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Tell You Not To Worry
Songs like
Tell You Not To Worry
by
The Meltdown
Based on a tempo of (+/- 10%) and a similar genre
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Steffen Morrison
Days of Confusion
90 bpm • E min • 03:14 • -5.67db
18% Popularity • 60% Danceability • 86% Energy • 42% Liveness
0% Instrumentalness • 82% Positiveness
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Jordan Mackampa
What Am I
90 bpm • A Maj • 04:09 • -11db
48% Popularity • 58% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
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Octave Lissner
Please Hold On
90 bpm • A Maj • 03:24 • -13.03db
40% Popularity • 84% Danceability • 44% Energy • 14% Liveness
4% Instrumentalness • 36% Positiveness
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Dallas Tamaira
Just Fine
90 bpm • G# min • 02:54 • -7.07db
43% Popularity • 77% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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The Meltdown
Tell You Not To Worry
90 bpm • F# min • 04:42 • -8.55db
47% Popularity • 63% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Malted Milk
It Ain't Time for a Change
90 bpm • F# Maj • 04:08 • -7.26db
24% Popularity • 67% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Kat Eaton
Need A New Way To Say I Love You
90 bpm • D Maj • 03:13 • -8db
43% Popularity • 74% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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JúnÃus Meyvant
High Heels
90 bpm • A Maj • 03:46 • -8.92db
18% Popularity • 60% Danceability • 35% Energy • 14% Liveness
1% Instrumentalness • 48% Positiveness
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Octave Lissner
She Gets High
90 bpm • G Maj • 02:54 • -12.63db
46% Popularity • 82% Danceability • 46% Energy • 8% Liveness
18% Instrumentalness • 74% Positiveness
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Black Pumas
Colors
90 bpm • E Maj • 04:06 • -6.54db
73% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Theo Lawrence and The Hearts
Search Your Heart
91 bpm • D Maj • 03:53 • -9.82db
41% Popularity • 66% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 50% Positiveness
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Hamish Anderson
What You Do To Me - Radio Edit
89 bpm • A Maj • 04:11 • -6.29db
17% Popularity • 73% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Louis Baker
So Lo
89 bpm • D# min • 03:51 • -7.03db
40% Popularity • 82% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Jake Isaac
WHEN IT HURTS
89 bpm • A min • 03:01 • -9.89db
36% Popularity • 72% Danceability • 58% Energy • 12% Liveness
11% Instrumentalness • 37% Positiveness
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Greyhounds
Learning How to Love
91 bpm • F Maj • 03:27 • -10.25db
33% Popularity • 53% Danceability • 39% Energy • 18% Liveness
1% Instrumentalness • 36% Positiveness
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Ocie Elliott
Now You Don't
89 bpm • C Maj • 03:11 • -11.49db
60% Popularity • 50% Danceability • 33% Energy • 10% Liveness
18% Instrumentalness • 27% Positiveness
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Malted Milk
To Build Something
89 bpm • A# Maj • 03:45 • -6.83db
55% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Kajsa Vala
Fly Free
89 bpm • A# min • 04:51 • -9.38db
26% Popularity • 68% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Sons Of The East
Inappropriate Behaviour
91 bpm • B Maj • 03:16 • -9db
51% Popularity • 59% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Strange Faith
Walking Over
92 bpm • D Maj • 02:42 • -11.02db
41% Popularity • 71% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Ruthie Foster
Feels Like Freedom
88 bpm • A# Maj • 03:50 • -4.78db
20% Popularity • 40% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Izo FitzRoy
Day by Day
92 bpm • A min • 03:49 • -9.05db
47% Popularity • 74% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Owen Campbell
I Wanna See Your Love
92 bpm • D Maj • 03:34 • -9.94db
32% Popularity • 68% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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River Matthews
Undo Ordinary
92 bpm • G Maj • 04:44 • -8.47db
31% Popularity • 67% Danceability • 52% Energy • 8% Liveness
12% Instrumentalness • 61% Positiveness
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Josh Farrow
I'll Be Your Fool
88 bpm • F Maj • 03:35 • -10db
40% Popularity • 71% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Lack Of Afro
Wait for Me
88 bpm • F Maj • 03:14 • -5db
37% Popularity • 82% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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North Mississippi Allstars
Set Sail part I
88 bpm • F Maj • 04:57 • -12.93db
24% Popularity • 80% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Southern Avenue
That's All
88 bpm • G min • 04:08 • -6.9db
31% Popularity • 75% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Octave Lissner
Out of Love
88 bpm • A Maj • 03:35 • -13.79db
31% Popularity • 70% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Mica Millar
More Than You Give Me
92 bpm • F min • 02:52 • -7.49db
52% Popularity • 59% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Jesse Roper
Make It All Work Out
92 bpm • C# Maj • 03:05 • -7.38db
45% Popularity • 69% Danceability • 47% Energy • 11% Liveness
5% Instrumentalness • 24% Positiveness
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BRTHR
Speak Loud (When You Speak Love)
88 bpm • B Maj • 02:59 • -9.58db
21% Popularity • 68% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Dekker
Tethered, Wrapped Around
92 bpm • C# Maj • 03:15 • -11.6db
53% Popularity • 77% Danceability • 24% Energy • 12% Liveness
4% Instrumentalness • 70% Positiveness
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Dojo Cuts
Easy to Come Home
92 bpm • E min • 03:33 • -8db
59% Popularity • 78% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
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The Meltdown
Sweet Water - Live at the Night Cat
93 bpm • A# min • 05:48 • -9.41db
22% Popularity • 62% Danceability • 49% Energy • 7% Liveness
1% Instrumentalness • 51% Positiveness
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DeWolff
Will o' the Wisp
93 bpm • A min • 03:23 • -12.12db
33% Popularity • 58% Danceability • 32% Energy • 12% Liveness
9% Instrumentalness • 67% Positiveness
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Devon Gilfillian
Here and Now
87 bpm • A# Maj • 03:38 • -8db
49% Popularity • 73% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Lloyd Spiegel
Tangled Brew
87 bpm • G# min • 03:57 • -9.16db
30% Popularity • 64% Danceability • 52% Energy • 12% Liveness
6% Instrumentalness • 79% Positiveness
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Izo FitzRoy
Red Line
87 bpm • C min • 03:34 • -8.01db
46% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Dekker
Back and Forth
93 bpm • G# Maj • 03:27 • -10.72db
50% Popularity • 61% Danceability • 58% Energy • 11% Liveness
54% Instrumentalness • 34% Positiveness
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The Teskey Brothers
Those Were The Days
93 bpm • F min • 01:21 • -8.44db
60% Popularity • 80% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Mark McGuinn
Ungodly
93 bpm • F Maj • 02:58 • -8.49db
22% Popularity • 78% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Vintage Trouble
Not the One
93 bpm • F min • 03:38 • -9.6db
20% Popularity • 81% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Nick Mulvey
Causes
93 bpm • F Maj • 05:31 • -10.36db
30% Popularity • 83% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 63% Positiveness
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Jordan Mackampa
Love at First Sight
93 bpm • G min • 04:06 • -10db
37% Popularity • 56% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Andreya Triana
The Changing Shapes of Love
93 bpm • A min • 03:27 • -7.36db
46% Popularity • 76% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Próxima Parada
Time in a Circle
87 bpm • F Maj • 04:28 • -7.84db
45% Popularity • 70% Danceability • 36% Energy • 13% Liveness
5% Instrumentalness • 48% Positiveness
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Pete Josef
Sunny Side Up
87 bpm • G Maj • 04:00 • -8.11db
32% Popularity • 70% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Monophonics
It's Only Us - Acoustic
87 bpm • C min • 04:25 • -7.26db
30% Popularity • 68% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Matt Sucich
Upper West Side
87 bpm • D Maj • 03:32 • -15.03db
26% Popularity • 63% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Jesse Roper
Body Language
93 bpm • C Maj • 03:28 • -6.21db
34% Popularity • 55% Danceability • 62% Energy • 64% Liveness
0% Instrumentalness • 54% Positiveness
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Lady Blackbird
Woman (Single Edit)
94 bpm • C Maj • 03:02 • -5.59db
41% Popularity • 52% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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The Marcus King Band
Rita Is Gone
87 bpm • F Maj • 04:25 • -8.22db
59% Popularity • 62% Danceability • 44% Energy • 9% Liveness
7% Instrumentalness • 80% Positiveness
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Dojo Cuts
Falling in Love Again
94 bpm • E min • 03:50 • -8db
45% Popularity • 82% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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Jon and Roy
Mountain Town
94 bpm • G# Maj • 02:17 • -11.27db
51% Popularity • 67% Danceability • 46% Energy • 10% Liveness
5% Instrumentalness • 47% Positiveness
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Kat Eaton
Checking In
94 bpm • G Maj • 03:31 • -7db
36% Popularity • 61% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Dekker
I Think You Know
86 bpm • G min • 03:29 • -9.99db
39% Popularity • 74% Danceability • 60% Energy • 8% Liveness
41% Instrumentalness • 79% Positiveness
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Matt Corby
Reelin'
86 bpm • A Maj • 03:28 • -9.76db
43% Popularity • 67% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Aaron Frazer
If I Got It (Your Love Brought It)
95 bpm • G# min • 02:54 • -6.51db
72% Popularity • 81% Danceability • 55% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
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Hajaj
Let Me Get To Know You
86 bpm • A# Maj • 03:26 • -13.03db
54% Popularity • 77% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Marcus King
One Day She’s Here
95 bpm • B min • 03:47 • -6.55db
49% Popularity • 54% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Izo FitzRoy
Little Birdie
95 bpm • F# min • 04:03 • -6db
33% Popularity • 58% Danceability • 81% Energy • 13% Liveness
2% Instrumentalness • 55% Positiveness
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Charlie Cunningham
Shame I Know
95 bpm • E min • 03:21 • -15.26db
43% Popularity • 69% Danceability • 21% Energy • 12% Liveness
42% Instrumentalness • 27% Positiveness
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Ev Jones
To Myself
95 bpm • C# min • 03:37 • -6.74db
33% Popularity • 81% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Octave Lissner
Schoolboy Blues
85 bpm • E Maj • 03:08 • -11.42db
25% Popularity • 79% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Ondara
A Seminar In Tokyo
96 bpm • C Maj • 04:32 • -16.93db
38% Popularity • 62% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Cosmo Klein
Love 4 Sale
96 bpm • C Maj • 03:21 • -6.3db
31% Popularity • 88% Danceability • 51% Energy • 7% Liveness
3% Instrumentalness • 72% Positiveness
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Kat Eaton
Slow It Down
85 bpm • G# Maj • 03:51 • -7.85db
39% Popularity • 66% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Rhonda
So Wrong
96 bpm • G Maj • 04:27 • -6.3db
20% Popularity • 69% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Black Pumas
Old Man
84 bpm • C Maj • 03:17 • -7.79db
46% Popularity • 65% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Malted Milk
1975
96 bpm • F min • 03:11 • -9.31db
35% Popularity • 67% Danceability • 60% Energy • 12% Liveness
47% Instrumentalness • 87% Positiveness
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Mike Andersen
Next Time You Call
96 bpm • E min • 03:35 • -7.26db
29% Popularity • 74% Danceability • 43% Energy • 14% Liveness
3% Instrumentalness • 44% Positiveness
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Forest Sun
Only Passing Time
84 bpm • C Maj • 02:34 • -9.1db
30% Popularity • 62% Danceability • 57% Energy • 26% Liveness
4% Instrumentalness • 62% Positiveness
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Michael Kiwanuka
It Always Comes Back Around
96 bpm • A# min • 03:19 • -12.94db
44% Popularity • 70% Danceability • 40% Energy • 10% Liveness
46% Instrumentalness • 46% Positiveness
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Izo FitzRoy
Everybody Knows This Ain't Right - Mixed
84 bpm • F min • 02:23 • -7.11db
25% Popularity • 63% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Curtis Harding
Where We Are - Edit
96 bpm • A min • 03:58 • -5.36db
34% Popularity • 48% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Malted Milk
A little bit of soul
96 bpm • B min • 03:27 • -6.68db
27% Popularity • 64% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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David Myles
Mystery
84 bpm • F Maj • 03:25 • -8.41db
24% Popularity • 67% Danceability • 53% Energy • 19% Liveness
14% Instrumentalness • 77% Positiveness
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The Meltdown
Sweet Water
97 bpm • D# min • 03:51 • -7db
59% Popularity • 71% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Jesper Munk
You Won't See Me Go
97 bpm • E min • 03:21 • -8db
42% Popularity • 73% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Izo FitzRoy
Everybody Knows This Ain't Right
84 bpm • C min • 04:07 • -5.85db
36% Popularity • 67% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Stu Larsen
Part Time Lover - Stripped
97 bpm • G# Maj • 03:25 • -12.38db
39% Popularity • 60% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Malted Milk
More and More
84 bpm • A Maj • 04:55 • -8db
35% Popularity • 41% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Mica Millar
Flashlights
97 bpm • A min • 03:14 • -8db
47% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Elise LeGrow
Drinking In The Day
97 bpm • C# min • 03:14 • -5.49db
31% Popularity • 66% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Thorbjørn Risager
The Way You Make Me Feel
97 bpm • C min • 04:22 • -6.93db
17% Popularity • 75% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Big Daddy Wilson
The City Streets (Ps.23)
97 bpm • D Maj • 04:32 • -9.48db
15% Popularity • 68% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Monophonics
Find My Way Back Home
83 bpm • D# min • 03:13 • -4.87db
37% Popularity • 57% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Luke Winslow-King
Slow Sunday June
83 bpm • D Maj • 02:29 • -8.79db
39% Popularity • 49% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
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Yirrmal
Love Sweet Love
83 bpm • G Maj • 02:44 • -8.58db
21% Popularity • 71% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Dekker
Do It All Again
83 bpm • C min • 03:19 • -10db
51% Popularity • 65% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Octave Lissner
Corners
83 bpm • D Maj • 03:39 • -5.93db
55% Popularity • 74% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Kat Eaton
Dreaming About You
83 bpm • E Maj • 04:27 • -6.24db
29% Popularity • 61% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Mercy John
Nighttime Walk
83 bpm • C# Maj • 05:36 • -7.23db
11% Popularity • 62% Danceability • 67% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
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Jonathan Jeremiah
The Rope
98 bpm • A# min • 02:56 • -6.47db
26% Popularity • 60% Danceability • 79% Energy • 11% Liveness
81% Instrumentalness • 90% Positiveness
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Lloyd Spiegel
Stranger Things
98 bpm • E min • 03:23 • -8.75db
24% Popularity • 82% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Black Pumas
Wichita Lineman - Electric Deluxe Sessio...
83 bpm • D min • 03:14 • -9.03db
41% Popularity • 43% Danceability • 49% Energy • 9% Liveness
18% Instrumentalness • 34% Positiveness
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Bobby Bazini
Pearl
98 bpm • B min • 05:25 • -10.29db
31% Popularity • 60% Danceability • 59% Energy • 8% Liveness
2% Instrumentalness • 52% Positiveness
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Dojo Cuts
Stuck On You - Demo Version
83 bpm • E Maj • 02:18 • -10.05db
33% Popularity • 65% Danceability • 17% Energy • 8% Liveness
81% Instrumentalness • 28% Positiveness
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Mimi Gilbert
Taught to Build Walls
98 bpm • G Maj • 03:41 • -8.39db
29% Popularity • 60% Danceability • 46% Energy • 24% Liveness
1% Instrumentalness • 32% Positiveness
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Tell You Not To Worry