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Talk to Me
Songs like
Talk to Me
by
Seaforth
Based on a tempo of (+/- 10%) and a similar genre
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Hannah Ellis
ILYSoWhat
75 bpm • F# Maj • 03:10 • -5.77db
22% Popularity • 60% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Seaforth
Talk to Me
75 bpm • D Maj • 02:56 • -7db
25% Popularity • 69% Danceability • 67% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Josh Mirenda
Crazy Loves Crazy
75 bpm • A# min • 03:10 • -5db
22% Popularity • 39% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Chris Young
Town Ain't Big Enough
76 bpm • F# Maj • 02:51 • -4db
37% Popularity • 43% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Kip Moore
Try Again
76 bpm • D Maj • 04:03 • -7db
32% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Dylan Schneider
Hometown Heartless
74 bpm • A Maj • 03:25 • -6db
26% Popularity • 55% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Jimmie Allen
Wait for It
76 bpm • A Maj • 03:12 • -4.51db
20% Popularity • 57% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Seaforth
Breakups
75 bpm • C# Maj • 03:43 • -6db
42% Popularity • 53% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Carly Pearce
You Kissed Me First
76 bpm • E Maj • 03:16 • -4.42db
35% Popularity • 58% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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Russell Dickerson
Low Key
76 bpm • D Maj • 03:36 • -7db
28% Popularity • 54% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Hudson Moore
Just Wanna Love You
76 bpm • B Maj • 02:44 • -4.16db
24% Popularity • 25% Danceability • 82% Energy • 42% Liveness
0% Instrumentalness • 67% Positiveness
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LANCO
Greatest Love Story - Single Mix
77 bpm • A# Maj • 03:33 • -7.03db
39% Popularity • 65% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Matt Stell
Reason Why
78 bpm • G min • 02:58 • -4.08db
29% Popularity • 42% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Seaforth
Breakups - Acoustic
75 bpm • C# Maj • 03:47 • -7.09db
41% Popularity • 59% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Cale Dodds
I Like Where This Is Going
78 bpm • D Maj • 03:05 • -3.8db
27% Popularity • 54% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Kane Brown
One Night Only
78 bpm • F# min • 03:11 • -6.21db
39% Popularity • 65% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Love and Theft
You Didn't Want Me
79 bpm • C Maj • 02:52 • -5.53db
5% Popularity • 58% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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LANCO
What I See
78 bpm • D Maj • 03:49 • -6.77db
41% Popularity • 53% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Maddie & Tae
Everywhere I'm Goin'
79 bpm • G Maj • 03:28 • -4.66db
41% Popularity • 52% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Seaforth
Get The Girl
79 bpm • C Maj • 02:52 • -6.94db
45% Popularity • 41% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Brandon Lay
Crazy Like You
79 bpm • G Maj • 02:51 • -8.15db
24% Popularity • 55% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Jeffrey East
Retro
80 bpm • C# Maj • 02:55 • -5.03db
7% Popularity • 78% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Drew Baldridge
Gentle Man
80 bpm • B Maj • 03:20 • -7.44db
33% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Kane Brown
Weekend
80 bpm • E Maj • 03:46 • -6.3db
43% Popularity • 64% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Shawn Austin
The Little Things
80 bpm • A Maj • 03:04 • -6db
20% Popularity • 52% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Seaforth
I Can't Take You Anywhere
80 bpm • A# Maj • 03:31 • -7db
31% Popularity • 56% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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John Gurney
Home With Her
80 bpm • G min • 02:59 • -8db
32% Popularity • 73% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Leaving Austin
She Can
80 bpm • G Maj • 03:17 • -4.43db
15% Popularity • 49% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Levi Hummon
Cowboy Take Me Away
81 bpm • F Maj • 03:15 • -9.44db
19% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Russell Dickerson
All Fall Down
81 bpm • G Maj • 03:08 • -6.23db
35% Popularity • 51% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Kane Brown
Didn't Know What Love Was
81 bpm • D Maj • 03:07 • -5db
30% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Steven Lee Olsen
Just Married
69 bpm • G Maj • 03:52 • -8.27db
24% Popularity • 48% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Joe Bryson
She Don’t Really Miss Me
82 bpm • F Maj • 02:51 • -8.95db
24% Popularity • 54% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Leaving Austin
American Avenue
80 bpm • B Maj • 03:15 • -4.91db
24% Popularity • 47% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Madeline Merlo
Unraveling
82 bpm • E Maj • 03:32 • -5db
25% Popularity • 62% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Kyle Mitchell
One in Georgia
82 bpm • C Maj • 02:50 • -4.76db
15% Popularity • 49% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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LANCO
Pick You Up
82 bpm • G# Maj • 02:56 • -6db
33% Popularity • 57% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Austin Burke
Speed of Life
82 bpm • C# min • 03:13 • -6.57db
26% Popularity • 53% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
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BEXAR
Last Name
82 bpm • A# Maj • 03:52 • -7.87db
30% Popularity • 59% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Brandon Ratcliff
Slow Down Hometown
82 bpm • D# Maj • 03:48 • -6.78db
15% Popularity • 39% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Tenille Arts
Call You Names
82 bpm • F# Maj • 03:50 • -7.47db
24% Popularity • 43% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Josh Gracin
Front Porch Kinda Love
82 bpm • B Maj • 04:07 • -7.03db
14% Popularity • 44% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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LANCO
Rival
82 bpm • G Maj • 03:04 • -3.63db
36% Popularity • 48% Danceability • 89% Energy • 73% Liveness
0% Instrumentalness • 73% Positiveness
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Runaway June
Good, Bad & Ugly
82 bpm • A Maj • 03:04 • -5.75db
23% Popularity • 66% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Carly Pearce
You Know Where To Find Me
83 bpm • F min • 03:28 • -4.43db
27% Popularity • 50% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
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Ray Fulcher
Ghost
83 bpm • D Maj • 03:34 • -7.43db
17% Popularity • 46% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Brandon Ray
That Could Be Us
83 bpm • G# Maj • 03:05 • -4.44db
17% Popularity • 33% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Thompson Square
Masterpiece
83 bpm • C# Maj • 04:07 • -6db
29% Popularity • 62% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Drake White
Girl In Pieces
83 bpm • F Maj • 02:57 • -4.62db
36% Popularity • 68% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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LOCASH
Summer in a Truck
83 bpm • G Maj • 03:08 • -5.41db
18% Popularity • 67% Danceability • 84% Energy • 2% Liveness
0% Instrumentalness • 77% Positiveness
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Kane Brown
Work
83 bpm • D Maj • 03:05 • -8.7db
41% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Runaway June
Got Me Where I Want You
83 bpm • A min • 03:14 • -7.59db
20% Popularity • 61% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Jameson Rodgers
Ain't Really Over
83 bpm • C# Maj • 03:24 • -5.49db
26% Popularity • 51% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Ryan Hurd
I'll Be the Moon
83 bpm • E Maj • 03:33 • -7.95db
26% Popularity • 52% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
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James Barker Band
She's A Hit
83 bpm • E Maj • 02:55 • -6db
23% Popularity • 35% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Seaforth
Used to It
84 bpm • F Maj • 03:26 • -6db
27% Popularity • 46% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Chris Young
Radio and the Rain
84 bpm • G min • 03:00 • -6.6db
31% Popularity • 58% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Runaway June
Trouble With This Town
85 bpm • F# Maj • 02:59 • -5.03db
18% Popularity • 36% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Seth Ennis
Call Your Mama
86 bpm • F# Maj • 03:16 • -7.93db
38% Popularity • 63% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Robert Counts
Someone in My Someday
85 bpm • G Maj • 03:09 • -5.78db
20% Popularity • 64% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Hunter Hayes
This Girl
86 bpm • E Maj • 03:00 • -5db
43% Popularity • 55% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 58% Positiveness
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Brandon Ray
Ends of the Earth
86 bpm • A# Maj • 02:56 • -6.11db
25% Popularity • 54% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Eric Paslay
Angels In This Town
86 bpm • E min • 03:01 • -4.43db
30% Popularity • 52% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
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Josh Mirenda
I Can't Lie
87 bpm • C# Maj • 02:55 • -5.73db
23% Popularity • 56% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Jimmie Allen
Blue Jean Baby
87 bpm • F# Maj • 03:02 • -6.38db
27% Popularity • 64% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Dan + Shay
No Such Thing
87 bpm • C Maj • 02:59 • -5db
41% Popularity • 72% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Hunter Hayes
My Song Too
87 bpm • C Maj • 03:26 • -7.94db
30% Popularity • 44% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Levi Hummon
State I'm In
88 bpm • G Maj • 02:52 • -7.62db
23% Popularity • 54% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Morgan Evans
Me on You
88 bpm • A# Maj • 03:26 • -5.56db
26% Popularity • 57% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
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David Fanning
Ridin' to the Beat
88 bpm • C# Maj • 02:39 • -8.02db
20% Popularity • 64% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Runaway June
I Know The Way
88 bpm • E Maj • 03:08 • -5.58db
19% Popularity • 53% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Matt Stell
I Bet Whiskey Would
88 bpm • G Maj • 03:11 • -4.74db
29% Popularity • 55% Danceability • 79% Energy • 47% Liveness
0% Instrumentalness • 45% Positiveness
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Nate Botsford
Buzzin'
89 bpm • G Maj • 03:10 • -6.27db
7% Popularity • 71% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Levi Hummon
I Still Do
88 bpm • B Maj • 03:12 • -8db
25% Popularity • 60% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Cassadee Pope
FYI
89 bpm • D Maj • 03:24 • -5db
28% Popularity • 26% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Jordan Rager
The Wrong Ones
90 bpm • G Maj • 02:49 • -6db
28% Popularity • 54% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Brandon Ratcliff
Number in My Phone
90 bpm • D Maj • 02:53 • -4.26db
22% Popularity • 60% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Carly Pearce
Heart’s Going Out Of Its Mind
90 bpm • F Maj • 02:50 • -4db
29% Popularity • 59% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Hunter Hayes
One Good Reason
90 bpm • F# Maj • 03:27 • -8.83db
37% Popularity • 47% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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East Adelaide
You Don't Get To Love Me
90 bpm • B min • 04:11 • -5.71db
9% Popularity • 55% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Cale Dodds
All Over
90 bpm • B Maj • 02:51 • -4.98db
26% Popularity • 58% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Kelsea Ballerini
Fun and Games
90 bpm • C# min • 03:00 • -5.98db
13% Popularity • 67% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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John Gurney
That's How You Got It
90 bpm • E Maj • 03:04 • -4.22db
36% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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LANCO
Save Me
90 bpm • C Maj • 03:08 • -6db
34% Popularity • 60% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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The Roads Below
Good At It
90 bpm • C# min • 03:01 • -4.5db
18% Popularity • 55% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Kurt Stevens
I Already Know
90 bpm • B min • 02:48 • -6.93db
21% Popularity • 62% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Dylan Schneider
How To Country
90 bpm • D Maj • 02:48 • -4.16db
33% Popularity • 60% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Jake Owen
That's On Me
90 bpm • D Maj • 02:55 • -4.49db
40% Popularity • 66% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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ERNEST
Would If I Could
90 bpm • F# Maj • 03:22 • -6.62db
24% Popularity • 60% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Madeline Merlo
Neon Love
90 bpm • F# min • 03:09 • -5.76db
32% Popularity • 66% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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John Gurney
Drink I Think
90 bpm • F min • 02:57 • -6.2db
19% Popularity • 63% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Jaden Michaels
Behave
90 bpm • F# Maj • 03:31 • -4.88db
17% Popularity • 43% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Steve Moakler
Push
91 bpm • F Maj • 03:18 • -8.23db
17% Popularity • 67% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Maddie & Tae
Trying On Rings
91 bpm • G Maj • 03:05 • -7.45db
43% Popularity • 60% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Hannah Ellis
Friends Like These
91 bpm • F# Maj • 03:24 • -5db
18% Popularity • 55% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Levi Hummon
Patient
91 bpm • C# Maj • 02:51 • -7.53db
23% Popularity • 66% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Seaforth
Good Beer
91 bpm • F# Maj • 02:54 • -4.25db
47% Popularity • 70% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Kane Brown
Lose It - Acoustic
92 bpm • E min • 03:03 • -5.31db
31% Popularity • 60% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Alee
Don’t Make Me Miss You
91 bpm • E Maj • 03:11 • -5.62db
14% Popularity • 61% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Seth Ennis
Play It Cool
92 bpm • C# Maj • 02:43 • -5.53db
22% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Talk to Me