Songs like Tavole per Orfeo, Op. 42: III. Eurydice spotter klippernes dans till Orfeus' sang (Eurydice Mocking the Rocks Dancing to Orpheus Song) by Ib Nørholm
Based on a tempo of (+/- 10%) and a similar genre
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William Byrd
Cibavit Eos
141 bpm • G# Maj • 06:06 • -24.22db
11% Popularity • 16% Danceability • 14% Energy • 12% Liveness
82% Instrumentalness • 8% Positiveness
11% Popularity • 16% Danceability • 14% Energy • 12% Liveness
82% Instrumentalness • 8% Positiveness
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Friedrich Cerha
4 Hölderlin-Fragmente: No. 4, Ihr wande...
141 bpm • F# min • 03:36 • -29.88db
8% Popularity • 20% Danceability • 5% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
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Gunnar Eriksson
Music for a While
141 bpm • A min • 04:04 • -23.9db
8% Popularity • 23% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 23% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Ib Nørholm
Tavole per Orfeo, Op. 42: III. Eurydice ...
141 bpm • F# min • 05:12 • -18.98db
0% Popularity • 54% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 54% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Hector Berlioz
Requiem, Op. 5, H 75: V. Quaerens me
141 bpm • A Maj • 04:49 • -39.02db
0% Popularity • 14% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
0% Popularity • 14% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
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Henryk Górecki
Pie Jesu, pastor alme
141 bpm • C Maj • 04:18 • -25.79db
14% Popularity • 17% Danceability • 8% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 8% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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William Byrd
Afflicti pro peccatis nostris a 6, T. 51...
141 bpm • B Maj • 01:41 • -24.11db
19% Popularity • 14% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
19% Popularity • 14% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
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Torbjørn Dyrud
Das Blümelein so kleine
140 bpm • G min • 01:45 • -30db
11% Popularity • 19% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Anton Bruckner
Tantum ergo, WAB 42
140 bpm • D Maj • 02:42 • -23.22db
15% Popularity • 14% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
15% Popularity • 14% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Ib Nørholm
Tavole per Orfeo, Op. 42: II. For guitar
140 bpm • G Maj • 04:03 • -27.31db
0% Popularity • 36% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
0% Popularity • 36% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
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Philippe Rogier
Regina caeli
142 bpm • G Maj • 02:53 • -18.62db
8% Popularity • 19% Danceability • 22% Energy • 6% Liveness
7% Instrumentalness • 11% Positiveness
8% Popularity • 19% Danceability • 22% Energy • 6% Liveness
7% Instrumentalness • 11% Positiveness
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Jan Wanning
Vox clamantis in Deserto
142 bpm • A min • 01:54 • -17.28db
9% Popularity • 20% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 20% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Edmund Rubbra
The Jade Mountain, Op. 116: IV. A Song o...
142 bpm • A Maj • 01:15 • -22.3db
12% Popularity • 34% Danceability • 3% Energy • 10% Liveness
58% Instrumentalness • 15% Positiveness
12% Popularity • 34% Danceability • 3% Energy • 10% Liveness
58% Instrumentalness • 15% Positiveness
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Veljo Tormis
Looduspildid: No. 3. Sugismaastikud: Tuu...
139 bpm • D min • 01:12 • -26db
15% Popularity • 25% Danceability • 7% Energy • 14% Liveness
78% Instrumentalness • 20% Positiveness
15% Popularity • 25% Danceability • 7% Energy • 14% Liveness
78% Instrumentalness • 20% Positiveness
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MÃ¥rten Jansson
Missa Popularis: V. Agnus Dei
139 bpm • B min • 06:28 • -22.1db
8% Popularity • 15% Danceability • 8% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 8% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
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Ib Nørholm
From the Merry Life of a Spy, Op. 156: R...
140 bpm • D# Maj • 02:18 • -18.18db
0% Popularity • 32% Danceability • 10% Energy • 26% Liveness
67% Instrumentalness • 11% Positiveness
0% Popularity • 32% Danceability • 10% Energy • 26% Liveness
67% Instrumentalness • 11% Positiveness
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Toru Takemitsu
Wings (Version for Mixed Choir)
138 bpm • A Maj • 02:34 • -29.96db
13% Popularity • 18% Danceability • 6% Energy • 18% Liveness
21% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 6% Energy • 18% Liveness
21% Instrumentalness • 4% Positiveness
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Gustav Mahler
Urlicht
138 bpm • C# Maj • 05:12 • -30.98db
8% Popularity • 17% Danceability • 3% Energy • 7% Liveness
23% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 3% Energy • 7% Liveness
23% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for unaccompanied double choir: II....
138 bpm • A min • 05:52 • -27db
12% Popularity • 17% Danceability • 7% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 7% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
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John Sheppard
Sheppard: Missa Cantate - 1i. Cum Sancto...
138 bpm • G Maj • 01:22 • -15.44db
11% Popularity • 18% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 18% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Percy Grainger
Australian Up-Country Song
138 bpm • F Maj • 01:41 • -27.11db
10% Popularity • 15% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Lorenzo Perosi
Missa Pontificalis: Benedictus
144 bpm • F Maj • 01:35 • -32.21db
21% Popularity • 13% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
21% Popularity • 13% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Hope Singers
God of Mercy
138 bpm • D Maj • 02:21 • -18.96db
12% Popularity • 16% Danceability • 18% Energy • 19% Liveness
34% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 18% Energy • 19% Liveness
34% Instrumentalness • 3% Positiveness
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Markku Liukkonen
Aaria, Kun Herra Kulkee Pyhään Kaupunk...
137 bpm • C min • 04:22 • -18.78db
13% Popularity • 18% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 9% Positiveness
13% Popularity • 18% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 9% Positiveness
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AntonÃn Dvořák
Mass in D Major, Op. 86, B. 153: VI. Agn...
137 bpm • G Maj • 05:03 • -27.39db
9% Popularity • 17% Danceability • 4% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 4% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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John Sheppard
Sheppard: Missa Cantate - 2k. Et vitam v...
137 bpm • E min • 00:56 • -17.06db
11% Popularity • 18% Danceability • 24% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
11% Popularity • 18% Danceability • 24% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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Anton Bruckner
Virga Jesse, WAB 52
137 bpm • E Maj • 03:51 • -21.78db
13% Popularity • 18% Danceability • 10% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 10% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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James Whitbourn
Annelies (chamber version): VI. Courage
137 bpm • B min • 04:18 • -24.87db
11% Popularity • 22% Danceability • 4% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 4% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: VI. I Heard a Voice from Heaven
136 bpm • D Maj • 05:14 • -20.04db
7% Popularity • 16% Danceability • 14% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
7% Popularity • 16% Danceability • 14% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
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Peter Dijkstra
Anton Bruckner: Ave Maria: Anton Bruckne...
136 bpm • F Maj • 03:50 • -23.5db
25% Popularity • 15% Danceability • 3% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 3% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
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Thomas Tallis
Magnificat (Arr. for Choir by Alistair D...
136 bpm • G Maj • 10:03 • -24.01db
9% Popularity • 18% Danceability • 11% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 18% Danceability • 11% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
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Zero8
Northern Lights
146 bpm • F min • 04:26 • -19.46db
16% Popularity • 13% Danceability • 13% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
16% Popularity • 13% Danceability • 13% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Anton Bruckner
Vexilla regis
136 bpm • F Maj • 05:21 • -28.62db
8% Popularity • 16% Danceability • 2% Energy • 8% Liveness
26% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 2% Energy • 8% Liveness
26% Instrumentalness • 3% Positiveness
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Carlo Gesualdo
Illumina faciem tuam
136 bpm • F Maj • 03:37 • -21.06db
10% Popularity • 15% Danceability • 9% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 9% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Messa a quattro voci, SV 190: VI. Agnus ...
136 bpm • E min • 04:46 • -25.57db
10% Popularity • 16% Danceability • 10% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 10% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Miserere a 9: No. 2, Et secundum multitu...
136 bpm • B min • 01:26 • -27.48db
15% Popularity • 20% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 3% Positiveness
15% Popularity • 20% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 3% Positiveness
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Arvo Pärt
Kanon Pokajanen: Ode 9
136 bpm • D min • 07:21 • -30.06db
9% Popularity • 18% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
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Ib Nørholm
Mine danske kilder (My Danish Wells), Op...
135 bpm • F Maj • 02:01 • -19.45db
0% Popularity • 26% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 26% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 7% Positiveness
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Christopher H. Harris
Bring me all your dreams - SATB
147 bpm • E Maj • 04:06 • -32.9db
10% Popularity • 13% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Paschal de l'Estocart
Octonaires de la vanité du monde, Livre...
135 bpm • C# min • 01:00 • -21.57db
11% Popularity • 22% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 22% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Louis Vierne
Messe Solennelle, Op. 16 - Agnus Dei
135 bpm • G# Maj • 05:33 • -22.98db
8% Popularity • 16% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for Double Choir: Credo
135 bpm • A min • 06:15 • -25.51db
11% Popularity • 19% Danceability • 4% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 4% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Caroline Shaw
And the Swallow (Psalm 84)
135 bpm • A# min • 04:32 • -29.89db
9% Popularity • 17% Danceability • 3% Energy • 19% Liveness
44% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 3% Energy • 19% Liveness
44% Instrumentalness • 3% Positiveness
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Hugo Wolf
Six sacred Songs after Poems of Joseph v...
135 bpm • E Maj • 01:04 • -22.61db
20% Popularity • 25% Danceability • 18% Energy • 9% Liveness
17% Instrumentalness • 3% Positiveness
20% Popularity • 25% Danceability • 18% Energy • 9% Liveness
17% Instrumentalness • 3% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54, Pt 3. "Moses' S...
135 bpm • D# Maj • 01:15 • -20.38db
16% Popularity • 21% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
16% Popularity • 21% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Arvo Pärt
The Woman with the Alabaster Box
135 bpm • G min • 06:41 • -33.89db
10% Popularity • 16% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
All-Night Vigil, Op. 37: IV. Gladsome Li...
134 bpm • C min • 04:07 • -23.68db
14% Popularity • 16% Danceability • 12% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 12% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
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Ib Nørholm
4 Songs for Mixed Choir, Op. 3a: Vingesk...
134 bpm • B Maj • 01:28 • -29.88db
0% Popularity • 21% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 6% Positiveness
0% Popularity • 21% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 6% Positiveness
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James MacMillan
Who Shall Separate Us?
134 bpm • E Maj • 03:03 • -21.89db
7% Popularity • 16% Danceability • 20% Energy • 12% Liveness
20% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 20% Energy • 12% Liveness
20% Instrumentalness • 4% Positiveness
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Francis Poulenc
Dialogues des Carmélites, FP 159: Ave M...
134 bpm • B min • 01:46 • -29.48db
12% Popularity • 19% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Kastalski Mixed Choir
Triptych 01: I Can Love
134 bpm • F Maj • 02:37 • -21.47db
8% Popularity • 24% Danceability • 17% Energy • 13% Liveness
16% Instrumentalness • 18% Positiveness
8% Popularity • 24% Danceability • 17% Energy • 13% Liveness
16% Instrumentalness • 18% Positiveness
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KNOXVILLETRACKZ
HFTEPF
134 bpm • D min • 01:04 • -45.51db
10% Popularity • 19% Danceability • 0% Energy • 10% Liveness
100% Instrumentalness • 23% Positiveness
10% Popularity • 19% Danceability • 0% Energy • 10% Liveness
100% Instrumentalness • 23% Positiveness
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Robert Moran
Seven Sounds Unseen: No. 1. —
134 bpm • G# Maj • 03:17 • -35.56db
20% Popularity • 16% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Lege Artis Chamber Choir
Liturgy Of St. John Chrysostom, Op. 31: ...
134 bpm • A Maj • 01:15 • -27.57db
14% Popularity • 16% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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François-Lupien Grenet
Le Triomphe de l'Harmonie: Nous jouisson...
134 bpm • C# min • 01:01 • -23.67db
10% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Athesinus Consort Berlin
Ich liege und schlafe
134 bpm • D Maj • 01:59 • -25.35db
23% Popularity • 16% Danceability • 6% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 6% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Pierre de Manchicourt
Osculetur me: I. Osculetur me osculo ori...
134 bpm • C min • 03:24 • -19.62db
25% Popularity • 20% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Les fleurs et les arbres
133 bpm • E Maj • 02:00 • -23db
11% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Claudio Monteverdi
Dixit dominus I
133 bpm • C Maj • 07:41 • -22.03db
9% Popularity • 23% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
9% Popularity • 23% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Speech to Mortals
Dark November
133 bpm • D Maj • 01:13 • -36.44db
11% Popularity • 18% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
11% Popularity • 18% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
► Preview
Ib Nørholm
Still life, Op. 45: No. 5. Bevis (Proof)
133 bpm • E Maj • 02:49 • -24.72db
0% Popularity • 44% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 44% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
John Blow
Salvator mundi
133 bpm • D Maj • 03:57 • -21.47db
8% Popularity • 22% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Frank La Rocca
Mass of the Americas: IV. Offertory "Ave...
133 bpm • C# min • 05:27 • -20.93db
4% Popularity • 21% Danceability • 20% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
4% Popularity • 21% Danceability • 20% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Benjamin Britten
Advance Democracy
132 bpm • D# Maj • 03:25 • -23.39db
9% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Alfred Schnittke
3 Sacred Hymns: No. 2. Gospodi, Gospodi ...
132 bpm • C min • 01:31 • -23.86db
15% Popularity • 22% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Pange lingua, WAB 33
132 bpm • C Maj • 05:30 • -25.59db
13% Popularity • 18% Danceability • 5% Energy • 7% Liveness
20% Instrumentalness • 3% Positiveness
13% Popularity • 18% Danceability • 5% Energy • 7% Liveness
20% Instrumentalness • 3% Positiveness
► Preview
Ib Nørholm
Americana, Op. 89: III. The Song Of The ...
133 bpm • E min • 04:43 • -22.11db
0% Popularity • 20% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Harry Bramma
People, Look East
132 bpm • D# Maj • 02:04 • -23.14db
9% Popularity • 23% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 23% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Henry Purcell
Burial service: Thou knowest, Lord (Henr...
131 bpm • B Maj • 01:53 • -17db
16% Popularity • 25% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
16% Popularity • 25% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Liturgy of St. John Chrysostom, Op. 31 (...
131 bpm • G min • 03:45 • -28.37db
8% Popularity • 16% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 3% Positiveness
► Preview
Sara Wennerberg-Reuter
Motett, "Stilla komme och välkomna vare...
131 bpm • C# Maj • 02:07 • -31.16db
10% Popularity • 16% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Henryk Górecki
Ave, carmina milia
132 bpm • G Maj • 04:37 • -20.45db
11% Popularity • 26% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 26% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Johann Sebastian Bach
Bach, JS: Matthäus-Passion, BWV 244, Pt...
131 bpm • G# min • 05:27 • -32.93db
9% Popularity • 19% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Jonathan Seers
Look Down, O Lord
131 bpm • D Maj • 02:23 • -23.88db
9% Popularity • 19% Danceability • 4% Energy • 12% Liveness
46% Instrumentalness • 3% Positiveness
9% Popularity • 19% Danceability • 4% Energy • 12% Liveness
46% Instrumentalness • 3% Positiveness
► Preview
Christendom College Choir
Jesus My Lord, My God, My All
131 bpm • F# Maj • 02:50 • -26.94db
9% Popularity • 22% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 9% Positiveness
9% Popularity • 22% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 9% Positiveness
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Anton Bruckner
Tota pulchra es, WAB 46
131 bpm • C Maj • 05:20 • -23.67db
12% Popularity • 18% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
13% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
13% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
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Frank Martin
Mass for unaccompanied double choir: I. ...
130 bpm • E min • 05:52 • -27db
13% Popularity • 18% Danceability • 4% Energy • 6% Liveness
36% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 4% Energy • 6% Liveness
36% Instrumentalness • 4% Positiveness
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Larimar Music Vibes
From the heart
130 bpm • E Maj • 03:18 • -19.4db
31% Popularity • 33% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
31% Popularity • 33% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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LeoRoads
Harmony of Angels
130 bpm • E min • 02:19 • -16.85db
7% Popularity • 48% Danceability • 18% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
7% Popularity • 48% Danceability • 18% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem, Op. 9: In paradisum
130 bpm • F# Maj • 02:39 • -28db
8% Popularity • 16% Danceability • 6% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 6% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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George de La Hèle
Missa Praeter rerum seriem: V. Benedictu...
130 bpm • G# min • 02:40 • -20.86db
9% Popularity • 19% Danceability • 11% Energy • 11% Liveness
22% Instrumentalness • 6% Positiveness
9% Popularity • 19% Danceability • 11% Energy • 11% Liveness
22% Instrumentalness • 6% Positiveness
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Ralph Vaughan Williams
Mass in G Minor: IVa. Sanctus
129 bpm • C Maj • 02:46 • -24.37db
8% Popularity • 19% Danceability • 12% Energy • 8% Liveness
64% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 12% Energy • 8% Liveness
64% Instrumentalness • 4% Positiveness
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Johann Kuhnau
Tristis est anima mea
129 bpm • F min • 04:14 • -23.97db
3% Popularity • 20% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
3% Popularity • 20% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Part II, The Ex...
129 bpm • E min • 02:40 • -30db
15% Popularity • 19% Danceability • 2% Energy • 14% Liveness
2% Instrumentalness • 3% Positiveness
15% Popularity • 19% Danceability • 2% Energy • 14% Liveness
2% Instrumentalness • 3% Positiveness
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Ørjan Matre
Six Orphic Amulets for vocal sextet and ...
129 bpm • D min • 03:58 • -25.34db
9% Popularity • 20% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
9% Popularity • 20% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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MÃ¥rten Jansson
Missa Popularis: II. Gloria
129 bpm • F Maj • 04:19 • -18db
9% Popularity • 21% Danceability • 15% Energy • 9% Liveness
8% Instrumentalness • 12% Positiveness
9% Popularity • 21% Danceability • 15% Energy • 9% Liveness
8% Instrumentalness • 12% Positiveness
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Howard Skempton
And There Was War in Heaven
128 bpm • F Maj • 04:34 • -24.58db
11% Popularity • 17% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Josquin des Prez
O Domine Iesu Christe: Pars IV
128 bpm • F Maj • 01:28 • -24.38db
8% Popularity • 20% Danceability • 9% Energy • 11% Liveness
36% Instrumentalness • 6% Positiveness
8% Popularity • 20% Danceability • 9% Energy • 11% Liveness
36% Instrumentalness • 6% Positiveness
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William Byrd
Occuli omnium
128 bpm • D# Maj • 05:28 • -23.57db
10% Popularity • 18% Danceability • 12% Energy • 13% Liveness
92% Instrumentalness • 6% Positiveness
10% Popularity • 18% Danceability • 12% Energy • 13% Liveness
92% Instrumentalness • 6% Positiveness
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Lumen Valo
Johann von Gardner, arr: Joulun valovirr...
128 bpm • E Maj • 02:14 • -22db
17% Popularity • 18% Danceability • 6% Energy • 6% Liveness
64% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 6% Energy • 6% Liveness
64% Instrumentalness • 4% Positiveness
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Oulun kamariorkesteri
Alkukuoro, Vuorten Ylle Aurinko on Nouss...
128 bpm • G Maj • 04:27 • -23.6db
15% Popularity • 17% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Ib Nørholm
Gru og glæde, Julekantate II
128 bpm • C Maj • 07:40 • -26.8db
0% Popularity • 23% Danceability • 6% Energy • 13% Liveness
65% Instrumentalness • 4% Positiveness
0% Popularity • 23% Danceability • 6% Energy • 13% Liveness
65% Instrumentalness • 4% Positiveness
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Joanna Marsh
I Take Thee
128 bpm • C min • 03:55 • -21.57db
9% Popularity • 17% Danceability • 14% Energy • 17% Liveness
72% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 14% Energy • 17% Liveness
72% Instrumentalness • 4% Positiveness
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Loyset Compère
Quis numerare queat: I. Quis numerare qu...
128 bpm • F Maj • 01:32 • -18.87db
9% Popularity • 17% Danceability • 24% Energy • 21% Liveness
1% Instrumentalness • 10% Positiveness
9% Popularity • 17% Danceability • 24% Energy • 21% Liveness
1% Instrumentalness • 10% Positiveness
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Orlande de Lassus
Magnificat Benedicta es caelorum Regina
127 bpm • A Maj • 08:19 • -26.52db
10% Popularity • 21% Danceability • 16% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 21% Danceability • 16% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Josef Rheinberger
Messe in Es, Op. 109 "Cantus Missae": Ky...
127 bpm • D# Maj • 04:32 • -25.66db
15% Popularity • 17% Danceability • 5% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 5% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
► Preview
Arvo Pärt
Triodion: Ode 2, O Most Holy Birthgiver ...
127 bpm • D min • 05:06 • -32.28db
8% Popularity • 18% Danceability • 2% Energy • 7% Liveness
19% Instrumentalness • 3% Positiveness
8% Popularity • 18% Danceability • 2% Energy • 7% Liveness
19% Instrumentalness • 3% Positiveness
