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Ten More Years
Songs like
Ten More Years
by
Steve Jensen
Based on a tempo of (+/- 10%) and a similar genre
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The Silencers
Sunnyside
125 bpm • C Maj • 03:54 • -8.56db
16% Popularity • 54% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Steve Jensen
Ten More Years
125 bpm • C# min • 05:19 • -4.35db
0% Popularity • 57% Danceability • 80% Energy • 8% Liveness
6% Instrumentalness • 78% Positiveness
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Mighty Oaks
What You Fighting For
125 bpm • F Maj • 02:27 • -7.75db
29% Popularity • 74% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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Jon Allen
Heat of the Moment
125 bpm • A# Maj • 03:28 • -9.21db
21% Popularity • 74% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Julian Taylor
Seeds
125 bpm • A# Maj • 04:00 • -8.83db
36% Popularity • 72% Danceability • 68% Energy • 24% Liveness
2% Instrumentalness • 90% Positiveness
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Isaac Elliott
Stay Together
125 bpm • A Maj • 02:01 • -6.64db
15% Popularity • 55% Danceability • 86% Energy • 9% Liveness
10% Instrumentalness • 65% Positiveness
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Evan McHugh
It's a Beautiful Day
125 bpm • E Maj • 03:35 • -8.99db
40% Popularity • 65% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Woody & Co
Feels Good To Feel Wrong
125 bpm • C Maj • 03:11 • -8.62db
16% Popularity • 86% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Ward White
Continuity
125 bpm • F# min • 03:59 • -5.94db
11% Popularity • 68% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Miles Kane
Shavambacu
125 bpm • G min • 03:34 • -5.35db
32% Popularity • 53% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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King Tuff
Tell Me
125 bpm • D Maj • 03:21 • -6.38db
17% Popularity • 61% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Manic Street Preachers
His Last Painting - Remastered
125 bpm • E min • 03:18 • -6.64db
15% Popularity • 49% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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J Shogren Shanghai'd
Swampland
125 bpm • E Maj • 03:47 • -6.77db
18% Popularity • 62% Danceability • 74% Energy • 18% Liveness
3% Instrumentalness • 46% Positiveness
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Scott Lavene
Waitrose Has Run Out Of Lobsters
124 bpm • A Maj • 03:20 • -4.5db
17% Popularity • 80% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Dragon
Bus Stop
126 bpm • G# min • 03:16 • -8.57db
9% Popularity • 64% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Tage
Piece of Heaven
126 bpm • G Maj • 03:26 • -7.87db
16% Popularity • 60% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Steve Jensen
Brand New Year with You
124 bpm • D Maj • 02:26 • -10.86db
0% Popularity • 69% Danceability • 26% Energy • 14% Liveness
2% Instrumentalness • 28% Positiveness
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Shenanygans
Count on Me
126 bpm • G Maj • 02:40 • -8.21db
30% Popularity • 67% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Padraig Jack
Atone
124 bpm • F Maj • 02:52 • -10.39db
18% Popularity • 68% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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The Chills
Bad Sugar
126 bpm • A Maj • 03:14 • -5.85db
8% Popularity • 56% Danceability • 87% Energy • 15% Liveness
1% Instrumentalness • 63% Positiveness
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Brazzaville
Girl
124 bpm • F Maj • 03:41 • -10.49db
9% Popularity • 75% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Laser & bas
Kan Du Känna Hur Det Blåser
124 bpm • C Maj • 03:33 • -9.01db
22% Popularity • 74% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Gene Clarksville
A Sunny Day
126 bpm • D Maj • 03:05 • -8.53db
12% Popularity • 75% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 14% Positiveness
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Benjamin Theodore
Your Love Is Amazing
124 bpm • A Maj • 03:39 • -8.03db
14% Popularity • 72% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Electric Light Orchestra
One Step at a Time
126 bpm • E min • 03:21 • -6.84db
32% Popularity • 55% Danceability • 85% Energy • 37% Liveness
85% Instrumentalness • 77% Positiveness
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Texicana
Just Between Us
126 bpm • A Maj • 03:09 • -6.99db
15% Popularity • 53% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Miles Hunt
In My Sights
124 bpm • F# Maj • 03:41 • -7.89db
12% Popularity • 57% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
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Crowpony
Miss Macaulay
124 bpm • D# Maj • 03:15 • -13.2db
11% Popularity • 75% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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James Barth
Awakened
124 bpm • C min • 02:40 • -11.68db
21% Popularity • 72% Danceability • 45% Energy • 14% Liveness
1% Instrumentalness • 62% Positiveness
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Doug Hoyer
Meet Me in the Pale Moonlight
126 bpm • C Maj • 03:46 • -8.06db
20% Popularity • 52% Danceability • 73% Energy • 12% Liveness
4% Instrumentalness • 53% Positiveness
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Josh Rouse
City Dog
126 bpm • C# min • 03:16 • -11.57db
18% Popularity • 67% Danceability • 68% Energy • 27% Liveness
5% Instrumentalness • 91% Positiveness
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Dr. Dog
Abandoned Mansion
124 bpm • A Maj • 05:22 • -7.92db
47% Popularity • 48% Danceability • 52% Energy • 6% Liveness
1% Instrumentalness • 28% Positiveness
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Matt Berry
One by One
126 bpm • F# min • 03:09 • -11.44db
17% Popularity • 70% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Alice Cooper
Be With You A While
126 bpm • D Maj • 04:17 • -5.92db
12% Popularity • 55% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Pavlov's Dog
Being in Love
124 bpm • A Maj • 02:32 • -6.5db
13% Popularity • 55% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Neil Diamond
Sunny Disposition
123 bpm • E Maj • 03:14 • -6.61db
12% Popularity • 60% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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A Bad Think
Hungry Eyes
127 bpm • A min • 03:31 • -6.84db
30% Popularity • 61% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Bryan Estepa
Back To The Middle
123 bpm • D# Maj • 03:17 • -6.84db
9% Popularity • 62% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Grand Archives
Miniature Birds
123 bpm • E Maj • 03:33 • -7.24db
7% Popularity • 63% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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The Monotrol Kid
Steller's Jay
127 bpm • C# Maj • 03:35 • -9.66db
30% Popularity • 57% Danceability • 64% Energy • 32% Liveness
10% Instrumentalness • 92% Positiveness
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Sebastian Ortiz
Everyday She Comes Back
127 bpm • D Maj • 02:02 • -8.46db
20% Popularity • 69% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Madness
Baby Burglar
123 bpm • C min • 04:05 • -6.89db
33% Popularity • 69% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Daisy Jones & The Six
Regret Me
123 bpm • G Maj • 03:16 • -3.6db
57% Popularity • 49% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Trey Anastasio
Shaking Someone's Outstretched Hand
127 bpm • B min • 02:43 • -6.03db
10% Popularity • 57% Danceability • 78% Energy • 48% Liveness
0% Instrumentalness • 63% Positiveness
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Silvertwin
Promises
123 bpm • A min • 04:05 • -8.66db
41% Popularity • 52% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Fun Lovin' Criminals
Summer Wind
122 bpm • C Maj • 02:43 • -9.11db
23% Popularity • 38% Danceability • 46% Energy • 9% Liveness
2% Instrumentalness • 32% Positiveness
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Red Hot Chili Peppers
Not the One
128 bpm • G Maj • 04:26 • -7.67db
47% Popularity • 60% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Edwyn Collins
I Guess We Were Young
128 bpm • G# Maj • 03:24 • -8.09db
14% Popularity • 59% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Walter Trout
I Wanna Stay
128 bpm • G Maj • 04:36 • -8.94db
27% Popularity • 52% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Fanfarlo
Comets
122 bpm • G Maj • 05:44 • -7db
18% Popularity • 45% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Morningsiders
Hang the Cedar
128 bpm • A# Maj • 03:07 • -6db
34% Popularity • 63% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Riders Of The Canyon
Dirty Water
128 bpm • E min • 03:50 • -6.49db
12% Popularity • 27% Danceability • 78% Energy • 18% Liveness
1% Instrumentalness • 48% Positiveness
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Taburete
Blue Rihanna
122 bpm • D# Maj • 04:03 • -7.36db
34% Popularity • 43% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Patti Smith
April Fool
122 bpm • D Maj • 03:47 • -9.55db
33% Popularity • 74% Danceability • 49% Energy • 9% Liveness
33% Instrumentalness • 39% Positiveness
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Tay Oskee
The Pill
122 bpm • G min • 03:35 • -11db
31% Popularity • 70% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Old Kid
In Case You're Listening
122 bpm • B min • 03:18 • -7.75db
20% Popularity • 72% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Tage
Somebody to Love
128 bpm • A Maj • 02:36 • -6db
12% Popularity • 56% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Tanner Peterson
Losin' My Soul
128 bpm • C Maj • 02:45 • -7.08db
22% Popularity • 60% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Red Rum Club
Favourite Record
128 bpm • D min • 02:43 • -11.21db
34% Popularity • 63% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Kacimi
Stephanie Says
122 bpm • C Maj • 02:34 • -8.99db
10% Popularity • 71% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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Matt Maltese
Hello Black Dog
129 bpm • F# min • 03:14 • -9.47db
46% Popularity • 51% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Mooneye
Girl Like You
129 bpm • A min • 03:52 • -10.64db
31% Popularity • 68% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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The Fullers
The Lighthouse
129 bpm • A min • 02:28 • -8.74db
21% Popularity • 53% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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David McGovern
Beautiful Girl
121 bpm • B Maj • 03:46 • -6.64db
11% Popularity • 58% Danceability • 83% Energy • 15% Liveness
76% Instrumentalness • 67% Positiveness
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Erlend Øye
Save Some Loving
129 bpm • F Maj • 04:33 • -8.28db
24% Popularity • 70% Danceability • 63% Energy • 14% Liveness
25% Instrumentalness • 78% Positiveness
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Cass McCombs
New Earth
130 bpm • D Maj • 04:11 • -9db
23% Popularity • 72% Danceability • 83% Energy • 39% Liveness
0% Instrumentalness • 90% Positiveness
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The Banzai Predicament
Orphaned Skies
121 bpm • C# min • 03:26 • -6.71db
32% Popularity • 74% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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The Kooks
She Moves In Her Own Way - Acoustic
130 bpm • G Maj • 03:27 • -6.77db
36% Popularity • 66% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Steve Jensen
All in a Day
130 bpm • E Maj • 03:31 • -4.6db
0% Popularity • 47% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Jo Ellen Pameolik
Pink Sky
130 bpm • C Maj • 03:48 • -6.84db
15% Popularity • 76% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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La Belle Époque
Out of Bad Luck
130 bpm • F Maj • 04:59 • -7.07db
14% Popularity • 44% Danceability • 78% Energy • 9% Liveness
3% Instrumentalness • 59% Positiveness
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John Bramwell
Who Is Anybody?
130 bpm • G Maj • 03:18 • -9.26db
20% Popularity • 81% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Tom Meighan
Everyday People
130 bpm • A min • 04:11 • -7.77db
19% Popularity • 53% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Comett
Love Is What You Make It
130 bpm • F# min • 02:51 • -7db
30% Popularity • 66% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Teenage Fanclub
Living With You
120 bpm • D min • 02:55 • -10.15db
12% Popularity • 64% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Vic Cracknell
Sweet Senorita
130 bpm • A Maj • 04:09 • -7.44db
12% Popularity • 78% Danceability • 68% Energy • 21% Liveness
1% Instrumentalness • 92% Positiveness
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Houndmouth
McKenzie
120 bpm • F Maj • 03:14 • -7.34db
60% Popularity • 83% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Sniff 'n' The Tears
Here's to You
120 bpm • A min • 03:49 • -9db
10% Popularity • 69% Danceability • 58% Energy • 13% Liveness
1% Instrumentalness • 67% Positiveness
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Cabela and Schmitt
One and Only First
120 bpm • E Maj • 03:49 • -6db
23% Popularity • 59% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Big Whip
Once or Twice
120 bpm • G Maj • 03:16 • -7.67db
22% Popularity • 62% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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Ohmb
500 Nights
120 bpm • A Maj • 03:36 • -5.13db
20% Popularity • 50% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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The Boys With The Perpetual Nervousness
Isolation
120 bpm • G# Maj • 02:48 • -9db
8% Popularity • 52% Danceability • 62% Energy • 14% Liveness
43% Instrumentalness • 80% Positiveness
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Atomic Sexies
UNTRUE
120 bpm • E Maj • 04:22 • -6.07db
12% Popularity • 66% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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The Smashed Avocados
Hey Ga
120 bpm • D# Maj • 03:50 • -8.44db
15% Popularity • 73% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Mountain Mansion
Fog Walker of Copton Ridge
130 bpm • A min • 02:27 • -10.54db
15% Popularity • 58% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Rosellas
Slowdance
120 bpm • B Maj • 04:30 • -12db
22% Popularity • 72% Danceability • 69% Energy • 88% Liveness
0% Instrumentalness • 90% Positiveness
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Shane Patrick
What Comes Next
120 bpm • C# Maj • 03:36 • -10.57db
25% Popularity • 74% Danceability • 45% Energy • 13% Liveness
8% Instrumentalness • 67% Positiveness
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The Iddy-Biddies
Waiting to Say Goodbye
120 bpm • A min • 03:12 • -9.3db
8% Popularity • 56% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Turn Turn Turn
Cold Hard Truth
120 bpm • C Maj • 03:11 • -8db
16% Popularity • 67% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Jørgen Brustad
The Saint In Shady Belle
120 bpm • G min • 05:02 • -8.24db
13% Popularity • 51% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Hippo Campus
Kick in the Teeth
120 bpm • G# Maj • 02:47 • -5.98db
44% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Morten Abel
Trendsetter
120 bpm • D# Maj • 03:50 • -5db
23% Popularity • 64% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Jeff Slate
(Broken) Without You
120 bpm • B min • 04:36 • -6.67db
30% Popularity • 61% Danceability • 86% Energy • 17% Liveness
2% Instrumentalness • 70% Positiveness
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Absynthe Minded
Cancel Fest
120 bpm • C min • 02:55 • -7.32db
16% Popularity • 69% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Julian du Perron
Made in Hollywood
120 bpm • D# Maj • 03:28 • -7.99db
39% Popularity • 59% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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The Duffle Coat Kids
Evelyn
120 bpm • A# Maj • 04:31 • -8.14db
14% Popularity • 61% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Letto
Almost
120 bpm • A# Maj • 03:42 • -7.87db
10% Popularity • 72% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Steve Jensen
200 Words
120 bpm • A min • 02:50 • -4.44db
0% Popularity • 74% Danceability • 69% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
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Alfred JT
LaHozaronda
120 bpm • D Maj • 03:41 • -10.87db
0% Popularity • 62% Danceability • 61% Energy • 12% Liveness
87% Instrumentalness • 52% Positiveness
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John Grant
Outer Space
120 bpm • G# Maj • 03:14 • -6.44db
32% Popularity • 53% Danceability • 43% Energy • 11% Liveness
16% Instrumentalness • 33% Positiveness
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Ten More Years