Songs like Teenage Dream by Stephen Dawes
Based on a tempo of (+/- 10%) and a similar genre
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Henrik
Grace
112 bpm • G Maj • 03:20 • -8.3db
62% Popularity • 66% Danceability • 54% Energy • 20% Liveness
67% Instrumentalness • 16% Positiveness
62% Popularity • 66% Danceability • 54% Energy • 20% Liveness
67% Instrumentalness • 16% Positiveness
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Stephen Dawes
Teenage Dream
112 bpm • A# Maj • 02:58 • -9.07db
72% Popularity • 62% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
72% Popularity • 62% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Isabel LaRosa
i'm yours
111 bpm • F min • 02:25 • -7.07db
82% Popularity • 40% Danceability • 70% Energy • 44% Liveness
0% Instrumentalness • 64% Positiveness
82% Popularity • 40% Danceability • 70% Energy • 44% Liveness
0% Instrumentalness • 64% Positiveness
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Niall Horan
This Town
112 bpm • A Maj • 03:52 • -8.47db
81% Popularity • 68% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
81% Popularity • 68% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Jaymes Young
Happiest Year
113 bpm • C# Maj • 03:48 • -14.06db
74% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
74% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Christian Leave
Please Notice
111 bpm • D Maj • 01:56 • -8.45db
65% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
65% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Conan Gray
Memories
113 bpm • B Maj • 04:08 • -6.31db
79% Popularity • 34% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
79% Popularity • 34% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Taylor Swift
Afterglow
111 bpm • A Maj • 03:43 • -8.75db
78% Popularity • 76% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
78% Popularity • 76% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Presley Regier
NEVERMIND - Bonus Track
113 bpm • A# min • 02:49 • -7.55db
47% Popularity • 81% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
47% Popularity • 81% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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Nessa Barrett
lovebomb
113 bpm • G Maj • 03:09 • -16db
56% Popularity • 60% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
56% Popularity • 60% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Dylan Conrique
birthday cake
113 bpm • D# Maj • 03:25 • -8.62db
70% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
70% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Mitski
My Love Mine All Mine
114 bpm • A Maj • 02:17 • -14.96db
94% Popularity • 50% Danceability • 31% Energy • 16% Liveness
14% Instrumentalness • 12% Positiveness
94% Popularity • 50% Danceability • 31% Energy • 16% Liveness
14% Instrumentalness • 12% Positiveness
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TeYo
Til the Moon Drops
110 bpm • C# Maj • 03:11 • -10.72db
39% Popularity • 91% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 91% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Daniel Leggs
part of the play
110 bpm • E Maj • 02:14 • -9.86db
26% Popularity • 63% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 63% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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The Neighbourhood
Reflections
114 bpm • B min • 04:04 • -7.03db
83% Popularity • 65% Danceability • 59% Energy • 12% Liveness
5% Instrumentalness • 54% Positiveness
83% Popularity • 65% Danceability • 59% Energy • 12% Liveness
5% Instrumentalness • 54% Positiveness
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David Kushner
Miserable Man
110 bpm • A# Maj • 03:52 • -10.29db
70% Popularity • 63% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
70% Popularity • 63% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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normal the kid
freckles,
110 bpm • A Maj • 03:50 • -11.36db
42% Popularity • 57% Danceability • 25% Energy • 12% Liveness
2% Instrumentalness • 19% Positiveness
42% Popularity • 57% Danceability • 25% Energy • 12% Liveness
2% Instrumentalness • 19% Positiveness
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Harry Styles
Falling
110 bpm • E Maj • 04:00 • -6.5db
83% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
83% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Lyn Lapid
cross ur mind
110 bpm • F# Maj • 03:13 • -10.19db
47% Popularity • 66% Danceability • 43% Energy • 11% Liveness
26% Instrumentalness • 12% Positiveness
47% Popularity • 66% Danceability • 43% Energy • 11% Liveness
26% Instrumentalness • 12% Positiveness
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Chance Peña
War
110 bpm • G# Maj • 02:38 • -11.38db
72% Popularity • 60% Danceability • 34% Energy • 10% Liveness
10% Instrumentalness • 20% Positiveness
72% Popularity • 60% Danceability • 34% Energy • 10% Liveness
10% Instrumentalness • 20% Positiveness
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Alfie Jukes
Eyes Wide
114 bpm • D# min • 02:27 • -5.73db
56% Popularity • 70% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
56% Popularity • 70% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Taylor Swift
Snow On The Beach
110 bpm • A Maj • 04:16 • -13.48db
73% Popularity • 66% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
73% Popularity • 66% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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DWLLRS
Dividends
110 bpm • C Maj • 03:38 • -8.14db
46% Popularity • 69% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 69% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Thomas Day
Wildflower
114 bpm • C Maj • 02:41 • -5db
42% Popularity • 61% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 61% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Harry Styles
Matilda
114 bpm • D Maj • 04:05 • -10db
79% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
79% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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elijah woods
fingers crossed
110 bpm • F Maj • 02:43 • -7.45db
66% Popularity • 66% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
66% Popularity • 66% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Adele
Love In The Dark
110 bpm • A min • 04:45 • -6.06db
80% Popularity • 33% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
80% Popularity • 33% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Hayd
Heels and Head
114 bpm • A Maj • 02:06 • -15.11db
52% Popularity • 42% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 41% Positiveness
52% Popularity • 42% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 41% Positiveness
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Michael Schulte
Falling Apart
110 bpm • G min • 03:18 • -9.36db
73% Popularity • 54% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
73% Popularity • 54% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Delaney Bailey
j's lullaby (darlin' i'd wait for you)
115 bpm • G# Maj • 04:49 • -20.08db
65% Popularity • 43% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
65% Popularity • 43% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Dhruv
double take
109 bpm • G# Maj • 02:51 • -11.14db
79% Popularity • 66% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
79% Popularity • 66% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Stephen Sanchez
Evangeline
109 bpm • D# Maj • 02:57 • -7.13db
70% Popularity • 46% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
70% Popularity • 46% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Carter Ryan
Wishes
115 bpm • B Maj • 02:50 • -9.02db
57% Popularity • 70% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
57% Popularity • 70% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Alfie Jukes
Tote Bag
115 bpm • C Maj • 03:02 • -9.05db
32% Popularity • 63% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 63% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Mark Ambor
Hair Toss, Arms Crossed
109 bpm • F# Maj • 02:37 • -6.15db
56% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
56% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Vancouver Sleep Clinic
Someone To Stay
109 bpm • C# Maj • 04:14 • -7.24db
75% Popularity • 44% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
75% Popularity • 44% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Aidan Bissett
A Song For Her
109 bpm • F Maj • 02:39 • -11db
33% Popularity • 47% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 47% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Stephen Sanchez
Missing You
115 bpm • C min • 03:55 • -12.19db
56% Popularity • 64% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
56% Popularity • 64% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Ariana Grande
we can't be friends (wait for your love)
116 bpm • F Maj • 03:48 • -8.31db
94% Popularity • 64% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
94% Popularity • 64% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Hayd
Head In The Clouds
116 bpm • E Maj • 03:04 • -17.93db
65% Popularity • 78% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
65% Popularity • 78% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Conan Gray
Maniac
108 bpm • G# Maj • 03:05 • -5.46db
79% Popularity • 63% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
79% Popularity • 63% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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Carter Ryan
Talk to You
108 bpm • D min • 03:02 • -10.58db
66% Popularity • 72% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
66% Popularity • 72% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Suriel Hess
Mr. Nice Guy
108 bpm • A Maj • 02:44 • -8.25db
48% Popularity • 68% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 68% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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sapientdream
Past Lives
116 bpm • D# Maj • 02:33 • -11.73db
76% Popularity • 74% Danceability • 37% Energy • 17% Liveness
10% Instrumentalness • 26% Positiveness
76% Popularity • 74% Danceability • 37% Energy • 17% Liveness
10% Instrumentalness • 26% Positiveness
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Maddie Zahm
Fat Funny Friend
108 bpm • C Maj • 03:19 • -7.89db
67% Popularity • 50% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
67% Popularity • 50% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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David Kushner
Elk Grove
117 bpm • C Maj • 03:35 • -12.61db
55% Popularity • 32% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
55% Popularity • 32% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
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Chase Atlantic
Friends
107 bpm • B min • 03:50 • -6.37db
81% Popularity • 33% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
81% Popularity • 33% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Ruth B.
Dandelions
117 bpm • C# Maj • 03:53 • -2.96db
88% Popularity • 61% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
88% Popularity • 61% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Wabie
Hey Lover!
117 bpm • E Maj • 02:42 • -10.14db
73% Popularity • 59% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
73% Popularity • 59% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Aidan Bissett
Tripping Over Air
117 bpm • B Maj • 03:02 • -4.81db
63% Popularity • 62% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
63% Popularity • 62% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Stephen Dawes
Lucy
117 bpm • G# Maj • 02:21 • -5.94db
38% Popularity • 74% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
38% Popularity • 74% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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David Kushner
Skin and Bones
117 bpm • A# Maj • 03:34 • -10.21db
79% Popularity • 48% Danceability • 46% Energy • 15% Liveness
48% Instrumentalness • 17% Positiveness
79% Popularity • 48% Danceability • 46% Energy • 15% Liveness
48% Instrumentalness • 17% Positiveness
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Novo Amor
Anchor
117 bpm • A Maj • 04:17 • -11.48db
78% Popularity • 46% Danceability • 41% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
78% Popularity • 46% Danceability • 41% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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ISHAN
My Mouth (la la la)
117 bpm • G# Maj • 03:11 • -6.81db
61% Popularity • 71% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
61% Popularity • 71% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Katherine Li
Isn't It Obvious
107 bpm • E Maj • 02:38 • -7.21db
42% Popularity • 63% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
42% Popularity • 63% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Aidan Bissett
Twenty Something
117 bpm • A Maj • 03:09 • -4.62db
40% Popularity • 64% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 64% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Noah Kahan
Stick Season
118 bpm • A Maj • 03:02 • -6.89db
94% Popularity • 66% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
94% Popularity • 66% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Lyn Lapid
the alternative
117 bpm • C min • 03:03 • -9.34db
54% Popularity • 51% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
54% Popularity • 51% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Stephen Sanchez
See The Light
118 bpm • E Maj • 03:00 • -5.33db
66% Popularity • 73% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
66% Popularity • 73% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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David Kushner
Cigarettes
118 bpm • C# Maj • 02:54 • -9.44db
66% Popularity • 54% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
66% Popularity • 54% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Sleeping At Last
You Are Enough
118 bpm • C# Maj • 03:00 • -8.53db
71% Popularity • 59% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
71% Popularity • 59% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Aidan Bissett
Sick
107 bpm • B min • 02:16 • -4.91db
45% Popularity • 58% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 58% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Harry Styles
Love Of My Life
118 bpm • G Maj • 03:11 • -8.23db
72% Popularity • 56% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
72% Popularity • 56% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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Alec Benjamin
Different Kind Of Beautiful
106 bpm • C Maj • 03:21 • -7.42db
62% Popularity • 52% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
62% Popularity • 52% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Suriel Hess
The Line
119 bpm • F# Maj • 03:24 • -5.7db
40% Popularity • 74% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 74% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Tate McRae
Teenage Mind
119 bpm • E min • 02:35 • -9.72db
67% Popularity • 67% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
67% Popularity • 67% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Stephen Dawes
Want Me
119 bpm • D Maj • 02:43 • -4.26db
61% Popularity • 64% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
61% Popularity • 64% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Benson Boone
Beautiful Things
105 bpm • A# Maj • 03:00 • -5.69db
65% Popularity • 47% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
65% Popularity • 47% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Aidan Bissett
Bloom
105 bpm • C Maj • 03:33 • -5.68db
51% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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kenzie
anatomy
105 bpm • C Maj • 03:02 • -13.05db
65% Popularity • 51% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
65% Popularity • 51% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Claire Rosinkranz
don't miss me
105 bpm • C# Maj • 02:03 • -4.73db
62% Popularity • 80% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
62% Popularity • 80% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Tate McRae
that way
105 bpm • C Maj • 02:55 • -11.02db
77% Popularity • 45% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 33% Positiveness
77% Popularity • 45% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 33% Positiveness
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Dove Cameron
We Go Down Together
105 bpm • A min • 03:04 • -9.79db
65% Popularity • 49% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
65% Popularity • 49% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Haley Joelle
Two Places at Once
105 bpm • D Maj • 03:19 • -9.96db
53% Popularity • 50% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
53% Popularity • 50% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
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Jace June
Goodbye My Baby
120 bpm • C Maj • 03:14 • -11.92db
57% Popularity • 56% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 9% Positiveness
57% Popularity • 56% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 9% Positiveness
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Ashe
Moral of the Story
120 bpm • A# Maj • 03:21 • -8.62db
77% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
77% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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New West
Those Eyes
120 bpm • E Maj • 04:04 • -8.29db
55% Popularity • 57% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
55% Popularity • 57% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Ruth B.
If By Chance
120 bpm • A# Maj • 05:03 • -8.1db
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 40% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Rex Orange County
THE SHADE
120 bpm • F Maj • 03:01 • -7.97db
76% Popularity • 90% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
76% Popularity • 90% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Benson Boone
What Was
120 bpm • E Maj • 03:35 • -5db
65% Popularity • 63% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
65% Popularity • 63% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Zeph
could you love me while i hate myself
120 bpm • A Maj • 01:00 • -11.31db
74% Popularity • 68% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
74% Popularity • 68% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Ashe
Moral of the Story - Bonus Track
120 bpm • A# Maj • 03:18 • -8.9db
70% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
70% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Ashley Singh
10 Summers - Alfie Jukes Open Verse Edit...
120 bpm • F Maj • 02:40 • -7.97db
36% Popularity • 75% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 75% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Chord Overstreet
Hold On
120 bpm • D Maj • 03:18 • -9.68db
78% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
78% Popularity • 62% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Billie Eilish
Bored
120 bpm • G Maj • 03:00 • -12.7db
81% Popularity • 61% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
81% Popularity • 61% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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One Direction
Night Changes
120 bpm • G# Maj • 03:46 • -7.75db
88% Popularity • 67% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
88% Popularity • 67% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Lexi Jayde
newbury park
120 bpm • C# Maj • 02:54 • -7.13db
52% Popularity • 68% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 68% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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New West
Those Eyes
120 bpm • E Maj • 03:40 • -8.27db
82% Popularity • 59% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
82% Popularity • 59% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
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Alex Warren
Chasing Shadows
120 bpm • C# min • 02:44 • -8.04db
69% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
69% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Wallows
Are You Bored Yet?
120 bpm • G# min • 02:58 • -6.44db
82% Popularity • 68% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
82% Popularity • 68% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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GRAHAM
Love Like Kids
120 bpm • A Maj • 02:15 • -5.55db
60% Popularity • 77% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
60% Popularity • 77% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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One Direction
Right Now
120 bpm • G# Maj • 03:20 • -5.17db
78% Popularity • 64% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
78% Popularity • 64% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Taylor Swift
You're On Your Own, Kid
120 bpm • D Maj • 03:14 • -10.29db
81% Popularity • 70% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
81% Popularity • 70% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Hayd
All of the Stars
120 bpm • C Maj • 03:25 • -12.95db
62% Popularity • 61% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
62% Popularity • 61% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Ruel
LET THE GRASS GROW
120 bpm • F Maj • 02:55 • -7.62db
43% Popularity • 59% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 59% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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A-Wall
Loverboy
120 bpm • C Maj • 03:44 • -10.09db
68% Popularity • 60% Danceability • 47% Energy • 9% Liveness
3% Instrumentalness • 50% Positiveness
68% Popularity • 60% Danceability • 47% Energy • 9% Liveness
3% Instrumentalness • 50% Positiveness
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sombr
caroline
120 bpm • G Maj • 03:18 • -17.21db
60% Popularity • 49% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
60% Popularity • 49% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Thomas Day
VICIOUS
120 bpm • A Maj • 02:12 • -5.87db
52% Popularity • 75% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
52% Popularity • 75% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
