Songs like Terbertaktilah Tanah Ini (Blessed Is This Land) by Senyawa
Based on a tempo of (+/- 10%) and a similar genre
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Carlos Viola
La Muerte de Los Relinchos
84 bpm • F Maj • 02:54 • -14.53db
26% Popularity • 8% Danceability • 43% Energy • 21% Liveness
87% Instrumentalness • 3% Positiveness
26% Popularity • 8% Danceability • 43% Energy • 21% Liveness
87% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Komoda Beach
84 bpm • G# Maj • 03:31 • -20.07db
33% Popularity • 10% Danceability • 16% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
33% Popularity • 10% Danceability • 16% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Matt Uelmen
Roger and Me
84 bpm • C min • 01:03 • -10.62db
33% Popularity • 22% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
33% Popularity • 22% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Jed Kurzel
Spores
85 bpm • G Maj • 02:17 • -21.47db
25% Popularity • 24% Danceability • 21% Energy • 12% Liveness
66% Instrumentalness • 5% Positiveness
25% Popularity • 24% Danceability • 21% Energy • 12% Liveness
66% Instrumentalness • 5% Positiveness
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Metro Exodus
Artyom's Nightmare - Bonus Track
85 bpm • C# Maj • 02:36 • -10.86db
21% Popularity • 30% Danceability • 67% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
21% Popularity • 30% Danceability • 67% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
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Inon Zur
Megaton
84 bpm • D Maj • 03:29 • -30.78db
20% Popularity • 22% Danceability • 3% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
20% Popularity • 22% Danceability • 3% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Gustaf Grefberg
Farmstead
85 bpm • D min • 04:10 • -18.41db
9% Popularity • 22% Danceability • 11% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
9% Popularity • 22% Danceability • 11% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
Temple
83 bpm • F Maj • 02:59 • -14.76db
17% Popularity • 10% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Steven Lynn
Railway Attack
85 bpm • A# min • 03:58 • -15.95db
12% Popularity • 25% Danceability • 43% Energy • 18% Liveness
69% Instrumentalness • 23% Positiveness
12% Popularity • 25% Danceability • 43% Energy • 18% Liveness
69% Instrumentalness • 23% Positiveness
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Lovett
Four Tents
83 bpm • C# Maj • 01:17 • -14db
18% Popularity • 24% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
18% Popularity • 24% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Halo
Halo Reborn
83 bpm • E min • 03:59 • -23.17db
34% Popularity • 21% Danceability • 17% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
34% Popularity • 21% Danceability • 17% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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Inon Zur
Howdy Pardner
85 bpm • E Maj • 03:55 • -34.99db
21% Popularity • 12% Danceability • 1% Energy • 8% Liveness
15% Instrumentalness • 3% Positiveness
21% Popularity • 12% Danceability • 1% Energy • 8% Liveness
15% Instrumentalness • 3% Positiveness
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Piotr Musiał
Streets of New London
83 bpm • C min • 03:58 • -15.53db
35% Popularity • 12% Danceability • 30% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
35% Popularity • 12% Danceability • 30% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Senyawa
Di Kala Sudah
85 bpm • C Maj • 06:43 • -9.28db
2% Popularity • 36% Danceability • 53% Energy • 17% Liveness
88% Instrumentalness • 8% Positiveness
2% Popularity • 36% Danceability • 53% Energy • 17% Liveness
88% Instrumentalness • 8% Positiveness
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Mark Korven
The Sea King's Fury
82 bpm • F Maj • 02:59 • -22db
15% Popularity • 9% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 2% Positiveness
15% Popularity • 9% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 2% Positiveness
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Yuka Kitamura
Dancer of the Boreal Valley
86 bpm • C# Maj • 03:25 • -11.82db
34% Popularity • 12% Danceability • 40% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
34% Popularity • 12% Danceability • 40% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Bridge of Death
86 bpm • B min • 04:44 • -17.43db
34% Popularity • 15% Danceability • 37% Energy • 59% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 15% Danceability • 37% Energy • 59% Liveness
90% Instrumentalness • 4% Positiveness
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Mick Gordon
Ende
86 bpm • G min • 06:10 • -26db
28% Popularity • 15% Danceability • 7% Energy • 7% Liveness
81% Instrumentalness • 5% Positiveness
28% Popularity • 15% Danceability • 7% Energy • 7% Liveness
81% Instrumentalness • 5% Positiveness
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Carlos Viola
Por la VÃa de las Procesiones Antiguas
86 bpm • B Maj • 02:23 • -15.12db
22% Popularity • 14% Danceability • 36% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
22% Popularity • 14% Danceability • 36% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Alain Johannes
Night Encounters
82 bpm • A Maj • 05:34 • -14.3db
16% Popularity • 22% Danceability • 49% Energy • 10% Liveness
75% Instrumentalness • 14% Positiveness
16% Popularity • 22% Danceability • 49% Energy • 10% Liveness
75% Instrumentalness • 14% Positiveness
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Mark Korven
The Light Belongs to Me
86 bpm • G Maj • 01:13 • -21db
17% Popularity • 27% Danceability • 12% Energy • 10% Liveness
99% Instrumentalness • 4% Positiveness
17% Popularity • 27% Danceability • 12% Energy • 10% Liveness
99% Instrumentalness • 4% Positiveness
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David Ferguson
A Strange Kindness
86 bpm • E min • 03:02 • -13.82db
36% Popularity • 64% Danceability • 33% Energy • 7% Liveness
78% Instrumentalness • 51% Positiveness
36% Popularity • 64% Danceability • 33% Energy • 7% Liveness
78% Instrumentalness • 51% Positiveness
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Hildur Guðnadóttir
Clean Up
82 bpm • F# min • 01:41 • -16.88db
27% Popularity • 15% Danceability • 31% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
27% Popularity • 15% Danceability • 31% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
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Mick Gordon
Lager Selo
86 bpm • C# Maj • 03:07 • -30.25db
21% Popularity • 11% Danceability • 8% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
21% Popularity • 11% Danceability • 8% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
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Henry Jackman
One Last Time
86 bpm • C min • 04:11 • -22.33db
24% Popularity • 9% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
24% Popularity • 9% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Amon Tobin
Theme from Battery - Jon Opstad Remix
87 bpm • B min • 02:53 • -20.69db
17% Popularity • 41% Danceability • 32% Energy • 11% Liveness
60% Instrumentalness • 9% Positiveness
17% Popularity • 41% Danceability • 32% Energy • 11% Liveness
60% Instrumentalness • 9% Positiveness
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Gustavo Santaolalla
The Hour
86 bpm • C# Maj • 01:01 • -23.4db
40% Popularity • 43% Danceability • 0% Energy • 11% Liveness
11% Instrumentalness • 15% Positiveness
40% Popularity • 43% Danceability • 0% Energy • 11% Liveness
11% Instrumentalness • 15% Positiveness
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Arca
Country Pursuits
81 bpm • C Maj • 02:26 • -28.9db
20% Popularity • 19% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 8% Positiveness
20% Popularity • 19% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 8% Positiveness
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Shusaku Uchiyama
A Bad Feeling
81 bpm • F# min • 02:01 • -30.53db
19% Popularity • 25% Danceability • 26% Energy • 19% Liveness
74% Instrumentalness • 7% Positiveness
19% Popularity • 25% Danceability • 26% Energy • 19% Liveness
74% Instrumentalness • 7% Positiveness
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Mark Korven
Stranded
87 bpm • G# min • 02:18 • -12.73db
17% Popularity • 12% Danceability • 28% Energy • 9% Liveness
74% Instrumentalness • 3% Positiveness
17% Popularity • 12% Danceability • 28% Energy • 9% Liveness
74% Instrumentalness • 3% Positiveness
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Senyawa
Hakikat Kabut
87 bpm • G Maj • 02:57 • -14.83db
2% Popularity • 42% Danceability • 48% Energy • 64% Liveness
81% Instrumentalness • 22% Positiveness
2% Popularity • 42% Danceability • 48% Energy • 64% Liveness
81% Instrumentalness • 22% Positiveness
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Alexey Omelchuk
Dark Secrets
81 bpm • D min • 01:43 • -13.39db
19% Popularity • 26% Danceability • 31% Energy • 35% Liveness
84% Instrumentalness • 4% Positiveness
19% Popularity • 26% Danceability • 31% Energy • 35% Liveness
84% Instrumentalness • 4% Positiveness
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Junkie XL
Survive
81 bpm • C# Maj • 01:30 • -24.56db
28% Popularity • 8% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
28% Popularity • 8% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Yuka Kitamura
Yhorm the Giant
81 bpm • C# Maj • 04:06 • -8.24db
35% Popularity • 11% Danceability • 43% Energy • 8% Liveness
97% Instrumentalness • 23% Positiveness
35% Popularity • 11% Danceability • 43% Energy • 8% Liveness
97% Instrumentalness • 23% Positiveness
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Volker Bertelmann
Uniform
88 bpm • F min • 01:49 • -14.76db
37% Popularity • 23% Danceability • 47% Energy • 7% Liveness
83% Instrumentalness • 22% Positiveness
37% Popularity • 23% Danceability • 47% Energy • 7% Liveness
83% Instrumentalness • 22% Positiveness
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Jed Kurzel
Neutrino Burst
80 bpm • G Maj • 02:57 • -13.86db
22% Popularity • 18% Danceability • 45% Energy • 9% Liveness
71% Instrumentalness • 3% Positiveness
22% Popularity • 18% Danceability • 45% Energy • 9% Liveness
71% Instrumentalness • 3% Positiveness
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Johan Söderqvist
Awaiting The Enemy
88 bpm • G# Maj • 01:47 • -29.9db
12% Popularity • 28% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
12% Popularity • 28% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Alexey Omelchuk
Strings of the Soul
81 bpm • A min • 01:07 • -14.45db
26% Popularity • 20% Danceability • 13% Energy • 9% Liveness
95% Instrumentalness • 23% Positiveness
26% Popularity • 20% Danceability • 13% Energy • 9% Liveness
95% Instrumentalness • 23% Positiveness
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Carlos Viola
Hermana MÃa
88 bpm • F Maj • 02:38 • -17.71db
17% Popularity • 19% Danceability • 18% Energy • 13% Liveness
98% Instrumentalness • 3% Positiveness
17% Popularity • 19% Danceability • 18% Energy • 13% Liveness
98% Instrumentalness • 3% Positiveness
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Gerard Marino
Revenge Falling
88 bpm • G Maj • 03:10 • -8.78db
34% Popularity • 15% Danceability • 46% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 15% Danceability • 46% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Jared Emerson-Johnson
Training Clementine
88 bpm • C min • 02:14 • -28.82db
24% Popularity • 10% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
24% Popularity • 10% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Dave Porter
The Cousins
88 bpm • B min • 03:27 • -21.08db
19% Popularity • 22% Danceability • 23% Energy • 20% Liveness
83% Instrumentalness • 5% Positiveness
19% Popularity • 22% Danceability • 23% Energy • 20% Liveness
83% Instrumentalness • 5% Positiveness
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Marcus Fjellström
LM-118
80 bpm • F# Maj • 04:05 • -20.55db
19% Popularity • 13% Danceability • 28% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
19% Popularity • 13% Danceability • 28% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Alexey Omelchuk
Campire Strong - Part 2
81 bpm • A min • 01:06 • -21.64db
31% Popularity • 65% Danceability • 5% Energy • 11% Liveness
66% Instrumentalness • 61% Positiveness
31% Popularity • 65% Danceability • 5% Energy • 11% Liveness
66% Instrumentalness • 61% Positiveness
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Pawel Blaszczak
Harran
80 bpm • C Maj • 01:14 • -17.74db
40% Popularity • 23% Danceability • 22% Energy • 22% Liveness
95% Instrumentalness • 9% Positiveness
40% Popularity • 23% Danceability • 22% Energy • 22% Liveness
95% Instrumentalness • 9% Positiveness
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Bill Elm
Exodus In America
80 bpm • A Maj • 04:59 • -15.35db
30% Popularity • 8% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Trevor Gureckis
Isaac’s Hallucination
80 bpm • F Maj • 02:19 • -16.52db
12% Popularity • 23% Danceability • 62% Energy • 29% Liveness
68% Instrumentalness • 4% Positiveness
12% Popularity • 23% Danceability • 62% Energy • 29% Liveness
68% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
Alejandro's Song
88 bpm • C Maj • 05:47 • -17.05db
28% Popularity • 9% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 2% Positiveness
28% Popularity • 9% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 2% Positiveness
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Johan Söderqvist
Trembling Fear
80 bpm • E min • 03:05 • -25.85db
18% Popularity • 11% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
18% Popularity • 11% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Junkie XL
The Rig - Extended Version
80 bpm • F Maj • 06:31 • -16.67db
24% Popularity • 18% Danceability • 23% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
24% Popularity • 18% Danceability • 23% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Filippo Beck Peccoz
Running Late on Payday
80 bpm • E min • 02:35 • -17.64db
9% Popularity • 53% Danceability • 30% Energy • 12% Liveness
94% Instrumentalness • 26% Positiveness
9% Popularity • 53% Danceability • 30% Energy • 12% Liveness
94% Instrumentalness • 26% Positiveness
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Jeff van Dyck
Contemplation
80 bpm • A Maj • 03:45 • -16.77db
22% Popularity • 49% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
22% Popularity • 49% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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David Ferguson
A Quiet Time
80 bpm • A Maj • 03:30 • -10.57db
47% Popularity • 71% Danceability • 35% Energy • 8% Liveness
11% Instrumentalness • 50% Positiveness
47% Popularity • 71% Danceability • 35% Energy • 8% Liveness
11% Instrumentalness • 50% Positiveness
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Danny Bensi and Saunder Jurriaans
Unleash the Drakar
80 bpm • G Maj • 01:49 • -11db
30% Popularity • 67% Danceability • 74% Energy • 27% Liveness
80% Instrumentalness • 58% Positiveness
30% Popularity • 67% Danceability • 74% Energy • 27% Liveness
80% Instrumentalness • 58% Positiveness
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Kevin Riepl
Beast of the Blood Eaters
80 bpm • C# Maj • 02:26 • -15db
33% Popularity • 54% Danceability • 64% Energy • 18% Liveness
84% Instrumentalness • 53% Positiveness
33% Popularity • 54% Danceability • 64% Energy • 18% Liveness
84% Instrumentalness • 53% Positiveness
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Hans Zimmer
Safeguard
80 bpm • F min • 02:43 • -11.06db
33% Popularity • 45% Danceability • 55% Energy • 7% Liveness
91% Instrumentalness • 21% Positiveness
33% Popularity • 45% Danceability • 55% Energy • 7% Liveness
91% Instrumentalness • 21% Positiveness
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Mikko Tarmia
Darkness
80 bpm • B Maj • 01:15 • -27db
38% Popularity • 32% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
38% Popularity • 32% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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Voodoo Highway
Wrenhaven River
80 bpm • E min • 02:39 • -21.2db
32% Popularity • 38% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
32% Popularity • 38% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Ilan Eshkeri
A Reckoning in Blood
88 bpm • G min • 04:35 • -12.76db
33% Popularity • 30% Danceability • 53% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
33% Popularity • 30% Danceability • 53% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Ludvig Forssell
Shining Lights, Even in Death
79 bpm • F# min • 04:03 • -22.72db
21% Popularity • 8% Danceability • 3% Energy • 22% Liveness
84% Instrumentalness • 4% Positiveness
21% Popularity • 8% Danceability • 3% Energy • 22% Liveness
84% Instrumentalness • 4% Positiveness
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Daniel Lanois
Table Top
79 bpm • E min • 04:05 • -19db
36% Popularity • 55% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 8% Positiveness
36% Popularity • 55% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 8% Positiveness
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Trevor Gureckis
Main Title Theme
79 bpm • A# min • 03:53 • -18db
18% Popularity • 7% Danceability • 29% Energy • 23% Liveness
95% Instrumentalness • 4% Positiveness
18% Popularity • 7% Danceability • 29% Energy • 23% Liveness
95% Instrumentalness • 4% Positiveness
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Gustavo Santaolalla
The Outbreak
89 bpm • D min • 01:31 • -32.52db
39% Popularity • 25% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 8% Positiveness
39% Popularity • 25% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 8% Positiveness
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Sarah Schachner
Predator Instinct
79 bpm • G Maj • 03:02 • -17db
25% Popularity • 37% Danceability • 17% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
25% Popularity • 37% Danceability • 17% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Inon Zur
Of the People, for the People
90 bpm • C Maj • 05:01 • -22.67db
35% Popularity • 24% Danceability • 12% Energy • 7% Liveness
86% Instrumentalness • 7% Positiveness
35% Popularity • 24% Danceability • 12% Energy • 7% Liveness
86% Instrumentalness • 7% Positiveness
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Brian Tyler
The Rakyat
90 bpm • C# Maj • 03:54 • -12.6db
21% Popularity • 36% Danceability • 64% Energy • 12% Liveness
74% Instrumentalness • 6% Positiveness
21% Popularity • 36% Danceability • 64% Energy • 12% Liveness
74% Instrumentalness • 6% Positiveness
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Mick Gordon
The Kreisau Circle
90 bpm • G min • 01:23 • -26.44db
37% Popularity • 64% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 9% Positiveness
37% Popularity • 64% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 9% Positiveness
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Jason Hill
A Walk Through The Zoo / A Friendly Nuis...
78 bpm • F Maj • 04:38 • -23.19db
15% Popularity • 19% Danceability • 12% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 12% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Gustavo Santaolalla
All Gone (The Outside)
78 bpm • E min • 01:57 • -27.06db
39% Popularity • 15% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 10% Positiveness
39% Popularity • 15% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 10% Positiveness
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Dave Porter
The Long Walk Alone (Heisenberg’s Them...
78 bpm • G min • 03:15 • -25.35db
24% Popularity • 25% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
24% Popularity • 25% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
Night Vision
90 bpm • F# min • 03:45 • -22.7db
27% Popularity • 31% Danceability • 18% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
27% Popularity • 31% Danceability • 18% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
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Sarah Schachner
Marines
90 bpm • E Maj • 02:33 • -13db
23% Popularity • 35% Danceability • 37% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
23% Popularity • 35% Danceability • 37% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Woody Jackson
It All Makes Sense Now
90 bpm • B Maj • 04:09 • -23db
39% Popularity • 59% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 30% Positiveness
39% Popularity • 59% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 30% Positiveness
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Daniel Lanois
Mountain Finale
90 bpm • E min • 02:54 • -15.42db
47% Popularity • 70% Danceability • 56% Energy • 12% Liveness
87% Instrumentalness • 27% Positiveness
47% Popularity • 70% Danceability • 56% Energy • 12% Liveness
87% Instrumentalness • 27% Positiveness
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Alexey Omelchuk
Agony
78 bpm • A Maj • 01:26 • -11.13db
20% Popularity • 21% Danceability • 31% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 21% Danceability • 31% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Dave Porter
M40
78 bpm • F min • 04:30 • -20.14db
8% Popularity • 37% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
8% Popularity • 37% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Senyawa
Gerhana
78 bpm • C min • 05:47 • -7.94db
2% Popularity • 36% Danceability • 79% Energy • 11% Liveness
80% Instrumentalness • 9% Positiveness
2% Popularity • 36% Danceability • 79% Energy • 11% Liveness
80% Instrumentalness • 9% Positiveness
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Mikko Tarmia
Grand Hall
78 bpm • D# Maj • 01:26 • -24.11db
40% Popularity • 19% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
40% Popularity • 19% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Woody Jackson
Red Dead Redemption
90 bpm • B min • 03:37 • -12.51db
46% Popularity • 58% Danceability • 52% Energy • 11% Liveness
75% Instrumentalness • 61% Positiveness
46% Popularity • 58% Danceability • 52% Energy • 11% Liveness
75% Instrumentalness • 61% Positiveness
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Yuka Kitamura
Firelink Shrine
77 bpm • F min • 03:06 • -23db
41% Popularity • 7% Danceability • 13% Energy • 11% Liveness
67% Instrumentalness • 4% Positiveness
41% Popularity • 7% Danceability • 13% Energy • 11% Liveness
67% Instrumentalness • 4% Positiveness
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Jeff Rona
Anthem of the Dead
91 bpm • C Maj • 01:17 • -10.87db
33% Popularity • 16% Danceability • 44% Energy • 15% Liveness
97% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 44% Energy • 15% Liveness
97% Instrumentalness • 4% Positiveness
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Steve Pardo
Dreaded
77 bpm • D Maj • 07:15 • -17.56db
11% Popularity • 16% Danceability • 24% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 24% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Johan Skugge
Interrogating Blackburn
77 bpm • G# Maj • 06:39 • -32.9db
16% Popularity • 7% Danceability • 3% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
16% Popularity • 7% Danceability • 3% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Robin Carolan
Strike, Brother
77 bpm • D# Maj • 02:51 • -16db
29% Popularity • 19% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
29% Popularity • 19% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Stuart Chatwood
Darkest Dungeon (Theme)
77 bpm • A min • 02:46 • -10.02db
31% Popularity • 9% Danceability • 54% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
31% Popularity • 9% Danceability • 54% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Nobuyoshi Suzuki
Deacons of the Deep
77 bpm • C# min • 03:30 • -11.22db
33% Popularity • 16% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
33% Popularity • 16% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Alexey Omelchuk
Who Is My Enemy
91 bpm • F Maj • 01:07 • -16.25db
20% Popularity • 29% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
20% Popularity • 29% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Trevor Gureckis
Reborn as One
92 bpm • G Maj • 02:30 • -16.65db
13% Popularity • 20% Danceability • 46% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
13% Popularity • 20% Danceability • 46% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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Dan Romer
A New One Begins
92 bpm • A# Maj • 02:02 • -17.36db
20% Popularity • 21% Danceability • 41% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
20% Popularity • 21% Danceability • 41% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Mark Korven
Arrival
77 bpm • C Maj • 01:49 • -17db
31% Popularity • 16% Danceability • 27% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 27% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Mac Quayle
Eye for an Eye
92 bpm • A Maj • 02:37 • -19.74db
41% Popularity • 51% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
41% Popularity • 51% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Stuart Chatwood
Battle in the Warrens
92 bpm • G Maj • 01:20 • -14.3db
41% Popularity • 50% Danceability • 62% Energy • 14% Liveness
88% Instrumentalness • 55% Positiveness
41% Popularity • 50% Danceability • 62% Energy • 14% Liveness
88% Instrumentalness • 55% Positiveness
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Alexey Omelchuk
Freezing Death
77 bpm • D# Maj • 01:49 • -22.35db
17% Popularity • 20% Danceability • 15% Energy • 20% Liveness
96% Instrumentalness • 3% Positiveness
17% Popularity • 20% Danceability • 15% Energy • 20% Liveness
96% Instrumentalness • 3% Positiveness
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Hildur Guðnadóttir
Evacuation
77 bpm • D# min • 04:43 • -18.4db
28% Popularity • 15% Danceability • 24% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 24% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Senyawa
Di Kala Sudah
92 bpm • C Maj • 04:27 • -12.62db
0% Popularity • 55% Danceability • 38% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
0% Popularity • 55% Danceability • 38% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Chris Wilson
Cloud
76 bpm • E min • 05:22 • -18.38db
9% Popularity • 9% Danceability • 25% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 25% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Sarah Schachner
Danger Close
93 bpm • D Maj • 04:47 • -10db
26% Popularity • 28% Danceability • 63% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
26% Popularity • 28% Danceability • 63% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
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Dan Romer
His Soul Was Free from Sin
93 bpm • C# Maj • 03:46 • -12.07db
19% Popularity • 21% Danceability • 92% Energy • 8% Liveness
77% Instrumentalness • 24% Positiveness
19% Popularity • 21% Danceability • 92% Energy • 8% Liveness
77% Instrumentalness • 24% Positiveness
