Songs like TBSF by Masahiko Sato
Based on a tempo of (+/- 10%) and a similar genre
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Alessandro Alessandroni, Giulia de Mutiis
The Legend
81 bpm • D# min • 02:06 • -8db
20% Popularity • 38% Danceability • 51% Energy • 11% Liveness
51% Instrumentalness • 13% Positiveness
20% Popularity • 38% Danceability • 51% Energy • 11% Liveness
51% Instrumentalness • 13% Positiveness
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Masahiko Sato
セレニティ
81 bpm • B min • 07:58 • -12.48db
3% Popularity • 30% Danceability • 47% Energy • 37% Liveness
36% Instrumentalness • 20% Positiveness
3% Popularity • 30% Danceability • 47% Energy • 37% Liveness
36% Instrumentalness • 20% Positiveness
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Piero Umiliani
Risaie
81 bpm • G Maj • 05:10 • -12.74db
35% Popularity • 33% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
35% Popularity • 33% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Haruomi Hosono
最後の楽園
81 bpm • F Maj • 04:03 • -11.99db
47% Popularity • 57% Danceability • 49% Energy • 20% Liveness
96% Instrumentalness • 28% Positiveness
47% Popularity • 57% Danceability • 49% Energy • 20% Liveness
96% Instrumentalness • 28% Positiveness
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Sadao Watanabe
サファリ
80 bpm • G# min • 07:06 • -13.51db
30% Popularity • 51% Danceability • 51% Energy • 10% Liveness
88% Instrumentalness • 56% Positiveness
30% Popularity • 51% Danceability • 51% Energy • 10% Liveness
88% Instrumentalness • 56% Positiveness
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鈴木宏昌
Out of Focus
80 bpm • A Maj • 05:15 • -13.29db
21% Popularity • 61% Danceability • 46% Energy • 10% Liveness
84% Instrumentalness • 54% Positiveness
21% Popularity • 61% Danceability • 46% Energy • 10% Liveness
84% Instrumentalness • 54% Positiveness
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Kazumasa Hashimoto
Main Theme a
82 bpm • G Maj • 01:19 • -15.9db
27% Popularity • 33% Danceability • 13% Energy • 10% Liveness
88% Instrumentalness • 88% Positiveness
27% Popularity • 33% Danceability • 13% Energy • 10% Liveness
88% Instrumentalness • 88% Positiveness
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Masahiko Sato
Till We Meet Again
81 bpm • C min • 05:07 • -10.96db
1% Popularity • 39% Danceability • 20% Energy • 7% Liveness
86% Instrumentalness • 27% Positiveness
1% Popularity • 39% Danceability • 20% Energy • 7% Liveness
86% Instrumentalness • 27% Positiveness
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Gilgamesh
For Absent Friends
80 bpm • A Maj • 01:13 • -30db
26% Popularity • 53% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
26% Popularity • 53% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Kuniyuki Takahashi
Your Home
80 bpm • D Maj • 05:11 • -16.88db
32% Popularity • 52% Danceability • 35% Energy • 9% Liveness
96% Instrumentalness • 17% Positiveness
32% Popularity • 52% Danceability • 35% Energy • 9% Liveness
96% Instrumentalness • 17% Positiveness
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Piero Piccioni
Black Flower
82 bpm • D min • 03:24 • -12db
23% Popularity • 58% Danceability • 38% Energy • 9% Liveness
84% Instrumentalness • 63% Positiveness
23% Popularity • 58% Danceability • 38% Energy • 9% Liveness
84% Instrumentalness • 63% Positiveness
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Massimo Catalano
Foggy Night
80 bpm • G# min • 02:39 • -22.71db
41% Popularity • 20% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
41% Popularity • 20% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Swing Slow
Hotel Etoiles
82 bpm • C min • 04:13 • -18.68db
18% Popularity • 84% Danceability • 14% Energy • 8% Liveness
5% Instrumentalness • 7% Positiveness
18% Popularity • 84% Danceability • 14% Energy • 8% Liveness
5% Instrumentalness • 7% Positiveness
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Dominique Guiot
Ballet Amoureux Des Dauphins
80 bpm • A Maj • 02:26 • -12.57db
16% Popularity • 16% Danceability • 5% Energy • 6% Liveness
12% Instrumentalness • 17% Positiveness
16% Popularity • 16% Danceability • 5% Energy • 6% Liveness
12% Instrumentalness • 17% Positiveness
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Vincent Gallo
Her Smell Theme
82 bpm • E Maj • 01:35 • -18.78db
30% Popularity • 36% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness
30% Popularity • 36% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness
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Vampire Sound Inc.
Necronomania
82 bpm • E min • 02:12 • -12.13db
23% Popularity • 29% Danceability • 33% Energy • 24% Liveness
1% Instrumentalness • 38% Positiveness
23% Popularity • 29% Danceability • 33% Energy • 24% Liveness
1% Instrumentalness • 38% Positiveness
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Bruno Nicolai
Incontro la contessa
80 bpm • E min • 02:07 • -30db
45% Popularity • 14% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
45% Popularity • 14% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
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Andre Tschaskowski
Sentimental View 2 / Emotional Tension 2
80 bpm • D min • 02:40 • -20.08db
13% Popularity • 20% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
13% Popularity • 20% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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前田祐希
How Long has This Been Going On
80 bpm • D Maj • 04:48 • -16.22db
0% Popularity • 46% Danceability • 15% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
0% Popularity • 46% Danceability • 15% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
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Deux Filles
The City Sleeps - Remastered
82 bpm • D min • 02:34 • -26.99db
30% Popularity • 22% Danceability • 1% Energy • 38% Liveness
70% Instrumentalness • 3% Positiveness
30% Popularity • 22% Danceability • 1% Energy • 38% Liveness
70% Instrumentalness • 3% Positiveness
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Masahiko Sato
明日に架ける橋
80 bpm • G# Maj • 05:49 • -14db
11% Popularity • 41% Danceability • 29% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
11% Popularity • 41% Danceability • 29% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
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Peter Thomas Sound Orchester
The World's History
80 bpm • A min • 01:39 • -21db
32% Popularity • 43% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
32% Popularity • 43% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
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Haruomi Hosono
晴れの日
80 bpm • C Maj • 01:21 • -20.62db
35% Popularity • 55% Danceability • 7% Energy • 11% Liveness
74% Instrumentalness • 63% Positiveness
35% Popularity • 55% Danceability • 7% Energy • 11% Liveness
74% Instrumentalness • 63% Positiveness
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宮間利之とニュー・ハード
I の詩
79 bpm • F min • 02:01 • -30.06db
10% Popularity • 26% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 26% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Mort Garson
Is He Trying to Tell Us Something? - Ins...
79 bpm • G min • 03:26 • -11.74db
23% Popularity • 18% Danceability • 34% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 34% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Shinichi Kato
Clouds in Green
83 bpm • D min • 06:14 • -14.58db
1% Popularity • 36% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
1% Popularity • 36% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Arawak
Accadde a tutti noi
83 bpm • C Maj • 02:15 • -22.1db
17% Popularity • 46% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 87% Positiveness
17% Popularity • 46% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 87% Positiveness
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Alessandro Alessandroni
Aliante giallo. pt. 2
79 bpm • B min • 01:20 • -23db
36% Popularity • 16% Danceability • 14% Energy • 17% Liveness
18% Instrumentalness • 10% Positiveness
36% Popularity • 16% Danceability • 14% Energy • 17% Liveness
18% Instrumentalness • 10% Positiveness
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Janko Nilovic
Pop Avenue - Remastered
84 bpm • G# min • 03:34 • -5.59db
25% Popularity • 32% Danceability • 57% Energy • 14% Liveness
54% Instrumentalness • 34% Positiveness
25% Popularity • 32% Danceability • 57% Energy • 14% Liveness
54% Instrumentalness • 34% Positiveness
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Masabumi Kikuchi
A Short Piece
84 bpm • A# min • 01:44 • -20.35db
29% Popularity • 45% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 54% Positiveness
29% Popularity • 45% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 54% Positiveness
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佐井好子
波止場
84 bpm • C# min • 03:57 • -11.67db
22% Popularity • 47% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 47% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
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Meitei
En'nichi
84 bpm • B Maj • 01:54 • -13.13db
36% Popularity • 25% Danceability • 36% Energy • 36% Liveness
74% Instrumentalness • 26% Positiveness
36% Popularity • 25% Danceability • 36% Energy • 36% Liveness
74% Instrumentalness • 26% Positiveness
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Masahiko Sato
Where Am I Going?
84 bpm • A min • 04:11 • -7.7db
2% Popularity • 51% Danceability • 28% Energy • 6% Liveness
1% Instrumentalness • 29% Positiveness
2% Popularity • 51% Danceability • 28% Energy • 6% Liveness
1% Instrumentalness • 29% Positiveness
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Dominique Guiot
Une Ballade Pour Une Goélette
78 bpm • E min • 01:19 • -8.93db
19% Popularity • 65% Danceability • 12% Energy • 8% Liveness
53% Instrumentalness • 74% Positiveness
19% Popularity • 65% Danceability • 12% Energy • 8% Liveness
53% Instrumentalness • 74% Positiveness
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Attila Zoller
Black Is the Color of My True Love's Hai...
78 bpm • C Maj • 06:30 • -13.32db
2% Popularity • 33% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
2% Popularity • 33% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Cortex
Oh! Lord
84 bpm • F Maj • 06:22 • -13.12db
31% Popularity • 28% Danceability • 30% Energy • 6% Liveness
92% Instrumentalness • 6% Positiveness
31% Popularity • 28% Danceability • 30% Energy • 6% Liveness
92% Instrumentalness • 6% Positiveness
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佐井好子
ヒターノ
78 bpm • D min • 03:43 • -13.71db
27% Popularity • 27% Danceability • 42% Energy • 9% Liveness
53% Instrumentalness • 12% Positiveness
27% Popularity • 27% Danceability • 42% Energy • 9% Liveness
53% Instrumentalness • 12% Positiveness
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Brokeback
After the Internationals
84 bpm • C Maj • 05:08 • -29.92db
20% Popularity • 31% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
20% Popularity • 31% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Fievel Is Glauque
No Title
78 bpm • F min • 04:08 • -8.68db
19% Popularity • 56% Danceability • 53% Energy • 27% Liveness
1% Instrumentalness • 70% Positiveness
19% Popularity • 56% Danceability • 53% Energy • 27% Liveness
1% Instrumentalness • 70% Positiveness
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François de Roubaix
Valérie, Ilona Et Stefaan
78 bpm • C Maj • 01:18 • -12db
25% Popularity • 30% Danceability • 40% Energy • 16% Liveness
80% Instrumentalness • 33% Positiveness
25% Popularity • 30% Danceability • 40% Energy • 16% Liveness
80% Instrumentalness • 33% Positiveness
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Nora Orlandi
Libidine 8
78 bpm • C min • 04:23 • -16db
38% Popularity • 46% Danceability • 55% Energy • 12% Liveness
93% Instrumentalness • 58% Positiveness
38% Popularity • 46% Danceability • 55% Energy • 12% Liveness
93% Instrumentalness • 58% Positiveness
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Peter Thomas Sound Orchester
Eternal Song
77 bpm • C Maj • 01:04 • -25.55db
32% Popularity • 47% Danceability • 7% Energy • 11% Liveness
27% Instrumentalness • 27% Positiveness
32% Popularity • 47% Danceability • 7% Energy • 11% Liveness
27% Instrumentalness • 27% Positiveness
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稲垣次郎とソウル・メディア
ファンキー・モーション
78 bpm • F Maj • 05:40 • -17db
36% Popularity • 62% Danceability • 6% Energy • 7% Liveness
78% Instrumentalness • 14% Positiveness
36% Popularity • 62% Danceability • 6% Energy • 7% Liveness
78% Instrumentalness • 14% Positiveness
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Sven Libaek
Budgerigars Fantasy
85 bpm • C min • 01:19 • -22db
35% Popularity • 18% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
35% Popularity • 18% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Piero Piccioni
Echoes
77 bpm • C min • 03:45 • -20db
24% Popularity • 27% Danceability • 24% Energy • 21% Liveness
86% Instrumentalness • 25% Positiveness
24% Popularity • 27% Danceability • 24% Energy • 21% Liveness
86% Instrumentalness • 25% Positiveness
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Dominique Guiot
L'Univers De La Mer
77 bpm • F# min • 03:26 • -9.13db
14% Popularity • 55% Danceability • 27% Energy • 10% Liveness
76% Instrumentalness • 44% Positiveness
14% Popularity • 55% Danceability • 27% Energy • 10% Liveness
76% Instrumentalness • 44% Positiveness
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Ryo Fukui
Early Summer
85 bpm • D min • 10:44 • -10.1db
51% Popularity • 35% Danceability • 63% Energy • 16% Liveness
40% Instrumentalness • 39% Positiveness
51% Popularity • 35% Danceability • 63% Energy • 16% Liveness
40% Instrumentalness • 39% Positiveness
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Eberhard Weber
More Colours
86 bpm • D Maj • 06:41 • -21db
24% Popularity • 16% Danceability • 8% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 8% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Masahiko Togashi
Fourth Expression
86 bpm • C Maj • 06:42 • -11.73db
17% Popularity • 34% Danceability • 43% Energy • 11% Liveness
10% Instrumentalness • 21% Positiveness
17% Popularity • 34% Danceability • 43% Energy • 11% Liveness
10% Instrumentalness • 21% Positiveness
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鈴木 弘
シュリンプ・ダンス
86 bpm • D min • 07:02 • -11.96db
43% Popularity • 48% Danceability • 46% Energy • 8% Liveness
74% Instrumentalness • 46% Positiveness
43% Popularity • 48% Danceability • 46% Energy • 8% Liveness
74% Instrumentalness • 46% Positiveness
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Deux Filles
Piroette - Remastered
86 bpm • F Maj • 02:16 • -18.41db
24% Popularity • 26% Danceability • 11% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
24% Popularity • 26% Danceability • 11% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
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Dominique Guiot
Les Deux Poissons
85 bpm • A min • 02:58 • -10.54db
29% Popularity • 24% Danceability • 18% Energy • 8% Liveness
53% Instrumentalness • 9% Positiveness
29% Popularity • 24% Danceability • 18% Energy • 8% Liveness
53% Instrumentalness • 9% Positiveness
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Alessandro Alessandroni
White Sands
76 bpm • A# Maj • 02:58 • -10.46db
49% Popularity • 53% Danceability • 48% Energy • 14% Liveness
86% Instrumentalness • 57% Positiveness
49% Popularity • 53% Danceability • 48% Energy • 14% Liveness
86% Instrumentalness • 57% Positiveness
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Branko Mataja
Da Smo Se Ranije Sreli
76 bpm • D min • 03:20 • -12.66db
24% Popularity • 26% Danceability • 29% Energy • 13% Liveness
57% Instrumentalness • 14% Positiveness
24% Popularity • 26% Danceability • 29% Energy • 13% Liveness
57% Instrumentalness • 14% Positiveness
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Shinichi Kato
A Song for Jack
86 bpm • G Maj • 06:10 • -13.33db
0% Popularity • 56% Danceability • 34% Energy • 9% Liveness
92% Instrumentalness • 40% Positiveness
0% Popularity • 56% Danceability • 34% Energy • 9% Liveness
92% Instrumentalness • 40% Positiveness
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Masahiko Sato
日輪 (にちりん)
86 bpm • E Maj • 05:40 • -19.6db
4% Popularity • 27% Danceability • 25% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
4% Popularity • 27% Danceability • 25% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
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Hako Yamasaki
Help Me
76 bpm • C min • 04:19 • -16db
33% Popularity • 60% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
33% Popularity • 60% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Dominique Guiot
Wind Surf Ballad
86 bpm • D min • 02:26 • -12.55db
31% Popularity • 14% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
31% Popularity • 14% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Deux Filles
The Letter - Remastered
87 bpm • D Maj • 03:38 • -19db
32% Popularity • 36% Danceability • 18% Energy • 37% Liveness
84% Instrumentalness • 4% Positiveness
32% Popularity • 36% Danceability • 18% Energy • 37% Liveness
84% Instrumentalness • 4% Positiveness
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Masakatsu Takagi
Shiraiki
87 bpm • G Maj • 01:20 • -21.89db
32% Popularity • 42% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 40% Positiveness
32% Popularity • 42% Danceability • 5% Energy • 11% Liveness
79% Instrumentalness • 40% Positiveness
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鈴木宏昌
High-Flying
87 bpm • F min • 04:11 • -16.31db
30% Popularity • 19% Danceability • 21% Energy • 12% Liveness
48% Instrumentalness • 10% Positiveness
30% Popularity • 19% Danceability • 21% Energy • 12% Liveness
48% Instrumentalness • 10% Positiveness
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Jockstrap
Wet
87 bpm • B min • 03:10 • -10.28db
27% Popularity • 19% Danceability • 55% Energy • 35% Liveness
7% Instrumentalness • 5% Positiveness
27% Popularity • 19% Danceability • 55% Energy • 35% Liveness
7% Instrumentalness • 5% Positiveness
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Mort Garson
Baby's Tears Blues
87 bpm • G min • 03:03 • -13db
43% Popularity • 50% Danceability • 22% Energy • 14% Liveness
11% Instrumentalness • 67% Positiveness
43% Popularity • 50% Danceability • 22% Energy • 14% Liveness
11% Instrumentalness • 67% Positiveness
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Giuliano Sorgini
Ingranaggi pesanti
87 bpm • G Maj • 01:18 • -13.78db
30% Popularity • 52% Danceability • 80% Energy • 14% Liveness
12% Instrumentalness • 42% Positiveness
30% Popularity • 52% Danceability • 80% Energy • 14% Liveness
12% Instrumentalness • 42% Positiveness
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Yoshio Chin Suzuki
鐘
75 bpm • F min • 03:57 • -23.02db
18% Popularity • 64% Danceability • 9% Energy • 10% Liveness
82% Instrumentalness • 15% Positiveness
18% Popularity • 64% Danceability • 9% Energy • 10% Liveness
82% Instrumentalness • 15% Positiveness
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Yasuaki Shimizu
Semi Tori No Hi
87 bpm • D# Maj • 04:35 • -16.29db
24% Popularity • 61% Danceability • 24% Energy • 8% Liveness
84% Instrumentalness • 57% Positiveness
24% Popularity • 61% Danceability • 24% Energy • 8% Liveness
84% Instrumentalness • 57% Positiveness
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Dominique Guiot
Iceberg En Voyage
87 bpm • E Maj • 03:33 • -10.81db
14% Popularity • 36% Danceability • 43% Energy • 12% Liveness
87% Instrumentalness • 27% Positiveness
14% Popularity • 36% Danceability • 43% Energy • 12% Liveness
87% Instrumentalness • 27% Positiveness
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宮間利之とニュー・ハード
祈願美
88 bpm • E min • 02:33 • -21.98db
11% Popularity • 36% Danceability • 15% Energy • 12% Liveness
77% Instrumentalness • 7% Positiveness
11% Popularity • 36% Danceability • 15% Energy • 12% Liveness
77% Instrumentalness • 7% Positiveness
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Mort Garson
This Is My Beloved
87 bpm • F min • 03:04 • -11.27db
36% Popularity • 38% Danceability • 32% Energy • 11% Liveness
67% Instrumentalness • 16% Positiveness
36% Popularity • 38% Danceability • 32% Energy • 11% Liveness
67% Instrumentalness • 16% Positiveness
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Attila Zoller
Sazo
75 bpm • D# min • 03:57 • -17.84db
2% Popularity • 38% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
2% Popularity • 38% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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Carmen Maki
ペルソナ
75 bpm • C min • 03:29 • -12.8db
11% Popularity • 28% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 28% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Suishou no Fune
Your Tears Drop From The Sky
75 bpm • B min • 08:44 • -7db
24% Popularity • 17% Danceability • 74% Energy • 11% Liveness
49% Instrumentalness • 10% Positiveness
24% Popularity • 17% Danceability • 74% Energy • 11% Liveness
49% Instrumentalness • 10% Positiveness
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Masahiko Togashi
往時を回想して
75 bpm • C# Maj • 03:50 • -25.91db
0% Popularity • 39% Danceability • 7% Energy • 12% Liveness
86% Instrumentalness • 10% Positiveness
0% Popularity • 39% Danceability • 7% Energy • 12% Liveness
86% Instrumentalness • 10% Positiveness
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Masahiko Sato
Everlasting Friendship
88 bpm • A# min • 04:43 • -12.24db
1% Popularity • 45% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 15% Positiveness
1% Popularity • 45% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 15% Positiveness
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Mort Garson
Virgil's Theme
75 bpm • F Maj • 01:24 • -18.18db
32% Popularity • 21% Danceability • 3% Energy • 11% Liveness
51% Instrumentalness • 17% Positiveness
32% Popularity • 21% Danceability • 3% Energy • 11% Liveness
51% Instrumentalness • 17% Positiveness
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Louis Hardin
Symphonique #3 (Ode to Venus) - Instrume...
88 bpm • D Maj • 05:54 • -15.24db
24% Popularity • 20% Danceability • 29% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 29% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Gábor Szabó
The Lady in the Moon - 2022 Remastered V...
88 bpm • D min • 05:16 • -12.99db
25% Popularity • 47% Danceability • 50% Energy • 13% Liveness
78% Instrumentalness • 49% Positiveness
25% Popularity • 47% Danceability • 50% Energy • 13% Liveness
78% Instrumentalness • 49% Positiveness
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Shinichi Kato
You May Be Asked For
88 bpm • C Maj • 04:47 • -24.19db
0% Popularity • 43% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
0% Popularity • 43% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
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Hareton Salvanini
Só
74 bpm • A# Maj • 03:13 • -16.79db
45% Popularity • 13% Danceability • 26% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
45% Popularity • 13% Danceability • 26% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
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Piero Umiliani
Nostalgia - Synth Version
89 bpm • D min • 03:22 • -14.99db
30% Popularity • 35% Danceability • 24% Energy • 13% Liveness
88% Instrumentalness • 15% Positiveness
30% Popularity • 35% Danceability • 24% Energy • 13% Liveness
88% Instrumentalness • 15% Positiveness
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Mort Garson
Concerto for Philodendron & Pothos
74 bpm • F Maj • 03:06 • -14db
42% Popularity • 33% Danceability • 21% Energy • 35% Liveness
90% Instrumentalness • 5% Positiveness
42% Popularity • 33% Danceability • 21% Energy • 35% Liveness
90% Instrumentalness • 5% Positiveness
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Jun Fukamachi
Morning Glow
89 bpm • G Maj • 07:00 • -17.56db
12% Popularity • 27% Danceability • 25% Energy • 6% Liveness
58% Instrumentalness • 4% Positiveness
12% Popularity • 27% Danceability • 25% Energy • 6% Liveness
58% Instrumentalness • 4% Positiveness
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Ruth White
Gymnopedie No. 1
89 bpm • G Maj • 02:46 • -19db
13% Popularity • 19% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
13% Popularity • 19% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
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Sven Libaek
Water and Waves
74 bpm • D min • 01:19 • -20.43db
41% Popularity • 32% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
41% Popularity • 32% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Roy Montgomery
Kafka Was Correct
89 bpm • D# Maj • 05:22 • -17.12db
22% Popularity • 28% Danceability • 23% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
22% Popularity • 28% Danceability • 23% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Maurice Ravel
Daphnis et Chloe Suite No. 2: III. Danse...
74 bpm • E Maj • 05:12 • -21.09db
0% Popularity • 21% Danceability • 24% Energy • 88% Liveness
68% Instrumentalness • 11% Positiveness
0% Popularity • 21% Danceability • 24% Energy • 88% Liveness
68% Instrumentalness • 11% Positiveness
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Piero Piccioni
Eros
89 bpm • G Maj • 02:03 • -14.59db
20% Popularity • 18% Danceability • 44% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
20% Popularity • 18% Danceability • 44% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Peter Thomas Sound Orchester
Coitude Melanchodelic
73 bpm • G# Maj • 03:42 • -18.33db
12% Popularity • 55% Danceability • 21% Energy • 42% Liveness
70% Instrumentalness • 21% Positiveness
12% Popularity • 55% Danceability • 21% Energy • 42% Liveness
70% Instrumentalness • 21% Positiveness
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LSD March
Black Bouquet
90 bpm • A Maj • 06:14 • -9.91db
11% Popularity • 41% Danceability • 47% Energy • 12% Liveness
90% Instrumentalness • 46% Positiveness
11% Popularity • 41% Danceability • 47% Energy • 12% Liveness
90% Instrumentalness • 46% Positiveness
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宮間利之とニュー・ハード
I の詩
90 bpm • D Maj • 11:21 • -15.51db
3% Popularity • 24% Danceability • 66% Energy • 14% Liveness
43% Instrumentalness • 20% Positiveness
3% Popularity • 24% Danceability • 66% Energy • 14% Liveness
43% Instrumentalness • 20% Positiveness
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杉本喜代志
Babylonia Wind
73 bpm • A min • 10:05 • -13.21db
29% Popularity • 34% Danceability • 58% Energy • 15% Liveness
15% Instrumentalness • 54% Positiveness
29% Popularity • 34% Danceability • 58% Energy • 15% Liveness
15% Instrumentalness • 54% Positiveness
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Mort Garson
Kevin's Theme
90 bpm • F# Maj • 01:18 • -14.11db
22% Popularity • 51% Danceability • 23% Energy • 8% Liveness
75% Instrumentalness • 9% Positiveness
22% Popularity • 51% Danceability • 23% Energy • 8% Liveness
75% Instrumentalness • 9% Positiveness
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佐井好子
ボン・ボヤージュ
90 bpm • F# min • 03:15 • -11db
13% Popularity • 16% Danceability • 23% Energy • 34% Liveness
12% Instrumentalness • 7% Positiveness
13% Popularity • 16% Danceability • 23% Energy • 34% Liveness
12% Instrumentalness • 7% Positiveness
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Haruomi Hosono
相合傘 - Broken Radio Version
90 bpm • A Maj • 01:20 • -18.43db
34% Popularity • 66% Danceability • 35% Energy • 34% Liveness
6% Instrumentalness • 50% Positiveness
34% Popularity • 66% Danceability • 35% Energy • 34% Liveness
6% Instrumentalness • 50% Positiveness
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Tokyo Kid Brothers
エンディング(故郷を遠く離れ...
90 bpm • F# min • 03:54 • -10.2db
12% Popularity • 42% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 42% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Chizuru Fukuhara
おほぞらの水
73 bpm • E min • 04:08 • -17.94db
0% Popularity • 32% Danceability • 11% Energy • 8% Liveness
74% Instrumentalness • 36% Positiveness
0% Popularity • 32% Danceability • 11% Energy • 8% Liveness
74% Instrumentalness • 36% Positiveness
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Suishou no Fune
A Rose Bloomed
73 bpm • G Maj • 07:01 • -7.95db
10% Popularity • 14% Danceability • 33% Energy • 8% Liveness
32% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 33% Energy • 8% Liveness
32% Instrumentalness • 4% Positiveness
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Stefano Torossi
La Bella Addormentata
72 bpm • C Maj • 01:11 • -23.21db
31% Popularity • 26% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
31% Popularity • 26% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
