Songs like Taller Trees by Jhana Joy
Based on a tempo of (+/- 10%) and a similar genre
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Lehto
Brisk
132 bpm • F# min • 05:28 • -7.46db
9% Popularity • 83% Danceability • 53% Energy • 9% Liveness
91% Instrumentalness • 41% Positiveness
9% Popularity • 83% Danceability • 53% Energy • 9% Liveness
91% Instrumentalness • 41% Positiveness
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Jhana Joy
Taller Trees
132 bpm • A# Maj • 02:00 • -8.26db
0% Popularity • 80% Danceability • 36% Energy • 12% Liveness
94% Instrumentalness • 36% Positiveness
0% Popularity • 80% Danceability • 36% Energy • 12% Liveness
94% Instrumentalness • 36% Positiveness
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Alip Seniero
Dear resonanz
131 bpm • A Maj • 01:09 • -17.21db
11% Popularity • 86% Danceability • 38% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
11% Popularity • 86% Danceability • 38% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
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Asindacate Tower
Ceni Roge
130 bpm • D Maj • 01:06 • -17.28db
12% Popularity • 84% Danceability • 52% Energy • 9% Liveness
82% Instrumentalness • 11% Positiveness
12% Popularity • 84% Danceability • 52% Energy • 9% Liveness
82% Instrumentalness • 11% Positiveness
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Of The Trees
Elegos
130 bpm • E min • 04:34 • -11.11db
29% Popularity • 48% Danceability • 26% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
29% Popularity • 48% Danceability • 26% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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MACE
⟁
130 bpm • F min • 04:13 • -9.28db
30% Popularity • 65% Danceability • 62% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
30% Popularity • 65% Danceability • 62% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
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TIBASKO
Isolate
130 bpm • F# Maj • 04:03 • -7.92db
32% Popularity • 63% Danceability • 83% Energy • 5% Liveness
73% Instrumentalness • 11% Positiveness
32% Popularity • 63% Danceability • 83% Energy • 5% Liveness
73% Instrumentalness • 11% Positiveness
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Jhana Joy
Gross Distraction
130 bpm • G# min • 03:12 • -10.17db
0% Popularity • 78% Danceability • 49% Energy • 10% Liveness
68% Instrumentalness • 83% Positiveness
0% Popularity • 78% Danceability • 49% Energy • 10% Liveness
68% Instrumentalness • 83% Positiveness
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Aversa
Piedi Nightscape
130 bpm • G Maj • 01:13 • -11.75db
13% Popularity • 80% Danceability • 58% Energy • 9% Liveness
92% Instrumentalness • 57% Positiveness
13% Popularity • 80% Danceability • 58% Energy • 9% Liveness
92% Instrumentalness • 57% Positiveness
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Cillo
Breathe
130 bpm • A# Maj • 06:24 • -11.66db
24% Popularity • 35% Danceability • 45% Energy • 11% Liveness
90% Instrumentalness • 42% Positiveness
24% Popularity • 35% Danceability • 45% Energy • 11% Liveness
90% Instrumentalness • 42% Positiveness
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Ambrosia
Mr Dubolina
135 bpm • B min • 03:36 • -12.34db
32% Popularity • 76% Danceability • 65% Energy • 10% Liveness
78% Instrumentalness • 33% Positiveness
32% Popularity • 76% Danceability • 65% Energy • 10% Liveness
78% Instrumentalness • 33% Positiveness
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Vulnos
Keywest
129 bpm • G min • 01:55 • -11.4db
15% Popularity • 90% Danceability • 34% Energy • 6% Liveness
16% Instrumentalness • 61% Positiveness
15% Popularity • 90% Danceability • 34% Energy • 6% Liveness
16% Instrumentalness • 61% Positiveness
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Alpha Shakes
Quartzsite
136 bpm • F Maj • 01:16 • -9db
24% Popularity • 75% Danceability • 91% Energy • 9% Liveness
89% Instrumentalness • 87% Positiveness
24% Popularity • 75% Danceability • 91% Energy • 9% Liveness
89% Instrumentalness • 87% Positiveness
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Jhana Joy
Soulfulness
130 bpm • E min • 03:59 • -7.36db
0% Popularity • 57% Danceability • 67% Energy • 14% Liveness
78% Instrumentalness • 75% Positiveness
0% Popularity • 57% Danceability • 67% Energy • 14% Liveness
78% Instrumentalness • 75% Positiveness
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Affelaye
This Isn't You
136 bpm • F# min • 06:51 • -10.56db
22% Popularity • 83% Danceability • 33% Energy • 8% Liveness
72% Instrumentalness • 14% Positiveness
22% Popularity • 83% Danceability • 33% Energy • 8% Liveness
72% Instrumentalness • 14% Positiveness
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Apayo
HARDCORE DANCE
128 bpm • D# min • 01:24 • -8.46db
25% Popularity • 86% Danceability • 68% Energy • 39% Liveness
92% Instrumentalness • 24% Positiveness
25% Popularity • 86% Danceability • 68% Energy • 39% Liveness
92% Instrumentalness • 24% Positiveness
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Aversa
Gengi Cann
128 bpm • F# Maj • 01:09 • -15.19db
12% Popularity • 71% Danceability • 44% Energy • 11% Liveness
92% Instrumentalness • 58% Positiveness
12% Popularity • 71% Danceability • 44% Energy • 11% Liveness
92% Instrumentalness • 58% Positiveness
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Carlos Cipa
Forgotten me (Janus Rasmussen Remix)
128 bpm • E min • 04:54 • -9.35db
11% Popularity • 66% Danceability • 84% Energy • 12% Liveness
83% Instrumentalness • 33% Positiveness
11% Popularity • 66% Danceability • 84% Energy • 12% Liveness
83% Instrumentalness • 33% Positiveness
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Pickpal
iFlip Flap
128 bpm • C# Maj • 03:00 • -7.56db
12% Popularity • 80% Danceability • 88% Energy • 4% Liveness
86% Instrumentalness • 48% Positiveness
12% Popularity • 80% Danceability • 88% Energy • 4% Liveness
86% Instrumentalness • 48% Positiveness
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Jhana Joy
Practice
130 bpm • C min • 02:08 • -12.48db
0% Popularity • 51% Danceability • 50% Energy • 10% Liveness
87% Instrumentalness • 45% Positiveness
0% Popularity • 51% Danceability • 50% Energy • 10% Liveness
87% Instrumentalness • 45% Positiveness
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AG Beat
Soul´s Lihgt
128 bpm • A# Maj • 04:04 • -12.59db
31% Popularity • 83% Danceability • 56% Energy • 23% Liveness
82% Instrumentalness • 28% Positiveness
31% Popularity • 83% Danceability • 56% Energy • 23% Liveness
82% Instrumentalness • 28% Positiveness
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Alxel Del Santi
Manta Network
128 bpm • D Maj • 01:09 • -12.7db
12% Popularity • 78% Danceability • 64% Energy • 12% Liveness
72% Instrumentalness • 8% Positiveness
12% Popularity • 78% Danceability • 64% Energy • 12% Liveness
72% Instrumentalness • 8% Positiveness
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ZikoParadis
Tweets
128 bpm • F min • 01:01 • -15.96db
31% Popularity • 90% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 90% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Joey Tingen
Euphoria
127 bpm • C# Maj • 03:27 • -10.56db
39% Popularity • 65% Danceability • 67% Energy • 13% Liveness
93% Instrumentalness • 43% Positiveness
39% Popularity • 65% Danceability • 67% Energy • 13% Liveness
93% Instrumentalness • 43% Positiveness
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Frontline Records
Crazy Trumpets
127 bpm • B Maj • 04:05 • -14.81db
8% Popularity • 79% Danceability • 36% Energy • 22% Liveness
81% Instrumentalness • 24% Positiveness
8% Popularity • 79% Danceability • 36% Energy • 22% Liveness
81% Instrumentalness • 24% Positiveness
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Asindacate Tower
Celerino Patente
127 bpm • A# min • 01:00 • -12.27db
12% Popularity • 83% Danceability • 55% Energy • 13% Liveness
93% Instrumentalness • 62% Positiveness
12% Popularity • 83% Danceability • 55% Energy • 13% Liveness
93% Instrumentalness • 62% Positiveness
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Jon Gurd
Celeste
127 bpm • D# min • 04:20 • -6.55db
13% Popularity • 73% Danceability • 76% Energy • 5% Liveness
88% Instrumentalness • 51% Positiveness
13% Popularity • 73% Danceability • 76% Energy • 5% Liveness
88% Instrumentalness • 51% Positiveness
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Magnolia Fluorescence
Down Low
126 bpm • A# min • 01:15 • -18.07db
20% Popularity • 68% Danceability • 26% Energy • 16% Liveness
82% Instrumentalness • 41% Positiveness
20% Popularity • 68% Danceability • 26% Energy • 16% Liveness
82% Instrumentalness • 41% Positiveness
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Станислав Грязин
Тема ошибки быстрая
126 bpm • C# Maj • 01:49 • -10.71db
11% Popularity • 76% Danceability • 63% Energy • 13% Liveness
81% Instrumentalness • 24% Positiveness
11% Popularity • 76% Danceability • 63% Energy • 13% Liveness
81% Instrumentalness • 24% Positiveness
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dj arlonsox
turn on
126 bpm • F# Maj • 02:17 • -6.95db
17% Popularity • 76% Danceability • 78% Energy • 11% Liveness
88% Instrumentalness • 76% Positiveness
17% Popularity • 76% Danceability • 78% Energy • 11% Liveness
88% Instrumentalness • 76% Positiveness
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TIDDI
Welkin
126 bpm • G Maj • 01:10 • -15db
14% Popularity • 87% Danceability • 25% Energy • 20% Liveness
51% Instrumentalness • 35% Positiveness
14% Popularity • 87% Danceability • 25% Energy • 20% Liveness
51% Instrumentalness • 35% Positiveness
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Kelsie Curtis
The Beginning
125 bpm • F# min • 01:39 • -16.66db
20% Popularity • 74% Danceability • 54% Energy • 11% Liveness
87% Instrumentalness • 40% Positiveness
20% Popularity • 74% Danceability • 54% Energy • 11% Liveness
87% Instrumentalness • 40% Positiveness
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D-Sides
Beat On Bass
125 bpm • F min • 02:20 • -9db
33% Popularity • 77% Danceability • 72% Energy • 28% Liveness
56% Instrumentalness • 6% Positiveness
33% Popularity • 77% Danceability • 72% Energy • 28% Liveness
56% Instrumentalness • 6% Positiveness
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KSept
Road
125 bpm • A# min • 01:45 • -6.47db
16% Popularity • 63% Danceability • 52% Energy • 30% Liveness
72% Instrumentalness • 53% Positiveness
16% Popularity • 63% Danceability • 52% Energy • 30% Liveness
72% Instrumentalness • 53% Positiveness
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CYANOSSE
Frisquet
125 bpm • A# Maj • 01:08 • -14db
25% Popularity • 77% Danceability • 30% Energy • 39% Liveness
89% Instrumentalness • 3% Positiveness
25% Popularity • 77% Danceability • 30% Energy • 39% Liveness
89% Instrumentalness • 3% Positiveness
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Beat's
Wass'up?
125 bpm • F min • 02:57 • -14.3db
18% Popularity • 55% Danceability • 48% Energy • 15% Liveness
53% Instrumentalness • 14% Positiveness
18% Popularity • 55% Danceability • 48% Energy • 15% Liveness
53% Instrumentalness • 14% Positiveness
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Kamandi
Weekend Crender
125 bpm • F# Maj • 03:38 • -13.51db
35% Popularity • 79% Danceability • 73% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
35% Popularity • 79% Danceability • 73% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
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Smilk
The Part I Like
125 bpm • G min • 05:44 • -12.07db
11% Popularity • 55% Danceability • 55% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
11% Popularity • 55% Danceability • 55% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Leifur James
AAID
125 bpm • F min • 03:42 • -12db
18% Popularity • 72% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
18% Popularity • 72% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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T-Flare
Average Morning
125 bpm • C Maj • 02:22 • -9.38db
15% Popularity • 67% Danceability • 73% Energy • 29% Liveness
94% Instrumentalness • 53% Positiveness
15% Popularity • 67% Danceability • 73% Energy • 29% Liveness
94% Instrumentalness • 53% Positiveness
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One2b1
Issimeria
125 bpm • A min • 03:39 • -9.99db
25% Popularity • 74% Danceability • 59% Energy • 11% Liveness
89% Instrumentalness • 66% Positiveness
25% Popularity • 74% Danceability • 59% Energy • 11% Liveness
89% Instrumentalness • 66% Positiveness
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Kipunji
Fortress
125 bpm • C# Maj • 04:46 • -9.44db
38% Popularity • 74% Danceability • 56% Energy • 8% Liveness
91% Instrumentalness • 43% Positiveness
38% Popularity • 74% Danceability • 56% Energy • 8% Liveness
91% Instrumentalness • 43% Positiveness
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BROHUG
Baddie
125 bpm • D Maj • 03:06 • -4.9db
33% Popularity • 73% Danceability • 69% Energy • 4% Liveness
86% Instrumentalness • 60% Positiveness
33% Popularity • 73% Danceability • 69% Energy • 4% Liveness
86% Instrumentalness • 60% Positiveness
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XPACIAL
Dosis
125 bpm • F# min • 03:15 • -18.49db
24% Popularity • 73% Danceability • 46% Energy • 11% Liveness
76% Instrumentalness • 16% Positiveness
24% Popularity • 73% Danceability • 46% Energy • 11% Liveness
76% Instrumentalness • 16% Positiveness
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Stanton Warriors
Dakota
125 bpm • B min • 02:02 • -8.43db
2% Popularity • 70% Danceability • 54% Energy • 34% Liveness
66% Instrumentalness • 87% Positiveness
2% Popularity • 70% Danceability • 54% Energy • 34% Liveness
66% Instrumentalness • 87% Positiveness
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Jhana Joy
The Time of Matter
140 bpm • G Maj • 02:18 • -7.78db
0% Popularity • 85% Danceability • 35% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
0% Popularity • 85% Danceability • 35% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
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Mr_OL
Sleep
125 bpm • D min • 01:55 • -6.27db
26% Popularity • 74% Danceability • 77% Energy • 10% Liveness
79% Instrumentalness • 9% Positiveness
26% Popularity • 74% Danceability • 77% Energy • 10% Liveness
79% Instrumentalness • 9% Positiveness
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DJ Mike Lean
Here We Sing For Passion
140 bpm • F# min • 01:20 • -9.79db
30% Popularity • 74% Danceability • 70% Energy • 12% Liveness
97% Instrumentalness • 49% Positiveness
30% Popularity • 74% Danceability • 70% Energy • 12% Liveness
97% Instrumentalness • 49% Positiveness
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ALA BEATS
Often
124 bpm • F min • 01:00 • -7.35db
35% Popularity • 87% Danceability • 91% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
35% Popularity • 87% Danceability • 91% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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Glidei
Ovpet Irchsat
124 bpm • G Maj • 01:01 • -10.4db
11% Popularity • 76% Danceability • 46% Energy • 10% Liveness
91% Instrumentalness • 65% Positiveness
11% Popularity • 76% Danceability • 46% Energy • 10% Liveness
91% Instrumentalness • 65% Positiveness
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Justin Rich
Right Behind
124 bpm • F min • 05:38 • -10.54db
8% Popularity • 67% Danceability • 52% Energy • 13% Liveness
64% Instrumentalness • 13% Positiveness
8% Popularity • 67% Danceability • 52% Energy • 13% Liveness
64% Instrumentalness • 13% Positiveness
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Nico Parga
We Are Lost
124 bpm • F min • 06:33 • -6.23db
25% Popularity • 85% Danceability • 78% Energy • 12% Liveness
88% Instrumentalness • 51% Positiveness
25% Popularity • 85% Danceability • 78% Energy • 12% Liveness
88% Instrumentalness • 51% Positiveness
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Jorgix
Bottle
124 bpm • G# Maj • 01:48 • -9.34db
17% Popularity • 77% Danceability • 48% Energy • 12% Liveness
86% Instrumentalness • 48% Positiveness
17% Popularity • 77% Danceability • 48% Energy • 12% Liveness
86% Instrumentalness • 48% Positiveness
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Gloovez
The Age of Love
124 bpm • B min • 05:21 • -6db
10% Popularity • 65% Danceability • 74% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
10% Popularity • 65% Danceability • 74% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Ameck
Light Night
124 bpm • B min • 02:40 • -10.36db
12% Popularity • 69% Danceability • 52% Energy • 31% Liveness
90% Instrumentalness • 35% Positiveness
12% Popularity • 69% Danceability • 52% Energy • 31% Liveness
90% Instrumentalness • 35% Positiveness
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Byron White
Pearless
124 bpm • A Maj • 01:36 • -17.1db
24% Popularity • 72% Danceability • 52% Energy • 8% Liveness
74% Instrumentalness • 48% Positiveness
24% Popularity • 72% Danceability • 52% Energy • 8% Liveness
74% Instrumentalness • 48% Positiveness
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Shawn Barry
Jaguar Mystic
124 bpm • B min • 03:36 • -7.84db
29% Popularity • 84% Danceability • 61% Energy • 36% Liveness
1% Instrumentalness • 37% Positiveness
29% Popularity • 84% Danceability • 61% Energy • 36% Liveness
1% Instrumentalness • 37% Positiveness
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Pozmade
Fire
123 bpm • C Maj • 01:43 • -13.09db
17% Popularity • 80% Danceability • 39% Energy • 8% Liveness
86% Instrumentalness • 23% Positiveness
17% Popularity • 80% Danceability • 39% Energy • 8% Liveness
86% Instrumentalness • 23% Positiveness
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Gojo Satoru
KRUSH ON U
123 bpm • F Maj • 01:36 • -9.1db
28% Popularity • 80% Danceability • 84% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
28% Popularity • 80% Danceability • 84% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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JE:RI
White Night - Original Mix
123 bpm • A# min • 04:17 • -10.95db
14% Popularity • 78% Danceability • 57% Energy • 11% Liveness
88% Instrumentalness • 31% Positiveness
14% Popularity • 78% Danceability • 57% Energy • 11% Liveness
88% Instrumentalness • 31% Positiveness
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TRICEPA
Bongo Addiction - Side A
123 bpm • E min • 05:03 • -9.75db
11% Popularity • 79% Danceability • 81% Energy • 14% Liveness
88% Instrumentalness • 18% Positiveness
11% Popularity • 79% Danceability • 81% Energy • 14% Liveness
88% Instrumentalness • 18% Positiveness
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Billy Lyon
Say Me Name - Radio Edit
123 bpm • C# Maj • 01:55 • -9.71db
32% Popularity • 96% Danceability • 84% Energy • 10% Liveness
83% Instrumentalness • 51% Positiveness
32% Popularity • 96% Danceability • 84% Energy • 10% Liveness
83% Instrumentalness • 51% Positiveness
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Bakû
Now Here
123 bpm • B min • 03:16 • -11.1db
16% Popularity • 71% Danceability • 53% Energy • 12% Liveness
74% Instrumentalness • 38% Positiveness
16% Popularity • 71% Danceability • 53% Energy • 12% Liveness
74% Instrumentalness • 38% Positiveness
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All-In Watts
Shooting Stars Without Aiming
123 bpm • G Maj • 02:20 • -13.17db
11% Popularity • 81% Danceability • 78% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
11% Popularity • 81% Danceability • 78% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
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Papatriz
Path
122 bpm • G# Maj • 01:34 • -7.44db
17% Popularity • 61% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 61% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Pornhub
Sonic Meditation
122 bpm • G min • 03:18 • -8.52db
15% Popularity • 71% Danceability • 46% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
15% Popularity • 71% Danceability • 46% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Is Maikol
Infinity
122 bpm • C Maj • 02:21 • -8.63db
27% Popularity • 81% Danceability • 64% Energy • 47% Liveness
94% Instrumentalness • 84% Positiveness
27% Popularity • 81% Danceability • 64% Energy • 47% Liveness
94% Instrumentalness • 84% Positiveness
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NEAL MOOD
Underground Motion
122 bpm • G Maj • 02:05 • -14.91db
13% Popularity • 79% Danceability • 40% Energy • 16% Liveness
77% Instrumentalness • 37% Positiveness
13% Popularity • 79% Danceability • 40% Energy • 16% Liveness
77% Instrumentalness • 37% Positiveness
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Edivader
Edinag Allafit
122 bpm • D# min • 01:02 • -9.12db
18% Popularity • 84% Danceability • 43% Energy • 10% Liveness
94% Instrumentalness • 42% Positiveness
18% Popularity • 84% Danceability • 43% Energy • 10% Liveness
94% Instrumentalness • 42% Positiveness
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HVLF LIF3
AYAHU4SCA
122 bpm • D Maj • 02:05 • -10.7db
8% Popularity • 74% Danceability • 63% Energy • 32% Liveness
83% Instrumentalness • 26% Positiveness
8% Popularity • 74% Danceability • 63% Energy • 32% Liveness
83% Instrumentalness • 26% Positiveness
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Jhana Joy
Sustained Focus
122 bpm • F# min • 03:12 • -8.64db
0% Popularity • 91% Danceability • 75% Energy • 18% Liveness
90% Instrumentalness • 84% Positiveness
0% Popularity • 91% Danceability • 75% Energy • 18% Liveness
90% Instrumentalness • 84% Positiveness
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Da Vosk Docta
FOXY
122 bpm • G# Maj • 04:45 • -9.41db
17% Popularity • 89% Danceability • 52% Energy • 11% Liveness
81% Instrumentalness • 14% Positiveness
17% Popularity • 89% Danceability • 52% Energy • 11% Liveness
81% Instrumentalness • 14% Positiveness
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StreamBeats by Harris Heller
Arcade Party
122 bpm • C# Maj • 02:11 • -12.51db
16% Popularity • 71% Danceability • 70% Energy • 2% Liveness
74% Instrumentalness • 23% Positiveness
16% Popularity • 71% Danceability • 70% Energy • 2% Liveness
74% Instrumentalness • 23% Positiveness
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Vijay
Aleya
122 bpm • B Maj • 02:33 • -6db
27% Popularity • 79% Danceability • 56% Energy • 9% Liveness
19% Instrumentalness • 62% Positiveness
27% Popularity • 79% Danceability • 56% Energy • 9% Liveness
19% Instrumentalness • 62% Positiveness
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Baril
Youth
122 bpm • D Maj • 04:39 • -10.46db
31% Popularity • 76% Danceability • 62% Energy • 25% Liveness
80% Instrumentalness • 16% Positiveness
31% Popularity • 76% Danceability • 62% Energy • 25% Liveness
80% Instrumentalness • 16% Positiveness
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Danger
Kinn
122 bpm • G# min • 02:39 • -9.16db
8% Popularity • 74% Danceability • 70% Energy • 12% Liveness
78% Instrumentalness • 28% Positiveness
8% Popularity • 74% Danceability • 70% Energy • 12% Liveness
78% Instrumentalness • 28% Positiveness
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DJ Componente
Lo Voy a Dejar Ahi
122 bpm • E min • 02:18 • -15.95db
24% Popularity • 84% Danceability • 43% Energy • 8% Liveness
87% Instrumentalness • 33% Positiveness
24% Popularity • 84% Danceability • 43% Energy • 8% Liveness
87% Instrumentalness • 33% Positiveness
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Sophia Dawnhill
Jazz in Twilight
121 bpm • C Maj • 01:54 • -12.12db
32% Popularity • 84% Danceability • 56% Energy • 14% Liveness
80% Instrumentalness • 56% Positiveness
32% Popularity • 84% Danceability • 56% Energy • 14% Liveness
80% Instrumentalness • 56% Positiveness
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Fujikaro Kentoi
Baat Naewep
121 bpm • F# min • 01:03 • -13.32db
11% Popularity • 76% Danceability • 41% Energy • 12% Liveness
96% Instrumentalness • 37% Positiveness
11% Popularity • 76% Danceability • 41% Energy • 12% Liveness
96% Instrumentalness • 37% Positiveness
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Giraffenaffen
Schön ist es auf der Welt zu sein - Sin...
121 bpm • F Maj • 02:29 • -10.37db
21% Popularity • 74% Danceability • 63% Energy • 12% Liveness
65% Instrumentalness • 53% Positiveness
21% Popularity • 74% Danceability • 63% Energy • 12% Liveness
65% Instrumentalness • 53% Positiveness
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Kenpohork
Andolution
121 bpm • C Maj • 01:04 • -11.13db
23% Popularity • 81% Danceability • 62% Energy • 11% Liveness
87% Instrumentalness • 36% Positiveness
23% Popularity • 81% Danceability • 62% Energy • 11% Liveness
87% Instrumentalness • 36% Positiveness
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Mux Mool
Intentional Death and Dismemberment Plan
144 bpm • D Maj • 03:06 • -13.25db
29% Popularity • 64% Danceability • 60% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
29% Popularity • 64% Danceability • 60% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Badbwoy
The Light
121 bpm • C Maj • 04:33 • -5.08db
40% Popularity • 80% Danceability • 90% Energy • 7% Liveness
89% Instrumentalness • 20% Positiveness
40% Popularity • 80% Danceability • 90% Energy • 7% Liveness
89% Instrumentalness • 20% Positiveness
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Chaya
Insure Me
121 bpm • E min • 02:21 • -17.04db
19% Popularity • 67% Danceability • 42% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
19% Popularity • 67% Danceability • 42% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
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Specia 99
Wash
121 bpm • G min • 02:30 • -9.58db
24% Popularity • 40% Danceability • 76% Energy • 47% Liveness
92% Instrumentalness • 56% Positiveness
24% Popularity • 40% Danceability • 76% Energy • 47% Liveness
92% Instrumentalness • 56% Positiveness
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Papatriz
Resto
121 bpm • C# Maj • 01:45 • -9.42db
17% Popularity • 68% Danceability • 40% Energy • 44% Liveness
90% Instrumentalness • 28% Positiveness
17% Popularity • 68% Danceability • 40% Energy • 44% Liveness
90% Instrumentalness • 28% Positiveness
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Rezident
What You Do
121 bpm • C min • 05:21 • -9.92db
17% Popularity • 88% Danceability • 38% Energy • 11% Liveness
85% Instrumentalness • 38% Positiveness
17% Popularity • 88% Danceability • 38% Energy • 11% Liveness
85% Instrumentalness • 38% Positiveness
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Jozeph Thakoer
Last Call
121 bpm • A Maj • 02:43 • -16.34db
20% Popularity • 76% Danceability • 60% Energy • 12% Liveness
81% Instrumentalness • 52% Positiveness
20% Popularity • 76% Danceability • 60% Energy • 12% Liveness
81% Instrumentalness • 52% Positiveness
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Stormsin
Tiger Soul
121 bpm • C# Maj • 02:18 • -8.17db
17% Popularity • 80% Danceability • 80% Energy • 7% Liveness
97% Instrumentalness • 68% Positiveness
17% Popularity • 80% Danceability • 80% Energy • 7% Liveness
97% Instrumentalness • 68% Positiveness
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Antoine Bodson
Love
120 bpm • F Maj • 03:02 • -12.27db
32% Popularity • 44% Danceability • 44% Energy • 12% Liveness
86% Instrumentalness • 11% Positiveness
32% Popularity • 44% Danceability • 44% Energy • 12% Liveness
86% Instrumentalness • 11% Positiveness
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Michael Spodar
Sad End
120 bpm • E min • 02:28 • -9.5db
20% Popularity • 80% Danceability • 50% Energy • 11% Liveness
8% Instrumentalness • 32% Positiveness
20% Popularity • 80% Danceability • 50% Energy • 11% Liveness
8% Instrumentalness • 32% Positiveness
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Nikzu
Yo Chico!
120 bpm • A# Maj • 01:20 • -12.79db
22% Popularity • 67% Danceability • 83% Energy • 11% Liveness
89% Instrumentalness • 57% Positiveness
22% Popularity • 67% Danceability • 83% Energy • 11% Liveness
89% Instrumentalness • 57% Positiveness
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deadboy
COLLAPSE INTO AUTUMN - PHONK
120 bpm • C# Maj • 02:40 • -4.09db
18% Popularity • 78% Danceability • 92% Energy • 12% Liveness
88% Instrumentalness • 21% Positiveness
18% Popularity • 78% Danceability • 92% Energy • 12% Liveness
88% Instrumentalness • 21% Positiveness
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ArcFLEX
Favours
120 bpm • C# min • 01:08 • -6.96db
10% Popularity • 73% Danceability • 95% Energy • 22% Liveness
81% Instrumentalness • 4% Positiveness
10% Popularity • 73% Danceability • 95% Energy • 22% Liveness
81% Instrumentalness • 4% Positiveness
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The Summer Revelers
Rockabye
120 bpm • D min • 01:04 • -9.12db
13% Popularity • 87% Danceability • 57% Energy • 6% Liveness
69% Instrumentalness • 41% Positiveness
13% Popularity • 87% Danceability • 57% Energy • 6% Liveness
69% Instrumentalness • 41% Positiveness
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Dee Cee
Fela Sa Moya - Original MIx
120 bpm • F# Maj • 04:48 • -8.75db
18% Popularity • 50% Danceability • 60% Energy • 9% Liveness
82% Instrumentalness • 22% Positiveness
18% Popularity • 50% Danceability • 60% Energy • 9% Liveness
82% Instrumentalness • 22% Positiveness
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Jhana Joy
Overcoming Forgetting
120 bpm • G Maj • 03:13 • -9.42db
0% Popularity • 81% Danceability • 38% Energy • 10% Liveness
37% Instrumentalness • 28% Positiveness
0% Popularity • 81% Danceability • 38% Energy • 10% Liveness
37% Instrumentalness • 28% Positiveness
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Wunderful Soundz
Dancing Days
120 bpm • E min • 03:04 • -10.73db
10% Popularity • 79% Danceability • 62% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
10% Popularity • 79% Danceability • 62% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
