Songs like Tenebrae Responsories for Holy Saturday: Ecce quomodo moritur iustus by Tomás Luis de Victoria
Based on a tempo of (+/- 10%) and a similar genre
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Charles D'Argentil
Missa pro defunctis: V. Sanctus
80 bpm • A Maj • 03:14 • -13.11db
15% Popularity • 15% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 15% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
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Carlo Gesualdo
Io parto e non piu dissi
80 bpm • A min • 03:06 • -27db
23% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
23% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Liturgical Chants: 4 Spiritual Songs: Ch...
80 bpm • A Maj • 02:34 • -32db
33% Popularity • 12% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
33% Popularity • 12% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
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Josef Rheinberger
Hymnen, Op. 140: III. Eripe me
80 bpm • D Maj • 04:11 • -23.81db
9% Popularity • 15% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Monks Of The Abbey Of Notre Dame
O Fire of the Spirit and Defender
80 bpm • E min • 02:18 • -23.88db
31% Popularity • 32% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 32% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Cyrillus Kreek
Taaveti laulud 22, "Mu Jumal! Mu Jumal!"...
80 bpm • G Maj • 04:26 • -26db
9% Popularity • 9% Danceability • 5% Energy • 11% Liveness
7% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 5% Energy • 11% Liveness
7% Instrumentalness • 3% Positiveness
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Giovanni Pierluigi da Palestrina
Osculetur me
80 bpm • C min • 03:23 • -24.13db
18% Popularity • 16% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Tomás Luis de Victoria
Tenebrae Responsories - Matins Responsor...
80 bpm • C# Maj • 04:10 • -25.61db
13% Popularity • 16% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 16% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 9% Positiveness
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Lumen Valo
Ralph Vaughan Williams: Rest
80 bpm • D# Maj • 04:03 • -22.98db
15% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
15% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
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Carlo Gesualdo
Tenebrae Responsories, Feria quinta: I. ...
80 bpm • A min • 04:19 • -22.35db
15% Popularity • 9% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Dmitry Bortniansky
Sacred Concerto No. 27, "Hlasom moim ko ...
80 bpm • B min • 03:12 • -22.89db
8% Popularity • 20% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Matteo da Perugia
Ave sancta mundi salus - Agnus dei
80 bpm • E min • 02:10 • -21db
8% Popularity • 22% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 22% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Gareth Treseder
Bethle'm Baby (SATB)
80 bpm • F Maj • 03:16 • -27.67db
8% Popularity • 18% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 18% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Tomás Luis de Victoria
O quam gloriosum
80 bpm • D# Maj • 02:39 • -23.17db
10% Popularity • 16% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 16% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
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Jacobus Gallus
Ecce quomodo moritur justus
80 bpm • E Maj • 04:05 • -28db
11% Popularity • 14% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Eccard
Maria wallt zum Heiligtum
81 bpm • C min • 03:21 • -18.84db
16% Popularity • 17% Danceability • 15% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 15% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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Heinrich Kaminski
Psalm 130: Aus der Tiefe reufe ich, Herr...
81 bpm • D min • 01:50 • -27db
24% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
24% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
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Léonin
Viderunt omnes No. 1: Notum fecit... (2-...
79 bpm • C# Maj • 00:44 • -21db
28% Popularity • 21% Danceability • 7% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
28% Popularity • 21% Danceability • 7% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
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Tomás Luis de Victoria
Tenebrae Responsories - Matins Responsor...
80 bpm • C# min • 02:43 • -24.88db
14% Popularity • 8% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Anton Bruckner
Salvum fac populum tuum, WAB 40
81 bpm • C Maj • 03:23 • -26.26db
14% Popularity • 21% Danceability • 4% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
14% Popularity • 21% Danceability • 4% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Missa Prolationum: Kyrie
79 bpm • F# Maj • 03:48 • -28.06db
13% Popularity • 10% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
13% Popularity • 10% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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John Taverner
Kyrie, "Leroy": Kyrie Leroy
79 bpm • A# min • 06:37 • -27.51db
16% Popularity • 11% Danceability • 11% Energy • 8% Liveness
49% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 11% Energy • 8% Liveness
49% Instrumentalness • 4% Positiveness
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Heinrich Isaac
Esto mihi: II. In te, Domine, speravi
81 bpm • G Maj • 00:49 • -25.61db
11% Popularity • 26% Danceability • 6% Energy • 9% Liveness
15% Instrumentalness • 8% Positiveness
11% Popularity • 26% Danceability • 6% Energy • 9% Liveness
15% Instrumentalness • 8% Positiveness
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Christopher Tye
In nomine: Rachell’s Weepinge
81 bpm • C# min • 02:50 • -26db
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Pavel Chesnokov
Cherubic Hymn, Op. 7, No. 1
79 bpm • B min • 04:34 • -23.19db
26% Popularity • 7% Danceability • 7% Energy • 22% Liveness
32% Instrumentalness • 4% Positiveness
26% Popularity • 7% Danceability • 7% Energy • 22% Liveness
32% Instrumentalness • 4% Positiveness
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Francesco Corteccia
Gloria patri
79 bpm • G Maj • 01:09 • -27.57db
32% Popularity • 18% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 18% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Jean L'héritier
Regnum mundi et omne ornatum, IJL 13
81 bpm • F Maj • 03:57 • -22.29db
14% Popularity • 17% Danceability • 10% Energy • 8% Liveness
67% Instrumentalness • 8% Positiveness
14% Popularity • 17% Danceability • 10% Energy • 8% Liveness
67% Instrumentalness • 8% Positiveness
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Guillaume de Machaut
Messe de Notre Dame: Kyrie
79 bpm • D Maj • 06:31 • -19db
14% Popularity • 10% Danceability • 19% Energy • 20% Liveness
32% Instrumentalness • 11% Positiveness
14% Popularity • 10% Danceability • 19% Energy • 20% Liveness
32% Instrumentalness • 11% Positiveness
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Ludwig Senfl
Ach Elslein, liebes Elselein mein
81 bpm • D Maj • 02:16 • -17db
11% Popularity • 20% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 20% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Tomás Luis de Victoria
Responsories for Maundy Thursday Nocturn...
79 bpm • G min • 03:00 • -22.11db
30% Popularity • 13% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 13% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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SOFIA ORTHODOX CHOIR
Cherubic Hymn No. 4
79 bpm • A# Maj • 04:49 • -25.2db
24% Popularity • 16% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
24% Popularity • 16% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Otto Nicolai
Herr, auf dich traue ich (Psalm 31)
81 bpm • D# Maj • 09:32 • -25.69db
14% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: I Heard a Voice from Heaven
79 bpm • D Maj • 04:01 • -29db
9% Popularity • 15% Danceability • 5% Energy • 9% Liveness
19% Instrumentalness • 3% Positiveness
9% Popularity • 15% Danceability • 5% Energy • 9% Liveness
19% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for unaccompanied double choir: IV....
81 bpm • D Maj • 04:28 • -24db
12% Popularity • 11% Danceability • 13% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 13% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
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USSR Ministry of Culture Chamber Choir
Glory be to Thee
79 bpm • D# min • 03:19 • -34db
15% Popularity • 16% Danceability • 1% Energy • 21% Liveness
77% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 1% Energy • 21% Liveness
77% Instrumentalness • 3% Positiveness
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Alexander Agricola
Missa, "In myne zin": Agnus Dei: Agnus I
79 bpm • A min • 02:31 • -21db
30% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
30% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
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Jordi Savall
O Virgo splendens (canon a 2 i a 3)
79 bpm • G min • 02:21 • -15.34db
18% Popularity • 18% Danceability • 34% Energy • 12% Liveness
23% Instrumentalness • 22% Positiveness
18% Popularity • 18% Danceability • 34% Energy • 12% Liveness
23% Instrumentalness • 22% Positiveness
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Girolamo Frescobaldi
O Mors Illa
81 bpm • G min • 04:16 • -24db
10% Popularity • 12% Danceability • 11% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 11% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
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Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
32% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Giovanni Gabrieli
In ecclesiis (a 14), C78
79 bpm • A min • 07:44 • -21db
15% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
15% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Tenebrae Responsories, Feria quinta: VII...
79 bpm • G Maj • 03:14 • -19.93db
11% Popularity • 13% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Michael Haydn
In coena Domini, MH 276: Judas mercator ...
81 bpm • E min • 01:08 • -24.46db
27% Popularity • 19% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
27% Popularity • 19% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Orlando Gibbons
The Silver Swan
79 bpm • C Maj • 02:07 • -25.05db
17% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
81 bpm • F# min • 01:08 • -31.52db
32% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
32% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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University of King's College Chapel Choir
Hymn of Kassia
79 bpm • G min • 07:36 • -24db
8% Popularity • 10% Danceability • 4% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 4% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
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Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
34% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Carlo Gesualdo
Tenebrae Responsories, Feria quinta: VI....
79 bpm • C Maj • 05:07 • -21.43db
8% Popularity • 9% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: Kyrie
81 bpm • A min • 05:55 • -26db
15% Popularity • 14% Danceability • 3% Energy • 5% Liveness
29% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 3% Energy • 5% Liveness
29% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Alleluia: I. Evening
82 bpm • C Maj • 02:18 • -35db
35% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
35% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
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Tomás Luis de Victoria
Tenebrae Responsories - Matins Responsor...
82 bpm • G# Maj • 06:28 • -25.75db
12% Popularity • 8% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Girl Choristers
アヴェマリア(エルガー) 作品2...
82 bpm • A# Maj • 02:41 • -29db
9% Popularity • 22% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Amy Beach
3 Shakespeare Choruses, Op. 39: No. 2. C...
82 bpm • A# Maj • 02:10 • -25.92db
10% Popularity • 16% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 16% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Giovanni de Macque
Io piango o filli, madrigal à 5
82 bpm • A min • 03:27 • -24.81db
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Randall Thompson
Alleluia
82 bpm • D Maj • 05:20 • -26db
23% Popularity • 11% Danceability • 5% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
23% Popularity • 11% Danceability • 5% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Pierre de Manchicourt
Regina caeli: I. Regina caeli laetare
82 bpm • G# Maj • 02:30 • -18.19db
9% Popularity • 19% Danceability • 27% Energy • 10% Liveness
71% Instrumentalness • 18% Positiveness
9% Popularity • 19% Danceability • 27% Energy • 10% Liveness
71% Instrumentalness • 18% Positiveness
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Eleonora d'Este
Sicut lilium inter spinas
82 bpm • F Maj • 01:49 • -22.48db
26% Popularity • 10% Danceability • 8% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 10% Danceability • 8% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Krzysztof Borek
Missa Mater Matris (After Des Prez's NJE...
78 bpm • C# min • 05:08 • -22.26db
12% Popularity • 10% Danceability • 27% Energy • 16% Liveness
25% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 27% Energy • 16% Liveness
25% Instrumentalness • 4% Positiveness
► Preview
Orazio Benevoli
Missa Azzolina: Agnus Dei
78 bpm • A Maj • 02:07 • -20db
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Michael Haydn
Missa Tempore Quadragesimae, MH 553: Kyr...
78 bpm • C# min • 01:44 • -23db
32% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
32% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
► Preview
Jordi Savall
Cantica Beatae Virginis - Motet Salve Re...
82 bpm • F min • 10:33 • -20.73db
6% Popularity • 12% Danceability • 12% Energy • 6% Liveness
54% Instrumentalness • 4% Positiveness
6% Popularity • 12% Danceability • 12% Energy • 6% Liveness
54% Instrumentalness • 4% Positiveness
► Preview
Richard Farrant
Lord, for thy tender mercy's sake
78 bpm • G# Maj • 01:49 • -30db
17% Popularity • 15% Danceability • 3% Energy • 11% Liveness
41% Instrumentalness • 15% Positiveness
17% Popularity • 15% Danceability • 3% Energy • 11% Liveness
41% Instrumentalness • 15% Positiveness
► Preview
The Cathedral Singers
Sicut Cervus
78 bpm • A Maj • 03:09 • -16db
36% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
36% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Antonio Lotti
Crucifixus a 8
82 bpm • C min • 02:59 • -21.38db
8% Popularity • 14% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 4% Positiveness
► Preview
Tomás Luis de Victoria
Tenebrae Responsories - Matins Responsor...
82 bpm • C# min • 05:03 • -28.1db
12% Popularity • 8% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Johannes Eccard
When to the Temple Mary Went
78 bpm • D min • 03:03 • -34db
8% Popularity • 17% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Valentin Silvestrov
Liturgical Chants: Ave Maria
82 bpm • B min • 03:20 • -36db
35% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
35% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Leonardo Leo
Heu nos miseros
82 bpm • A min • 03:04 • -21.11db
10% Popularity • 11% Danceability • 9% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 9% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
► Preview
Edward Bairstow
Jesu, the Very Thought of Thee
78 bpm • D# Maj • 02:01 • -34.06db
9% Popularity • 7% Danceability • 2% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
9% Popularity • 7% Danceability • 2% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: III....
82 bpm • A min • 03:15 • -17.91db
15% Popularity • 8% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
15% Popularity • 8% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
► Preview
Giovanni Gabrieli
Cantate Domino a 6, C. 6
82 bpm • G# min • 01:32 • -23db
19% Popularity • 19% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 19% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Adrian Willaert
Missa super Benedicta es: Agnus Dei
78 bpm • C Maj • 04:04 • -21db
16% Popularity • 18% Danceability • 14% Energy • 12% Liveness
26% Instrumentalness • 6% Positiveness
16% Popularity • 18% Danceability • 14% Energy • 12% Liveness
26% Instrumentalness • 6% Positiveness
► Preview
Antoine Brumel
Missa "Et ecce terrae motus" A 12 voce: ...
82 bpm • C Maj • 01:38 • -18db
18% Popularity • 15% Danceability • 26% Energy • 15% Liveness
74% Instrumentalness • 8% Positiveness
18% Popularity • 15% Danceability • 26% Energy • 15% Liveness
74% Instrumentalness • 8% Positiveness
► Preview
Tomás Luis de Victoria
Tenebrae Responsories - Matins Responsor...
78 bpm • G# min • 03:21 • -27.79db
16% Popularity • 9% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
16% Popularity • 9% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Undine Smith Moore
We Shall Walk Through The Valley (arr. U...
82 bpm • D# Maj • 02:53 • -27.64db
8% Popularity • 11% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 11% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
78 bpm • F Maj • 02:00 • -27.51db
10% Popularity • 16% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 4% Positiveness
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Lodovico Grossi da Viadana
Exultate Justi
78 bpm • A Maj • 01:57 • -21db
29% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: II. ...
78 bpm • A min • 02:57 • -23.03db
23% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
23% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Jason Orange
Greatest Day (arr. J. Wikeley for choir)
78 bpm • C# Maj • 04:11 • -26.23db
11% Popularity • 10% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Hugo Distler
Jahrkreis, Op. 5: No. 39: Wie der Hirsch...
78 bpm • G min • 02:02 • -25db
20% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
20% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
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Henry Purcell
Thou Knowest, Lord, The Secrets of Our H...
78 bpm • B Maj • 02:44 • -26.88db
18% Popularity • 25% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
18% Popularity • 25% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Giovanni Pierluigi da Palestrina
Salve Regina: Salve Regina
82 bpm • C min • 06:22 • -24db
23% Popularity • 9% Danceability • 14% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
23% Popularity • 9% Danceability • 14% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
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Gerda Blok-Wilson
O Little Rose, O Dark Rose
82 bpm • G Maj • 04:39 • -28.83db
7% Popularity • 8% Danceability • 1% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
7% Popularity • 8% Danceability • 1% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Elias, Op. 70, MWV A25: Elijah, Op. 70, ...
83 bpm • D Maj • 02:15 • -26db
11% Popularity • 14% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
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Philippe Verdelot
Ogn'hor per voi sospiro
78 bpm • G min • 02:22 • -22db
20% Popularity • 15% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 9% Positiveness
20% Popularity • 15% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 9% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
83 bpm • D min • 05:28 • -22.65db
16% Popularity • 10% Danceability • 7% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
16% Popularity • 10% Danceability • 7% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
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Jacob Obrecht
Missa Malheur me bat a 4: Kyrie
77 bpm • F# min • 01:16 • -20db
24% Popularity • 18% Danceability • 19% Energy • 19% Liveness
76% Instrumentalness • 7% Positiveness
24% Popularity • 18% Danceability • 19% Energy • 19% Liveness
76% Instrumentalness • 7% Positiveness
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Georgy Sviridov
Canticles & Prayers, Inexpressible Wonde...
77 bpm • F Maj • 02:10 • -30db
28% Popularity • 14% Danceability • 3% Energy • 17% Liveness
83% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 3% Energy • 17% Liveness
83% Instrumentalness • 4% Positiveness
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Tomás Luis de Victoria
Missa O quam gloriosum: Kyrie
83 bpm • A# Maj • 02:19 • -28db
11% Popularity • 16% Danceability • 6% Energy • 10% Liveness
60% Instrumentalness • 6% Positiveness
11% Popularity • 16% Danceability • 6% Energy • 10% Liveness
60% Instrumentalness • 6% Positiveness
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Antonio Lotti
Regina coeli
77 bpm • G Maj • 00:59 • -27db
22% Popularity • 26% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 26% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Valentin Silvestrov
The Lord's Prayer
83 bpm • C Maj • 05:40 • -29.82db
25% Popularity • 16% Danceability • 4% Energy • 19% Liveness
90% Instrumentalness • 3% Positiveness
25% Popularity • 16% Danceability • 4% Energy • 19% Liveness
90% Instrumentalness • 3% Positiveness
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Richard Farrant
Lord, for Thy Tender Mercy's Sake
77 bpm • G# Maj • 02:36 • -28db
20% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for unaccompanied double choir: V. ...
83 bpm • E min • 05:09 • -28.39db
12% Popularity • 8% Danceability • 4% Energy • 7% Liveness
50% Instrumentalness • 3% Positiveness
12% Popularity • 8% Danceability • 4% Energy • 7% Liveness
50% Instrumentalness • 3% Positiveness
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Urmas Sisask
Sisask : Gloria Patri... 24 Hymns for Mi...
83 bpm • D Maj • 04:18 • -28.45db
16% Popularity • 8% Danceability • 3% Energy • 13% Liveness
40% Instrumentalness • 4% Positiveness
16% Popularity • 8% Danceability • 3% Energy • 13% Liveness
40% Instrumentalness • 4% Positiveness
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Charles Gounod
Les Sept paroles de Notre Seigneur Jésu...
83 bpm • G min • 03:31 • -23.49db
8% Popularity • 18% Danceability • 4% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 4% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
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Heinrich Isaac
Missa Presulem ephebeatum: I. Kyrie
83 bpm • D min • 01:09 • -17.68db
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Jacob Clemens non Papa
Magi veniunt ab oriente: I. Magi veniunt...
83 bpm • B min • 03:06 • -20.2db
11% Popularity • 9% Danceability • 16% Energy • 8% Liveness
66% Instrumentalness • 6% Positiveness
11% Popularity • 9% Danceability • 16% Energy • 8% Liveness
66% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
All-Night Vigil, Op. 52, TH 77 (Excerpts...
83 bpm • A min • 00:58 • -21.54db
17% Popularity • 26% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 26% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
