Songs like Take a Chance on Me by Mindi Dickstein
Based on a tempo of (+/- 10%) and a similar genre
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Mindi Dickstein
Take a Chance on Me
76 bpm • C# min • 02:58 • -7db
30% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Jeremy Jordan
Big Cat
76 bpm • F# Maj • 04:07 • -4.68db
20% Popularity • 55% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 55% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Sherie Rene Scott as Ursula
Poor Unfortunate Souls
76 bpm • F min • 05:20 • -16.07db
39% Popularity • 46% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 46% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Sutton Foster
This Is How A Dream Comes True
76 bpm • D min • 03:11 • -10db
38% Popularity • 43% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 43% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Daniel Radcliffe
How To Succeed
76 bpm • G Maj • 02:34 • -10db
31% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Andrew Keenan-Bolger
Prologue
76 bpm • D Maj • 00:57 • -11db
26% Popularity • 53% Danceability • 28% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 53% Danceability • 28% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
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Alice Ripley
Make up Your Mind / Catch Me I'm Falling
75 bpm • F# Maj • 03:58 • -10.01db
33% Popularity • 32% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 32% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Original Cast of Amélie
A Better Haircut
76 bpm • D Maj • 04:35 • -7.51db
21% Popularity • 49% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 49% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Mandy Gonzalez
When the Sun Goes Down
77 bpm • C min • 02:32 • -14db
35% Popularity • 57% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
35% Popularity • 57% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Mindi Dickstein
Small Umbrella in the Rain
77 bpm • G Maj • 04:22 • -12.13db
26% Popularity • 44% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 44% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Jeremy Jordan
I Never Planned On You / Don't Come A-Kn...
77 bpm • G# Maj • 01:40 • -13.64db
45% Popularity • 34% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 34% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Natalie Cortez
Montage, Part 2: Nothing
75 bpm • G# min • 06:46 • -9db
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Hunter Foster
Favorite Places
77 bpm • E Maj • 03:48 • -13.98db
21% Popularity • 42% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 42% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Anthony Rapp
The Kite
75 bpm • G# Maj • 02:07 • -13db
30% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Unfortunate Erection (Chip's Lament)
78 bpm • C# Maj • 02:38 • -8db
35% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Mindi Dickstein
The Fire Within Me
78 bpm • C Maj • 05:16 • -9.52db
28% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
28% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Victoria Clark
Make a Wish
78 bpm • D# Maj • 05:08 • -11.29db
27% Popularity • 48% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 48% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Carolee Carmello
Sleuth in Duluth (Reprise)
78 bpm • E min • 01:39 • -11db
5% Popularity • 59% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
5% Popularity • 59% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Christy Altomare
Do Me a Favor
78 bpm • G Maj • 03:18 • -6.37db
33% Popularity • 49% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 49% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Erika Henningsen
More Is Better
74 bpm • C Maj • 03:20 • -8.07db
47% Popularity • 37% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 37% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Stephen Schwartz
A Sentimental Man
74 bpm • B Maj • 01:16 • -15db
33% Popularity • 35% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 35% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Mindi Dickstein
How I Am
78 bpm • D Maj • 03:12 • -10db
25% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Original Cast of Amélie
Times Are Hard for Dreamers
78 bpm • D# Maj • 03:17 • -6.98db
41% Popularity • 44% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 44% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Carolee Carmello
Boom! Shout! Reprise!
78 bpm • B min • 01:27 • -11db
7% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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The Original Broadway Cast Of 'Curtains'
I Miss The Music
74 bpm • F Maj • 05:08 • -20.17db
25% Popularity • 55% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 55% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Hunter Parrish
Tower of Babble
79 bpm • A Maj • 04:30 • -12.59db
30% Popularity • 50% Danceability • 30% Energy • 65% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 50% Danceability • 30% Energy • 65% Liveness
0% Instrumentalness • 69% Positiveness
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Jared Gertner
One by One by One
79 bpm • D Maj • 03:34 • -12.32db
24% Popularity • 60% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 60% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Mindi Dickstein
Overture
74 bpm • A min • 00:54 • -8.65db
24% Popularity • 53% Danceability • 42% Energy • 12% Liveness
81% Instrumentalness • 29% Positiveness
24% Popularity • 53% Danceability • 42% Energy • 12% Liveness
81% Instrumentalness • 29% Positiveness
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Jane Krakowski
A Trip to the Library
73 bpm • A Maj • 04:27 • -11.7db
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Jessica Keenan Wynn
Today's Detective
78 bpm • B min • 02:14 • -5.54db
14% Popularity • 57% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 57% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Marin Mazzie
Carrie - Reprise
79 bpm • D# Maj • 01:25 • -18db
25% Popularity • 46% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 46% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Bebe Neuwirth
Finale
79 bpm • A# Maj • 01:05 • -10.82db
28% Popularity • 50% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 50% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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Megan McGinnis
I Couldn't Know Someone Less
79 bpm • E Maj • 03:08 • -8db
25% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Mindi Dickstein
An Operatic Tragedy
79 bpm • G Maj • 01:57 • -8.06db
27% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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Sara Bareilles
Maybe They're Magic
79 bpm • B Maj • 00:59 • -8.17db
43% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
43% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Nick Blaemire
Some Kinda Time - Reprise
79 bpm • G Maj • 02:57 • -8.46db
24% Popularity • 37% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 37% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Tryouts
73 bpm • G Maj • 01:01 • -5db
37% Popularity • 42% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 42% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
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Sarah Charles Lewis
Live Like This
80 bpm • C Maj • 06:01 • -9db
31% Popularity • 38% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 38% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Michael James Scott
A Killer Party
79 bpm • D# Maj • 03:11 • -4.65db
11% Popularity • 56% Danceability • 78% Energy • 43% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 56% Danceability • 78% Energy • 43% Liveness
0% Instrumentalness • 62% Positiveness
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Jordan Donica
On the Street Where You Live
80 bpm • C Maj • 03:53 • -8db
26% Popularity • 35% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 35% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Derek Klena
Everything to Win
80 bpm • F Maj • 02:47 • -12db
39% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Terrence Mann
War Is a Science
80 bpm • G Maj • 03:14 • -8.99db
33% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Bring It On: The Musical - Original Broadway Cast
We're Not Done
72 bpm • A Maj • 03:04 • -9.73db
29% Popularity • 39% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 39% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 1: Hello Twelve, Hello Thi...
80 bpm • E Maj • 05:04 • -11db
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
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Jeanna de Waal
The World According to Chris
80 bpm • G# Maj • 04:40 • -6.02db
39% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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'Come From Away' Company
Something's Missing
80 bpm • G Maj • 05:36 • -9.6db
39% Popularity • 40% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 40% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Sierra Boggess as Ariel
If Only (Quartet)
81 bpm • A Maj • 04:55 • -19db
38% Popularity • 35% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 35% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Matthew James Thomas
Morning Glow
81 bpm • C# Maj • 04:16 • -7.86db
37% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Ragtime Orchestra
Epilogue: Ragtime (Reprise) / Wheels of ...
81 bpm • F# Maj • 03:52 • -10.37db
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Megan McGinnis
My Manhattan
81 bpm • D# Maj • 02:51 • -6.95db
22% Popularity • 38% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 38% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Derek Klena
Dreamer in Disguise - Reprise
80 bpm • F Maj • 01:48 • -13.86db
25% Popularity • 42% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 42% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Katie Rowley Jones
The Life I Never Led - Reprise
81 bpm • D Maj • 01:09 • -6.87db
29% Popularity • 42% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 42% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Original Cast of Amélie
Tour De France
71 bpm • D Maj • 02:33 • -8.29db
20% Popularity • 41% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 41% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Norbert Leo Butz
Shiksa Goddess
81 bpm • D Maj • 03:58 • -7.62db
30% Popularity • 51% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 51% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Mindi Dickstein
Sometimes When You Dream - Reprise
81 bpm • D Maj • 00:57 • -10db
23% Popularity • 36% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 36% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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You're a Good Man, Charlie Brown Ensemble (1999)
The Book Report
81 bpm • D# Maj • 05:10 • -13db
29% Popularity • 50% Danceability • 32% Energy • 51% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 50% Danceability • 32% Energy • 51% Liveness
0% Instrumentalness • 54% Positiveness
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Christy Altomare
Once You See
80 bpm • E Maj • 01:32 • -12db
29% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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James Snyder
Hey, Kid
81 bpm • F Maj • 03:38 • -11.83db
17% Popularity • 34% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 34% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Alice Ripley
Why Stay? / A Promise
71 bpm • F Maj • 02:35 • -7db
29% Popularity • 47% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 47% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Sherie Rene Scott as Ursula
I Want the Good Times Back
82 bpm • G Maj • 04:57 • -14.85db
34% Popularity • 49% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 49% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Jeremy Jordan
The Schmuel Song
82 bpm • F# min • 07:42 • -8.6db
35% Popularity • 46% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 46% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Gary Beach
You Never Say Good Luck on Opening Night
82 bpm • G# Maj • 01:35 • -11.56db
22% Popularity • 68% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 68% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Carrie: The Musical Ensemble
Alma Mater
71 bpm • C Maj • 00:59 • -7.44db
25% Popularity • 54% Danceability • 49% Energy • 63% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 54% Danceability • 49% Energy • 63% Liveness
0% Instrumentalness • 78% Positiveness
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Denée Benton
Sunday Morning
82 bpm • G# min • 02:05 • -9.24db
34% Popularity • 51% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 51% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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'Come From Away' Company
Darkness And Trees
82 bpm • E min • 03:08 • -12.61db
40% Popularity • 63% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 63% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Janine LaManna
The One Feather Tail Of Miss Gertrude Mc...
82 bpm • C Maj • 01:16 • -16.14db
35% Popularity • 38% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 38% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Quentin Earl Darrington
And the God's Heard Her Prayer / Rain
82 bpm • C# min • 04:26 • -13.87db
29% Popularity • 39% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 39% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Nathan Lane
'Til Him
82 bpm • F Maj • 03:42 • -15.21db
20% Popularity • 31% Danceability • 20% Energy • 76% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 31% Danceability • 20% Energy • 76% Liveness
0% Instrumentalness • 27% Positiveness
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Burke Moses
Me
82 bpm • F# min • 02:48 • -17.3db
37% Popularity • 66% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 66% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Alice Ripley
Just Another Day
83 bpm • E min • 03:49 • -7.52db
36% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Nicholas Barasch
Try Me
83 bpm • D Maj • 03:41 • -10.41db
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Brent Carver
Leo's Statement: It's hard to speak my h...
83 bpm • A Maj • 02:44 • -15.81db
22% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
22% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
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Sara Ramirez
Twice In Every Show - Original Broadway ...
83 bpm • A# Maj • 01:17 • -7.46db
33% Popularity • 51% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 51% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
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Terrence Mann
In The Arms
83 bpm • C Maj • 02:25 • -8.25db
31% Popularity • 41% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 41% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Brittain Ashford
Sonya & Natasha
83 bpm • C min • 04:12 • -8.61db
34% Popularity • 37% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 37% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Lynn Ahrens
All For You - Original Broadway Cast Rec...
69 bpm • F Maj • 03:37 • -13.12db
31% Popularity • 59% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 59% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Enjoy The Trip
84 bpm • G# Maj • 03:09 • -7.46db
35% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Finale
83 bpm • C Maj • 01:01 • -6.27db
28% Popularity • 64% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 64% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Mindi Dickstein
Some Things Are Meant to Be
84 bpm • G Maj • 04:25 • -10.6db
35% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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The Original Broadway Cast Of 'Curtains'
The Woman's Dead
84 bpm • C min • 03:36 • -14.97db
21% Popularity • 47% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 47% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Kelli O'Hara
The Beauty Is
69 bpm • C# Maj • 03:07 • -15db
30% Popularity • 28% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 28% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Alice Ripley
Maybe (Next to Normal)
84 bpm • G# Maj • 04:00 • -17.43db
29% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Hailey Kilgore
Waiting for Life
84 bpm • A Maj • 03:25 • -10db
38% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Ramin Karimloo
Still
84 bpm • F min • 02:36 • -10.59db
41% Popularity • 29% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 7% Positiveness
41% Popularity • 29% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 7% Positiveness
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Terrence Mann
If I Can't Love Her (Reprise)
84 bpm • D Maj • 01:34 • -26.39db
33% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
33% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Patina Miller
Stay With Me
84 bpm • D# Maj • 02:54 • -12.1db
34% Popularity • 37% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 37% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Christy Altomare
Epilogue
84 bpm • E Maj • 02:29 • -11db
26% Popularity • 34% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 34% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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J. Robert Spencer
He's Not Here
84 bpm • D# Maj • 01:15 • -23.69db
32% Popularity • 32% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 32% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Kenita R. Miller
A Part of Us
84 bpm • E Maj • 02:56 • -13.65db
22% Popularity • 41% Danceability • 15% Energy • 61% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 41% Danceability • 15% Energy • 61% Liveness
0% Instrumentalness • 29% Positiveness
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Heidi Blickenstaff
Right Hand Man - Reprise
68 bpm • C# Maj • 01:21 • -14db
34% Popularity • 44% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 44% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Ben Fankhauser
Watch What Happens (Reprise)
85 bpm • F Maj • 01:53 • -11db
45% Popularity • 74% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
45% Popularity • 74% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Patina Miller
Witch's Lament
84 bpm • A min • 02:18 • -13.12db
32% Popularity • 30% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 30% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Lindsay Mendez
Mister Snow
85 bpm • G Maj • 05:02 • -10.69db
29% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Nancy Opel
Why Did I Listen to That Man?
85 bpm • G min • 03:08 • -10.17db
30% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Sutton Foster
Show Off
86 bpm • F Maj • 04:41 • -5.97db
36% Popularity • 47% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 47% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Rodgers + Hammerstein's Cinderella Original Broadway Ensemble
"Ten Minutes Ago" (Reprise)
86 bpm • F Maj • 01:40 • -7.34db
30% Popularity • 38% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 38% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Maury Yeston
Barrett's Song
86 bpm • A min • 03:23 • -16.02db
27% Popularity • 31% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 31% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Aaron Tveit
Stuck Together (Strange but True)
86 bpm • A min • 04:06 • -8.38db
27% Popularity • 64% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 64% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness