55 • -4db
8% Popularity • 70% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 70% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Billy T. James
Green Door
134 bpm • F Maj • 02:18 • -14.21db
13% Popularity • 59% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 59% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Daphne Walker
Maori Action Song
140 bpm • C Maj • 02:39 • -11.67db
1% Popularity • 72% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
1% Popularity • 72% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Pee Wee King
Slow Poke
134 bpm • D Maj • 03:02 • -10.77db
21% Popularity • 73% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 73% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Chapman Cronin
Do It Again
140 bpm • E Maj • 04:10 • -13.5db
24% Popularity • 35% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 35% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Lena Machado
Kauoha Mai - Keyhole Hula - 1935
134 bpm • G# Maj • 02:30 • -13.07db
13% Popularity • 55% Danceability • 22% Energy • 21% Liveness
87% Instrumentalness • 50% Positiveness
13% Popularity • 55% Danceability • 22% Energy • 21% Liveness
87% Instrumentalness • 50% Positiveness
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Patsy Cline
Seven Lonely Days
134 bpm • C# Maj • 02:15 • -15.93db
13% Popularity • 52% Danceability • 34% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 52% Danceability • 34% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Johnny Cooper
Look What You've Done To My Heart
141 bpm • D min • 03:11 • -13.87db
10% Popularity • 73% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 73% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Daphne Walker
In The Royal Hawaiian Hotel
133 bpm • G Maj • 02:05 • -13.99db
2% Popularity • 40% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
2% Popularity • 40% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Tom Sharplin
Hoki Mai / Pa Mai
141 bpm • D Maj • 03:34 • -7.5db
15% Popularity • 63% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 63% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Bill Wolfgramm & His Islanders
Maori Action Song - 2015 Remastered vers...
141 bpm • C Maj • 02:42 • -13.67db
0% Popularity • 72% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 75% Positiveness
0% Popularity • 72% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 75% Positiveness
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Bunny Walters
Amarillo
141 bpm • A Maj • 03:26 • -9.51db
15% Popularity • 55% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 55% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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The Maile Serenaders
Keep Your Eyes On The Hands
133 bpm • A Maj • 01:50 • -17.13db
23% Popularity • 80% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 80% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Bill Sevesi and His Islanders
Haere Mai
133 bpm • G# Maj • 02:35 • -7.75db
1% Popularity • 49% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
1% Popularity • 49% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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Glenn Yarbrough
The Bull Frog Song
141 bpm • F Maj • 03:02 • -9.99db
9% Popularity • 56% Danceability • 33% Energy • 54% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 56% Danceability • 33% Energy • 54% Liveness
0% Instrumentalness • 58% Positiveness
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Eddie Cochran
Jammin' with Jimmy - Instrumental
133 bpm • D Maj • 01:41 • -14.17db
10% Popularity • 70% Danceability • 39% Energy • 21% Liveness
96% Instrumentalness • 90% Positiveness
10% Popularity • 70% Danceability • 39% Energy • 21% Liveness
96% Instrumentalness • 90% Positiveness
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Ofa Ali
Waikiki Tamure
142 bpm • A Maj • 05:19 • -9.36db
11% Popularity • 66% Danceability • 92% Energy • 11% Liveness
6% Instrumentalness • 92% Positiveness
11% Popularity • 66% Danceability • 92% Energy • 11% Liveness
6% Instrumentalness • 92% Positiveness
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Aotearoa Maori Chorale
Hoki Mai
133 bpm • G Maj • 01:53 • -14.72db
23% Popularity • 40% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 40% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Sir Howard Morrison
Where Have All the Flowers Gone
132 bpm • C# Maj • 02:59 • -6.94db
8% Popularity • 66% Danceability • 43% Energy • 20% Liveness
83% Instrumentalness • 56% Positiveness
8% Popularity • 66% Danceability • 43% Energy • 20% Liveness
83% Instrumentalness • 56% Positiveness
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Maria Dallas
Tumblin' Down
132 bpm • C# Maj • 02:02 • -10.82db
28% Popularity • 46% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 46% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Daphne Walker
Haere Mai
132 bpm • A# Maj • 02:40 • -13db
1% Popularity • 50% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
1% Popularity • 50% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Eddie Kamae
Ka Ua Oku
143 bpm • D Maj • 01:39 • -7.67db
15% Popularity • 78% Danceability • 72% Energy • 10% Liveness
57% Instrumentalness • 73% Positiveness
15% Popularity • 78% Danceability • 72% Energy • 10% Liveness
57% Instrumentalness • 73% Positiveness
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The Kingston Trio
Jackson
143 bpm • A# Maj • 02:32 • -11.42db
7% Popularity • 63% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
7% Popularity • 63% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Bill Kaiwa
Laupahoehoe Hula
143 bpm • G# Maj • 02:03 • -8.57db
9% Popularity • 54% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 84% Positiveness
9% Popularity • 54% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 84% Positiveness
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Wilf Carter
Shoo Shoo Shoo She la La - Remastered
131 bpm • E Maj • 02:33 • -10.79db
11% Popularity • 72% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 72% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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The Howard Morrison Quartet
The Battle of the Waikato
131 bpm • C Maj • 02:29 • -11.61db
18% Popularity • 66% Danceability • 42% Energy • 76% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 66% Danceability • 42% Energy • 76% Liveness
0% Instrumentalness • 62% Positiveness
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Daphne Walker
Ukulele Lady (2021 Remastered Version)
142 bpm • D Maj • 02:38 • -7.97db
1% Popularity • 61% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
1% Popularity • 61% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Suzanne Prentice
One Day at a Time
131 bpm • G Maj • 03:59 • -5.29db
11% Popularity • 51% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 51% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Eddie Low
One By One
131 bpm • G Maj • 03:29 • -17db
19% Popularity • 75% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 75% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Lou Monte
Cuando Te Tengo En Mis Brazos
131 bpm • C min • 02:16 • -9.98db
8% Popularity • 67% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 67% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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michael holliday
My Heart Is an Open Book
130 bpm • A# Maj • 02:12 • -14.95db
15% Popularity • 62% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 62% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Bill Wolfgramm's Hawaiians
Gay Hawaiian Party
130 bpm • C# Maj • 03:14 • -10.14db
0% Popularity • 65% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 65% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Daphne Walker
Beyond the Reef
143 bpm • G# Maj • 03:02 • -11.69db
5% Popularity • 32% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
5% Popularity • 32% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Makaha Sons
Little Brown Gal / My Little Grass Shack...
144 bpm • D Maj • 03:38 • -11.03db
22% Popularity • 62% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 62% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Polynesian Cultural Center
Bula Laie
144 bpm • B Maj • 01:22 • -18.21db
16% Popularity • 62% Danceability • 46% Energy • 73% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 62% Danceability • 46% Energy • 73% Liveness
0% Instrumentalness • 96% Positiveness
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Bill Sevesi
Blue Girl in Blue Tahiti
130 bpm • F min • 02:19 • -10.49db
1% Popularity • 64% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
1% Popularity • 64% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Brannigan Kaa
Polly Deluxe
144 bpm • G Maj • 02:53 • -8.26db
17% Popularity • 59% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 59% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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D'Anthoni Wooten
Seals and Dolphins
130 bpm • C Maj • 02:11 • -13.19db
9% Popularity • 58% Danceability • 26% Energy • 13% Liveness
81% Instrumentalness • 32% Positiveness
9% Popularity • 58% Danceability • 26% Energy • 13% Liveness
81% Instrumentalness • 32% Positiveness
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Daphne Walker
Haere Mai
131 bpm • A# Maj • 02:42 • -15.35db
11% Popularity • 41% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 41% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Suzanne Prentice
One Day At A Time
144 bpm • G Maj • 03:18 • -12.75db
13% Popularity • 56% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 56% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Tom Sharplin
Ten Guitars
144 bpm • G Maj • 02:33 • -9.59db
15% Popularity • 69% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 69% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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The New Christy Minstrels
Whistlin' Dixie
145 bpm • G Maj • 01:46 • -11.7db
13% Popularity • 60% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 60% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
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Sir Howard Morrison
The Battle of Waikato
130 bpm • G Maj • 02:27 • -4.37db
10% Popularity • 59% Danceability • 73% Energy • 77% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 59% Danceability • 73% Energy • 77% Liveness
0% Instrumentalness • 56% Positiveness
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The Hiram Olsen Group
Pe'i Tau'eva
145 bpm • C Maj • 01:45 • -16.07db
11% Popularity • 62% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 62% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Daphne Walker
Malihini Mele
144 bpm • G# Maj • 02:18 • -12.42db
1% Popularity • 56% Danceability • 33% Energy • 15% Liveness
1% Instrumentalness • 77% Positiveness
1% Popularity • 56% Danceability • 33% Energy • 15% Liveness
1% Instrumentalness • 77% Positiveness
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Marie Mariterangi
Puarata
130 bpm • G# Maj • 03:06 • -9.99db
16% Popularity • 66% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 66% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Hoot Gibson
Na Moku Eha (The Four Islands)
145 bpm • D# min • 03:26 • -21.44db
19% Popularity • 50% Danceability • 12% Energy • 11% Liveness
7% Instrumentalness • 50% Positiveness
19% Popularity • 50% Danceability • 12% Energy • 11% Liveness
7% Instrumentalness • 50% Positiveness
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Pepe and the Rarotongans
Kare Koe Ngaro Iaku
129 bpm • E Maj • 02:11 • -11.96db
15% Popularity • 64% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 64% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
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The Topp Twins
Nga Iwi E
129 bpm • E min • 02:53 • -8.99db
22% Popularity • 68% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 68% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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The Serendipity Singers
Don't Let The Rain Come Down (Crooked Li...
129 bpm • D Maj • 02:46 • -16db
30% Popularity • 78% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 78% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Daphne Walker
Haere Mai (Song Of Welcome)
130 bpm • F Maj • 03:04 • -12.02db
4% Popularity • 70% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
4% Popularity • 70% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Elton Britt
Chime Bells
129 bpm • F Maj • 02:23 • -9db
16% Popularity • 66% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 66% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Ned Miller
Love Glow
146 bpm • F Maj • 02:04 • -11.53db
17% Popularity • 75% Danceability • 38% Energy • 20% Liveness
2% Instrumentalness • 85% Positiveness
17% Popularity • 75% Danceability • 38% Energy • 20% Liveness
2% Instrumentalness • 85% Positiveness
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Fred Dagg
She Taught Me How to Yodel
129 bpm • F Maj • 02:30 • -6.6db
14% Popularity • 48% Danceability • 94% Energy • 97% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 48% Danceability • 94% Energy • 97% Liveness
0% Instrumentalness • 46% Positiveness
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Bill Wolfgramm & His Islanders
Haere Mai - 2015 Remastered version
128 bpm • F Maj • 03:11 • -11.78db
9% Popularity • 71% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 71% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Adam Faith
Who Am I
146 bpm • D# Maj • 01:57 • -11db
17% Popularity • 45% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 45% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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The Fleetwoods
The Three Callaberos
147 bpm • D Maj • 02:21 • -13.36db
12% Popularity • 54% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 54% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Aotearoa Maori Chorale
Hoea Ra
128 bpm • G Maj • 02:24 • -15.3db
10% Popularity • 30% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 30% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Glenn Yarbrough
San Francisco Bay Blues
147 bpm • A# Maj • 02:28 • -13.85db
13% Popularity • 69% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 69% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Aotearoa
Haruru Ana
127 bpm • E Maj • 02:50 • -14.59db
14% Popularity • 66% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 66% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Claude King
Would You Care?
127 bpm • D# Maj • 02:41 • -18.28db
7% Popularity • 60% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
7% Popularity • 60% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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The Lonesome Valley Singers
Why Doesn't Someone Write To Me
127 bpm • C# Maj • 02:04 • -15.72db
11% Popularity • 61% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 61% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Guy Mitchell
Traveling Shoes
127 bpm • A Maj • 02:35 • -10.33db
11% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Groupe Folklorique Madeleine Iaora Tahiti
Manea
148 bpm • A# Maj • 02:09 • -11.34db
8% Popularity • 37% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 37% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Bobby Goldsboro
Molly
127 bpm • A# Maj • 02:54 • -20.19db
29% Popularity • 62% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 62% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Roger Miller
England Swings
148 bpm • D Maj • 01:51 • -13.76db
33% Popularity • 67% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 67% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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George Hamilton IV
Tender Hearted Baby
126 bpm • F Maj • 01:56 • -20.05db
15% Popularity • 59% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 59% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Te Aute College
Karangatia Ra
126 bpm • B Maj • 02:56 • -17.48db
11% Popularity • 43% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 43% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Roger Tibbs
Streamline Yodel
126 bpm • G Maj • 02:20 • -17.29db
15% Popularity • 59% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 59% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
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Kitty Wells
Heartbreak USA
126 bpm • D Maj • 02:26 • -8.68db
1% Popularity • 63% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
1% Popularity • 63% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
