Songs like Tanggalkan Di Dunia (Undo The World) by Senyawa

175 bpm • C# Maj • 02:56 • -19.7db

38% Popularity • 9% Danceability • 23% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness

176 bpm • A Maj • 04:10 • -23.23db

36% Popularity • 9% Danceability • 20% Energy • 8% Liveness
39% Instrumentalness • 4% Positiveness

174 bpm • F min • 04:23 • -20db

30% Popularity • 17% Danceability • 14% Energy • 7% Liveness
84% Instrumentalness • 10% Positiveness

176 bpm • C# Maj • 05:20 • -14.71db

0% Popularity • 46% Danceability • 41% Energy • 15% Liveness
1% Instrumentalness • 31% Positiveness

176 bpm • D min • 03:43 • -18.24db

42% Popularity • 27% Danceability • 33% Energy • 19% Liveness
62% Instrumentalness • 5% Positiveness

176 bpm • G# Maj • 03:19 • -14.68db

26% Popularity • 34% Danceability • 41% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness

176 bpm • F Maj • 02:38 • -20.92db

26% Popularity • 7% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness

179 bpm • C min • 08:54 • -12.64db

32% Popularity • 21% Danceability • 47% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness

171 bpm • C# Maj • 03:13 • -14.63db

16% Popularity • 11% Danceability • 55% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness

171 bpm • C min • 03:13 • -24.45db

14% Popularity • 15% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness

180 bpm • A# min • 01:52 • -21.48db

12% Popularity • 39% Danceability • 16% Energy • 17% Liveness
77% Instrumentalness • 20% Positiveness

172 bpm • D Maj • 03:16 • -15.67db

28% Popularity • 10% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness

180 bpm • C Maj • 01:47 • -22.95db

35% Popularity • 37% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness

180 bpm • A Maj • 03:52 • -15.52db

23% Popularity • 31% Danceability • 36% Energy • 11% Liveness
96% Instrumentalness • 23% Positiveness

180 bpm • A Maj • 02:26 • -15.11db

10% Popularity • 53% Danceability • 74% Energy • 12% Liveness
81% Instrumentalness • 27% Positiveness

180 bpm • A Maj • 01:59 • -15.06db

28% Popularity • 46% Danceability • 47% Energy • 19% Liveness
89% Instrumentalness • 12% Positiveness

180 bpm • G# min • 02:47 • -5.47db

1% Popularity • 21% Danceability • 86% Energy • 78% Liveness
90% Instrumentalness • 12% Positiveness

179 bpm • E min • 01:59 • -17.13db

22% Popularity • 13% Danceability • 37% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness

170 bpm • E min • 04:20 • -29.8db

11% Popularity • 45% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 7% Positiveness

183 bpm • D Maj • 02:34 • -26.61db

29% Popularity • 12% Danceability • 7% Energy • 11% Liveness
80% Instrumentalness • 3% Positiveness

184 bpm • C# min • 01:37 • -21.66db

31% Popularity • 46% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness

187 bpm • C# Maj • 02:05 • -10.2db

16% Popularity • 37% Danceability • 93% Energy • 22% Liveness
88% Instrumentalness • 32% Positiveness

184 bpm • B min • 05:36 • -16.03db

0% Popularity • 56% Danceability • 48% Energy • 9% Liveness
94% Instrumentalness • 32% Positiveness

171 bpm • A# Maj • 03:14 • -19.58db

26% Popularity • 8% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness

162 bpm • C Maj • 03:06 • -13.01db

24% Popularity • 43% Danceability • 48% Energy • 15% Liveness
95% Instrumentalness • 8% Positiveness

162 bpm • E Maj • 03:13 • -15.39db

24% Popularity • 21% Danceability • 34% Energy • 22% Liveness
93% Instrumentalness • 3% Positiveness

162 bpm • A min • 02:16 • -18.85db

26% Popularity • 45% Danceability • 16% Energy • 16% Liveness
80% Instrumentalness • 9% Positiveness

161 bpm • C# Maj • 01:21 • -18db

34% Popularity • 71% Danceability • 40% Energy • 11% Liveness
81% Instrumentalness • 62% Positiveness

163 bpm • B min • 01:33 • -12.6db

1% Popularity • 63% Danceability • 24% Energy • 34% Liveness
87% Instrumentalness • 17% Positiveness

160 bpm • G min • 01:26 • -12.63db

27% Popularity • 19% Danceability • 61% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness

180 bpm • C min • 03:23 • -18db

29% Popularity • 7% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness

160 bpm • A# min • 01:53 • -10.24db

12% Popularity • 57% Danceability • 56% Energy • 25% Liveness
52% Instrumentalness • 14% Positiveness

160 bpm • E Maj • 01:53 • -12.12db

19% Popularity • 45% Danceability • 92% Energy • 12% Liveness
93% Instrumentalness • 18% Positiveness

160 bpm • G Maj • 02:42 • -27db

24% Popularity • 30% Danceability • 18% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness

162 bpm • B Maj • 02:45 • -2.67db

2% Popularity • 44% Danceability • 96% Energy • 15% Liveness
89% Instrumentalness • 16% Positiveness

160 bpm • F Maj • 04:08 • -9db

31% Popularity • 50% Danceability • 96% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness

160 bpm • D Maj • 04:18 • -12.34db

23% Popularity • 45% Danceability • 62% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness

160 bpm • A# min • 01:57 • -11.53db

13% Popularity • 58% Danceability • 60% Energy • 15% Liveness
79% Instrumentalness • 23% Positiveness

160 bpm • D Maj • 03:37 • -15db

27% Popularity • 30% Danceability • 73% Energy • 9% Liveness
88% Instrumentalness • 9% Positiveness

160 bpm • D min • 01:14 • -15db

31% Popularity • 45% Danceability • 84% Energy • 11% Liveness
95% Instrumentalness • 44% Positiveness

160 bpm • B min • 04:00 • -8.4db

0% Popularity • 48% Danceability • 74% Energy • 40% Liveness
74% Instrumentalness • 37% Positiveness

192 bpm • D Maj • 03:22 • -20db

37% Popularity • 44% Danceability • 35% Energy • 11% Liveness
80% Instrumentalness • 5% Positiveness

196 bpm • A# min • 03:09 • -9.04db

16% Popularity • 39% Danceability • 91% Energy • 38% Liveness
88% Instrumentalness • 38% Positiveness

157 bpm • B min • 02:19 • -20.35db

16% Popularity • 18% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness

152 bpm • C# Maj • 05:00 • -14.14db

14% Popularity • 35% Danceability • 42% Energy • 13% Liveness
84% Instrumentalness • 4% Positiveness

150 bpm • A min • 05:17 • -14.67db

24% Popularity • 29% Danceability • 46% Energy • 17% Liveness
72% Instrumentalness • 20% Positiveness

158 bpm • D min • 04:32 • -4.03db

2% Popularity • 39% Danceability • 56% Energy • 14% Liveness
47% Instrumentalness • 9% Positiveness

150 bpm • A# Maj • 02:09 • -13.88db

16% Popularity • 62% Danceability • 47% Energy • 25% Liveness
88% Instrumentalness • 44% Positiveness

150 bpm • F min • 03:03 • -13.64db

16% Popularity • 23% Danceability • 53% Energy • 38% Liveness
86% Instrumentalness • 4% Positiveness

200 bpm • C# Maj • 02:05 • -13.51db

17% Popularity • 26% Danceability • 80% Energy • 11% Liveness
71% Instrumentalness • 13% Positiveness

149 bpm • D min • 05:56 • -15.04db

28% Popularity • 13% Danceability • 57% Energy • 26% Liveness
94% Instrumentalness • 7% Positiveness

149 bpm • B min • 02:26 • -18.15db

20% Popularity • 12% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness

158 bpm • G min • 04:43 • -8.37db

0% Popularity • 28% Danceability • 75% Energy • 18% Liveness
2% Instrumentalness • 9% Positiveness

207 bpm • G Maj • 07:25 • -21db

27% Popularity • 28% Danceability • 34% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness

208 bpm • C Maj • 03:04 • -11.46db

37% Popularity • 44% Danceability • 36% Energy • 11% Liveness
82% Instrumentalness • 38% Positiveness

210 bpm • C# min • 02:15 • -12.99db

19% Popularity • 29% Danceability • 31% Energy • 34% Liveness
79% Instrumentalness • 5% Positiveness

149 bpm • B Maj • 03:57 • -5.2db

4% Popularity • 55% Danceability • 75% Energy • 11% Liveness
72% Instrumentalness • 30% Positiveness