Songs like Tanhaee, Pt. 1 by Majid Entezami
Based on a tempo of (+/- 10%) and a similar genre
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Dastan Ensemble
...And Flight
100 bpm • F# Maj • 01:49 • -24.09db
27% Popularity • 51% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 15% Positiveness
27% Popularity • 51% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 15% Positiveness
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Seyed Ali Jaberi
On the Spree
100 bpm • C# min • 07:26 • -11.67db
8% Popularity • 67% Danceability • 56% Energy • 3% Liveness
3% Instrumentalness • 79% Positiveness
8% Popularity • 67% Danceability • 56% Energy • 3% Liveness
3% Instrumentalness • 79% Positiveness
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Mohammad Motamedi
Mozhde Baran Vatanam Iran
100 bpm • B min • 03:40 • -5.34db
11% Popularity • 74% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 74% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Mehrdad Mehdi
Tehran Waltz, #1
100 bpm • B min • 08:42 • -7.62db
27% Popularity • 40% Danceability • 40% Energy • 9% Liveness
78% Instrumentalness • 30% Positiveness
27% Popularity • 40% Danceability • 40% Energy • 9% Liveness
78% Instrumentalness • 30% Positiveness
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Damahi
Hocheraghi
100 bpm • E min • 04:56 • -15.12db
14% Popularity • 61% Danceability • 34% Energy • 10% Liveness
86% Instrumentalness • 36% Positiveness
14% Popularity • 61% Danceability • 34% Energy • 10% Liveness
86% Instrumentalness • 36% Positiveness
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Pouria Akhavas
The Eloquent Waltz
100 bpm • E min • 03:28 • -16.38db
18% Popularity • 58% Danceability • 9% Energy • 14% Liveness
13% Instrumentalness • 44% Positiveness
18% Popularity • 58% Danceability • 9% Energy • 14% Liveness
13% Instrumentalness • 44% Positiveness
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Peyman Soltani
Iran-E Javan (Vatanam)
100 bpm • F Maj • 03:35 • -5.96db
30% Popularity • 64% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 64% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Dani Khorsandi
The Morn
100 bpm • D Maj • 05:03 • -20.75db
16% Popularity • 46% Danceability • 6% Energy • 67% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 46% Danceability • 6% Energy • 67% Liveness
0% Instrumentalness • 10% Positiveness
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Ahmed Alshaiba
Nour El Ein
100 bpm • B min • 05:08 • -16.31db
26% Popularity • 79% Danceability • 48% Energy • 8% Liveness
92% Instrumentalness • 87% Positiveness
26% Popularity • 79% Danceability • 48% Energy • 8% Liveness
92% Instrumentalness • 87% Positiveness
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Kayhan Kalhor
Dawn: V. Offering
100 bpm • E min • 04:16 • -16db
27% Popularity • 47% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 31% Positiveness
27% Popularity • 47% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 31% Positiveness
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Mohammad Nouri
Avaz ba Eshgh
100 bpm • C Maj • 07:07 • -11.21db
7% Popularity • 44% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
7% Popularity • 44% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Majid Entezami
Esarat
100 bpm • G Maj • 05:39 • -10.54db
14% Popularity • 18% Danceability • 29% Energy • 8% Liveness
54% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 29% Energy • 8% Liveness
54% Instrumentalness • 4% Positiveness
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Behdad Babaj
Santur solo - Version 1
100 bpm • A min • 02:33 • -21.21db
22% Popularity • 31% Danceability • 19% Energy • 15% Liveness
83% Instrumentalness • 21% Positiveness
22% Popularity • 31% Danceability • 19% Energy • 15% Liveness
83% Instrumentalness • 21% Positiveness
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Alireza Eftekhari
Tanha Maneshin
100 bpm • A min • 07:29 • -11.91db
21% Popularity • 37% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 37% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Javad Maroufi
Khabhaye Talaee
99 bpm • E min • 03:46 • -20.46db
30% Popularity • 39% Danceability • 12% Energy • 9% Liveness
88% Instrumentalness • 32% Positiveness
30% Popularity • 39% Danceability • 12% Energy • 9% Liveness
88% Instrumentalness • 32% Positiveness
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Ali Ghamsari
Remoteness
99 bpm • F min • 06:53 • -15.18db
16% Popularity • 42% Danceability • 17% Energy • 16% Liveness
85% Instrumentalness • 6% Positiveness
16% Popularity • 42% Danceability • 17% Energy • 16% Liveness
85% Instrumentalness • 6% Positiveness
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Behrad Aria
Setareh Emshab(Bi setareh ha)
99 bpm • A min • 02:54 • -18.37db
18% Popularity • 52% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
18% Popularity • 52% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
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Majid Entezami
Tanhaee, Pt. 1
100 bpm • D min • 05:10 • -16.97db
17% Popularity • 46% Danceability • 28% Energy • 7% Liveness
9% Instrumentalness • 4% Positiveness
17% Popularity • 46% Danceability • 28% Energy • 7% Liveness
9% Instrumentalness • 4% Positiveness
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Hosein Behroozinia
Az inja ta Birjand
101 bpm • A min • 03:04 • -16.12db
14% Popularity • 42% Danceability • 49% Energy • 28% Liveness
84% Instrumentalness • 83% Positiveness
14% Popularity • 42% Danceability • 49% Energy • 28% Liveness
84% Instrumentalness • 83% Positiveness
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Farhad Mehrad
Barf - Instrumental
98 bpm • F# Maj • 04:34 • -11.68db
9% Popularity • 54% Danceability • 45% Energy • 12% Liveness
81% Instrumentalness • 17% Positiveness
9% Popularity • 54% Danceability • 45% Energy • 12% Liveness
81% Instrumentalness • 17% Positiveness
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Javad Maroufi
Jila
102 bpm • E min • 04:41 • -21.77db
21% Popularity • 29% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 13% Positiveness
21% Popularity • 29% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 13% Positiveness
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Sadra Imanpour
La valse pour une fée
102 bpm • E min • 01:14 • -15db
22% Popularity • 38% Danceability • 5% Energy • 24% Liveness
97% Instrumentalness • 68% Positiveness
22% Popularity • 38% Danceability • 5% Energy • 24% Liveness
97% Instrumentalness • 68% Positiveness
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Peyman Yazdanian
La petite suite de concert "Movement ii"
102 bpm • G min • 01:03 • -17.04db
21% Popularity • 52% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
21% Popularity • 52% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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Majid Entezami
On The Way
101 bpm • G min • 01:23 • -10.77db
2% Popularity • 54% Danceability • 79% Energy • 23% Liveness
98% Instrumentalness • 80% Positiveness
2% Popularity • 54% Danceability • 79% Energy • 23% Liveness
98% Instrumentalness • 80% Positiveness
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Kayhan Kalhor
Dusk: II. Autumn
102 bpm • D min • 05:20 • -17db
16% Popularity • 30% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
16% Popularity • 30% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
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Omar Khairat
El Shera El Maksoor
102 bpm • A min • 04:17 • -12.31db
10% Popularity • 25% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 25% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Mohammad Reza Lotfi
Kereshmeh
98 bpm • G# Maj • 01:13 • -30.47db
23% Popularity • 37% Danceability • 7% Energy • 10% Liveness
85% Instrumentalness • 47% Positiveness
23% Popularity • 37% Danceability • 7% Energy • 10% Liveness
85% Instrumentalness • 47% Positiveness
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Hamid Hami
Isar
98 bpm • D Maj • 10:19 • -10.23db
2% Popularity • 33% Danceability • 50% Energy • 9% Liveness
5% Instrumentalness • 20% Positiveness
2% Popularity • 33% Danceability • 50% Energy • 9% Liveness
5% Instrumentalness • 20% Positiveness
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Peyman Yazdanian
Days and Days
98 bpm • A min • 06:19 • -19db
21% Popularity • 60% Danceability • 13% Energy • 8% Liveness
11% Instrumentalness • 24% Positiveness
21% Popularity • 60% Danceability • 13% Energy • 8% Liveness
11% Instrumentalness • 24% Positiveness
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Shaghayegh Kamali
Vatanam, Vatanam
97 bpm • A min • 03:21 • -10.41db
9% Popularity • 57% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 57% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Behrad Aria
Jan e Maryam
97 bpm • A min • 03:08 • -16.58db
24% Popularity • 50% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 53% Positiveness
24% Popularity • 50% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 53% Positiveness
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Mohammad Nouri
Jaane Maryam
103 bpm • B min • 05:10 • -13.48db
30% Popularity • 32% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 53% Positiveness
30% Popularity • 32% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 53% Positiveness
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Shahyar Ghanbari
La la La la (No More Lullabies)
97 bpm • C min • 06:12 • -8db
28% Popularity • 68% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 68% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Javad Maroufi
Ahange Mahalli Shirazi
103 bpm • A Maj • 05:40 • -15.59db
8% Popularity • 29% Danceability • 26% Energy • 21% Liveness
90% Instrumentalness • 10% Positiveness
8% Popularity • 29% Danceability • 26% Energy • 21% Liveness
90% Instrumentalness • 10% Positiveness
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Bahman
Jane Maryam
104 bpm • D min • 06:24 • -9.97db
21% Popularity • 68% Danceability • 42% Energy • 16% Liveness
28% Instrumentalness • 44% Positiveness
21% Popularity • 68% Danceability • 42% Energy • 16% Liveness
28% Instrumentalness • 44% Positiveness
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Majid Entezami
The Bone
97 bpm • D min • 03:40 • -12.54db
5% Popularity • 19% Danceability • 27% Energy • 9% Liveness
59% Instrumentalness • 12% Positiveness
5% Popularity • 19% Danceability • 27% Energy • 9% Liveness
59% Instrumentalness • 12% Positiveness
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Mehrdad Mehdi
Henna
104 bpm • F Maj • 04:38 • -5db
9% Popularity • 45% Danceability • 43% Energy • 22% Liveness
30% Instrumentalness • 65% Positiveness
9% Popularity • 45% Danceability • 43% Energy • 22% Liveness
30% Instrumentalness • 65% Positiveness
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Oceo
Evora
96 bpm • C min • 03:41 • -7.82db
32% Popularity • 44% Danceability • 44% Energy • 14% Liveness
92% Instrumentalness • 39% Positiveness
32% Popularity • 44% Danceability • 44% Energy • 14% Liveness
92% Instrumentalness • 39% Positiveness
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Mohammad Nouri
Jane Maryam 2021
96 bpm • C min • 08:42 • -13.65db
15% Popularity • 47% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 47% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Ahmad Pejman
Lunatic
104 bpm • F min • 01:18 • -28db
25% Popularity • 22% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
25% Popularity • 22% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Omid Nemati
From This Obscure Prison
104 bpm • D min • 07:20 • -13db
10% Popularity • 18% Danceability • 38% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
10% Popularity • 18% Danceability • 38% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Pari Zangeneh
Shekare Ahoo
104 bpm • G min • 07:02 • -16.71db
9% Popularity • 46% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 46% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Soheil Mokhberi
Ordibehesht
96 bpm • G min • 05:52 • -18.12db
17% Popularity • 64% Danceability • 8% Energy • 7% Liveness
32% Instrumentalness • 28% Positiveness
17% Popularity • 64% Danceability • 8% Energy • 7% Liveness
32% Instrumentalness • 28% Positiveness
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Iyad Rimawi
Regret
104 bpm • C min • 03:17 • -13.75db
24% Popularity • 15% Danceability • 31% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
24% Popularity • 15% Danceability • 31% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Hosein Behroozinia
Majnoon Naboodom
104 bpm • C Maj • 04:12 • -16.75db
10% Popularity • 78% Danceability • 36% Energy • 12% Liveness
91% Instrumentalness • 88% Positiveness
10% Popularity • 78% Danceability • 36% Energy • 12% Liveness
91% Instrumentalness • 88% Positiveness
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Elias Rahbani
Close to Home
104 bpm • D min • 03:08 • -16.21db
20% Popularity • 51% Danceability • 38% Energy • 31% Liveness
92% Instrumentalness • 40% Positiveness
20% Popularity • 51% Danceability • 38% Energy • 31% Liveness
92% Instrumentalness • 40% Positiveness
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Hamed Nikpay
Moments (Lahzeha)
105 bpm • A min • 05:20 • -12.09db
29% Popularity • 38% Danceability • 34% Energy • 8% Liveness
71% Instrumentalness • 24% Positiveness
29% Popularity • 38% Danceability • 34% Energy • 8% Liveness
71% Instrumentalness • 24% Positiveness
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Javad Maroufi
Episode 1
96 bpm • A Maj • 02:04 • -13.84db
19% Popularity • 36% Danceability • 28% Energy • 25% Liveness
93% Instrumentalness • 34% Positiveness
19% Popularity • 36% Danceability • 28% Energy • 25% Liveness
93% Instrumentalness • 34% Positiveness
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Fardin Khal՝atbari
I'll Have You in Mind
95 bpm • C min • 01:11 • -8db
24% Popularity • 22% Danceability • 39% Energy • 11% Liveness
65% Instrumentalness • 18% Positiveness
24% Popularity • 22% Danceability • 39% Energy • 11% Liveness
65% Instrumentalness • 18% Positiveness
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Milad Derakhshani
Bagh e Sangi
105 bpm • F# min • 03:56 • -5db
17% Popularity • 37% Danceability • 82% Energy • 8% Liveness
71% Instrumentalness • 34% Positiveness
17% Popularity • 37% Danceability • 82% Energy • 8% Liveness
71% Instrumentalness • 34% Positiveness
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Bahman
Shabe Mahtab Vol. 1 - Part1
105 bpm • C# Maj • 03:18 • -13.18db
15% Popularity • 87% Danceability • 42% Energy • 11% Liveness
40% Instrumentalness • 23% Positiveness
15% Popularity • 87% Danceability • 42% Energy • 11% Liveness
40% Instrumentalness • 23% Positiveness
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Omar Khairat
Zaman El Mamnoua
105 bpm • E min • 03:18 • -13.24db
11% Popularity • 27% Danceability • 28% Energy • 11% Liveness
84% Instrumentalness • 34% Positiveness
11% Popularity • 27% Danceability • 28% Energy • 11% Liveness
84% Instrumentalness • 34% Positiveness
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Alireza Eftekhari
A’shegh Shodan (Being in Love)
105 bpm • G min • 05:06 • -7.74db
19% Popularity • 61% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 61% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Majid Entezami
Sama
95 bpm • C min • 02:23 • -15.24db
4% Popularity • 40% Danceability • 38% Energy • 9% Liveness
88% Instrumentalness • 40% Positiveness
4% Popularity • 40% Danceability • 38% Energy • 9% Liveness
88% Instrumentalness • 40% Positiveness
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Khaled Hammad
Khatem Soliman Theme 1, Vol. 1
105 bpm • G min • 01:54 • -16.49db
18% Popularity • 64% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 48% Positiveness
18% Popularity • 64% Danceability • 14% Energy • 12% Liveness
89% Instrumentalness • 48% Positiveness
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Milad Derakhshani
Dast Neshan
95 bpm • C# Maj • 04:52 • -7.74db
10% Popularity • 76% Danceability • 39% Energy • 27% Liveness
27% Instrumentalness • 53% Positiveness
10% Popularity • 76% Danceability • 39% Energy • 27% Liveness
27% Instrumentalness • 53% Positiveness
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iday
Vacuum
95 bpm • D min • 03:39 • -21.7db
17% Popularity • 48% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
17% Popularity • 48% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
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Hamed Nikpay
Deceit (Fareeb)
95 bpm • A# min • 06:11 • -9.37db
25% Popularity • 38% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 38% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Mohammad Reza Lotfi
Daramad Mahur
95 bpm • C# Maj • 02:18 • -32.66db
18% Popularity • 47% Danceability • 2% Energy • 13% Liveness
54% Instrumentalness • 18% Positiveness
18% Popularity • 47% Danceability • 2% Energy • 13% Liveness
54% Instrumentalness • 18% Positiveness
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Majid Entezami
Veda
95 bpm • C min • 01:00 • -18.13db
2% Popularity • 20% Danceability • 14% Energy • 23% Liveness
92% Instrumentalness • 4% Positiveness
2% Popularity • 20% Danceability • 14% Energy • 23% Liveness
92% Instrumentalness • 4% Positiveness
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Alireza Assar
Eshgh-e-Elahi
95 bpm • A Maj • 04:21 • -11db
11% Popularity • 63% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 63% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Elias Rahbani
Habibati
95 bpm • C min • 03:09 • -7.85db
13% Popularity • 41% Danceability • 75% Energy • 70% Liveness
86% Instrumentalness • 27% Positiveness
13% Popularity • 41% Danceability • 75% Energy • 70% Liveness
86% Instrumentalness • 27% Positiveness
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Arash Fallahi
Infinity - Bi Nahayat
95 bpm • C# min • 03:25 • -14.41db
15% Popularity • 50% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
15% Popularity • 50% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Ahu Sağlam
Gülümcan
106 bpm • E min • 05:24 • -9.83db
34% Popularity • 25% Danceability • 27% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
34% Popularity • 25% Danceability • 27% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
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Saman Ehteshami
Shahzadeh Rouya
94 bpm • D min • 03:13 • -23db
17% Popularity • 35% Danceability • 13% Energy • 12% Liveness
86% Instrumentalness • 12% Positiveness
17% Popularity • 35% Danceability • 13% Energy • 12% Liveness
86% Instrumentalness • 12% Positiveness
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Majid Entezami
Takamol
95 bpm • C min • 02:22 • -14.51db
3% Popularity • 42% Danceability • 40% Energy • 9% Liveness
82% Instrumentalness • 34% Positiveness
3% Popularity • 42% Danceability • 40% Energy • 9% Liveness
82% Instrumentalness • 34% Positiveness
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Bahman
Majnoon Naboodam
106 bpm • F min • 07:59 • -14.48db
8% Popularity • 70% Danceability • 48% Energy • 10% Liveness
86% Instrumentalness • 36% Positiveness
8% Popularity • 70% Danceability • 48% Energy • 10% Liveness
86% Instrumentalness • 36% Positiveness
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Maan Hamadeh
بنت الشلبية
94 bpm • C min • 03:54 • -9.97db
21% Popularity • 41% Danceability • 65% Energy • 9% Liveness
92% Instrumentalness • 27% Positiveness
21% Popularity • 41% Danceability • 65% Energy • 9% Liveness
92% Instrumentalness • 27% Positiveness
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Mohammad Motamedi
Lahzeye Gorgo Mish
106 bpm • E min • 02:57 • -10.55db
17% Popularity • 25% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 25% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Shahram Nazeri
Andak Andak
106 bpm • E min • 04:23 • -9.43db
32% Popularity • 70% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 70% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Mohammad Esfahani
Mehr o Mah(Peyk-e-Sahari)
106 bpm • A min • 06:20 • -12.12db
24% Popularity • 37% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 37% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Majid Entezami
Sargardani
106 bpm • C min • 02:56 • -13.77db
3% Popularity • 22% Danceability • 23% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
3% Popularity • 22% Danceability • 23% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Shahyar Ghanbari
Koodakaaneh 2000
94 bpm • A# min • 05:07 • -5.4db
35% Popularity • 39% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 39% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Salar Aghili
Bolbole Paeiz
94 bpm • G Maj • 05:05 • -5.81db
21% Popularity • 62% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 62% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Motreza Sa'edi
Setar
94 bpm • D min • 01:47 • -12db
29% Popularity • 61% Danceability • 37% Energy • 14% Liveness
86% Instrumentalness • 9% Positiveness
29% Popularity • 61% Danceability • 37% Energy • 14% Liveness
86% Instrumentalness • 9% Positiveness
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Omar Khairat
Zawgat Saghirat 1
94 bpm • G min • 01:22 • -16.11db
23% Popularity • 44% Danceability • 26% Energy • 36% Liveness
94% Instrumentalness • 35% Positiveness
23% Popularity • 44% Danceability • 26% Energy • 36% Liveness
94% Instrumentalness • 35% Positiveness
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Behrad Aria
Dokhtar-e-Boyerahmadi
94 bpm • D Maj • 02:43 • -18.9db
13% Popularity • 49% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 23% Positiveness
13% Popularity • 49% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 23% Positiveness
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Hamed Nikpay
Greetings to Heart (salam-e Del)
107 bpm • E min • 04:30 • -7db
16% Popularity • 49% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 49% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Mohammad Esfahani
Ta man Bedidam rooy-e-To
93 bpm • C min • 04:24 • -11.09db
12% Popularity • 54% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 54% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Peyman Yazdanian
Soundtrack of Bright Nights - Part 1
107 bpm • G min • 00:53 • -18.75db
23% Popularity • 22% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
23% Popularity • 22% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
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Darya Dadvar
Iran
93 bpm • F min • 03:42 • -6.77db
17% Popularity • 66% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 66% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Omar Khairat
Ghawayesh 1
107 bpm • C min • 03:04 • -9.54db
20% Popularity • 47% Danceability • 50% Energy • 44% Liveness
20% Instrumentalness • 48% Positiveness
20% Popularity • 47% Danceability • 50% Energy • 44% Liveness
20% Instrumentalness • 48% Positiveness
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Tehran Vocal Ensemble
The Godfather Waltz,
107 bpm • D# Maj • 02:18 • -8.9db
9% Popularity • 23% Danceability • 23% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
9% Popularity • 23% Danceability • 23% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
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Hamed Nikpay
The Fire Within (Atasheh Daroon)
93 bpm • D min • 07:38 • -7.15db
11% Popularity • 40% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 40% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Karen Homayounfar
A Man for All Seasons Ii
93 bpm • G min • 01:18 • -14.96db
21% Popularity • 13% Danceability • 22% Energy • 33% Liveness
97% Instrumentalness • 4% Positiveness
21% Popularity • 13% Danceability • 22% Energy • 33% Liveness
97% Instrumentalness • 4% Positiveness
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Majid Entezami
Byzantine, Philadelphia
93 bpm • E min • 02:46 • -9.52db
3% Popularity • 22% Danceability • 40% Energy • 12% Liveness
15% Instrumentalness • 23% Positiveness
3% Popularity • 22% Danceability • 40% Energy • 12% Liveness
15% Instrumentalness • 23% Positiveness
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Rastak
Shekoufe - Farsi
108 bpm • C min • 04:01 • -11.16db
27% Popularity • 70% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 70% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Alireza Assar
Ey Asheghan
108 bpm • F min • 04:34 • -3.39db
19% Popularity • 78% Danceability • 87% Energy • 7% Liveness
1% Instrumentalness • 97% Positiveness
19% Popularity • 78% Danceability • 87% Energy • 7% Liveness
1% Instrumentalness • 97% Positiveness
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Ahmad Pejman
Dawn
108 bpm • A# min • 04:39 • -15.79db
17% Popularity • 32% Danceability • 20% Energy • 5% Liveness
30% Instrumentalness • 11% Positiveness
17% Popularity • 32% Danceability • 20% Energy • 5% Liveness
30% Instrumentalness • 11% Positiveness
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Bamdad Afshar
The Frog
108 bpm • A min • 01:29 • -16.4db
14% Popularity • 69% Danceability • 31% Energy • 11% Liveness
79% Instrumentalness • 56% Positiveness
14% Popularity • 69% Danceability • 31% Energy • 11% Liveness
79% Instrumentalness • 56% Positiveness
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Hesameddin Seraj
Trio Setar Tonbak Barbat
108 bpm • F Maj • 02:02 • -16db
20% Popularity • 46% Danceability • 49% Energy • 31% Liveness
97% Instrumentalness • 69% Positiveness
20% Popularity • 46% Danceability • 49% Energy • 31% Liveness
97% Instrumentalness • 69% Positiveness
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Yasser Abdel Rahman
El-Moatn Masry (1) المواطن مصر...
108 bpm • D min • 02:40 • -15.25db
14% Popularity • 24% Danceability • 21% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
14% Popularity • 24% Danceability • 21% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
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Niaz Nawab
Naghsh-e To
92 bpm • A Maj • 05:09 • -8db
23% Popularity • 63% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 63% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Behrad Aria
Bogzar ze Man
92 bpm • A min • 02:54 • -18.76db
25% Popularity • 46% Danceability • 14% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
25% Popularity • 46% Danceability • 14% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
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Mohammadreza Aligholi
Under the Moonlight
92 bpm • G Maj • 07:15 • -16.79db
8% Popularity • 14% Danceability • 12% Energy • 14% Liveness
73% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 12% Energy • 14% Liveness
73% Instrumentalness • 4% Positiveness
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Faramarz Aslani
Historia de un Amor
92 bpm • E min • 03:31 • -16db
32% Popularity • 66% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 66% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Omar Khairat
Zay El Hawa 1
110 bpm • G min • 03:40 • -10.73db
30% Popularity • 52% Danceability • 52% Energy • 8% Liveness
85% Instrumentalness • 41% Positiveness
30% Popularity • 52% Danceability • 52% Energy • 8% Liveness
85% Instrumentalness • 41% Positiveness
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Bahman
Gole Sangam
110 bpm • E min • 03:53 • -14.66db
13% Popularity • 66% Danceability • 48% Energy • 10% Liveness
90% Instrumentalness • 59% Positiveness
13% Popularity • 66% Danceability • 48% Energy • 10% Liveness
90% Instrumentalness • 59% Positiveness
