Songs like Tenebrae Responsories for Maundy Thursday, First Nocturn: Ecce vidimus cum by Carlo Gesualdo
Based on a tempo of (+/- 10%) and a similar genre
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: IIId. Ad m...
84 bpm • F# min • 01:31 • -24.34db
12% Popularity • 18% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 18% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
84 bpm • G# min • 03:31 • -32.54db
7% Popularity • 24% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 24% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Maddalena Casulana
Maddalena Casulana : O notte o ciel o ma...
84 bpm • C Maj • 01:30 • -22.34db
13% Popularity • 34% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 34% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1c. K...
84 bpm • B Maj • 01:15 • -18.5db
38% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
38% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
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Gregorio Allegri
Miserere: II. Tibi soli peccavi
84 bpm • F min • 02:59 • -22.78db
17% Popularity • 17% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
84 bpm • G# Maj • 01:08 • -21.89db
8% Popularity • 24% Danceability • 4% Energy • 9% Liveness
29% Instrumentalness • 4% Positiveness
8% Popularity • 24% Danceability • 4% Energy • 9% Liveness
29% Instrumentalness • 4% Positiveness
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Kryštof Harant
Qui confidunt
84 bpm • A min • 03:11 • -17.2db
9% Popularity • 20% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 20% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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A5 Vocal Ensemble
Guerrero: Trahe me post te
84 bpm • G# min • 04:19 • -21.16db
12% Popularity • 18% Danceability • 12% Energy • 8% Liveness
28% Instrumentalness • 5% Positiveness
12% Popularity • 18% Danceability • 12% Energy • 8% Liveness
28% Instrumentalness • 5% Positiveness
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Heinrich Schütz
Herr, wenn ich nur dich habe, SWV 280
85 bpm • A min • 03:27 • -18db
24% Popularity • 23% Danceability • 11% Energy • 9% Liveness
51% Instrumentalness • 5% Positiveness
24% Popularity • 23% Danceability • 11% Energy • 9% Liveness
51% Instrumentalness • 5% Positiveness
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The Tallis Scholars
Palestrina: Assumpta Est Maria in Caelum...
84 bpm • A# Maj • 01:26 • -20.48db
16% Popularity • 13% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 13% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Gregorio Allegri
Miserere: I. Miserere mei Dei ; Et secun...
85 bpm • B min • 00:55 • -24.56db
20% Popularity • 19% Danceability • 4% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 4% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
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Robert Craft
O Vos Omnes, Cantiona Sacra A CInque Voc...
83 bpm • A# Maj • 03:24 • -23.33db
1% Popularity • 8% Danceability • 9% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
1% Popularity • 8% Danceability • 9% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Romanesca: Ohime, dov'e il mio ben, dov'...
85 bpm • G Maj • 02:04 • -21db
21% Popularity • 16% Danceability • 5% Energy • 14% Liveness
8% Instrumentalness • 4% Positiveness
21% Popularity • 16% Danceability • 5% Energy • 14% Liveness
8% Instrumentalness • 4% Positiveness
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Michael Haydn
Missa pro Quadragesima, MH 551: Credo
85 bpm • E Maj • 01:31 • -20.77db
20% Popularity • 34% Danceability • 15% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 34% Danceability • 15% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
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Jacob Clemens non Papa
Magi veniunt ab oriente: I. Magi veniunt...
83 bpm • B min • 03:06 • -20.2db
11% Popularity • 9% Danceability • 16% Energy • 8% Liveness
66% Instrumentalness • 6% Positiveness
11% Popularity • 9% Danceability • 16% Energy • 8% Liveness
66% Instrumentalness • 6% Positiveness
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Heinrich Isaac
Missa Presulem ephebeatum: I. Kyrie
83 bpm • D min • 01:09 • -17.68db
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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A5 Vocal Ensemble
Guerrero: Ave virgo sanctissima
85 bpm • G# min • 03:45 • -20.45db
13% Popularity • 10% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
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Robert Craft
Resta Di Darmi Noia
85 bpm • A min • 02:15 • -18.5db
2% Popularity • 22% Danceability • 13% Energy • 12% Liveness
3% Instrumentalness • 6% Positiveness
2% Popularity • 22% Danceability • 13% Energy • 12% Liveness
3% Instrumentalness • 6% Positiveness
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Annibale Padovano
Missa Domine a lingua dolosa: Vb. Agnus ...
85 bpm • G# Maj • 02:21 • -20.77db
21% Popularity • 11% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
21% Popularity • 11% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Philippe de Monte
Miserere mei, Deus
85 bpm • F min • 03:38 • -21db
13% Popularity • 11% Danceability • 16% Energy • 11% Liveness
8% Instrumentalness • 5% Positiveness
13% Popularity • 11% Danceability • 16% Energy • 11% Liveness
8% Instrumentalness • 5% Positiveness
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Dietrich Buxtehude
Befiehl dem Engel, daß er komm, BuxWV 1...
85 bpm • A min • 05:07 • -21.11db
15% Popularity • 24% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 24% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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George de La Hèle
Missa Praeter rerum seriem: I. Kyrie
83 bpm • G# min • 05:29 • -18.17db
20% Popularity • 17% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 5% Positiveness
20% Popularity • 17% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 5% Positiveness
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Orlande de Lassus
Prophetiae Sibyllarum: Prologue
83 bpm • G Maj • 01:18 • -26db
29% Popularity • 15% Danceability • 7% Energy • 11% Liveness
61% Instrumentalness • 4% Positiveness
29% Popularity • 15% Danceability • 7% Energy • 11% Liveness
61% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
85 bpm • B Maj • 01:01 • -26.52db
13% Popularity • 16% Danceability • 5% Energy • 23% Liveness
3% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 5% Energy • 23% Liveness
3% Instrumentalness • 4% Positiveness
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Heinrich Ignaz Franz von Biber
Requiem in F Minor, C 8: Ib. Kyrie
85 bpm • F min • 01:53 • -18.04db
13% Popularity • 9% Danceability • 15% Energy • 12% Liveness
41% Instrumentalness • 10% Positiveness
13% Popularity • 9% Danceability • 15% Energy • 12% Liveness
41% Instrumentalness • 10% Positiveness
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Frank Martin
Mass for unaccompanied double choir: V. ...
83 bpm • E min • 05:09 • -28.39db
11% Popularity • 8% Danceability • 4% Energy • 7% Liveness
50% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 4% Energy • 7% Liveness
50% Instrumentalness • 3% Positiveness
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Philippe Verdelot
Trist'Amarilli mia
83 bpm • F# min • 03:21 • -18.24db
11% Popularity • 22% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 22% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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John Wilbye
Draw on, Sweet Night
83 bpm • D Maj • 05:41 • -26db
9% Popularity • 11% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 3% Positiveness
9% Popularity • 11% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Brumel: Mater Patris - 2. Audi Nostra Su...
83 bpm • D min • 01:04 • -26.01db
16% Popularity • 20% Danceability • 4% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 20% Danceability • 4% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Becky McGlade
The Oak - SATB
85 bpm • D Maj • 03:35 • -21.12db
8% Popularity • 9% Danceability • 7% Energy • 16% Liveness
64% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 7% Energy • 16% Liveness
64% Instrumentalness • 4% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
83 bpm • D min • 05:28 • -22.65db
16% Popularity • 10% Danceability • 7% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
16% Popularity • 10% Danceability • 7% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
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Carlo Gesualdo
Tu piangi, o Filli mia
83 bpm • G Maj • 05:11 • -21.7db
2% Popularity • 14% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 14% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Miserere: VII. Redde mihi laetitiam ; Do...
86 bpm • B min • 01:04 • -22.54db
20% Popularity • 23% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 23% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75: II. Ad gen...
86 bpm • D Maj • 07:44 • -22db
8% Popularity • 18% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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The Tallis Scholars
Tallis: Lamentations of Jeremiah I - 2. ...
83 bpm • F min • 02:37 • -28.03db
36% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
36% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Orlando Gibbons
Galliard
86 bpm • F# Maj • 02:56 • -25db
17% Popularity • 24% Danceability • 6% Energy • 29% Liveness
95% Instrumentalness • 33% Positiveness
17% Popularity • 24% Danceability • 6% Energy • 29% Liveness
95% Instrumentalness • 33% Positiveness
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Gerda Blok-Wilson
O Little Rose, O Dark Rose
82 bpm • G Maj • 04:39 • -28.83db
8% Popularity • 8% Danceability • 1% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 1% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
D'un autre amer: D'ung aultre amer
86 bpm • D min • 03:07 • -22.11db
16% Popularity • 15% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 15% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Carlo Gesualdo
Tenebrae Responsories, Feria sexta: II. ...
82 bpm • A# Maj • 03:36 • -21.06db
7% Popularity • 12% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 12% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Philippe Verdelot
Ultimi miei sospiri
82 bpm • C min • 03:25 • -21.94db
8% Popularity • 15% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 15% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Jan Pieterszoon Sweelinck
Pseaumes de David, Livre 2: No. 25, Qui ...
86 bpm • E min • 03:24 • -22db
9% Popularity • 15% Danceability • 15% Energy • 26% Liveness
5% Instrumentalness • 9% Positiveness
9% Popularity • 15% Danceability • 15% Energy • 26% Liveness
5% Instrumentalness • 9% Positiveness
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Giovanni Gabrieli
Cantate Domino a 6, C. 6
82 bpm • G# min • 01:32 • -23db
17% Popularity • 19% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 19% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
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Jacques Arcadelt
Il bianco e dolce cigno
86 bpm • E Maj • 02:59 • -24.42db
7% Popularity • 14% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 14% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Orlande de Lassus
Cor meum conturbatum est, IOL 58
82 bpm • D min • 01:48 • -23.29db
25% Popularity • 20% Danceability • 10% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
25% Popularity • 20% Danceability • 10% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
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Heinrich Schütz
O meine Seel, warum bist du betrübet, S...
86 bpm • A# min • 07:49 • -24.04db
9% Popularity • 15% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: IV. Beth
86 bpm • F# min • 01:12 • -24db
37% Popularity • 9% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 9% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: XIII...
82 bpm • A# min • 01:01 • -20.84db
27% Popularity • 28% Danceability • 9% Energy • 12% Liveness
12% Instrumentalness • 35% Positiveness
27% Popularity • 28% Danceability • 9% Energy • 12% Liveness
12% Instrumentalness • 35% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: III....
82 bpm • A min • 03:15 • -17.91db
15% Popularity • 8% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
15% Popularity • 8% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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A5 Vocal Ensemble
Guerrero: Hic vir
82 bpm • G# min • 04:30 • -20.01db
12% Popularity • 12% Danceability • 13% Energy • 15% Liveness
1% Instrumentalness • 7% Positiveness
12% Popularity • 12% Danceability • 13% Energy • 15% Liveness
1% Instrumentalness • 7% Positiveness
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Thomas Damett
Salve porta paradisi
86 bpm • C min • 01:42 • -22.55db
7% Popularity • 14% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
7% Popularity • 14% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Orlande de Lassus
Cantiones sacrae sex vocum: IV. Qui time...
86 bpm • D min • 02:43 • -19db
11% Popularity • 23% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
11% Popularity • 23% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Antonio Lotti
Crucifixus a 8
82 bpm • C min • 02:59 • -21.38db
9% Popularity • 14% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 4% Positiveness
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Robert Craft
Gia Piansi Nel Dolore
86 bpm • C Maj • 02:55 • -17.81db
1% Popularity • 20% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
1% Popularity • 20% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Carlo Gesualdo
Tenebrae Responsories, Sabbato sancto: I...
86 bpm • C Maj • 03:39 • -21.63db
5% Popularity • 12% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
5% Popularity • 12% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Gregorian Chants
A Thousand Regrets
82 bpm • B Maj • 03:01 • -17.22db
12% Popularity • 13% Danceability • 28% Energy • 16% Liveness
30% Instrumentalness • 4% Positiveness
12% Popularity • 13% Danceability • 28% Energy • 16% Liveness
30% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Mouton: Nesciens Mater
82 bpm • F Maj • 04:52 • -18.67db
16% Popularity • 8% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 8% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Claudio Monteverdi
Vespro della Beata Vergine, SV 206: XIII...
86 bpm • F# Maj • 01:25 • -26db
15% Popularity • 22% Danceability • 2% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 2% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Amy Beach
3 Shakespeare Choruses, Op. 39: No. 2. C...
82 bpm • A# Maj • 02:10 • -25.92db
8% Popularity • 16% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 16% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Heinrich Schütz
Johannes-Passion, SWV 481: I. Introitus
86 bpm • A# min • 01:39 • -18.45db
12% Popularity • 17% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 17% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Jean Mouton
Mouton: Ave Maria, Virgo Serena - 1. Ave...
82 bpm • G Maj • 04:49 • -24db
10% Popularity • 12% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Robert Craft
Deh Coprite Il Bel Seno
87 bpm • F Maj • 02:11 • -17.38db
2% Popularity • 20% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 12% Positiveness
2% Popularity • 20% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Francesca Caccini
La liberazione di Ruggiero dall'isola d'...
82 bpm • G min • 00:52 • -23.54db
23% Popularity • 13% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 13% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Frank Martin
Mass for Double Choir: Kyrie
81 bpm • A min • 05:55 • -26db
15% Popularity • 14% Danceability • 3% Energy • 5% Liveness
29% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 3% Energy • 5% Liveness
29% Instrumentalness • 4% Positiveness
► Preview
The Tallis Scholars
Isaac: Optime Pastor - 1. Optime Divino
87 bpm • E min • 04:42 • -21.78db
18% Popularity • 11% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 11% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
John Sheppard
Sheppard: Missa Cantate - 1a. Gloria in ...
87 bpm • G Maj • 01:27 • -22.06db
15% Popularity • 20% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 20% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Johann Hermann Schein
Selig sind, die da geistlich arm sind
81 bpm • G min • 07:24 • -21.06db
10% Popularity • 23% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 23% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
81 bpm • F# min • 01:08 • -31.52db
31% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
31% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Giovanni Gabrieli
Surrexit Christus a 11 (C66)
81 bpm • F Maj • 03:27 • -21db
24% Popularity • 28% Danceability • 10% Energy • 11% Liveness
31% Instrumentalness • 18% Positiveness
24% Popularity • 28% Danceability • 10% Energy • 11% Liveness
31% Instrumentalness • 18% Positiveness
► Preview
Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
87 bpm • A Maj • 01:46 • -23.83db
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
John Dowland
Lachrimae or Seven Tears: XX. Mrs Nichol...
81 bpm • B Maj • 01:10 • -20db
18% Popularity • 24% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 87% Positiveness
18% Popularity • 24% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 87% Positiveness
► Preview
Ludwig Senfl
Ach Elslein, liebes Elselein mein
81 bpm • D Maj • 02:16 • -17db
11% Popularity • 20% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 20% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Jacques Arcadelt
O pulcherrima mulierum a 5
81 bpm • A# min • 02:34 • -22db
18% Popularity • 16% Danceability • 14% Energy • 12% Liveness
55% Instrumentalness • 16% Positiveness
18% Popularity • 16% Danceability • 14% Energy • 12% Liveness
55% Instrumentalness • 16% Positiveness
► Preview
The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
43% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
43% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Christopher Tye
In nomine: Rachell’s Weepinge
81 bpm • C# min • 02:50 • -26db
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
81 bpm • B Maj • 01:37 • -20.56db
9% Popularity • 19% Danceability • 12% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 12% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Giacomo Carissimi
Jephte: XVIII. Coro a 6
81 bpm • G min • 03:42 • -25db
15% Popularity • 8% Danceability • 9% Energy • 11% Liveness
52% Instrumentalness • 7% Positiveness
15% Popularity • 8% Danceability • 9% Energy • 11% Liveness
52% Instrumentalness • 7% Positiveness
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Gregorio Allegri
Miserere a 9: No. 1, Miserere mei, Deus
81 bpm • F# min • 01:33 • -27.41db
17% Popularity • 20% Danceability • 5% Energy • 10% Liveness
29% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 5% Energy • 10% Liveness
29% Instrumentalness • 4% Positiveness
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Juan de Araujo
Los coflades de la estleya
81 bpm • F# Maj • 04:09 • -22.24db
4% Popularity • 28% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
4% Popularity • 28% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Anton Bruckner
Salvum fac populum tuum, WAB 40
81 bpm • C Maj • 03:23 • -26.26db
14% Popularity • 21% Danceability • 4% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
14% Popularity • 21% Danceability • 4% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
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Girolamo Frescobaldi
Messa Della Domenica: Kyrye II
81 bpm • C# min • 01:16 • -24.02db
26% Popularity • 33% Danceability • 4% Energy • 11% Liveness
38% Instrumentalness • 22% Positiveness
26% Popularity • 33% Danceability • 4% Energy • 11% Liveness
38% Instrumentalness • 22% Positiveness
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Samuel Scheidt
Canon a 3 voc. in unisono, Cantio Sacra
80 bpm • A# min • 02:33 • -34db
13% Popularity • 17% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 18% Positiveness
13% Popularity • 17% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 18% Positiveness
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Johannes Eccard
Maria wallt zum Heiligtum
81 bpm • C min • 03:21 • -18.84db
16% Popularity • 17% Danceability • 15% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 15% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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John Taverner
Taverner: Missa Corona spinea - 01. Glor...
88 bpm • D# Maj • 05:32 • -21db
9% Popularity • 14% Danceability • 13% Energy • 21% Liveness
14% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 13% Energy • 21% Liveness
14% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Miserere: VI. Cor mundum crea in me Deus...
80 bpm • B min • 01:20 • -32.13db
18% Popularity • 14% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Anton Bruckner
Os justi, WAB 30
80 bpm • C Maj • 04:10 • -26.02db
17% Popularity • 17% Danceability • 3% Energy • 6% Liveness
33% Instrumentalness • 3% Positiveness
17% Popularity • 17% Danceability • 3% Energy • 6% Liveness
33% Instrumentalness • 3% Positiveness
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A5 Vocal Ensemble
Guerrero: Dios los extremos condena
88 bpm • E Maj • 02:12 • -17.7db
13% Popularity • 30% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 30% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: XIII...
88 bpm • A# min • 01:21 • -26db
12% Popularity • 16% Danceability • 12% Energy • 13% Liveness
27% Instrumentalness • 15% Positiveness
12% Popularity • 16% Danceability • 12% Energy • 13% Liveness
27% Instrumentalness • 15% Positiveness
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Gilles Binchois
Binchois: Amours mercy de trespout non p...
88 bpm • C# min • 03:55 • -23db
10% Popularity • 13% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 13% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
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John Taverner
Taverner: Missa Corona spinea - 08. Hosa...
80 bpm • D# Maj • 01:35 • -18db
22% Popularity • 12% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
22% Popularity • 12% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Henry Purcell
Purcell: Blessed Are They That Fear the ...
80 bpm • G min • 09:45 • -30.03db
8% Popularity • 21% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 13% Positiveness
8% Popularity • 21% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 13% Positiveness
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Emilio de' Cavalieri
Repons: Caligaverunt oculi mei
80 bpm • G# Maj • 02:41 • -21.98db
10% Popularity • 8% Danceability • 6% Energy • 27% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 8% Danceability • 6% Energy • 27% Liveness
1% Instrumentalness • 4% Positiveness
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Pierre Sandrin
Doulce mémoire
88 bpm • C# min • 02:49 • -22db
8% Popularity • 14% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 9% Positiveness
8% Popularity • 14% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 9% Positiveness
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Josef Rheinberger
Hymnen, Op. 140: III. Eripe me
80 bpm • D Maj • 04:11 • -23.81db
9% Popularity • 15% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Io parto e non piu dissi
80 bpm • A min • 03:06 • -27db
23% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
23% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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William Croft
Burial Sentences: III. We Brought Nothin...
88 bpm • F min • 01:12 • -27.47db
32% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
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Andreas Hammerschmidt
Ach wie gar nichts sind alle Menschen
88 bpm • G min • 04:35 • -22.99db
8% Popularity • 14% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 14% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Heinrich Isaac
Argentum et aurum
88 bpm • A min • 03:08 • -14.68db
15% Popularity • 13% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 13% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
