Songs like Take It Baby by Kevin Mambo
Based on a tempo of (+/- 10%) and a similar genre
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James Royal Valcq
Wild Bird
143 bpm • G Maj • 03:12 • -15.09db
10% Popularity • 24% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 24% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Dianne Pilkington, Hadley Fraser, Josh Wilmott, Ensemble
Please Don't Touch Me
143 bpm • C# Maj • 03:14 • -10.83db
11% Popularity • 46% Danceability • 40% Energy • 76% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 46% Danceability • 40% Energy • 76% Liveness
0% Instrumentalness • 66% Positiveness
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The Really Loud House
Two Parents Full of Talent
143 bpm • B min • 01:01 • -5db
14% Popularity • 79% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 79% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Central Park Cast
Plant That Seed
143 bpm • A Maj • 02:38 • -8.46db
12% Popularity • 52% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 52% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Adam Guettel
ACT I the Cave, the Call:, Pt. I: The Ca...
143 bpm • E Maj • 07:40 • -11.43db
10% Popularity • 39% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 39% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Kevin Mambo
Take It Baby
143 bpm • F Maj • 00:58 • -5.9db
2% Popularity • 70% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
2% Popularity • 70% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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James Royal Valcq
Out of the Frying Pan
143 bpm • F# min • 03:13 • -12.21db
12% Popularity • 70% Danceability • 25% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 70% Danceability • 25% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
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James Monroe Iglehart
Picasso's Music
142 bpm • G# Maj • 03:48 • -6.4db
7% Popularity • 63% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
7% Popularity • 63% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Ariana Perlson
Forever
142 bpm • D# Maj • 03:40 • -5.95db
12% Popularity • 76% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 76% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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Working: A Musical (Original London Cast)
Cleanin' Women
144 bpm • C# Maj • 03:11 • -10.86db
12% Popularity • 70% Danceability • 38% Energy • 58% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 70% Danceability • 38% Energy • 58% Liveness
0% Instrumentalness • 76% Positiveness
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Michael R. Jackson
Mom's Gonna Kill Mih
144 bpm • C Maj • 02:38 • -5.71db
14% Popularity • 67% Danceability • 52% Energy • 58% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 67% Danceability • 52% Energy • 58% Liveness
0% Instrumentalness • 53% Positiveness
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Micah Sandt
White Cliffs of Dover
142 bpm • D# Maj • 02:03 • -19.07db
13% Popularity • 46% Danceability • 10% Energy • 28% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 46% Danceability • 10% Energy • 28% Liveness
0% Instrumentalness • 20% Positiveness
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James Royal Valcq
Digging Stone
143 bpm • E min • 02:30 • -8.41db
12% Popularity • 65% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 65% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Mia Pak
Light Undercover
144 bpm • D# Maj • 02:28 • -13.24db
11% Popularity • 56% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 56% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Will Swenson
Brother Love’s Traveling Salvation Sho...
142 bpm • A Maj • 04:23 • -5.67db
15% Popularity • 52% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 52% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Nunsense 30th Anniversary Cast
Tackle That Temptation With a Time-Step
142 bpm • A# Maj • 03:49 • -14.89db
11% Popularity • 58% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 58% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Carmen Cusack
How?
144 bpm • C# Maj • 03:52 • -11.55db
7% Popularity • 33% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
7% Popularity • 33% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Dean Cestari
The Adventure Song
144 bpm • C Maj • 03:32 • -5.56db
12% Popularity • 46% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 46% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Brian Michael Hoffman
Alone In The Universe
144 bpm • C Maj • 05:03 • -20.31db
14% Popularity • 31% Danceability • 7% Energy • 68% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 31% Danceability • 7% Energy • 68% Liveness
0% Instrumentalness • 22% Positiveness
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Gaby Alter
Good Enough
145 bpm • C Maj • 02:13 • -9.6db
11% Popularity • 72% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 72% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Drew Gasparini
Little Sister
141 bpm • A Maj • 04:16 • -12.91db
10% Popularity • 39% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 39% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Jeanine Tesori
Flying Away (Finale)
141 bpm • A Maj • 03:34 • -10.9db
28% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Kevin Mambo
This Little World
141 bpm • G# Maj • 02:02 • -12.28db
2% Popularity • 38% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
2% Popularity • 38% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Jeremy Shamos
Words, Words, Words
145 bpm • F# Maj • 03:37 • -9.96db
12% Popularity • 67% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 67% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Bat Boy Original London Cast
Comfort and Joy
145 bpm • D# min • 05:18 • -14.87db
9% Popularity • 42% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 42% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Hannah Whitney
The First Verb
145 bpm • G min • 02:48 • -8.04db
12% Popularity • 67% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 67% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Will Reynolds
Moment to Moment
145 bpm • D Maj • 02:25 • -10.23db
13% Popularity • 34% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 34% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Larry Owens
We Wanna Know
141 bpm • F Maj • 01:53 • -7.16db
8% Popularity • 55% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 55% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Rebecca Naomi Jones
When I'm Your Wife
145 bpm • A# min • 03:06 • -9.7db
13% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Sydney Farley
Life In Hate Nation
141 bpm • C Maj • 05:12 • -6.09db
11% Popularity • 52% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 52% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Holden William Hagelberger
Everyday
141 bpm • D Maj • 00:57 • -8.69db
8% Popularity • 53% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 53% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Rachael Duddy
Light Undercover / In The Green Reprise
145 bpm • G min • 01:32 • -12.92db
10% Popularity • 64% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 64% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Ellie Fishman
Twenty
141 bpm • C Maj • 03:34 • -5.02db
12% Popularity • 55% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 55% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Michael John La Chuisa
Love Ain't Nothin'/ Welcome To Her Party...
146 bpm • F min • 02:31 • -13.61db
9% Popularity • 65% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 65% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Eric Petersen
Grapefruit - Juicy Fruit
146 bpm • A Maj • 02:25 • -7.66db
10% Popularity • 52% Danceability • 54% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 52% Danceability • 54% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
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George Salazar
Easy
140 bpm • D Maj • 03:41 • -6.24db
7% Popularity • 49% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 49% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Maurice Clarke
I Forgive You
140 bpm • B Maj • 03:03 • -9.59db
25% Popularity • 57% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 57% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Gaby Alter
Good Enough (Reprise)
146 bpm • A min • 01:33 • -10.31db
11% Popularity • 67% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 67% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Adele Simms
Where There's a Will
140 bpm • D Maj • 03:37 • -6.6db
7% Popularity • 62% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 62% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Ellie Fishman
We Aren't in the Army
140 bpm • F min • 03:54 • -7.13db
13% Popularity • 76% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 76% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Andy Mientus
Tarrytown
140 bpm • C Maj • 03:58 • -10db
9% Popularity • 38% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 38% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Grace McLean
The Rule
140 bpm • E min • 05:37 • -11.52db
13% Popularity • 67% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 67% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 39% Positiveness
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A.J. Holmes
There's a Bubble Around My Heart
139 bpm • D min • 04:04 • -10.9db
7% Popularity • 44% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 44% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Mo Willems
Don't Go
147 bpm • A min • 03:12 • -8.05db
11% Popularity • 42% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 42% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Ciara Renée
The Man I Know (Reprise)
139 bpm • C Maj • 02:29 • -11.99db
11% Popularity • 35% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 35% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Andrew Gerle
Love in the Shadows
138 bpm • C Maj • 03:45 • -16.71db
8% Popularity • 43% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 43% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Andy Mientus
The Man In The Middle
139 bpm • A Maj • 02:27 • -8db
12% Popularity • 55% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 55% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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Benjamin Lewis
Another Year
148 bpm • D Maj • 04:48 • -11.35db
7% Popularity • 45% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
7% Popularity • 45% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Kevin Mambo
Bothered Blue
138 bpm • B min • 02:57 • -8.87db
2% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
2% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Michael R. Jackson
Stay in My Lane
148 bpm • B min • 03:36 • -5.23db
15% Popularity • 65% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 65% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Andi Alhadeff
Lifesong
138 bpm • B min • 02:28 • -5.83db
7% Popularity • 44% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 44% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Lewberger
I'm A Dick
138 bpm • F Maj • 02:34 • -6.57db
8% Popularity • 39% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 39% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Hannah Whitney
Integration
138 bpm • A min • 05:10 • -12db
9% Popularity • 58% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 58% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Tatiana Bookbinder
Nice Work If You Can Get It
138 bpm • E min • 02:42 • -10.67db
9% Popularity • 56% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 56% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Katie Thompson
Aurora - Reprise 1
138 bpm • F Maj • 00:56 • -7.21db
17% Popularity • 62% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 62% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Original West End Cast of Only Fools and Horses
West End Wendy
138 bpm • C# Maj • 02:23 • -10.95db
9% Popularity • 66% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 66% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Arica Jackson
16 Feet Beneath the Sea
148 bpm • A Maj • 01:41 • -7.87db
7% Popularity • 40% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 40% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
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Will Reynolds
Sail On, Santa Maria!
137 bpm • G Maj • 03:05 • -10.13db
20% Popularity • 50% Danceability • 35% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 50% Danceability • 35% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
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Brianna Cabrera
You Phoebe Me
138 bpm • F min • 03:35 • -8.19db
10% Popularity • 77% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 77% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Michael R. Jackson
White Girl in Danger
149 bpm • A# min • 04:02 • -3.74db
19% Popularity • 67% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 67% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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A.J. Holmes
Out of Here
149 bpm • G# Maj • 03:08 • -8.34db
9% Popularity • 68% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 68% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Christian Borle
Monica & Mark
137 bpm • A Maj • 06:29 • -11.73db
7% Popularity • 43% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
7% Popularity • 43% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Siubhan Harrison
Millwork
149 bpm • D Maj • 04:01 • -14db
12% Popularity • 42% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 42% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Carl Danielsen
I Never Really Listened to Me
137 bpm • A min • 02:16 • -9.19db
12% Popularity • 50% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 50% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Debbie Gravitte
This Jesus Must Die
137 bpm • C min • 03:39 • -4.87db
9% Popularity • 42% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 42% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Katrina Rose Dideriksen
The Actress
137 bpm • D Maj • 07:25 • -7db
7% Popularity • 55% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
7% Popularity • 55% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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The Original Cast of Murdoch Mysteries
He's Dead As He Can Be
150 bpm • C Maj • 01:31 • -7.95db
8% Popularity • 52% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 52% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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Michael John La Chuisa
How Many Women In The World? - Original ...
137 bpm • F min • 02:37 • -14.86db
12% Popularity • 52% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 52% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Stephen Bienskie
Are You About a Size 14?
150 bpm • D Maj • 02:38 • -9.24db
7% Popularity • 64% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
7% Popularity • 64% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Paul Shapera
A Flame in the Darkness
150 bpm • C min • 04:51 • -10.28db
14% Popularity • 54% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 54% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Sashika Dias
Rose Of Square
136 bpm • G Maj • 02:30 • -11.63db
12% Popularity • 39% Danceability • 48% Energy • 46% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 39% Danceability • 48% Energy • 46% Liveness
0% Instrumentalness • 63% Positiveness
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Drew Gasparini
Danny & Andrew
150 bpm • F Maj • 03:29 • -12.72db
9% Popularity • 74% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 74% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Julia Cassandra
It Ain't Easy / It's All Happening (Repr...
136 bpm • G Maj • 04:01 • -5.23db
7% Popularity • 48% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
7% Popularity • 48% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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The Dear Edwina Singers
Say No Thank You
136 bpm • F min • 03:17 • -6db
11% Popularity • 78% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 78% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Rachael Duddy
Ritual
136 bpm • D min • 02:45 • -8db
14% Popularity • 74% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 74% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
30% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Randy Redd
Some Kind of Paradise
136 bpm • E Maj • 03:12 • -5.65db
8% Popularity • 44% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 44% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 36% Positiveness
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"Dreamland" Studio Cast
New Dawn
136 bpm • C Maj • 02:24 • -6db
9% Popularity • 57% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 57% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 71% Positiveness
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Drew Gehling
Simple Man
136 bpm • G# min • 01:16 • -4.92db
9% Popularity • 56% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 56% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Lindsay Mendez
Prelude: Take Me Back
151 bpm • G Maj • 02:02 • -10db
27% Popularity • 23% Danceability • 32% Energy • 6% Liveness
6% Instrumentalness • 35% Positiveness
27% Popularity • 23% Danceability • 32% Energy • 6% Liveness
6% Instrumentalness • 35% Positiveness
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Adam Guettel
ACT I The Rescue, Daybreak
135 bpm • C Maj • 03:23 • -18.38db
8% Popularity • 33% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 33% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Keith Byron Kirk
Joe Papp
135 bpm • F Maj • 02:35 • -8.59db
7% Popularity • 60% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 60% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Beth Fowler
I Want It All
151 bpm • C Maj • 04:11 • -13db
15% Popularity • 53% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 53% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Reeve Carney
Epic II
135 bpm • F Maj • 02:26 • -6.83db
49% Popularity • 50% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 50% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 36% Positiveness
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Stephanie J. Block
The Human Heart
152 bpm • A Maj • 03:42 • -8.65db
7% Popularity • 37% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 37% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Jolie Jenkins
Romeo and Juliet
134 bpm • D Maj • 02:14 • -6.36db
7% Popularity • 75% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
7% Popularity • 75% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Kim Maresca
Tina's Mother
134 bpm • C Maj • 02:24 • -9db
7% Popularity • 65% Danceability • 40% Energy • 91% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 65% Danceability • 40% Energy • 91% Liveness
0% Instrumentalness • 60% Positiveness
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Kyle Mcarthur
Superman Is Dead
153 bpm • G# Maj • 03:38 • -5.23db
10% Popularity • 38% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 38% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Will Reynolds
Walk Me Around
134 bpm • A Maj • 02:25 • -10.96db
16% Popularity • 57% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 57% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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Lauren Marcus
Upgrade
133 bpm • G# min • 03:48 • -6.91db
25% Popularity • 45% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 45% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Zach Braff
The Panic is On
133 bpm • G# Maj • 01:17 • -9.18db
10% Popularity • 66% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 66% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Ellie Fishman
Hello Girls
154 bpm • G Maj • 03:46 • -6db
14% Popularity • 63% Danceability • 60% Energy • 58% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 63% Danceability • 60% Energy • 58% Liveness
0% Instrumentalness • 66% Positiveness
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Rob Rokicki
Blood and Brains
132 bpm • F# min • 02:36 • -5.8db
11% Popularity • 60% Danceability • 69% Energy • 49% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 60% Danceability • 69% Energy • 49% Liveness
0% Instrumentalness • 66% Positiveness
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Hannah Whitney
Sun Song
132 bpm • G Maj • 03:16 • -11.67db
13% Popularity • 59% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 59% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Lynne Shankel
Anytime, Anywhere, Any Day
132 bpm • G min • 02:38 • -4.52db
11% Popularity • 73% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 73% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Jalen Bunch
Getting Closer
155 bpm • D Maj • 05:09 • -6.52db
12% Popularity • 45% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 45% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Alex Brightman
Horrible Seders
132 bpm • D min • 05:30 • -10db
15% Popularity • 57% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 57% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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'Pinkalicious' Original Cast
When Dreams Come True (Reprise) / Pinkit...
131 bpm • G Maj • 02:56 • -5.76db
10% Popularity • 55% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 55% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
