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Take Me Back
Songs like
Take Me Back
by
Tom Evanchuck
Based on a tempo of (+/- 10%) and a similar genre
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Moss Meredith
Planting Seed
155 bpm • C Maj • 04:45 • -10db
22% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Moonsville Collective
Helen Highway
155 bpm • A Maj • 04:19 • -11.12db
21% Popularity • 40% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Kevn Kinney
Brand New Key
155 bpm • D Maj • 02:58 • -11.01db
22% Popularity • 68% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Vivian Plotke
Off Horizon
154 bpm • C# Maj • 02:35 • -12.6db
14% Popularity • 46% Danceability • 40% Energy • 27% Liveness
16% Instrumentalness • 30% Positiveness
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Milkweed
Drunk Fish
154 bpm • F Maj • 03:26 • -9.69db
15% Popularity • 56% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Josetxo Zugaldia
Summer 19
156 bpm • C Maj • 04:14 • -2.22db
26% Popularity • 43% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Land & Ammo
Better Catch the Alpaca
154 bpm • B Maj • 02:42 • -11.15db
11% Popularity • 62% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Luke Callen
Some Reason
156 bpm • C Maj • 03:43 • -13.84db
28% Popularity • 50% Danceability • 36% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
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Jim Duff
Ol Cowboy
157 bpm • G Maj • 03:01 • -10.01db
24% Popularity • 40% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Tom Evanchuck
Take Me Back
153 bpm • A# Maj • 02:50 • -9.38db
0% Popularity • 54% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Tom Rush
The Harbor
153 bpm • B Maj • 03:28 • -12.86db
20% Popularity • 46% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Alfred Olivia
Defeat It Jacket
159 bpm • G Maj • 03:40 • -5.49db
18% Popularity • 51% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Dan Browning
My Sweet Evangeline
151 bpm • G Maj • 03:00 • -9.22db
17% Popularity • 47% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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David Place
Caledonian Road
151 bpm • E min • 03:15 • -12.53db
11% Popularity • 64% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Matt Joe Gow
Go Ahead, Celebrate
160 bpm • C# Maj • 03:43 • -4.56db
10% Popularity • 35% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Tom Evanchuck
Just Fine
158 bpm • D# Maj • 02:54 • -10.39db
0% Popularity • 60% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Kyle Wauchope
Betty
160 bpm • C Maj • 03:27 • -7.99db
13% Popularity • 53% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Tom Scully
We'll Do Right
160 bpm • F# Maj • 03:06 • -10.53db
12% Popularity • 63% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Vintage Lapointe
On Your Own
150 bpm • G Maj • 02:25 • -9.45db
17% Popularity • 46% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Josetxo Zugaldia
Happy Sunday Afternoons
160 bpm • D Maj • 05:23 • -4.57db
26% Popularity • 43% Danceability • 79% Energy • 94% Liveness
6% Instrumentalness • 57% Positiveness
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Chris Myers
More
150 bpm • E Maj • 04:34 • -9.26db
3% Popularity • 48% Danceability • 51% Energy • 29% Liveness
52% Instrumentalness • 39% Positiveness
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Dallas Arbor and The Alien Tea Party
Love of Body
160 bpm • G Maj • 04:36 • -12.22db
14% Popularity • 52% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Kyle Wauchope
Not Even
150 bpm • F Maj • 02:57 • -9.27db
18% Popularity • 42% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Thomm Jutz
Hobo Highway
160 bpm • F Maj • 02:50 • -14.08db
17% Popularity • 57% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Late Start Productions
Anything For Love
150 bpm • F Maj • 01:40 • -12.25db
14% Popularity • 42% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Josetxo Zugaldia
Just a Song
150 bpm • G# min • 03:25 • -4.15db
22% Popularity • 43% Danceability • 72% Energy • 13% Liveness
1% Instrumentalness • 65% Positiveness
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Aren Springer
Telegraph Road
150 bpm • D# Maj • 03:35 • -10.14db
17% Popularity • 50% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Tom Evanchuck
Day 1
149 bpm • C# Maj • 02:45 • -7.28db
0% Popularity • 36% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Ian Moore
Us/Them
150 bpm • D Maj • 02:02 • -12.37db
18% Popularity • 60% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Joshua Ray Walker
Dumpster Diving - Acoustic
161 bpm • G Maj • 01:54 • -13.87db
29% Popularity • 58% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Syncerus
In the Morning
148 bpm • C Maj • 03:54 • -16.76db
18% Popularity • 37% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Ray Jones
Artist Hands
149 bpm • C Maj • 03:34 • -13.83db
17% Popularity • 53% Danceability • 8% Energy • 39% Liveness
0% Instrumentalness • 15% Positiveness
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Black Barrel & The Bad Men
The Sun Is Shining Down
148 bpm • C# Maj • 04:34 • -10.52db
14% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Race Southworth
Can't Take That
162 bpm • D Maj • 03:06 • -9.04db
23% Popularity • 48% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Caledonia
December
162 bpm • G# Maj • 03:57 • -7.29db
17% Popularity • 31% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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Possessed by Paul James
Right Where We Belong
162 bpm • E Maj • 03:58 • -8.12db
11% Popularity • 50% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Seven Streams
Girl in Hawaii
148 bpm • D Maj • 03:04 • -9.96db
21% Popularity • 46% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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Andrew Jobin
Welcome Stranger
148 bpm • A# Maj • 04:36 • -9.48db
10% Popularity • 38% Danceability • 49% Energy • 12% Liveness
21% Instrumentalness • 44% Positiveness
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Jockey Jord
Sunrise
163 bpm • D Maj • 03:11 • -8.27db
8% Popularity • 50% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Stephan Vericain
Give Me Rose
163 bpm • G Maj • 02:30 • -8.89db
11% Popularity • 48% Danceability • 79% Energy • 46% Liveness
16% Instrumentalness • 66% Positiveness
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Crow and Gazelle
Take It Away
147 bpm • C# Maj • 03:20 • -11.45db
18% Popularity • 37% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Hammer and the Hatchet
Trash and Twos
146 bpm • A Maj • 02:22 • -7.57db
9% Popularity • 52% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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Christopher 'Barbican' James
For Georgia...
146 bpm • F Maj • 02:48 • -11.01db
16% Popularity • 46% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Brian McArdle
Popcorn Sutton
146 bpm • A Maj • 02:57 • -8.62db
25% Popularity • 51% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Scott Dambrot
Me and Madam Nazar - Piano Version
146 bpm • D Maj • 03:52 • -11.47db
20% Popularity • 71% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Andrew Dean & The Farm Machine
Soaking Up The Rays
165 bpm • A Maj • 03:18 • -18.68db
10% Popularity • 42% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Ferdinand The Bull
Time for Better Timing
145 bpm • C Maj • 03:24 • -11.22db
13% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Matt Mitchell Music Co.
House on Fire
146 bpm • C Maj • 03:51 • -11.7db
16% Popularity • 58% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Firetown Road
No Country
166 bpm • G Maj • 04:21 • -6.71db
29% Popularity • 46% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Marcos Cabanas
Ida's Song
144 bpm • D# Maj • 03:41 • -22.34db
20% Popularity • 53% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Nathaniel Donnelly
Shove Your Love
145 bpm • D# Maj • 02:21 • -7.7db
13% Popularity • 60% Danceability • 79% Energy • 18% Liveness
34% Instrumentalness • 63% Positiveness
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Butch Parnell
Hurry
144 bpm • F Maj • 02:27 • -11.35db
12% Popularity • 53% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Ritchie Ritchison
What Kind of Sweetheart Are You
144 bpm • D Maj • 03:00 • -7.84db
24% Popularity • 56% Danceability • 63% Energy • 47% Liveness
0% Instrumentalness • 72% Positiveness
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Scott Dambrot
Flying Hoot (Piano Version)
144 bpm • C Maj • 03:06 • -12db
20% Popularity • 65% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Richard Inman
Lake Town Blues
144 bpm • F# Maj • 02:11 • -11.28db
15% Popularity • 55% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Dwayne Jarrell and the Truer Sound
Windfall
144 bpm • A Maj • 02:47 • -10.28db
21% Popularity • 53% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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The Janzen Boys
Long Way Home
144 bpm • G Maj • 03:48 • -6.58db
12% Popularity • 56% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Lonnie Rott
Long Winter
144 bpm • D Maj • 03:39 • -14.5db
17% Popularity • 57% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Tom Evanchuck
Oliver Marries Linda
144 bpm • F# Maj • 03:12 • -12.68db
0% Popularity • 54% Danceability • 27% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Isaiah Breedlove
Willing
168 bpm • B min • 04:06 • -10.73db
8% Popularity • 48% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Paul Corliss
Thick as Thieves
168 bpm • A Maj • 02:58 • -6.73db
26% Popularity • 46% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Sofyan Helms
Step
168 bpm • C Maj • 03:27 • -13.96db
11% Popularity • 51% Danceability • 35% Energy • 10% Liveness
73% Instrumentalness • 73% Positiveness
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Miranda Montpelier
The Resistance
167 bpm • C# Maj • 03:08 • -12.84db
9% Popularity • 39% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
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David Charles Swinson
It Hurts When It Rains
168 bpm • A# Maj • 03:18 • -6.54db
24% Popularity • 46% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Robbie Burt
Weightless
169 bpm • E Maj • 02:47 • -10.57db
15% Popularity • 34% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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The Bristlecones
Oxygen
142 bpm • D Maj • 03:43 • -11.95db
18% Popularity • 45% Danceability • 22% Energy • 13% Liveness
5% Instrumentalness • 24% Positiveness
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Fred Smith
Some Lovers
142 bpm • F# min • 03:20 • -8.06db
13% Popularity • 63% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 66% Positiveness
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Marty Finkel
Rescue Me
142 bpm • C Maj • 03:59 • -5.44db
10% Popularity • 45% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Paul Byrne & The Bleeders
A Love Letter
142 bpm • E Maj • 03:44 • -11.97db
13% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Rob Clamp
The Rules Of The Gig
142 bpm • G Maj • 03:08 • -9.88db
9% Popularity • 64% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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People on the Porch
Fast Times
142 bpm • C Maj • 02:28 • -4.59db
8% Popularity • 61% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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John Louis
I Wish I Remembered You (slow version)
169 bpm • G Maj • 02:51 • -12.35db
19% Popularity • 37% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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The Sam Chase
All I've Ever Done
142 bpm • A# Maj • 03:57 • -10.39db
9% Popularity • 37% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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The Low Lonesome Sound
Cortland County Line
170 bpm • C Maj • 03:48 • -9.55db
21% Popularity • 53% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Tom Evanchuck
Lay Awhile
141 bpm • E Maj • 02:38 • -9.67db
0% Popularity • 47% Danceability • 33% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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The Haiku
Life After The Bomb
141 bpm • G Maj • 04:39 • -6.67db
15% Popularity • 44% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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P.G. Headway
The Joker is Me
170 bpm • G Maj • 03:49 • -7.48db
15% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Ha Ha Tonka
Old Rye River
170 bpm • D Maj • 01:23 • -10.03db
19% Popularity • 29% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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Prank Williams
Long Way Round
171 bpm • G Maj • 03:23 • -8.6db
14% Popularity • 46% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Andrew Dahle
Fell in Love in a Dive Bar
172 bpm • E Maj • 03:36 • -11.53db
23% Popularity • 31% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Tom Evanchuck
Bury My Wife
141 bpm • D Maj • 03:08 • -11.6db
0% Popularity • 47% Danceability • 35% Energy • 34% Liveness
14% Instrumentalness • 61% Positiveness
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Matt Elias
Willin'
140 bpm • G Maj • 03:41 • -9.05db
17% Popularity • 59% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Tom Rush
Toy Boat Song
172 bpm • F Maj • 02:58 • -12.98db
19% Popularity • 39% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Ryland Moranz
Lay Me Down
140 bpm • C Maj • 04:22 • -6.14db
16% Popularity • 58% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Clay Connor
Recovery Song (84 Days)
140 bpm • E Maj • 03:14 • -7.11db
11% Popularity • 42% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
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Joe McCorriston
See Ya
172 bpm • A Maj • 04:06 • -7.71db
17% Popularity • 50% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Tom Evanchuck
My Sweet Mayapple
140 bpm • F Maj • 02:56 • -8.8db
0% Popularity • 48% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Jason Mirek
Always Be There
172 bpm • G Maj • 04:08 • -12.39db
13% Popularity • 50% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
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Dalton Mills
Good Place to Hide
140 bpm • E Maj • 04:10 • -10.15db
9% Popularity • 50% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Travis Trush
Last One Ever
139 bpm • F Maj • 04:12 • -8.88db
14% Popularity • 49% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Grover Anderson
Sick of You - Ten Year Anniversary
173 bpm • F Maj • 04:22 • -7.13db
11% Popularity • 33% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
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Brooks Forsyth
Pendulum
173 bpm • G# Maj • 03:16 • -9.35db
11% Popularity • 43% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Tom Evanchuck
She And Wind
173 bpm • C min • 03:49 • -9.08db
0% Popularity • 40% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Charlie Diamond
On The Road
174 bpm • D Maj • 04:07 • -8.08db
40% Popularity • 47% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Dewey Kincade
Cold
138 bpm • G Maj • 04:01 • -9.05db
15% Popularity • 63% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Shovelin Stone
No Good At Waiting
174 bpm • G Maj • 02:10 • -9.94db
19% Popularity • 47% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Johno Leeroy
My Whole World
174 bpm • A# Maj • 02:32 • -4.91db
9% Popularity • 43% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
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Richard Inman
Gardentown (Dick's)
138 bpm • D Maj • 03:25 • -10.71db
11% Popularity • 57% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Tom Evanchuck
Shine On
139 bpm • D Maj • 02:41 • -8.63db
0% Popularity • 44% Danceability • 38% Energy • 13% Liveness
6% Instrumentalness • 25% Positiveness
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Turtle Ridge
Apocalyptic Love Song
137 bpm • D# Maj • 03:30 • -7.29db
15% Popularity • 49% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Take Me Back