Songs like Take Me To The Water by The Blind Boys Of Alabama
Based on a tempo of (+/- 10%) and a similar genre
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North Mississippi Allstars
Take My Hand, Precious Lord
63 bpm • D Maj • 03:07 • -8.12db
13% Popularity • 61% Danceability • 56% Energy • 19% Liveness
1% Instrumentalness • 71% Positiveness
13% Popularity • 61% Danceability • 56% Energy • 19% Liveness
1% Instrumentalness • 71% Positiveness
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The Blind Boys Of Alabama
Take Me To The Water
61 bpm • D Maj • 03:21 • -8.41db
8% Popularity • 34% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 34% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Buckwheat Zydeco
Finding My Way Back Home
66 bpm • D# Maj • 04:40 • -8.08db
12% Popularity • 56% Danceability • 33% Energy • 5% Liveness
88% Instrumentalness • 41% Positiveness
12% Popularity • 56% Danceability • 33% Energy • 5% Liveness
88% Instrumentalness • 41% Positiveness
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The Holmes Brothers
He'll Have To Go
67 bpm • D min • 03:01 • -9.82db
11% Popularity • 67% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 67% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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The Fairfield Four
Roll Jordan Roll
57 bpm • G min • 04:49 • -15.93db
16% Popularity • 35% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 35% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Emmylou Harris
Didn't Leave Nobody But The Baby
53 bpm • A# min • 01:57 • -16.51db
53% Popularity • 65% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
53% Popularity • 65% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Kelly Joe Phelps
Hard Time Killin' Floor Blues
70 bpm • F Maj • 05:27 • -19db
19% Popularity • 58% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
19% Popularity • 58% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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The Blind Boys Of Alabama
Nothing But Love
68 bpm • F Maj • 03:25 • -7.08db
8% Popularity • 56% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 56% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Kermit Ruffins
When I Die - You Better Second Line
71 bpm • C min • 07:30 • -9.72db
18% Popularity • 61% Danceability • 35% Energy • 25% Liveness
1% Instrumentalness • 56% Positiveness
18% Popularity • 61% Danceability • 35% Energy • 25% Liveness
1% Instrumentalness • 56% Positiveness
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The Swan Silvertones
Come What May
52 bpm • E min • 02:46 • -13.36db
16% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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![I Wanna Know (The Pit and the Pendulum) [feat. Blind Boys of Alabama] cover art](https://i.scdn.co/image/ab67616d00001e02a7931793221eb60d5beead41)
Lou Reed
I Wanna Know (The Pit and the Pendulum)
72 bpm • C Maj • 06:58 • -9.03db
8% Popularity • 60% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 60% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Ben Harper
11th Commandment
73 bpm • E Maj • 01:34 • -16.55db
25% Popularity • 43% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
25% Popularity • 43% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
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Jessie Mae Hemphill
Standing In My Doorway Crying
73 bpm • D Maj • 04:40 • -16db
27% Popularity • 58% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 58% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Clarence "Gatemouth" Brown
Don't Think Twice
73 bpm • F Maj • 04:52 • -14.62db
25% Popularity • 65% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 65% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Greg Brown
You Drive Me Crazy
73 bpm • G Maj • 04:59 • -19.62db
11% Popularity • 71% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 71% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Percy Mayfield
Hit The Road Jack
73 bpm • F min • 01:30 • -11.31db
30% Popularity • 82% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 82% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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The Swan Silvertones
Saviour Pass Me Not
74 bpm • A Maj • 05:06 • -9.53db
11% Popularity • 25% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 25% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Ben Harper
There Will Be A Light
72 bpm • A Maj • 03:22 • -9db
31% Popularity • 61% Danceability • 43% Energy • 15% Liveness
11% Instrumentalness • 36% Positiveness
31% Popularity • 61% Danceability • 43% Energy • 15% Liveness
11% Instrumentalness • 36% Positiveness
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Pops Staples
Down In Mississippi
74 bpm • D# Maj • 05:00 • -15.45db
16% Popularity • 44% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 44% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Marion Williams
Cool Down Yonder
75 bpm • C Maj • 03:10 • -10db
18% Popularity • 46% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 46% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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The Blind Boys Of Alabama
Wide River to Cross
75 bpm • G Maj • 04:08 • -15.16db
9% Popularity • 51% Danceability • 16% Energy • 10% Liveness
4% Instrumentalness • 40% Positiveness
9% Popularity • 51% Danceability • 16% Energy • 10% Liveness
4% Instrumentalness • 40% Positiveness
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The Fairfield Four
There Must Be a City
76 bpm • A Maj • 03:05 • -10.96db
9% Popularity • 57% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
9% Popularity • 57% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Clarence Fountain
My Lord What A Morning
77 bpm • A Maj • 03:11 • -10.25db
1% Popularity • 68% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
1% Popularity • 68% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Barbara Dane and the Chambers Brothers
I Am a Weary and a Lonesome Traveller
76 bpm • D min • 04:17 • -23.86db
13% Popularity • 39% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
13% Popularity • 39% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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Gregg Allman
Devil Got My Woman
78 bpm • A Maj • 04:52 • -10.79db
28% Popularity • 52% Danceability • 36% Energy • 16% Liveness
7% Instrumentalness • 10% Positiveness
28% Popularity • 52% Danceability • 36% Energy • 16% Liveness
7% Instrumentalness • 10% Positiveness
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Peter Levin
Midnight Rider
77 bpm • G Maj • 04:47 • -11.35db
4% Popularity • 46% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
4% Popularity • 46% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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The Blind Boys Of Alabama
You Can't Hurry God
78 bpm • G Maj • 03:06 • -7.62db
22% Popularity • 44% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 44% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Billy Boy Arnold
Rub-A-Dub
78 bpm • D Maj • 03:37 • -5.98db
20% Popularity • 74% Danceability • 57% Energy • 25% Liveness
1% Instrumentalness • 68% Positiveness
20% Popularity • 74% Danceability • 57% Energy • 25% Liveness
1% Instrumentalness • 68% Positiveness
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Ruth Brown
I'm Gonna Move To The Outskirts Of Town
79 bpm • A Maj • 05:22 • -9.7db
8% Popularity • 50% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 50% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Anders Osborne
Summertime In New Orleans
79 bpm • C Maj • 04:16 • -14.34db
10% Popularity • 68% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 68% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Corey Harris
God Don't Ever Change
79 bpm • B min • 02:10 • -13.8db
30% Popularity • 70% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 70% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Marc Cohn
Amazing Grace
79 bpm • A min • 06:26 • -6.48db
15% Popularity • 34% Danceability • 58% Energy • 89% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 34% Danceability • 58% Energy • 89% Liveness
0% Instrumentalness • 25% Positiveness
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Jim Byrnes
Of Whom Shall I Be Afraid?
80 bpm • E min • 03:59 • -6.9db
8% Popularity • 51% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 51% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Buckwheat Zydeco
Ma Tit Fille
80 bpm • G# Maj • 06:51 • -11.43db
28% Popularity • 50% Danceability • 94% Energy • 4% Liveness
2% Instrumentalness • 76% Positiveness
28% Popularity • 50% Danceability • 94% Energy • 4% Liveness
2% Instrumentalness • 76% Positiveness
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Pops Staples
Father Father
80 bpm • E min • 04:23 • -12.83db
12% Popularity • 55% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 55% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Wilson Pickett
Hey Joe
80 bpm • F min • 03:05 • -11.92db
39% Popularity • 51% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 51% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Jon Cleary
Got To Be More Careful
80 bpm • A Maj • 06:42 • -4.66db
32% Popularity • 84% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 84% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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The Dixie Hummingbirds
Nobody Knows the Trouble I've Seen
80 bpm • D Maj • 03:01 • -11db
15% Popularity • 36% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 36% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Marc Cohn
Ghost Train
80 bpm • C# Maj • 04:58 • -9.97db
14% Popularity • 43% Danceability • 34% Energy • 71% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 43% Danceability • 34% Energy • 71% Liveness
0% Instrumentalness • 9% Positiveness
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Alan Lomax
Rosie
80 bpm • E Maj • 02:49 • -8.41db
26% Popularity • 47% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 47% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Pops Staples
The Lady's Letter
80 bpm • A Maj • 02:19 • -9.8db
19% Popularity • 73% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 73% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Chris Smither
Can't Shake These Blues
81 bpm • F# min • 04:09 • -9.76db
25% Popularity • 53% Danceability • 52% Energy • 69% Liveness
0% Instrumentalness • 53% Positiveness
25% Popularity • 53% Danceability • 52% Energy • 69% Liveness
0% Instrumentalness • 53% Positiveness
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Levi Ware
Rise Up
81 bpm • E min • 03:52 • -7.57db
7% Popularity • 50% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
7% Popularity • 50% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
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Richie Havens
High Flyin' Bird
81 bpm • A Maj • 03:37 • -12.67db
24% Popularity • 37% Danceability • 46% Energy • 51% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 37% Danceability • 46% Energy • 51% Liveness
0% Instrumentalness • 46% Positiveness
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The Pilgrim Travelers
Straight Street
81 bpm • C Maj • 02:17 • -18db
25% Popularity • 64% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 64% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Wilson Pickett
Hey Jude
82 bpm • F# Maj • 04:07 • -15.33db
49% Popularity • 56% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 56% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Tommy Tucker
Hi-Heel Sneakers
81 bpm • F Maj • 02:48 • -8db
40% Popularity • 59% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
40% Popularity • 59% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Ben Harper
Take My Hand
82 bpm • A Maj • 03:54 • -9.18db
26% Popularity • 74% Danceability • 63% Energy • 24% Liveness
1% Instrumentalness • 79% Positiveness
26% Popularity • 74% Danceability • 63% Energy • 24% Liveness
1% Instrumentalness • 79% Positiveness
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Willie Dixon
I Got A Razor
83 bpm • B min • 04:15 • -24.41db
13% Popularity • 78% Danceability • 8% Energy • 3% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 78% Danceability • 8% Energy • 3% Liveness
0% Instrumentalness • 17% Positiveness
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Chris Smither
What They Say
83 bpm • D Maj • 02:46 • -6.42db
44% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The Blind Boys Of Alabama
You And Your Folks/23rd Paslm
83 bpm • A# min • 05:42 • -8.11db
6% Popularity • 53% Danceability • 62% Energy • 14% Liveness
10% Instrumentalness • 68% Positiveness
6% Popularity • 53% Danceability • 62% Energy • 14% Liveness
10% Instrumentalness • 68% Positiveness
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Charlie Musselwhite
Christo Redemptor
83 bpm • G min • 03:21 • -16db
42% Popularity • 48% Danceability • 20% Energy • 15% Liveness
92% Instrumentalness • 19% Positiveness
42% Popularity • 48% Danceability • 20% Energy • 15% Liveness
92% Instrumentalness • 19% Positiveness
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Marion Williams
Will the Circle Be Unbroken
85 bpm • F Maj • 02:28 • -9.07db
11% Popularity • 52% Danceability • 72% Energy • 44% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 52% Danceability • 72% Energy • 44% Liveness
0% Instrumentalness • 76% Positiveness
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The Wood Brothers
Up Above My Head
85 bpm • F Maj • 02:39 • -8.86db
29% Popularity • 58% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 58% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Ben Harper
Mother Pray
85 bpm • G Maj • 03:00 • -10.48db
18% Popularity • 46% Danceability • 14% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 46% Danceability • 14% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Shemekia Copeland
Beat Up Guitar
86 bpm • D Maj • 04:27 • -11.92db
20% Popularity • 57% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 57% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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The Blind Boys Of Alabama
Wade In The Water
87 bpm • F Maj • 03:34 • -10.27db
22% Popularity • 39% Danceability • 31% Energy • 13% Liveness
3% Instrumentalness • 47% Positiveness
22% Popularity • 39% Danceability • 31% Energy • 13% Liveness
3% Instrumentalness • 47% Positiveness
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Kelly Joe Phelps
Goodbye To Sorrow
87 bpm • D Maj • 03:28 • -16.7db
12% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Greg Brown
Just A Bum
88 bpm • C Maj • 04:12 • -16.46db
17% Popularity • 62% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 62% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Chris Smither
Don't Call Me Stranger
89 bpm • A Maj • 04:08 • -9.05db
34% Popularity • 64% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 72% Positiveness
34% Popularity • 64% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 72% Positiveness
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Rodney Crowell
East Houston Blues
89 bpm • E min • 03:37 • -8.52db
35% Popularity • 72% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 72% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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The Holmes Brothers
Feed My Soul
90 bpm • B Maj • 05:05 • -9.4db
12% Popularity • 75% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 75% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Susan Tedeschi
Magnificent Sanctuary Band
90 bpm • B Maj • 03:00 • -6.42db
19% Popularity • 50% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 50% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Nick Lowe
I Live on a Battlefield
90 bpm • G min • 03:36 • -14.21db
8% Popularity • 52% Danceability • 60% Energy • 70% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 52% Danceability • 60% Energy • 70% Liveness
0% Instrumentalness • 54% Positiveness
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The Fairfield Four
Noah
90 bpm • D Maj • 02:42 • -11.55db
12% Popularity • 58% Danceability • 37% Energy • 41% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 58% Danceability • 37% Energy • 41% Liveness
0% Instrumentalness • 49% Positiveness
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Lil' Queenie & The Percolators
My Dawlin' New Orleans
90 bpm • G Maj • 04:01 • -4.27db
17% Popularity • 70% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 70% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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The Dixie Hummingbirds
In the Morning
90 bpm • C Maj • 03:19 • -6.41db
15% Popularity • 40% Danceability • 65% Energy • 68% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 40% Danceability • 65% Energy • 68% Liveness
0% Instrumentalness • 53% Positiveness
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Marc Cohn
Walk In Jerusalem
90 bpm • F Maj • 03:00 • -9.85db
21% Popularity • 75% Danceability • 56% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 75% Danceability • 56% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
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Delbert McClinton
No Chicken on the Bone
90 bpm • A min • 03:06 • -5.94db
23% Popularity • 57% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 57% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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Pops Staples
World In Motion
90 bpm • G min • 03:57 • -12.29db
26% Popularity • 65% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 65% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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James Hunter
Don't Do Me No Favours
91 bpm • C Maj • 04:18 • -6db
14% Popularity • 67% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 67% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Clarence Fountain
Love Love Love
91 bpm • A Maj • 03:30 • -8.35db
1% Popularity • 65% Danceability • 48% Energy • 73% Liveness
0% Instrumentalness • 59% Positiveness
1% Popularity • 65% Danceability • 48% Energy • 73% Liveness
0% Instrumentalness • 59% Positiveness
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The Blind Boys Of Alabama
Old Blind Barnabus
91 bpm • F Maj • 03:31 • -10.49db
8% Popularity • 64% Danceability • 56% Energy • 12% Liveness
12% Instrumentalness • 47% Positiveness
8% Popularity • 64% Danceability • 56% Energy • 12% Liveness
12% Instrumentalness • 47% Positiveness
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Koko Taylor
Voodoo Woman
92 bpm • F min • 03:48 • -9.42db
45% Popularity • 66% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 66% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Charlie Musselwhite
Crawling King Snake
92 bpm • G Maj • 04:10 • -13.81db
25% Popularity • 56% Danceability • 29% Energy • 12% Liveness
2% Instrumentalness • 35% Positiveness
25% Popularity • 56% Danceability • 29% Energy • 12% Liveness
2% Instrumentalness • 35% Positiveness
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Jimmy Reed
Bright Lights, Big City
92 bpm • D Maj • 02:49 • -9db
38% Popularity • 74% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
38% Popularity • 74% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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The Derek Trucks Band
Volunteered Slavery
92 bpm • C Maj • 02:05 • -11.56db
25% Popularity • 77% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 77% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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John Mayall
Sitting In The Rain
92 bpm • G# min • 02:55 • -20.73db
28% Popularity • 84% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 84% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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The Blind Boys Of Alabama
Run On For A Long Time
92 bpm • A Maj • 03:24 • -10.02db
38% Popularity • 73% Danceability • 54% Energy • 12% Liveness
66% Instrumentalness • 65% Positiveness
38% Popularity • 73% Danceability • 54% Energy • 12% Liveness
66% Instrumentalness • 65% Positiveness
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Clarence Fountain
Traveling Shoes
93 bpm • E min • 04:46 • -4.67db
1% Popularity • 75% Danceability • 84% Energy • 16% Liveness
18% Instrumentalness • 91% Positiveness
1% Popularity • 75% Danceability • 84% Energy • 16% Liveness
18% Instrumentalness • 91% Positiveness
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Bobby Rush
Down In Louisiana
93 bpm • B min • 04:00 • -8.58db
4% Popularity • 78% Danceability • 83% Energy • 6% Liveness
2% Instrumentalness • 89% Positiveness
4% Popularity • 78% Danceability • 83% Energy • 6% Liveness
2% Instrumentalness • 89% Positiveness
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Pops Staples
I Shall Not Be Moved
94 bpm • D# Maj • 04:03 • -16.41db
10% Popularity • 35% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 35% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Ben Harper
Wicked Man
94 bpm • F Maj • 03:33 • -6.56db
21% Popularity • 63% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 63% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Cee Cee James
So Grateful
94 bpm • C# Maj • 05:47 • -15.28db
12% Popularity • 43% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 43% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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The Blind Boys Of Alabama
Motherless Child
93 bpm • G min • 04:19 • -8.42db
20% Popularity • 67% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 67% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Clarence Fountain
God Ain't Gonna Let You Have My Soul
93 bpm • A Maj • 03:05 • -5.11db
0% Popularity • 51% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
0% Popularity • 51% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Kelly Joe Phelps
Dock Boggs Country Blues
94 bpm • D Maj • 06:23 • -13.74db
11% Popularity • 54% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 54% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Jimmy Reed
Baby What You Want Me To Do
94 bpm • A Maj • 02:24 • -11.62db
44% Popularity • 58% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
44% Popularity • 58% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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Koko Taylor
Mother Nature
94 bpm • A# Maj • 04:41 • -10.39db
25% Popularity • 64% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 64% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Jack Williams
Buckets Of Rain
95 bpm • F Maj • 02:48 • -11.28db
11% Popularity • 59% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 59% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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The Blind Boys Of Alabama
The Last Time
93 bpm • G min • 03:57 • -10.36db
9% Popularity • 67% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 67% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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The Subdudes
Carved In Stone
95 bpm • A Maj • 03:55 • -8.46db
12% Popularity • 42% Danceability • 36% Energy • 72% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 42% Danceability • 36% Energy • 72% Liveness
0% Instrumentalness • 26% Positiveness
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Elvin Bishop & Charlie Musselwhite
What The Hell?
95 bpm • C Maj • 03:06 • -2.6db
26% Popularity • 57% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 57% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Jimmy Reed
Baby, What You Want Me To Do
95 bpm • A Maj • 02:27 • -13db
33% Popularity • 52% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 52% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Alvin Youngblood Hart
Tallacatcha
95 bpm • G Maj • 03:06 • -12.52db
10% Popularity • 56% Danceability • 26% Energy • 7% Liveness
9% Instrumentalness • 68% Positiveness
10% Popularity • 56% Danceability • 26% Energy • 7% Liveness
9% Instrumentalness • 68% Positiveness
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Benmont Tench
Duquesne Whistle
95 bpm • G Maj • 03:59 • -12.44db
8% Popularity • 68% Danceability • 47% Energy • 12% Liveness
9% Instrumentalness • 29% Positiveness
8% Popularity • 68% Danceability • 47% Energy • 12% Liveness
9% Instrumentalness • 29% Positiveness
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The Blind Boys Of Alabama
(Jesus Hits Like The) Atom Bomb
95 bpm • F min • 02:30 • -10.95db
17% Popularity • 73% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 73% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Wynton Marsalis Septet
The Last Time
96 bpm • F Maj • 04:15 • -11.79db
18% Popularity • 55% Danceability • 44% Energy • 97% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 55% Danceability • 44% Energy • 97% Liveness
0% Instrumentalness • 39% Positiveness
