Songs like Tea Errors by Jack Stauber's Micropop
Based on a tempo of (+/- 10%) and a similar genre
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Will Wood and the Tapeworms
Cotard's Solution (Anatta, Dukkha, Anicc...
95 bpm β’ C min β’ 05:06 β’ -3.99db
52% Popularity β’ 22% Danceability β’ 93% Energy β’ 58% Liveness
26% Instrumentalness β’ 42% Positiveness
52% Popularity β’ 22% Danceability β’ 93% Energy β’ 58% Liveness
26% Instrumentalness β’ 42% Positiveness
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Jack Stauber's Micropop
Tea Errors
95 bpm β’ C Maj β’ 03:50 β’ -6.38db
57% Popularity β’ 65% Danceability β’ 53% Energy β’ 29% Liveness
3% Instrumentalness β’ 74% Positiveness
57% Popularity β’ 65% Danceability β’ 53% Energy β’ 29% Liveness
3% Instrumentalness β’ 74% Positiveness
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The Scary Jokes
Community Gardens
95 bpm β’ A# Maj β’ 02:44 β’ -12db
44% Popularity β’ 69% Danceability β’ 31% Energy β’ 84% Liveness
0% Instrumentalness β’ 62% Positiveness
44% Popularity β’ 69% Danceability β’ 31% Energy β’ 84% Liveness
0% Instrumentalness β’ 62% Positiveness
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The Garden
This Could Build Us a Home
95 bpm β’ F# min β’ 02:00 β’ -5.64db
59% Popularity β’ 62% Danceability β’ 95% Energy β’ 13% Liveness
29% Instrumentalness β’ 40% Positiveness
59% Popularity β’ 62% Danceability β’ 95% Energy β’ 13% Liveness
29% Instrumentalness β’ 40% Positiveness
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TV Girl
Hate Yourself
96 bpm β’ A Maj β’ 03:33 β’ -4.4db
68% Popularity β’ 64% Danceability β’ 89% Energy β’ 12% Liveness
8% Instrumentalness β’ 89% Positiveness
68% Popularity β’ 64% Danceability β’ 89% Energy β’ 12% Liveness
8% Instrumentalness β’ 89% Positiveness
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Rio Romeo
Over & Over
96 bpm β’ A# Maj β’ 01:40 β’ -9db
57% Popularity β’ 53% Danceability β’ 56% Energy β’ 32% Liveness
0% Instrumentalness β’ 39% Positiveness
57% Popularity β’ 53% Danceability β’ 56% Energy β’ 32% Liveness
0% Instrumentalness β’ 39% Positiveness
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Tally Hall
&
96 bpm β’ B Maj β’ 03:14 β’ -5.12db
62% Popularity β’ 53% Danceability β’ 88% Energy β’ 35% Liveness
0% Instrumentalness β’ 73% Positiveness
62% Popularity β’ 53% Danceability β’ 88% Energy β’ 35% Liveness
0% Instrumentalness β’ 73% Positiveness
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Dazey and the Scouts
Wet
96 bpm β’ A min β’ 02:51 β’ -5.6db
69% Popularity β’ 51% Danceability β’ 92% Energy β’ 71% Liveness
0% Instrumentalness β’ 65% Positiveness
69% Popularity β’ 51% Danceability β’ 92% Energy β’ 71% Liveness
0% Instrumentalness β’ 65% Positiveness
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The Living Tombstone
It's Been So Long
96 bpm β’ A# min β’ 02:54 β’ -6.76db
73% Popularity β’ 56% Danceability β’ 65% Energy β’ 17% Liveness
0% Instrumentalness β’ 46% Positiveness
73% Popularity β’ 56% Danceability β’ 65% Energy β’ 17% Liveness
0% Instrumentalness β’ 46% Positiveness
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Drive45
Avenues
96 bpm β’ A# min β’ 02:55 β’ -7.7db
41% Popularity β’ 75% Danceability β’ 71% Energy β’ 6% Liveness
7% Instrumentalness β’ 74% Positiveness
41% Popularity β’ 75% Danceability β’ 71% Energy β’ 6% Liveness
7% Instrumentalness β’ 74% Positiveness
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Mother Mother
Hayloft
96 bpm β’ A min β’ 03:01 β’ -2.67db
75% Popularity β’ 53% Danceability β’ 92% Energy β’ 42% Liveness
0% Instrumentalness β’ 45% Positiveness
75% Popularity β’ 53% Danceability β’ 92% Energy β’ 42% Liveness
0% Instrumentalness β’ 45% Positiveness
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Junie & TheHutFriends
Drown Me!
96 bpm β’ C# Maj β’ 02:52 β’ -6.77db
57% Popularity β’ 78% Danceability β’ 46% Energy β’ 26% Liveness
0% Instrumentalness β’ 66% Positiveness
57% Popularity β’ 78% Danceability β’ 46% Energy β’ 26% Liveness
0% Instrumentalness β’ 66% Positiveness
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TEMPOREX
Numbers
94 bpm β’ F# Maj β’ 02:07 β’ -10.76db
69% Popularity β’ 42% Danceability β’ 33% Energy β’ 10% Liveness
0% Instrumentalness β’ 50% Positiveness
69% Popularity β’ 42% Danceability β’ 33% Energy β’ 10% Liveness
0% Instrumentalness β’ 50% Positiveness
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Kikuo
γγͺγγγγγ
96 bpm β’ A Maj β’ 06:05 β’ -9.79db
59% Popularity β’ 60% Danceability β’ 68% Energy β’ 36% Liveness
44% Instrumentalness β’ 18% Positiveness
59% Popularity β’ 60% Danceability β’ 68% Energy β’ 36% Liveness
44% Instrumentalness β’ 18% Positiveness
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Tally Hall
You & Me
96 bpm β’ A min β’ 02:52 β’ -5.64db
51% Popularity β’ 65% Danceability β’ 64% Energy β’ 6% Liveness
0% Instrumentalness β’ 94% Positiveness
51% Popularity β’ 65% Danceability β’ 64% Energy β’ 6% Liveness
0% Instrumentalness β’ 94% Positiveness
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Alice Grant
I think I'll lose my mind in hysteria
93 bpm β’ A# min β’ 02:51 β’ -5.2db
57% Popularity β’ 45% Danceability β’ 91% Energy β’ 51% Liveness
4% Instrumentalness β’ 86% Positiveness
57% Popularity β’ 45% Danceability β’ 91% Energy β’ 51% Liveness
4% Instrumentalness β’ 86% Positiveness
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Rio Romeo
Inarticulation
93 bpm β’ B Maj β’ 02:43 β’ -8.04db
62% Popularity β’ 44% Danceability β’ 41% Energy β’ 15% Liveness
0% Instrumentalness β’ 58% Positiveness
62% Popularity β’ 44% Danceability β’ 41% Energy β’ 15% Liveness
0% Instrumentalness β’ 58% Positiveness
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The Stupendium
Vending Machine of Love
93 bpm β’ A# min β’ 04:23 β’ -2.82db
60% Popularity β’ 71% Danceability β’ 90% Energy β’ 7% Liveness
0% Instrumentalness β’ 68% Positiveness
60% Popularity β’ 71% Danceability β’ 90% Energy β’ 7% Liveness
0% Instrumentalness β’ 68% Positiveness
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Mother Mother
Wrecking Ball
97 bpm β’ G Maj β’ 03:14 β’ -4.47db
67% Popularity β’ 66% Danceability β’ 80% Energy β’ 34% Liveness
0% Instrumentalness β’ 28% Positiveness
67% Popularity β’ 66% Danceability β’ 80% Energy β’ 34% Liveness
0% Instrumentalness β’ 28% Positiveness
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thquib
Bubble Pop Electric
97 bpm β’ C# Maj β’ 03:27 β’ -5.36db
43% Popularity β’ 64% Danceability β’ 98% Energy β’ 22% Liveness
5% Instrumentalness β’ 54% Positiveness
43% Popularity β’ 64% Danceability β’ 98% Energy β’ 22% Liveness
5% Instrumentalness β’ 54% Positiveness
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Steven Universe
Full Disclosure
93 bpm β’ D# Maj β’ 01:37 β’ -9.94db
52% Popularity β’ 63% Danceability β’ 60% Energy β’ 8% Liveness
0% Instrumentalness β’ 38% Positiveness
52% Popularity β’ 63% Danceability β’ 60% Energy β’ 8% Liveness
0% Instrumentalness β’ 38% Positiveness
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nelward
Never Wanna Fall in Love With U
93 bpm β’ C# Maj β’ 03:01 β’ -6.9db
48% Popularity β’ 92% Danceability β’ 59% Energy β’ 14% Liveness
0% Instrumentalness β’ 97% Positiveness
48% Popularity β’ 92% Danceability β’ 59% Energy β’ 14% Liveness
0% Instrumentalness β’ 97% Positiveness
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Worthikids
Up
93 bpm β’ C Maj β’ 02:06 β’ -6.17db
45% Popularity β’ 60% Danceability β’ 76% Energy β’ 7% Liveness
1% Instrumentalness β’ 59% Positiveness
45% Popularity β’ 60% Danceability β’ 76% Energy β’ 7% Liveness
1% Instrumentalness β’ 59% Positiveness
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plasterbrain
Nimbasa CORE
97 bpm β’ F# Maj β’ 02:43 β’ -7.31db
55% Popularity β’ 38% Danceability β’ 92% Energy β’ 31% Liveness
84% Instrumentalness β’ 20% Positiveness
55% Popularity β’ 38% Danceability β’ 92% Energy β’ 31% Liveness
84% Instrumentalness β’ 20% Positiveness
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Gorillaz
Rhinestone Eyes
93 bpm β’ G# min β’ 03:20 β’ -5.82db
76% Popularity β’ 68% Danceability β’ 70% Energy β’ 5% Liveness
0% Instrumentalness β’ 85% Positiveness
76% Popularity β’ 68% Danceability β’ 70% Energy β’ 5% Liveness
0% Instrumentalness β’ 85% Positiveness
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Jhariah
Flight of the Crows
98 bpm β’ C# Maj β’ 02:38 β’ -4.97db
58% Popularity β’ 52% Danceability β’ 79% Energy β’ 13% Liveness
0% Instrumentalness β’ 28% Positiveness
58% Popularity β’ 52% Danceability β’ 79% Energy β’ 13% Liveness
0% Instrumentalness β’ 28% Positiveness
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Tally Hall
The Whole World and You
98 bpm β’ F Maj β’ 01:44 β’ -9.12db
58% Popularity β’ 78% Danceability β’ 47% Energy β’ 39% Liveness
0% Instrumentalness β’ 79% Positiveness
58% Popularity β’ 78% Danceability β’ 47% Energy β’ 39% Liveness
0% Instrumentalness β’ 79% Positiveness
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Mother Mother
Ghosting
92 bpm β’ B Maj β’ 04:45 β’ -5.1db
62% Popularity β’ 61% Danceability β’ 62% Energy β’ 11% Liveness
0% Instrumentalness β’ 24% Positiveness
62% Popularity β’ 61% Danceability β’ 62% Energy β’ 11% Liveness
0% Instrumentalness β’ 24% Positiveness
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Will Wood
Outliars and Hyppocrates: a fun fact abo...
98 bpm β’ A min β’ 04:12 β’ -6.55db
52% Popularity β’ 51% Danceability β’ 90% Energy β’ 30% Liveness
0% Instrumentalness β’ 49% Positiveness
52% Popularity β’ 51% Danceability β’ 90% Energy β’ 30% Liveness
0% Instrumentalness β’ 49% Positiveness
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Jack Stauber's Micropop
Junk Bat
92 bpm β’ B Maj β’ 00:43 β’ -10.14db
34% Popularity β’ 74% Danceability β’ 75% Energy β’ 22% Liveness
4% Instrumentalness β’ 82% Positiveness
34% Popularity β’ 74% Danceability β’ 75% Energy β’ 22% Liveness
4% Instrumentalness β’ 82% Positiveness
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bo en
Every Day
92 bpm β’ D min β’ 02:32 β’ -8.5db
56% Popularity β’ 65% Danceability β’ 67% Energy β’ 12% Liveness
0% Instrumentalness β’ 59% Positiveness
56% Popularity β’ 65% Danceability β’ 67% Energy β’ 12% Liveness
0% Instrumentalness β’ 59% Positiveness
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Jhariah
BAD LUCK!
98 bpm β’ D Maj β’ 03:33 β’ -7.44db
50% Popularity β’ 29% Danceability β’ 40% Energy β’ 10% Liveness
0% Instrumentalness β’ 10% Positiveness
50% Popularity β’ 29% Danceability β’ 40% Energy β’ 10% Liveness
0% Instrumentalness β’ 10% Positiveness
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Tally Hall
Hymn for a Scarecrow
98 bpm β’ C Maj β’ 04:50 β’ -8.24db
47% Popularity β’ 30% Danceability β’ 52% Energy β’ 14% Liveness
0% Instrumentalness β’ 25% Positiveness
47% Popularity β’ 30% Danceability β’ 52% Energy β’ 14% Liveness
0% Instrumentalness β’ 25% Positiveness
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The Stupendium
The Fine Print
91 bpm β’ C Maj β’ 04:34 β’ -4.11db
63% Popularity β’ 76% Danceability β’ 90% Energy β’ 58% Liveness
0% Instrumentalness β’ 77% Positiveness
63% Popularity β’ 76% Danceability β’ 90% Energy β’ 58% Liveness
0% Instrumentalness β’ 77% Positiveness
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Will Wood
Willard!
99 bpm β’ G Maj β’ 04:18 β’ -5.85db
49% Popularity β’ 38% Danceability β’ 50% Energy β’ 11% Liveness
0% Instrumentalness β’ 28% Positiveness
49% Popularity β’ 38% Danceability β’ 50% Energy β’ 11% Liveness
0% Instrumentalness β’ 28% Positiveness
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The Scary Jokes
Bets Against the Void
100 bpm β’ G Maj β’ 03:19 β’ -12db
29% Popularity β’ 53% Danceability β’ 35% Energy β’ 10% Liveness
2% Instrumentalness β’ 44% Positiveness
29% Popularity β’ 53% Danceability β’ 35% Energy β’ 10% Liveness
2% Instrumentalness β’ 44% Positiveness
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Jack Stauber's Micropop
Two Time
99 bpm β’ C Maj β’ 02:19 β’ -9.64db
64% Popularity β’ 83% Danceability β’ 35% Energy β’ 9% Liveness
0% Instrumentalness β’ 69% Positiveness
64% Popularity β’ 83% Danceability β’ 35% Energy β’ 9% Liveness
0% Instrumentalness β’ 69% Positiveness
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Steven Universe
Here Comes a Thought
91 bpm β’ C Maj β’ 03:22 β’ -9.58db
63% Popularity β’ 75% Danceability β’ 51% Energy β’ 8% Liveness
0% Instrumentalness β’ 47% Positiveness
63% Popularity β’ 75% Danceability β’ 51% Energy β’ 8% Liveness
0% Instrumentalness β’ 47% Positiveness
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Tally Hall
Taken for a Ride
99 bpm β’ G# Maj β’ 04:43 β’ -5.87db
48% Popularity β’ 46% Danceability β’ 57% Energy β’ 16% Liveness
0% Instrumentalness β’ 25% Positiveness
48% Popularity β’ 46% Danceability β’ 57% Energy β’ 16% Liveness
0% Instrumentalness β’ 25% Positiveness
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Joe Hawley
Weird Bed &/or Yes Please
100 bpm β’ C# Maj β’ 03:02 β’ -7db
40% Popularity β’ 73% Danceability β’ 56% Energy β’ 36% Liveness
0% Instrumentalness β’ 48% Positiveness
40% Popularity β’ 73% Danceability β’ 56% Energy β’ 36% Liveness
0% Instrumentalness β’ 48% Positiveness
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Cavetown
Devil Town
100 bpm β’ D# Maj β’ 02:59 β’ -8.17db
74% Popularity β’ 58% Danceability β’ 76% Energy β’ 12% Liveness
0% Instrumentalness β’ 50% Positiveness
74% Popularity β’ 58% Danceability β’ 76% Energy β’ 12% Liveness
0% Instrumentalness β’ 50% Positiveness
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The Scary Jokes
Pink Smoke
100 bpm β’ D Maj β’ 02:17 β’ -13.28db
31% Popularity β’ 79% Danceability β’ 38% Energy β’ 11% Liveness
0% Instrumentalness β’ 46% Positiveness
31% Popularity β’ 79% Danceability β’ 38% Energy β’ 11% Liveness
0% Instrumentalness β’ 46% Positiveness
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Don't Hug Me I'm Scared
The Creativity Song
100 bpm β’ G Maj β’ 02:58 β’ -14db
38% Popularity β’ 80% Danceability β’ 25% Energy β’ 31% Liveness
0% Instrumentalness β’ 66% Positiveness
38% Popularity β’ 80% Danceability β’ 25% Energy β’ 31% Liveness
0% Instrumentalness β’ 66% Positiveness
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Graham Kartna
We're Only Human
100 bpm β’ E Maj β’ 02:36 β’ -4.83db
41% Popularity β’ 56% Danceability β’ 84% Energy β’ 16% Liveness
40% Instrumentalness β’ 36% Positiveness
41% Popularity β’ 56% Danceability β’ 84% Energy β’ 16% Liveness
40% Instrumentalness β’ 36% Positiveness
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Lemon Demon
A Mask of My Own Face
100 bpm β’ C Maj β’ 03:30 β’ -11.55db
55% Popularity β’ 81% Danceability β’ 32% Energy β’ 13% Liveness
0% Instrumentalness β’ 97% Positiveness
55% Popularity β’ 81% Danceability β’ 32% Energy β’ 13% Liveness
0% Instrumentalness β’ 97% Positiveness
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WHOKILLEDXIX
spy?
100 bpm β’ B min β’ 02:33 β’ -5.36db
63% Popularity β’ 87% Danceability β’ 56% Energy β’ 10% Liveness
6% Instrumentalness β’ 65% Positiveness
63% Popularity β’ 87% Danceability β’ 56% Energy β’ 10% Liveness
6% Instrumentalness β’ 65% Positiveness
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Roar
Fading Kitten Syndrome
90 bpm β’ F Maj β’ 02:56 β’ -9.46db
35% Popularity β’ 39% Danceability β’ 34% Energy β’ 13% Liveness
94% Instrumentalness β’ 10% Positiveness
35% Popularity β’ 39% Danceability β’ 34% Energy β’ 13% Liveness
94% Instrumentalness β’ 10% Positiveness
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The Scary Jokes
Starstruck
100 bpm β’ C Maj β’ 03:56 β’ -11db
37% Popularity β’ 40% Danceability β’ 36% Energy β’ 47% Liveness
0% Instrumentalness β’ 51% Positiveness
37% Popularity β’ 40% Danceability β’ 36% Energy β’ 47% Liveness
0% Instrumentalness β’ 51% Positiveness
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The Cardigans
Step On Me
90 bpm β’ D Maj β’ 03:50 β’ -5.63db
74% Popularity β’ 33% Danceability β’ 47% Energy β’ 7% Liveness
0% Instrumentalness β’ 14% Positiveness
74% Popularity β’ 33% Danceability β’ 47% Energy β’ 7% Liveness
0% Instrumentalness β’ 14% Positiveness
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Cyriak Harris
Kitty City
90 bpm β’ C# min β’ 02:25 β’ -11.23db
55% Popularity β’ 71% Danceability β’ 68% Energy β’ 24% Liveness
4% Instrumentalness β’ 40% Positiveness
55% Popularity β’ 71% Danceability β’ 68% Energy β’ 24% Liveness
4% Instrumentalness β’ 40% Positiveness
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McCafferty
Bottom
100 bpm β’ F# min β’ 03:45 β’ -7.81db
63% Popularity β’ 64% Danceability β’ 84% Energy β’ 17% Liveness
0% Instrumentalness β’ 70% Positiveness
63% Popularity β’ 64% Danceability β’ 84% Energy β’ 17% Liveness
0% Instrumentalness β’ 70% Positiveness
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Jack Stauber
My Plea
90 bpm β’ F Maj β’ 02:56 β’ -8.6db
46% Popularity β’ 78% Danceability β’ 62% Energy β’ 10% Liveness
0% Instrumentalness β’ 90% Positiveness
46% Popularity β’ 78% Danceability β’ 62% Energy β’ 10% Liveness
0% Instrumentalness β’ 90% Positiveness
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Penelope Scott
Dead Girls
90 bpm β’ F Maj β’ 03:19 β’ -12db
52% Popularity β’ 58% Danceability β’ 52% Energy β’ 10% Liveness
0% Instrumentalness β’ 47% Positiveness
52% Popularity β’ 58% Danceability β’ 52% Energy β’ 10% Liveness
0% Instrumentalness β’ 47% Positiveness
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The Scary Jokes
Icicles
100 bpm β’ B Maj β’ 03:54 β’ -9db
44% Popularity β’ 66% Danceability β’ 48% Energy β’ 58% Liveness
0% Instrumentalness β’ 51% Positiveness
44% Popularity β’ 66% Danceability β’ 48% Energy β’ 58% Liveness
0% Instrumentalness β’ 51% Positiveness
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bo en
Friend
90 bpm β’ C# Maj β’ 02:53 β’ -7db
33% Popularity β’ 65% Danceability β’ 68% Energy β’ 24% Liveness
0% Instrumentalness β’ 40% Positiveness
33% Popularity β’ 65% Danceability β’ 68% Energy β’ 24% Liveness
0% Instrumentalness β’ 40% Positiveness
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Roar
Baby Bride Rag
90 bpm β’ C Maj β’ 00:55 β’ -9.14db
38% Popularity β’ 78% Danceability β’ 25% Energy β’ 22% Liveness
0% Instrumentalness β’ 67% Positiveness
38% Popularity β’ 78% Danceability β’ 25% Energy β’ 22% Liveness
0% Instrumentalness β’ 67% Positiveness
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TV Girl
Taking What's Not Yours
100 bpm β’ C# Maj β’ 03:25 β’ -5.68db
78% Popularity β’ 71% Danceability β’ 91% Energy β’ 6% Liveness
0% Instrumentalness β’ 70% Positiveness
78% Popularity β’ 71% Danceability β’ 91% Energy β’ 6% Liveness
0% Instrumentalness β’ 70% Positiveness
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Jack Stauber's Micropop
Is Anyone There
90 bpm β’ C Maj β’ 00:44 β’ -14.83db
36% Popularity β’ 67% Danceability β’ 22% Energy β’ 43% Liveness
49% Instrumentalness β’ 41% Positiveness
36% Popularity β’ 67% Danceability β’ 22% Energy β’ 43% Liveness
49% Instrumentalness β’ 41% Positiveness
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The Oozes
Blah Blah Blah
90 bpm β’ E Maj β’ 03:52 β’ -6.84db
54% Popularity β’ 39% Danceability β’ 71% Energy β’ 14% Liveness
6% Instrumentalness β’ 36% Positiveness
54% Popularity β’ 39% Danceability β’ 71% Energy β’ 14% Liveness
6% Instrumentalness β’ 36% Positiveness
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Lincoln
Saint Bernard
100 bpm β’ C# Maj β’ 01:43 β’ -11.01db
65% Popularity β’ 70% Danceability β’ 23% Energy β’ 59% Liveness
0% Instrumentalness β’ 45% Positiveness
65% Popularity β’ 70% Danceability β’ 23% Energy β’ 59% Liveness
0% Instrumentalness β’ 45% Positiveness
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Adventure Time
I'm Just Your Problem
90 bpm β’ G Maj β’ 01:56 β’ -16.22db
62% Popularity β’ 48% Danceability β’ 24% Energy β’ 12% Liveness
0% Instrumentalness β’ 38% Positiveness
62% Popularity β’ 48% Danceability β’ 24% Energy β’ 12% Liveness
0% Instrumentalness β’ 38% Positiveness
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Jack Stauber
John & Nancy
101 bpm β’ F# min β’ 03:31 β’ -8db
48% Popularity β’ 76% Danceability β’ 56% Energy β’ 79% Liveness
0% Instrumentalness β’ 81% Positiveness
48% Popularity β’ 76% Danceability β’ 56% Energy β’ 79% Liveness
0% Instrumentalness β’ 81% Positiveness
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TV Girl
Song About Me
101 bpm β’ E min β’ 04:03 β’ -4.71db
70% Popularity β’ 62% Danceability β’ 95% Energy β’ 64% Liveness
1% Instrumentalness β’ 50% Positiveness
70% Popularity β’ 62% Danceability β’ 95% Energy β’ 64% Liveness
1% Instrumentalness β’ 50% Positiveness
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Tally Hall
Welcome to Tally Hall
101 bpm β’ E Maj β’ 05:10 β’ -6.68db
50% Popularity β’ 71% Danceability β’ 78% Energy β’ 31% Liveness
0% Instrumentalness β’ 54% Positiveness
50% Popularity β’ 71% Danceability β’ 78% Energy β’ 31% Liveness
0% Instrumentalness β’ 54% Positiveness
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Mitski
Francis Forever
102 bpm β’ D Maj β’ 02:29 β’ -9.17db
77% Popularity β’ 54% Danceability β’ 45% Energy β’ 12% Liveness
0% Instrumentalness β’ 32% Positiveness
77% Popularity β’ 54% Danceability β’ 45% Energy β’ 12% Liveness
0% Instrumentalness β’ 32% Positiveness
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Destroy Boys
I Threw Glass at My Friend's Eyes and No...
102 bpm β’ C# min β’ 02:37 β’ -5.28db
63% Popularity β’ 46% Danceability β’ 94% Energy β’ 19% Liveness
0% Instrumentalness β’ 34% Positiveness
63% Popularity β’ 46% Danceability β’ 94% Energy β’ 19% Liveness
0% Instrumentalness β’ 34% Positiveness
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Wilbur Soot
Since I Saw Vienna
88 bpm β’ C# min β’ 02:27 β’ -22.1db
53% Popularity β’ 62% Danceability β’ 14% Energy β’ 10% Liveness
0% Instrumentalness β’ 17% Positiveness
53% Popularity β’ 62% Danceability β’ 14% Energy β’ 10% Liveness
0% Instrumentalness β’ 17% Positiveness
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Jack Stauber
Candy Eyes
88 bpm β’ C Maj β’ 04:11 β’ -11.59db
43% Popularity β’ 74% Danceability β’ 35% Energy β’ 26% Liveness
85% Instrumentalness β’ 4% Positiveness
43% Popularity β’ 74% Danceability β’ 35% Energy β’ 26% Liveness
85% Instrumentalness β’ 4% Positiveness
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Penelope Scott
Self Care
103 bpm β’ A Maj β’ 01:23 β’ -15.11db
55% Popularity β’ 74% Danceability β’ 53% Energy β’ 24% Liveness
4% Instrumentalness β’ 35% Positiveness
55% Popularity β’ 74% Danceability β’ 53% Energy β’ 24% Liveness
4% Instrumentalness β’ 35% Positiveness
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Liana Flores
papercut
88 bpm β’ G# Maj β’ 02:13 β’ -16.42db
56% Popularity β’ 52% Danceability β’ 17% Energy β’ 11% Liveness
1% Instrumentalness β’ 36% Positiveness
56% Popularity β’ 52% Danceability β’ 17% Energy β’ 11% Liveness
1% Instrumentalness β’ 36% Positiveness
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nelward
Ghost
103 bpm β’ B min β’ 02:37 β’ -6.74db
48% Popularity β’ 82% Danceability β’ 88% Energy β’ 10% Liveness
0% Instrumentalness β’ 69% Positiveness
48% Popularity β’ 82% Danceability β’ 88% Energy β’ 10% Liveness
0% Instrumentalness β’ 69% Positiveness
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Emezie
Queenfish
87 bpm β’ A Maj β’ 04:04 β’ -16.2db
35% Popularity β’ 60% Danceability β’ 38% Energy β’ 30% Liveness
19% Instrumentalness β’ 50% Positiveness
35% Popularity β’ 60% Danceability β’ 38% Energy β’ 30% Liveness
19% Instrumentalness β’ 50% Positiveness
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Molina
Hey Kids
87 bpm β’ E min β’ 03:53 β’ -8.43db
65% Popularity β’ 58% Danceability β’ 53% Energy β’ 26% Liveness
1% Instrumentalness β’ 47% Positiveness
65% Popularity β’ 58% Danceability β’ 53% Energy β’ 26% Liveness
1% Instrumentalness β’ 47% Positiveness
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SacriStuff
VIRUS
87 bpm β’ E Maj β’ 02:28 β’ 1.18db
47% Popularity β’ 54% Danceability β’ 97% Energy β’ 20% Liveness
0% Instrumentalness β’ 62% Positiveness
47% Popularity β’ 54% Danceability β’ 97% Energy β’ 20% Liveness
0% Instrumentalness β’ 62% Positiveness
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Penelope Scott
Feel Better
87 bpm β’ E min β’ 04:12 β’ -13.42db
65% Popularity β’ 59% Danceability β’ 34% Energy β’ 10% Liveness
1% Instrumentalness β’ 34% Positiveness
65% Popularity β’ 59% Danceability β’ 34% Energy β’ 10% Liveness
1% Instrumentalness β’ 34% Positiveness
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Will Wood and the Tapeworms
Thermodynamic Lawyer Esq, G.F.D.
104 bpm β’ C Maj β’ 03:39 β’ -3.13db
57% Popularity β’ 33% Danceability β’ 94% Energy β’ 83% Liveness
0% Instrumentalness β’ 47% Positiveness
57% Popularity β’ 33% Danceability β’ 94% Energy β’ 83% Liveness
0% Instrumentalness β’ 47% Positiveness
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TEMPOREX
No Sleep
104 bpm β’ C Maj β’ 01:31 β’ -7.23db
47% Popularity β’ 81% Danceability β’ 60% Energy β’ 5% Liveness
0% Instrumentalness β’ 78% Positiveness
47% Popularity β’ 81% Danceability β’ 60% Energy β’ 5% Liveness
0% Instrumentalness β’ 78% Positiveness
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Mother Mother
Problems
104 bpm β’ C# Maj β’ 03:27 β’ -3.65db
66% Popularity β’ 63% Danceability β’ 85% Energy β’ 16% Liveness
3% Instrumentalness β’ 52% Positiveness
66% Popularity β’ 63% Danceability β’ 85% Energy β’ 16% Liveness
3% Instrumentalness β’ 52% Positiveness
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Jack Stauber's Micropop
Love Bug
87 bpm β’ F# min β’ 00:51 β’ -11.6db
35% Popularity β’ 54% Danceability β’ 36% Energy β’ 30% Liveness
0% Instrumentalness β’ 75% Positiveness
35% Popularity β’ 54% Danceability β’ 36% Energy β’ 30% Liveness
0% Instrumentalness β’ 75% Positiveness
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Sir Chloe
Squaring Up
104 bpm β’ A# Maj β’ 03:00 β’ -7db
54% Popularity β’ 54% Danceability β’ 54% Energy β’ 11% Liveness
0% Instrumentalness β’ 6% Positiveness
54% Popularity β’ 54% Danceability β’ 54% Energy β’ 11% Liveness
0% Instrumentalness β’ 6% Positiveness
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They Might Be Giants
Stuff Is Way
104 bpm β’ C Maj β’ 01:37 β’ -10.5db
54% Popularity β’ 87% Danceability β’ 34% Energy β’ 16% Liveness
3% Instrumentalness β’ 50% Positiveness
54% Popularity β’ 87% Danceability β’ 34% Energy β’ 16% Liveness
3% Instrumentalness β’ 50% Positiveness
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Will Wood and the Tapeworms
The First Step
87 bpm β’ A# min β’ 03:18 β’ -4.93db
48% Popularity β’ 51% Danceability β’ 89% Energy β’ 90% Liveness
1% Instrumentalness β’ 77% Positiveness
48% Popularity β’ 51% Danceability β’ 89% Energy β’ 90% Liveness
1% Instrumentalness β’ 77% Positiveness
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Wilbur Soot
Your New Boyfriend
105 bpm β’ G Maj β’ 03:59 β’ -13.04db
60% Popularity β’ 55% Danceability β’ 45% Energy β’ 11% Liveness
0% Instrumentalness β’ 74% Positiveness
60% Popularity β’ 55% Danceability β’ 45% Energy β’ 11% Liveness
0% Instrumentalness β’ 74% Positiveness
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Kaden MacKay
Passing Through (Can't the Future Just W...
86 bpm β’ F# min β’ 03:13 β’ -16.93db
66% Popularity β’ 54% Danceability β’ 15% Energy β’ 20% Liveness
0% Instrumentalness β’ 67% Positiveness
66% Popularity β’ 54% Danceability β’ 15% Energy β’ 20% Liveness
0% Instrumentalness β’ 67% Positiveness
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Jazmin Bean
Hello Kitty
105 bpm β’ A min β’ 02:31 β’ -5.11db
62% Popularity β’ 45% Danceability β’ 80% Energy β’ 3% Liveness
0% Instrumentalness β’ 11% Positiveness
62% Popularity β’ 45% Danceability β’ 80% Energy β’ 3% Liveness
0% Instrumentalness β’ 11% Positiveness
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The Scary Jokes
Catabolic Seed
105 bpm β’ F# Maj β’ 02:34 β’ -11db
42% Popularity β’ 74% Danceability β’ 51% Energy β’ 7% Liveness
0% Instrumentalness β’ 17% Positiveness
42% Popularity β’ 74% Danceability β’ 51% Energy β’ 7% Liveness
0% Instrumentalness β’ 17% Positiveness
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TV Girl
Not Allowed
105 bpm β’ C# Maj β’ 02:47 β’ -6.86db
86% Popularity β’ 67% Danceability β’ 90% Energy β’ 35% Liveness
0% Instrumentalness β’ 56% Positiveness
86% Popularity β’ 67% Danceability β’ 90% Energy β’ 35% Liveness
0% Instrumentalness β’ 56% Positiveness
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Worthikids
Friends In Low Places
105 bpm β’ A Maj β’ 02:15 β’ -5.44db
47% Popularity β’ 47% Danceability β’ 56% Energy β’ 19% Liveness
0% Instrumentalness β’ 46% Positiveness
47% Popularity β’ 47% Danceability β’ 56% Energy β’ 19% Liveness
0% Instrumentalness β’ 46% Positiveness
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Graham Kartna
Browser History
105 bpm β’ D# Maj β’ 02:19 β’ -8.84db
56% Popularity β’ 64% Danceability β’ 76% Energy β’ 14% Liveness
84% Instrumentalness β’ 18% Positiveness
56% Popularity β’ 64% Danceability β’ 76% Energy β’ 14% Liveness
84% Instrumentalness β’ 18% Positiveness
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Dan Salvato
Your Reality
105 bpm β’ C Maj β’ 03:01 β’ -16.92db
56% Popularity β’ 74% Danceability β’ 21% Energy β’ 20% Liveness
4% Instrumentalness β’ 61% Positiveness
56% Popularity β’ 74% Danceability β’ 21% Energy β’ 20% Liveness
4% Instrumentalness β’ 61% Positiveness
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Lemon Demon
Amnesia Was Her Name
105 bpm β’ G Maj β’ 04:03 β’ -11.48db
56% Popularity β’ 86% Danceability β’ 34% Energy β’ 6% Liveness
14% Instrumentalness β’ 74% Positiveness
56% Popularity β’ 86% Danceability β’ 34% Energy β’ 6% Liveness
14% Instrumentalness β’ 74% Positiveness
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Chonny Jash
The Bidding
86 bpm β’ C Maj β’ 03:26 β’ -7db
50% Popularity β’ 32% Danceability β’ 79% Energy β’ 40% Liveness
0% Instrumentalness β’ 50% Positiveness
50% Popularity β’ 32% Danceability β’ 79% Energy β’ 40% Liveness
0% Instrumentalness β’ 50% Positiveness
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Bo Burnham
Art Is Dead
86 bpm β’ E Maj β’ 02:32 β’ -6.17db
62% Popularity β’ 52% Danceability β’ 62% Energy β’ 94% Liveness
0% Instrumentalness β’ 70% Positiveness
62% Popularity β’ 52% Danceability β’ 62% Energy β’ 94% Liveness
0% Instrumentalness β’ 70% Positiveness
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Will Wood
Euthanasia
105 bpm β’ F Maj β’ 04:36 β’ -11db
48% Popularity β’ 64% Danceability β’ 25% Energy β’ 8% Liveness
0% Instrumentalness β’ 18% Positiveness
48% Popularity β’ 64% Danceability β’ 25% Energy β’ 8% Liveness
0% Instrumentalness β’ 18% Positiveness
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thquib
Washing Machine Heart
106 bpm β’ A Maj β’ 02:06 β’ -4.64db
47% Popularity β’ 72% Danceability β’ 75% Energy β’ 11% Liveness
0% Instrumentalness β’ 60% Positiveness
47% Popularity β’ 72% Danceability β’ 75% Energy β’ 11% Liveness
0% Instrumentalness β’ 60% Positiveness
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Adventure Time
Everything Stays
85 bpm β’ G Maj β’ 01:35 β’ -17.59db
68% Popularity β’ 48% Danceability β’ 10% Energy β’ 12% Liveness
0% Instrumentalness β’ 35% Positiveness
68% Popularity β’ 48% Danceability β’ 10% Energy β’ 12% Liveness
0% Instrumentalness β’ 35% Positiveness
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Fish in a Birdcage
Rule #4 - Fish in a Birdcage
106 bpm β’ F min β’ 03:01 β’ -9.6db
64% Popularity β’ 84% Danceability β’ 50% Energy β’ 23% Liveness
2% Instrumentalness β’ 79% Positiveness
64% Popularity β’ 84% Danceability β’ 50% Energy β’ 23% Liveness
2% Instrumentalness β’ 79% Positiveness
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Mitski
Washing Machine Heart
106 bpm β’ A Maj β’ 02:08 β’ -4.09db
83% Popularity β’ 61% Danceability β’ 82% Energy β’ 43% Liveness
51% Instrumentalness β’ 57% Positiveness
83% Popularity β’ 61% Danceability β’ 82% Energy β’ 43% Liveness
51% Instrumentalness β’ 57% Positiveness
