Songs like Taking A Chance On Love by Ethel Waters
Based on a tempo of (+/- 10%) and a similar genre
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Johnny Dodds
New Orleans Stomp
126 bpm • F Maj • 02:43 • -12.19db
19% Popularity • 84% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 97% Positiveness
19% Popularity • 84% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 97% Positiveness
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Bunny Berigan
Sophisticated Swing
126 bpm • C# Maj • 03:32 • -10.66db
11% Popularity • 80% Danceability • 31% Energy • 16% Liveness
13% Instrumentalness • 71% Positiveness
11% Popularity • 80% Danceability • 31% Energy • 16% Liveness
13% Instrumentalness • 71% Positiveness
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Marion Harris
It's the Blues 'Taint Nothin' Else
126 bpm • C Maj • 03:15 • -12db
6% Popularity • 63% Danceability • 10% Energy • 24% Liveness
15% Instrumentalness • 53% Positiveness
6% Popularity • 63% Danceability • 10% Energy • 24% Liveness
15% Instrumentalness • 53% Positiveness
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Helen Kane
I Wanna Be Loved by You - Remastered
126 bpm • G# Maj • 02:47 • -10db
14% Popularity • 64% Danceability • 13% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 64% Danceability • 13% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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Ethel Waters
Shoo Shoo Boogie Boo
126 bpm • B min • 02:56 • -13.59db
0% Popularity • 70% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 70% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Fletcher Henderson
Stockholm Stomp
125 bpm • C Maj • 02:59 • -9db
17% Popularity • 78% Danceability • 49% Energy • 25% Liveness
90% Instrumentalness • 97% Positiveness
17% Popularity • 78% Danceability • 49% Energy • 25% Liveness
90% Instrumentalness • 97% Positiveness
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Eddie Cantor
Makin' Whoopee
127 bpm • G min • 03:02 • -10db
25% Popularity • 55% Danceability • 27% Energy • 33% Liveness
16% Instrumentalness • 48% Positiveness
25% Popularity • 55% Danceability • 27% Energy • 33% Liveness
16% Instrumentalness • 48% Positiveness
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Rudy Vallee
Honey
125 bpm • C min • 03:24 • -15db
15% Popularity • 52% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 62% Positiveness
15% Popularity • 52% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 62% Positiveness
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King Oliver
When You're Smiling
125 bpm • C min • 03:20 • -12db
15% Popularity • 49% Danceability • 15% Energy • 26% Liveness
14% Instrumentalness • 27% Positiveness
15% Popularity • 49% Danceability • 15% Energy • 26% Liveness
14% Instrumentalness • 27% Positiveness
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Isham Jones
Stardust
125 bpm • D Maj • 03:26 • -8.09db
14% Popularity • 50% Danceability • 41% Energy • 39% Liveness
53% Instrumentalness • 31% Positiveness
14% Popularity • 50% Danceability • 41% Energy • 39% Liveness
53% Instrumentalness • 31% Positiveness
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Jimmy Dorsey
I'm Steppin' out with a Memory Tonight
127 bpm • F min • 02:46 • -9.34db
25% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
25% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
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Ethel Waters
Trav'lin All Alone
127 bpm • C# Maj • 02:56 • -14.87db
6% Popularity • 46% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
6% Popularity • 46% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Mamie Smith
That da da Strain
128 bpm • G Maj • 02:52 • -10.94db
9% Popularity • 60% Danceability • 31% Energy • 33% Liveness
9% Instrumentalness • 55% Positiveness
9% Popularity • 60% Danceability • 31% Energy • 33% Liveness
9% Instrumentalness • 55% Positiveness
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Martha Tilton
All Of Me
124 bpm • F Maj • 02:19 • -13.55db
33% Popularity • 69% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 69% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Larry Clinton And His Orchestra ‎
Because Of You
128 bpm • F min • 02:48 • -12.59db
29% Popularity • 69% Danceability • 15% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 69% Danceability • 15% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
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Jane Russell
Kisses and Tears
128 bpm • E Maj • 02:46 • -13.77db
28% Popularity • 59% Danceability • 17% Energy • 13% Liveness
22% Instrumentalness • 62% Positiveness
28% Popularity • 59% Danceability • 17% Energy • 13% Liveness
22% Instrumentalness • 62% Positiveness
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Jimmy Dorsey
A You'Re Adorable
124 bpm • A min • 02:29 • -8db
32% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Ethel Waters
Don't Blame Me
124 bpm • G Maj • 03:14 • -18db
23% Popularity • 48% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 48% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Mamie Smith
You Can Have Him, I Don't Want Him, Didn...
124 bpm • A Maj • 03:02 • -9.58db
7% Popularity • 63% Danceability • 32% Energy • 42% Liveness
10% Instrumentalness • 59% Positiveness
7% Popularity • 63% Danceability • 32% Energy • 42% Liveness
10% Instrumentalness • 59% Positiveness
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Helen Kane
I Wanna Be Loved by You - Alternate Vers...
124 bpm • G# Maj • 02:04 • -10.43db
15% Popularity • 65% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 65% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Martha Tilton
Let's Get Away from It All
124 bpm • A min • 02:38 • -11.33db
40% Popularity • 67% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 67% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Fletcher Henderson
Shanghai Shuffle
129 bpm • F# Maj • 02:58 • -10db
22% Popularity • 72% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 93% Positiveness
22% Popularity • 72% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 93% Positiveness
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Guy Lombardo & His Royal Canadians
A Sail Boat in the Moonlight
129 bpm • C Maj • 02:50 • -17.31db
26% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
26% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
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Ethel Waters
Please Don't Talk About Me When I'm Gone
128 bpm • F Maj • 03:12 • -13.33db
2% Popularity • 63% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
2% Popularity • 63% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Alberta Hunter
I'm Hard To Satisfy
123 bpm • F min • 02:45 • -10.76db
4% Popularity • 73% Danceability • 31% Energy • 34% Liveness
5% Instrumentalness • 80% Positiveness
4% Popularity • 73% Danceability • 31% Energy • 34% Liveness
5% Instrumentalness • 80% Positiveness
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Rudy Vallee and His Connecticut Yankees
Brother Can You Spare a Dime
123 bpm • G min • 03:40 • -19.74db
18% Popularity • 56% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
18% Popularity • 56% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
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Jelly Roll Morton
Black Bottom Stomp - 2002 Remastered
129 bpm • C min • 03:12 • -12.89db
32% Popularity • 60% Danceability • 48% Energy • 34% Liveness
82% Instrumentalness • 84% Positiveness
32% Popularity • 60% Danceability • 48% Energy • 34% Liveness
82% Instrumentalness • 84% Positiveness
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Una Mae Carlisle
Blitzkrieg Baby
129 bpm • C min • 03:21 • -14.39db
18% Popularity • 81% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 81% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Henry Hall
Underneath the Arches
123 bpm • E min • 03:07 • -8.17db
15% Popularity • 54% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 54% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Ethel Waters
Shoo Shoo Boogie Boo
129 bpm • G Maj • 02:50 • -8.55db
6% Popularity • 64% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
6% Popularity • 64% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Sophie Tucker
Papa Better Watch Your Step
123 bpm • G Maj • 02:46 • -12db
16% Popularity • 60% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 60% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Rudy Vallee and His Connecticut Yankees
Old Man Harlem
129 bpm • A min • 03:15 • -13.51db
31% Popularity • 72% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 82% Positiveness
31% Popularity • 72% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 82% Positiveness
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Jelly Roll Morton
Dead Man Blues
129 bpm • A# Maj • 03:15 • -15.18db
5% Popularity • 75% Danceability • 16% Energy • 5% Liveness
24% Instrumentalness • 70% Positiveness
5% Popularity • 75% Danceability • 16% Energy • 5% Liveness
24% Instrumentalness • 70% Positiveness
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Eddie Cantor
If You Knew Susie
123 bpm • D Maj • 02:49 • -7db
7% Popularity • 86% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 86% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Benny Goodman Quartet
Tea for Two - 1996 Remastered
129 bpm • G# Maj • 03:05 • -10db
34% Popularity • 77% Danceability • 49% Energy • 7% Liveness
23% Instrumentalness • 84% Positiveness
34% Popularity • 77% Danceability • 49% Energy • 7% Liveness
23% Instrumentalness • 84% Positiveness
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Al Jolson
Ohio
123 bpm • G min • 02:54 • -14.3db
0% Popularity • 81% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 81% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Sophie Tucker
There'll Be Some Changes Made
130 bpm • C# Maj • 02:59 • -14.19db
10% Popularity • 65% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 65% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Ethel Waters
Porgy (Alternate Version)
130 bpm • C Maj • 03:12 • -18.38db
0% Popularity • 54% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 54% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Rudy Vallee
Stein Song
130 bpm • G# Maj • 03:17 • -12db
14% Popularity • 74% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 74% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Johnny Mercer & The Pied Pipers
A Gal In Calico
130 bpm • D# Maj • 02:36 • -11.61db
10% Popularity • 56% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 56% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
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Eddie Cantor
Ma! (He's Making Eyes at Me)
130 bpm • F Maj • 02:18 • -10db
26% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Jimmy Dorsey & His Orchestra
Contrasts
130 bpm • G# Maj • 03:02 • -9db
20% Popularity • 45% Danceability • 39% Energy • 36% Liveness
71% Instrumentalness • 44% Positiveness
20% Popularity • 45% Danceability • 39% Energy • 36% Liveness
71% Instrumentalness • 44% Positiveness
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Ruth Etting
I Ain't Got Nobody
131 bpm • A# Maj • 02:40 • -8.72db
14% Popularity • 70% Danceability • 25% Energy • 42% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 70% Danceability • 25% Energy • 42% Liveness
0% Instrumentalness • 47% Positiveness
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Betty Hutton
Blue Skies
131 bpm • F min • 02:52 • -10.59db
32% Popularity • 52% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 52% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Rudy Vallee
Life Is Just a Bowl of Cherries
122 bpm • D# Maj • 03:20 • -16.43db
27% Popularity • 74% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 74% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Rosa Henderson
He May Be Your Dog But He's Wearing My C...
121 bpm • A Maj • 03:06 • -14.45db
16% Popularity • 54% Danceability • 20% Energy • 23% Liveness
3% Instrumentalness • 58% Positiveness
16% Popularity • 54% Danceability • 20% Energy • 23% Liveness
3% Instrumentalness • 58% Positiveness
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The Charleston Chasers
After You've Gone
121 bpm • A# Maj • 02:42 • -15.2db
19% Popularity • 84% Danceability • 43% Energy • 20% Liveness
80% Instrumentalness • 96% Positiveness
19% Popularity • 84% Danceability • 43% Energy • 20% Liveness
80% Instrumentalness • 96% Positiveness
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Rudy Vallee and His Connecticut Yankees
Say It Isn't So
121 bpm • D# Maj • 03:39 • -20.9db
29% Popularity • 40% Danceability • 8% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 40% Danceability • 8% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Jack Hylton & His Orchestra
Life Begins At Oxford Circus
121 bpm • D Maj • 02:21 • -22.95db
19% Popularity • 75% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
19% Popularity • 75% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
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Ethel Waters
I Shoulda Quit When I Was Ahead
131 bpm • G min • 02:48 • -3.65db
0% Popularity • 59% Danceability • 42% Energy • 22% Liveness
55% Instrumentalness • 64% Positiveness
0% Popularity • 59% Danceability • 42% Energy • 22% Liveness
55% Instrumentalness • 64% Positiveness
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Charlie Barnet & His Orchestra
Scotch and Soda
131 bpm • D# Maj • 02:46 • -10db
22% Popularity • 60% Danceability • 44% Energy • 16% Liveness
89% Instrumentalness • 96% Positiveness
22% Popularity • 60% Danceability • 44% Energy • 16% Liveness
89% Instrumentalness • 96% Positiveness
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Connee Boswell
Fare Thee, Honey, Fare Thee Well
121 bpm • D# Maj • 03:04 • -26.71db
19% Popularity • 66% Danceability • 4% Energy • 19% Liveness
37% Instrumentalness • 63% Positiveness
19% Popularity • 66% Danceability • 4% Energy • 19% Liveness
37% Instrumentalness • 63% Positiveness
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Lee Morse
Telling Eyes
132 bpm • C# min • 02:51 • -11.61db
11% Popularity • 62% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 62% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Lee Wiley
It's Only a Paper Moon
120 bpm • C Maj • 03:12 • -11.99db
34% Popularity • 76% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
34% Popularity • 76% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
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Al Jolson
I Wonder What's Become of Sally? - Remas...
132 bpm • G Maj • 02:47 • -10.01db
0% Popularity • 41% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 41% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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Ethel Waters
Go Back Where You Stayed Last Night
121 bpm • A min • 03:21 • -13.81db
0% Popularity • 68% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 68% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Clarence Williams
Organ Grinder Blues
120 bpm • A min • 03:13 • -16.03db
0% Popularity • 56% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 56% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Jimmy Dorsey
Green Eyes
120 bpm • F min • 03:19 • -12.75db
23% Popularity • 61% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 61% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Lee Morse
Ain't That Too Bad
120 bpm • E min • 02:28 • -10.36db
11% Popularity • 89% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 89% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Nat Gonella And His Georgians
Swingin' The Jinx Away
132 bpm • D# Maj • 03:04 • -19.94db
7% Popularity • 79% Danceability • 29% Energy • 16% Liveness
20% Instrumentalness • 94% Positiveness
7% Popularity • 79% Danceability • 29% Energy • 16% Liveness
20% Instrumentalness • 94% Positiveness
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Rudy Vallee and His Connecticut Yankees
Shadow Waltz
132 bpm • G Maj • 03:15 • -20db
34% Popularity • 32% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 32% Positiveness
34% Popularity • 32% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 32% Positiveness
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Eddie Cantor
If You Knew Susie (Like I Know Susie)
120 bpm • D Maj • 02:51 • -14.63db
22% Popularity • 86% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 86% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Clarence Williams
Get up off Your Knees
132 bpm • F Maj • 02:48 • -15.58db
1% Popularity • 64% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
1% Popularity • 64% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Ethel Waters
St. Louis Blues
132 bpm • C Maj • 02:21 • -13.16db
0% Popularity • 66% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
0% Popularity • 66% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Annette Hanshaw
Little White Lies
120 bpm • C Maj • 02:59 • -8.32db
25% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Kay Kyser
Indian Summer
120 bpm • G# Maj • 02:55 • -12db
4% Popularity • 45% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
4% Popularity • 45% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
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Rudy Vallee and His Connecticut Yankees
Let's Put Out the Lights
133 bpm • D Maj • 03:43 • -17.67db
31% Popularity • 61% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 61% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Virginia Liston
I've Got What It Takes
120 bpm • A Maj • 03:18 • -11.23db
9% Popularity • 73% Danceability • 29% Energy • 39% Liveness
72% Instrumentalness • 80% Positiveness
9% Popularity • 73% Danceability • 29% Energy • 39% Liveness
72% Instrumentalness • 80% Positiveness
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Marion Harris
Don't Leave Me Daddy
119 bpm • B Maj • 03:24 • -7.36db
4% Popularity • 70% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
4% Popularity • 70% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Eddie Condon
(You're Some) Pretty Doll
119 bpm • G min • 02:50 • -14.09db
27% Popularity • 64% Danceability • 22% Energy • 35% Liveness
94% Instrumentalness • 61% Positiveness
27% Popularity • 64% Danceability • 22% Energy • 35% Liveness
94% Instrumentalness • 61% Positiveness
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Benny Goodman Quartet
My Melancholy Baby
133 bpm • C Maj • 03:27 • -18.01db
28% Popularity • 78% Danceability • 18% Energy • 32% Liveness
61% Instrumentalness • 73% Positiveness
28% Popularity • 78% Danceability • 18% Energy • 32% Liveness
61% Instrumentalness • 73% Positiveness
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Rudy Vallee
Kitty from Kansas City
133 bpm • D Maj • 03:09 • -11.38db
20% Popularity • 75% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 75% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Jimmy Dorsey
Green Eyes
119 bpm • G Maj • 03:27 • -16.97db
19% Popularity • 53% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 53% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Turk Murphy
When My Sugar Walks Down The Street
119 bpm • C Maj • 02:44 • -13.4db
28% Popularity • 70% Danceability • 26% Energy • 70% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 70% Danceability • 26% Energy • 70% Liveness
0% Instrumentalness • 92% Positiveness
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Marion Harris
You May Be Fast, but You Won't Last
119 bpm • G Maj • 03:15 • -11.95db
6% Popularity • 67% Danceability • 12% Energy • 34% Liveness
11% Instrumentalness • 49% Positiveness
6% Popularity • 67% Danceability • 12% Energy • 34% Liveness
11% Instrumentalness • 49% Positiveness
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Lee Wiley
Any Time, Any Day, Anywhere
119 bpm • C# Maj • 02:30 • -13.76db
30% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Woody Herman & His Orchestra
Caldonia
134 bpm • G# Maj • 03:01 • -11db
23% Popularity • 63% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 63% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Ben Selvin & His Orchestra
Happy Days Are Here Again
119 bpm • C Maj • 03:22 • -12.2db
29% Popularity • 82% Danceability • 26% Energy • 4% Liveness
9% Instrumentalness • 76% Positiveness
29% Popularity • 82% Danceability • 26% Energy • 4% Liveness
9% Instrumentalness • 76% Positiveness
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Ethel Waters
Georgia on My Mind
119 bpm • C Maj • 03:27 • -11.93db
6% Popularity • 65% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
6% Popularity • 65% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Anne Shelton
Taking A Chance On Love
134 bpm • G Maj • 03:03 • -8.92db
9% Popularity • 57% Danceability • 21% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 57% Danceability • 21% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
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Eddie Cantor
No No Nora
118 bpm • D# Maj • 03:07 • -11.93db
14% Popularity • 79% Danceability • 19% Energy • 14% Liveness
3% Instrumentalness • 68% Positiveness
14% Popularity • 79% Danceability • 19% Energy • 14% Liveness
3% Instrumentalness • 68% Positiveness
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Duke Ellington & His Jungle Band
Runnin' Wild
135 bpm • A# Maj • 02:40 • -10.06db
13% Popularity • 67% Danceability • 55% Energy • 19% Liveness
86% Instrumentalness • 89% Positiveness
13% Popularity • 67% Danceability • 55% Energy • 19% Liveness
86% Instrumentalness • 89% Positiveness
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Larry Clinton
True Confession
118 bpm • A# min • 02:52 • -13.45db
16% Popularity • 61% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 61% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Betty Hutton
Murder, He Says
135 bpm • A# Maj • 03:12 • -10.63db
22% Popularity • 60% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 60% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Ethel Waters
Man Wanted (04-16-46)
118 bpm • C Maj • 03:06 • -13.52db
0% Popularity • 56% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 56% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Frank Crumit
I Married the Bootlegger's Daughter
118 bpm • A# min • 02:51 • -11db
10% Popularity • 92% Danceability • 27% Energy • 18% Liveness
32% Instrumentalness • 66% Positiveness
10% Popularity • 92% Danceability • 27% Energy • 18% Liveness
32% Instrumentalness • 66% Positiveness
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Eddie Cantor
Makin' Whoopee
118 bpm • G Maj • 03:08 • -10db
13% Popularity • 56% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
13% Popularity • 56% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
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Buddy Clark
Ballerina
135 bpm • A# Maj • 03:06 • -17.08db
16% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Sophie Tucker
I Don't Want to Get Thin
135 bpm • C# Maj • 02:47 • -12.92db
7% Popularity • 70% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 70% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Jeri Southern
Let's Fly Away
117 bpm • D Maj • 02:31 • -8.46db
42% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Emmett Miller
You're the Cream in My Coffee
117 bpm • B Maj • 03:05 • -16.46db
9% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Ben Selvin & His Orchestra
Baby Face
117 bpm • C Maj • 03:04 • -3.64db
17% Popularity • 71% Danceability • 40% Energy • 12% Liveness
73% Instrumentalness • 90% Positiveness
17% Popularity • 71% Danceability • 40% Energy • 12% Liveness
73% Instrumentalness • 90% Positiveness
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Eddie Cantor
You'd Be Surprised
135 bpm • G# Maj • 03:18 • -10.22db
3% Popularity • 63% Danceability • 27% Energy • 16% Liveness
3% Instrumentalness • 84% Positiveness
3% Popularity • 63% Danceability • 27% Energy • 16% Liveness
3% Instrumentalness • 84% Positiveness
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Ted Lewis & His Orchestra
In a shanty in old shanty town
136 bpm • G Maj • 03:04 • -7.9db
4% Popularity • 45% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
4% Popularity • 45% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Sophie Tucker
After You've Gone
117 bpm • C min • 02:48 • -12.19db
9% Popularity • 80% Danceability • 14% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 80% Danceability • 14% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Ambrose & His Orchestra
The Clouds Will Soon Roll By
117 bpm • D# Maj • 03:16 • -23db
9% Popularity • 52% Danceability • 6% Energy • 16% Liveness
12% Instrumentalness • 60% Positiveness
9% Popularity • 52% Danceability • 6% Energy • 16% Liveness
12% Instrumentalness • 60% Positiveness
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Ethel Waters
I Ain't Gonna Sin No More
136 bpm • A# Maj • 03:06 • -17.52db
0% Popularity • 65% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 65% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Martha Tilton
I’ll Get By
136 bpm • G Maj • 01:50 • -17db
26% Popularity • 55% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 55% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
