Songs like Take Five by The Dave Brubeck Quartet

174 bpm • C min • 03:07 • -8.03db

68% Popularity • 26% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness

174 bpm • A# Maj • 03:11 • -10.07db

69% Popularity • 21% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness

174 bpm • G# min • 05:24 • -13.19db

68% Popularity • 45% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness

174 bpm • A# Maj • 04:18 • -18.11db

54% Popularity • 34% Danceability • 4% Energy • 16% Liveness
1% Instrumentalness • 13% Positiveness

173 bpm • D min • 02:53 • -19.76db

58% Popularity • 20% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness

175 bpm • G# Maj • 03:29 • -9.72db

60% Popularity • 46% Danceability • 65% Energy • 37% Liveness
92% Instrumentalness • 59% Positiveness

176 bpm • F# min • 04:17 • -16.52db

59% Popularity • 30% Danceability • 33% Energy • 7% Liveness
86% Instrumentalness • 45% Positiveness

176 bpm • A min • 05:14 • -19.9db

46% Popularity • 25% Danceability • 38% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness

171 bpm • E min • 03:07 • -13.55db

67% Popularity • 54% Danceability • 40% Energy • 11% Liveness
5% Instrumentalness • 83% Positiveness

176 bpm • C Maj • 03:06 • -12.73db

59% Popularity • 51% Danceability • 76% Energy • 32% Liveness
89% Instrumentalness • 71% Positiveness

171 bpm • D# Maj • 02:40 • -11.16db

65% Popularity • 20% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness

171 bpm • B min • 05:20 • -20.18db

40% Popularity • 45% Danceability • 11% Energy • 9% Liveness
35% Instrumentalness • 64% Positiveness

177 bpm • F# Maj • 02:52 • -19.11db

52% Popularity • 44% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 59% Positiveness

177 bpm • G# Maj • 03:02 • -10.3db

52% Popularity • 34% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 26% Positiveness

171 bpm • A# Maj • 02:34 • -11db

72% Popularity • 43% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness

169 bpm • A Maj • 03:30 • -5.7db

69% Popularity • 35% Danceability • 77% Energy • 2% Liveness
38% Instrumentalness • 53% Positiveness

179 bpm • D min • 09:26 • -21.07db

51% Popularity • 35% Danceability • 2% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness

179 bpm • C Maj • 05:23 • -17.58db

44% Popularity • 45% Danceability • 19% Energy • 16% Liveness
47% Instrumentalness • 69% Positiveness

180 bpm • E Maj • 02:28 • -12.33db

78% Popularity • 40% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness

181 bpm • B min • 03:07 • -10db

51% Popularity • 56% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness

167 bpm • E min • 06:33 • -9.13db

47% Popularity • 43% Danceability • 75% Energy • 70% Liveness
76% Instrumentalness • 23% Positiveness

167 bpm • C# Maj • 03:13 • -13db

49% Popularity • 36% Danceability • 45% Energy • 14% Liveness
86% Instrumentalness • 52% Positiveness

182 bpm • D# Maj • 03:02 • -19db

53% Popularity • 30% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness

168 bpm • F min • 04:37 • -16db

39% Popularity • 52% Danceability • 33% Energy • 9% Liveness
2% Instrumentalness • 78% Positiveness

166 bpm • C# Maj • 03:10 • -15db

63% Popularity • 15% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness

166 bpm • G# Maj • 05:39 • -11db

51% Popularity • 42% Danceability • 20% Energy • 11% Liveness
80% Instrumentalness • 37% Positiveness

166 bpm • C# Maj • 03:39 • -9.81db

59% Popularity • 18% Danceability • 85% Energy • 30% Liveness
94% Instrumentalness • 22% Positiveness

165 bpm • G# Maj • 05:42 • -9db

49% Popularity • 54% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness

184 bpm • G# min • 03:32 • -18db

51% Popularity • 35% Danceability • 7% Energy • 8% Liveness
66% Instrumentalness • 32% Positiveness

164 bpm • D# Maj • 05:41 • -14.35db

49% Popularity • 40% Danceability • 24% Energy • 16% Liveness
94% Instrumentalness • 27% Positiveness

164 bpm • C min • 02:17 • -12.45db

46% Popularity • 62% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness

185 bpm • F Maj • 03:02 • -14db

55% Popularity • 20% Danceability • 20% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness

185 bpm • F Maj • 04:07 • -7.5db

50% Popularity • 38% Danceability • 25% Energy • 6% Liveness
13% Instrumentalness • 38% Positiveness

187 bpm • F min • 07:02 • -11.14db

54% Popularity • 35% Danceability • 61% Energy • 12% Liveness
45% Instrumentalness • 60% Positiveness

186 bpm • C Maj • 02:22 • -15.14db

57% Popularity • 33% Danceability • 33% Energy • 49% Liveness
92% Instrumentalness • 87% Positiveness

161 bpm • D Maj • 02:46 • -14db

53% Popularity • 53% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness

161 bpm • B min • 03:59 • -10.33db

67% Popularity • 52% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness

161 bpm • G# Maj • 02:59 • -11.22db

40% Popularity • 59% Danceability • 28% Energy • 16% Liveness
73% Instrumentalness • 78% Positiveness

160 bpm • F Maj • 03:53 • -24.58db

49% Popularity • 47% Danceability • 15% Energy • 9% Liveness
87% Instrumentalness • 80% Positiveness

157 bpm • B min • 02:33 • -14.76db

59% Popularity • 45% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness

157 bpm • G Maj • 02:41 • -9.52db

73% Popularity • 52% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness

157 bpm • C Maj • 05:56 • -12.02db

47% Popularity • 59% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness

158 bpm • G# Maj • 02:05 • -30db

65% Popularity • 56% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 37% Positiveness

156 bpm • A# min • 03:15 • -11db

55% Popularity • 52% Danceability • 22% Energy • 5% Liveness
8% Instrumentalness • 64% Positiveness

157 bpm • G# Maj • 03:20 • -13.8db

76% Popularity • 53% Danceability • 30% Energy • 11% Liveness
10% Instrumentalness • 68% Positiveness

155 bpm • F min • 03:04 • -11db

46% Popularity • 62% Danceability • 40% Energy • 15% Liveness
73% Instrumentalness • 69% Positiveness

155 bpm • B min • 03:48 • -13.46db

67% Popularity • 76% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness

153 bpm • C Maj • 03:20 • -8.51db

78% Popularity • 48% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness

152 bpm • F# Maj • 03:19 • -9.45db

59% Popularity • 44% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness

152 bpm • F min • 07:09 • -17.17db

52% Popularity • 57% Danceability • 22% Energy • 7% Liveness
6% Instrumentalness • 41% Positiveness

201 bpm • G# Maj • 04:44 • -10db

66% Popularity • 29% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness

153 bpm • G# Maj • 10:26 • -13.32db

37% Popularity • 47% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness

151 bpm • C# Maj • 02:49 • -6.11db

70% Popularity • 47% Danceability • 58% Energy • 81% Liveness
0% Instrumentalness • 66% Positiveness

151 bpm • G min • 05:21 • -21.83db

46% Popularity • 48% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 51% Positiveness

150 bpm • C Maj • 04:08 • -6.9db

66% Popularity • 25% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness

151 bpm • G Maj • 03:03 • -10.96db

84% Popularity • 49% Danceability • 58% Energy • 41% Liveness
0% Instrumentalness • 91% Positiveness

150 bpm • A# min • 04:22 • -16.98db

41% Popularity • 64% Danceability • 23% Energy • 14% Liveness
58% Instrumentalness • 35% Positiveness

202 bpm • A min • 03:16 • -8.79db

50% Popularity • 58% Danceability • 47% Energy • 10% Liveness
74% Instrumentalness • 74% Positiveness

148 bpm • C min • 04:00 • -18.79db

48% Popularity • 62% Danceability • 13% Energy • 13% Liveness
68% Instrumentalness • 81% Positiveness

208 bpm • A min • 03:53 • -12.72db

70% Popularity • 45% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 81% Positiveness