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Talking To Myself In The Mirror
Songs like
Talking To Myself In The Mirror
by
HANNI
Based on a tempo of (+/- 10%) and a similar genre
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Morgan Saint
KEEP ON HANGING ON
101 bpm • C Maj • 03:00 • -8.02db
18% Popularity • 73% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Carla Wehbe
Love Me For Me
101 bpm • F Maj • 03:15 • -6.81db
23% Popularity • 69% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Breagh Isabel
Girlfriends
101 bpm • D Maj • 02:30 • -8.4db
16% Popularity • 58% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Lindsey Lomis
Feel
101 bpm • F min • 03:05 • -6.51db
18% Popularity • 60% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Ūla
White Knuckles
102 bpm • A# min • 03:21 • -8db
24% Popularity • 59% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Abigail Osborn
Gonna Get Over You
100 bpm • F Maj • 03:14 • -5db
19% Popularity • 68% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Laur Elle
All That We Didn't
100 bpm • C Maj • 03:38 • -7.21db
16% Popularity • 69% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Niko Rubio
Over For Real
100 bpm • D Maj • 02:54 • -6.08db
10% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Carla Wehbe
Like Lovers Do
100 bpm • D Maj • 02:41 • -10.86db
18% Popularity • 60% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Lydia Ford
Feel It for You
100 bpm • G Maj • 02:40 • -7.5db
7% Popularity • 80% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Eluera
Petty
100 bpm • D Maj • 03:06 • -6.98db
9% Popularity • 70% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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somegirlnamedanna
monday
102 bpm • G Maj • 02:24 • -6.11db
28% Popularity • 81% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Walkabout
girlfriends best friend
100 bpm • G Maj • 02:33 • -8.76db
17% Popularity • 78% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Tessa Rae
r u over me
102 bpm • C Maj • 02:17 • -7.62db
7% Popularity • 80% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 60% Positiveness
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Carla Wehbe
Don't Tell Me
102 bpm • F# Maj • 03:20 • -8db
20% Popularity • 58% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Cassidy Mann
Tropical Sour Candy
100 bpm • B Maj • 03:09 • -11.07db
12% Popularity • 75% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Matilda Cole
The Clouds
100 bpm • E Maj • 02:19 • -6.3db
21% Popularity • 60% Danceability • 70% Energy • 12% Liveness
4% Instrumentalness • 31% Positiveness
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Leah Sykes
Sorry to the Waitress
100 bpm • D# Maj • 02:57 • -5db
22% Popularity • 66% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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EGOISM
Lonely But Not Alone
102 bpm • E min • 03:16 • -4.62db
26% Popularity • 59% Danceability • 82% Energy • 46% Liveness
0% Instrumentalness • 51% Positiveness
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MAY-A
Swing of Things
100 bpm • G Maj • 02:58 • -5.4db
28% Popularity • 64% Danceability • 61% Energy • 47% Liveness
0% Instrumentalness • 70% Positiveness
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George Alice
Stuck In A Bubble
100 bpm • F min • 02:38 • -6.7db
38% Popularity • 93% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Wafia
Hurricane
100 bpm • C# Maj • 03:15 • -7.94db
33% Popularity • 79% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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will hyde
fukced up.
100 bpm • G Maj • 02:52 • -6.91db
9% Popularity • 74% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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david hugo
Ambition
100 bpm • E Maj • 02:49 • -8.44db
25% Popularity • 76% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Sarah Barrios
Somebody I'm Proud Of
100 bpm • A# Maj • 03:23 • -6.68db
23% Popularity • 75% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Brigetta
Could've, Should've, Would've
100 bpm • D Maj • 02:09 • -11.3db
12% Popularity • 81% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Hollie Col
Seasick
102 bpm • C# Maj • 02:54 • -3.86db
25% Popularity • 76% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Libby Larkin
Wrong Places
100 bpm • A min • 03:34 • -12.39db
30% Popularity • 71% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Sam DeRosa
Sad Faces
103 bpm • B Maj • 02:54 • -6.39db
14% Popularity • 84% Danceability • 47% Energy • 41% Liveness
0% Instrumentalness • 64% Positiveness
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Beeson
syrup
99 bpm • B Maj • 03:48 • -8db
18% Popularity • 71% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Sophie Cates
handle me
103 bpm • E Maj • 03:16 • -7.35db
30% Popularity • 81% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Bryce Xavier
Two Strangers
99 bpm • A Maj • 03:32 • -7.59db
14% Popularity • 68% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Azure Ryder
Ladder to the Moon
99 bpm • E min • 03:31 • -6.37db
26% Popularity • 57% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Sawyer
Unhealthy
99 bpm • D Maj • 03:06 • -6.29db
19% Popularity • 70% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Daya
Tokyo Drifting
104 bpm • D Maj • 03:23 • -5.37db
28% Popularity • 65% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Cait
I Was Never Here
104 bpm • F# Maj • 02:47 • -9db
15% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Leith
cowboys don't have friends
104 bpm • C# Maj • 02:37 • -3.61db
15% Popularity • 67% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Eva Rose
Out of Lives
104 bpm • G# Maj • 02:53 • -7.9db
8% Popularity • 67% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Nox Holloway
Sapphire
104 bpm • G# Maj • 03:18 • -8.2db
13% Popularity • 70% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Thomston
Honeymoon
104 bpm • F# Maj • 03:28 • -9.35db
10% Popularity • 66% Danceability • 58% Energy • 69% Liveness
0% Instrumentalness • 49% Positiveness
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Sarah Barrios
Happy
104 bpm • G Maj • 02:23 • -11.08db
17% Popularity • 89% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Dulcie
Ethereal
104 bpm • E min • 03:08 • -5.98db
11% Popularity • 66% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Kito
Steal My Clothes
98 bpm • G# Maj • 02:09 • -9.12db
41% Popularity • 74% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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Motel 7
Messing With Fire
98 bpm • A# Maj • 03:06 • -5.79db
18% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Foley
Anything Before You
98 bpm • G min • 03:29 • -4.33db
11% Popularity • 82% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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RARIA
Break Up With Her
104 bpm • D# Maj • 02:58 • -5.92db
13% Popularity • 52% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Lydia Ford
Hailee
98 bpm • G Maj • 02:12 • -6.9db
19% Popularity • 64% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 15% Positiveness
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George Alice
Mid Years
98 bpm • G# Maj • 02:58 • -5.42db
26% Popularity • 74% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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GRACEY
Care Less
105 bpm • C# Maj • 03:46 • -7.19db
20% Popularity • 80% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Maize
Off This Ride
98 bpm • F Maj • 02:49 • -7.11db
17% Popularity • 75% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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Niko Rubio
Bed
105 bpm • B min • 02:58 • -5.68db
20% Popularity • 80% Danceability • 74% Energy • 25% Liveness
10% Instrumentalness • 79% Positiveness
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New Royals
More to Me
105 bpm • A# min • 03:22 • -3.88db
20% Popularity • 64% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Bailey Baum
Over It
105 bpm • G Maj • 03:04 • -6.36db
12% Popularity • 76% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Logan Prescott
tongue
105 bpm • F Maj • 03:01 • -8db
23% Popularity • 85% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
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RARIA
Will You Tell Your Girlfriend?
105 bpm • C min • 03:12 • -7.36db
9% Popularity • 81% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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DENNIS.
Stuck in My Ways
105 bpm • D Maj • 02:49 • -8.66db
9% Popularity • 79% Danceability • 68% Energy • 14% Liveness
1% Instrumentalness • 68% Positiveness
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Dava
Papercut
105 bpm • A min • 02:40 • -9.98db
18% Popularity • 78% Danceability • 26% Energy • 26% Liveness
2% Instrumentalness • 66% Positiveness
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Ber
Dead Dear (Deer)
105 bpm • B Maj • 02:46 • -8.43db
21% Popularity • 78% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Brigetta
Happy Go Lucky
105 bpm • D Maj • 02:08 • -9.31db
9% Popularity • 92% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Cassidy King
Wasted
97 bpm • C# min • 02:31 • -6.14db
11% Popularity • 58% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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ILUKA
Higher Love
106 bpm • A# Maj • 03:04 • -4.09db
13% Popularity • 58% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Annika Bennett
Your World
97 bpm • C# Maj • 03:25 • -7.27db
19% Popularity • 66% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Evan Crommett
Probably Dangerous
106 bpm • E Maj • 03:29 • -6db
18% Popularity • 74% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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AFTRHOURS
Sleepy Town
96 bpm • A# Maj • 02:26 • -6.59db
17% Popularity • 74% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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CXLOE
Cry & Drive
106 bpm • F# Maj • 03:28 • -10db
24% Popularity • 38% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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OSTON
Hypocrite!
107 bpm • E Maj • 03:39 • -5.85db
18% Popularity • 49% Danceability • 61% Energy • 52% Liveness
0% Instrumentalness • 56% Positiveness
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Chaz Cardigan
Losing Touch
96 bpm • E Maj • 03:04 • -4.71db
20% Popularity • 63% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Gaustad
Out Of Time
107 bpm • A min • 02:49 • -5.52db
12% Popularity • 66% Danceability • 57% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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Cat & Calmell
therapist
107 bpm • E Maj • 03:11 • -5db
19% Popularity • 79% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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ELLIANA
BMW X5
107 bpm • G Maj • 02:47 • -5.57db
14% Popularity • 79% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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EXES
Side
107 bpm • E Maj • 03:08 • -9.08db
25% Popularity • 79% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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OSTON
Am I Talking Too Much?
107 bpm • E min • 03:12 • -9db
26% Popularity • 65% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Erose
Unrealistic
95 bpm • G# Maj • 02:40 • -10db
14% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Harry Strange
Dream About
107 bpm • G# Maj • 02:33 • -11.42db
15% Popularity • 78% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Yavin
Handsy.
95 bpm • E Maj • 03:08 • -7.46db
18% Popularity • 52% Danceability • 65% Energy • 46% Liveness
0% Instrumentalness • 27% Positiveness
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Rachel Bochner
Purple
95 bpm • B Maj • 02:53 • -6.84db
30% Popularity • 62% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Carla Wehbe
Somebody Loves You
95 bpm • C# Maj • 03:58 • -8db
24% Popularity • 56% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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renforshort
wannabe
95 bpm • C# min • 02:32 • -6db
41% Popularity • 77% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Catie Turner
Push You Away
95 bpm • G# Maj • 03:06 • -7.28db
20% Popularity • 63% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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salem ilese
About a Breakup
95 bpm • A# Maj • 02:42 • -9.46db
30% Popularity • 52% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Josie Man
One of Those Days
108 bpm • C# Maj • 03:28 • -4.64db
22% Popularity • 73% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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ELIO
LA in Two
108 bpm • A# Maj • 03:44 • -8.15db
32% Popularity • 72% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Anna Sofia
6ft Under
108 bpm • A min • 02:55 • -6.03db
18% Popularity • 62% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
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Madison Olds
If You Wanna
108 bpm • B Maj • 02:19 • -6db
12% Popularity • 79% Danceability • 77% Energy • 62% Liveness
0% Instrumentalness • 70% Positiveness
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Peach PRC
Symptomatic
108 bpm • G Maj • 03:12 • -4.65db
42% Popularity • 60% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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George Alice
Teenager
94 bpm • G# Maj • 03:06 • -7.1db
26% Popularity • 66% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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renforshort
nostalgic (luvsick)
94 bpm • A Maj • 02:45 • -5.97db
27% Popularity • 76% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Wayne Regretzky
Hurt Now Help Later
94 bpm • B min • 02:56 • -7.75db
11% Popularity • 64% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Julia Wolf
RBF: Part 1 - Spotify Singles
94 bpm • A# Maj • 02:16 • -9db
29% Popularity • 72% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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OSTON
Shrug
94 bpm • G# min • 03:07 • -4.84db
17% Popularity • 83% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Molly Millington
Ring Master
94 bpm • F min • 03:00 • -6.08db
12% Popularity • 75% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Lilou
Sane
94 bpm • C# Maj • 02:51 • -9.69db
21% Popularity • 73% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Eluera
Moderation
109 bpm • F# min • 03:32 • -5.63db
22% Popularity • 65% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Keni Titus
Big Enough
109 bpm • G# Maj • 03:13 • -4.37db
17% Popularity • 72% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Cat & Calmell
dumbshit
93 bpm • F Maj • 03:21 • -5.39db
22% Popularity • 39% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Cassidy King
Safe Places
93 bpm • B min • 03:07 • -7db
27% Popularity • 56% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Nolie
Have It All
93 bpm • B Maj • 02:17 • -5.18db
14% Popularity • 65% Danceability • 79% Energy • 27% Liveness
7% Instrumentalness • 51% Positiveness
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E^ST
NO ONE WITH YOU
93 bpm • D Maj • 02:38 • -6.99db
12% Popularity • 73% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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Lily Papas
Jackson
93 bpm • G Maj • 03:41 • -10.75db
9% Popularity • 67% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Greyson Chance
8Track - Spotify Singles
93 bpm • F Maj • 03:12 • -11db
25% Popularity • 54% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Talking To Myself In The Mirror