Songs like Terminal City - Bonus Track by james chance
Based on a tempo of (+/- 10%) and a similar genre
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Weird War
Grand Fraud
138 bpm • E Maj • 03:23 • -6.5db
13% Popularity • 55% Danceability • 87% Energy • 19% Liveness
37% Instrumentalness • 81% Positiveness
13% Popularity • 55% Danceability • 87% Energy • 19% Liveness
37% Instrumentalness • 81% Positiveness
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Bush Tetras
Too Many Creeps
138 bpm • E Maj • 04:03 • -4.64db
31% Popularity • 81% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 81% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Pylon
Volume - Remastered
138 bpm • C Maj • 04:13 • -6.53db
23% Popularity • 55% Danceability • 90% Energy • 8% Liveness
72% Instrumentalness • 65% Positiveness
23% Popularity • 55% Danceability • 90% Energy • 8% Liveness
72% Instrumentalness • 65% Positiveness
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No Trend
One Under Parr
138 bpm • G min • 01:18 • -6.32db
11% Popularity • 35% Danceability • 95% Energy • 25% Liveness
88% Instrumentalness • 94% Positiveness
11% Popularity • 35% Danceability • 95% Energy • 25% Liveness
88% Instrumentalness • 94% Positiveness
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The Ex
King Commie
138 bpm • E Maj • 03:29 • -12.34db
8% Popularity • 44% Danceability • 71% Energy • 17% Liveness
5% Instrumentalness • 64% Positiveness
8% Popularity • 44% Danceability • 71% Energy • 17% Liveness
5% Instrumentalness • 64% Positiveness
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Maximum Joy
Dancing on My Boomerang
139 bpm • G Maj • 03:13 • -8.05db
10% Popularity • 41% Danceability • 91% Energy • 8% Liveness
78% Instrumentalness • 67% Positiveness
10% Popularity • 41% Danceability • 91% Energy • 8% Liveness
78% Instrumentalness • 67% Positiveness
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Weird War
AK-47
138 bpm • G Maj • 03:42 • -8.16db
13% Popularity • 82% Danceability • 56% Energy • 17% Liveness
38% Instrumentalness • 97% Positiveness
13% Popularity • 82% Danceability • 56% Energy • 17% Liveness
38% Instrumentalness • 97% Positiveness
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Circus Mort
Yellow Light
138 bpm • E Maj • 04:14 • -10.44db
9% Popularity • 50% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 50% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Pylon
K - Remastered
138 bpm • A Maj • 04:32 • -7.16db
20% Popularity • 38% Danceability • 83% Energy • 7% Liveness
45% Instrumentalness • 34% Positiveness
20% Popularity • 38% Danceability • 83% Energy • 7% Liveness
45% Instrumentalness • 34% Positiveness
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Chrome
New Age
137 bpm • E Maj • 03:07 • -10.81db
17% Popularity • 67% Danceability • 66% Energy • 22% Liveness
50% Instrumentalness • 62% Positiveness
17% Popularity • 67% Danceability • 66% Energy • 22% Liveness
50% Instrumentalness • 62% Positiveness
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The Ex
The Lawn of the Limp
139 bpm • G min • 04:04 • -7.17db
8% Popularity • 44% Danceability • 96% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
8% Popularity • 44% Danceability • 96% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
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Lizzy Mercier Descloux
Wawa
139 bpm • D Maj • 02:25 • -11.63db
36% Popularity • 81% Danceability • 66% Energy • 8% Liveness
89% Instrumentalness • 65% Positiveness
36% Popularity • 81% Danceability • 66% Energy • 8% Liveness
89% Instrumentalness • 65% Positiveness
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Swell Maps
The Helicopter Spies
137 bpm • E Maj • 04:18 • -11.31db
10% Popularity • 46% Danceability • 98% Energy • 23% Liveness
85% Instrumentalness • 48% Positiveness
10% Popularity • 46% Danceability • 98% Energy • 23% Liveness
85% Instrumentalness • 48% Positiveness
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The Bevis Frond
She's in Love with Time
137 bpm • A# min • 06:07 • -8.42db
8% Popularity • 32% Danceability • 78% Energy • 28% Liveness
70% Instrumentalness • 42% Positiveness
8% Popularity • 32% Danceability • 78% Energy • 28% Liveness
70% Instrumentalness • 42% Positiveness
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CAN
Uphill
139 bpm • C Maj • 06:38 • -11.28db
10% Popularity • 63% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 63% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Eyeless In Gaza
Looking Daggers
139 bpm • E Maj • 01:52 • -6.62db
13% Popularity • 31% Danceability • 69% Energy • 71% Liveness
48% Instrumentalness • 71% Positiveness
13% Popularity • 31% Danceability • 69% Energy • 71% Liveness
48% Instrumentalness • 71% Positiveness
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Pylon
Working Is No Problem - Remastered
136 bpm • A Maj • 03:29 • -8.3db
12% Popularity • 59% Danceability • 79% Energy • 11% Liveness
73% Instrumentalness • 73% Positiveness
12% Popularity • 59% Danceability • 79% Energy • 11% Liveness
73% Instrumentalness • 73% Positiveness
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Snakefinger
I Love Mary
137 bpm • D Maj • 02:31 • -11.86db
8% Popularity • 78% Danceability • 43% Energy • 14% Liveness
18% Instrumentalness • 83% Positiveness
8% Popularity • 78% Danceability • 43% Energy • 14% Liveness
18% Instrumentalness • 83% Positiveness
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Gang Of Four
Cheeseburger
140 bpm • C Maj • 04:05 • -9db
16% Popularity • 62% Danceability • 73% Energy • 32% Liveness
1% Instrumentalness • 64% Positiveness
16% Popularity • 62% Danceability • 73% Energy • 32% Liveness
1% Instrumentalness • 64% Positiveness
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james chance
King Heroin
140 bpm • C# Maj • 10:01 • -19.64db
3% Popularity • 62% Danceability • 18% Energy • 69% Liveness
6% Instrumentalness • 53% Positiveness
3% Popularity • 62% Danceability • 18% Energy • 69% Liveness
6% Instrumentalness • 53% Positiveness
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Johnny Pistachio
Slowpoke
136 bpm • E min • 04:18 • -9.29db
9% Popularity • 50% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 50% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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DNA
Blonde Redhead
136 bpm • F# Maj • 01:50 • -14.74db
23% Popularity • 68% Danceability • 59% Energy • 40% Liveness
80% Instrumentalness • 67% Positiveness
23% Popularity • 68% Danceability • 59% Energy • 40% Liveness
80% Instrumentalness • 67% Positiveness
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4th Enchant
Wonderful Things
140 bpm • A min • 04:35 • -14.29db
13% Popularity • 78% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 78% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Pere Ubu
Street Waves
140 bpm • A Maj • 03:05 • -9.96db
27% Popularity • 42% Danceability • 59% Energy • 34% Liveness
14% Instrumentalness • 53% Positiveness
27% Popularity • 42% Danceability • 59% Energy • 34% Liveness
14% Instrumentalness • 53% Positiveness
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Pussy Galore
Rocks Off
140 bpm • F Maj • 04:21 • -11.58db
12% Popularity • 35% Danceability • 84% Energy • 19% Liveness
14% Instrumentalness • 27% Positiveness
12% Popularity • 35% Danceability • 84% Energy • 19% Liveness
14% Instrumentalness • 27% Positiveness
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Young Marble Giants
Colossal Youth
141 bpm • G Maj • 01:54 • -11.69db
27% Popularity • 91% Danceability • 62% Energy • 7% Liveness
66% Instrumentalness • 91% Positiveness
27% Popularity • 91% Danceability • 62% Energy • 7% Liveness
66% Instrumentalness • 91% Positiveness
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Swell Maps
Let's Build A Car
141 bpm • B Maj • 03:01 • -8.67db
27% Popularity • 42% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 42% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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Lizzy Mercier Descloux
Herpes Simplex
141 bpm • B min • 02:05 • -9.36db
19% Popularity • 32% Danceability • 78% Energy • 26% Liveness
57% Instrumentalness • 66% Positiveness
19% Popularity • 32% Danceability • 78% Energy • 26% Liveness
57% Instrumentalness • 66% Positiveness
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James White And The Blacks
Almost Black, Pt. 1
135 bpm • F# Maj • 03:19 • -6.88db
7% Popularity • 73% Danceability • 86% Energy • 7% Liveness
12% Instrumentalness • 85% Positiveness
7% Popularity • 73% Danceability • 86% Energy • 7% Liveness
12% Instrumentalness • 85% Positiveness
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james chance
Cold Sweat
141 bpm • G Maj • 09:06 • -5.41db
1% Popularity • 69% Danceability • 94% Energy • 68% Liveness
0% Instrumentalness • 72% Positiveness
1% Popularity • 69% Danceability • 94% Energy • 68% Liveness
0% Instrumentalness • 72% Positiveness
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Lydia Lunch
Lady Scarface
135 bpm • F# Maj • 03:14 • -9.44db
10% Popularity • 57% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 57% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Sun City Girls
Wild World of Animals
135 bpm • C Maj • 02:33 • -11.66db
19% Popularity • 79% Danceability • 42% Energy • 11% Liveness
89% Instrumentalness • 60% Positiveness
19% Popularity • 79% Danceability • 42% Energy • 11% Liveness
89% Instrumentalness • 60% Positiveness
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Country Teasers
Panty Shots
141 bpm • D Maj • 04:32 • -3.65db
14% Popularity • 54% Danceability • 95% Energy • 10% Liveness
29% Instrumentalness • 26% Positiveness
14% Popularity • 54% Danceability • 95% Energy • 10% Liveness
29% Instrumentalness • 26% Positiveness
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Thinking Fellers Union Local 282
Hornet's Heart
135 bpm • F# min • 02:41 • -13db
8% Popularity • 30% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 30% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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James Chance & The Contortions
My Infatuation
142 bpm • A# min • 02:21 • -5.78db
8% Popularity • 62% Danceability • 84% Energy • 44% Liveness
1% Instrumentalness • 93% Positiveness
8% Popularity • 62% Danceability • 84% Energy • 44% Liveness
1% Instrumentalness • 93% Positiveness
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The Contortions
My Infatuation
142 bpm • A# min • 02:20 • -8.43db
14% Popularity • 62% Danceability • 70% Energy • 60% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 62% Danceability • 70% Energy • 60% Liveness
0% Instrumentalness • 90% Positiveness
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james chance
King Heroin
142 bpm • D# min • 07:44 • -20.09db
1% Popularity • 50% Danceability • 25% Energy • 12% Liveness
7% Instrumentalness • 51% Positiveness
1% Popularity • 50% Danceability • 25% Energy • 12% Liveness
7% Instrumentalness • 51% Positiveness
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Snakefinger
Here Come the Bums
142 bpm • G Maj • 02:50 • -10.92db
8% Popularity • 76% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 76% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Dadamah
Too Hot to Dry
142 bpm • G Maj • 09:23 • -12db
8% Popularity • 27% Danceability • 47% Energy • 11% Liveness
85% Instrumentalness • 11% Positiveness
8% Popularity • 27% Danceability • 47% Energy • 11% Liveness
85% Instrumentalness • 11% Positiveness
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Suburban Lawns
Flying Saucer Safari
134 bpm • B min • 02:15 • -10.74db
29% Popularity • 54% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 54% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Glaxo Babies
Avoiding The Tissue
142 bpm • G Maj • 04:20 • -13db
7% Popularity • 70% Danceability • 45% Energy • 5% Liveness
3% Instrumentalness • 67% Positiveness
7% Popularity • 70% Danceability • 45% Energy • 5% Liveness
3% Instrumentalness • 67% Positiveness
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Faust
Giggy Smile
142 bpm • A min • 05:55 • -11.15db
9% Popularity • 40% Danceability • 76% Energy • 51% Liveness
15% Instrumentalness • 52% Positiveness
9% Popularity • 40% Danceability • 76% Energy • 51% Liveness
15% Instrumentalness • 52% Positiveness
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Kineen Mafa
BLACK GIRL WHITE GIRL ROCK
134 bpm • D min • 03:09 • -6.03db
28% Popularity • 61% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 61% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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The Make-Up
I Want Some
134 bpm • A min • 02:43 • -6.47db
20% Popularity • 82% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 82% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Dog Faced Hermans
Jan 9
142 bpm • A min • 04:57 • -9.43db
22% Popularity • 35% Danceability • 88% Energy • 16% Liveness
82% Instrumentalness • 69% Positiveness
22% Popularity • 35% Danceability • 88% Energy • 16% Liveness
82% Instrumentalness • 69% Positiveness
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Liquid Liquid
Sank Into The Chair
142 bpm • D Maj • 01:48 • -9.82db
10% Popularity • 49% Danceability • 90% Energy • 10% Liveness
12% Instrumentalness • 82% Positiveness
10% Popularity • 49% Danceability • 90% Energy • 10% Liveness
12% Instrumentalness • 82% Positiveness
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Au Pairs
Stepping Out of Line
134 bpm • C# Maj • 06:01 • -4.06db
14% Popularity • 57% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 57% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Faust
The Sad Skinhead
134 bpm • A Maj • 03:21 • -9.1db
12% Popularity • 77% Danceability • 73% Energy • 11% Liveness
58% Instrumentalness • 67% Positiveness
12% Popularity • 77% Danceability • 73% Energy • 11% Liveness
58% Instrumentalness • 67% Positiveness
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Rema-Rema
Feedback Song
142 bpm • C Maj • 07:08 • -9db
9% Popularity • 43% Danceability • 68% Energy • 23% Liveness
5% Instrumentalness • 39% Positiveness
9% Popularity • 43% Danceability • 68% Energy • 23% Liveness
5% Instrumentalness • 39% Positiveness
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Marquis De Sade
Henry
134 bpm • A# Maj • 03:28 • -6.34db
11% Popularity • 55% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 55% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Sonic Youth
Burnin' up (Mike Watt Original Demo)
142 bpm • A Maj • 03:51 • -14.21db
19% Popularity • 66% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 90% Positiveness
19% Popularity • 66% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 90% Positiveness
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Pylon
Gravity - Remastered
134 bpm • A min • 02:37 • -7.32db
27% Popularity • 62% Danceability • 87% Energy • 11% Liveness
73% Instrumentalness • 61% Positiveness
27% Popularity • 62% Danceability • 87% Energy • 11% Liveness
73% Instrumentalness • 61% Positiveness
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fIREHOSE
Under The Influence Of Meat Puppets
143 bpm • A Maj • 01:58 • -10.67db
21% Popularity • 47% Danceability • 70% Energy • 34% Liveness
2% Instrumentalness • 50% Positiveness
21% Popularity • 47% Danceability • 70% Energy • 34% Liveness
2% Instrumentalness • 50% Positiveness
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Faust
The Sad Skinhead
134 bpm • C# min • 02:43 • -12db
30% Popularity • 74% Danceability • 72% Energy • 33% Liveness
47% Instrumentalness • 73% Positiveness
30% Popularity • 74% Danceability • 72% Energy • 33% Liveness
47% Instrumentalness • 73% Positiveness
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Young Marble Giants
Include Me Out
133 bpm • G Maj • 02:00 • -10db
32% Popularity • 76% Danceability • 62% Energy • 7% Liveness
83% Instrumentalness • 94% Positiveness
32% Popularity • 76% Danceability • 62% Energy • 7% Liveness
83% Instrumentalness • 94% Positiveness
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U.S. Maple
Letter To ZZ Top
143 bpm • E min • 03:07 • -6.91db
17% Popularity • 40% Danceability • 92% Energy • 10% Liveness
48% Instrumentalness • 39% Positiveness
17% Popularity • 40% Danceability • 92% Energy • 10% Liveness
48% Instrumentalness • 39% Positiveness
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Wire
I Feel Mysterious Today - 2006 Remastere...
143 bpm • A Maj • 01:57 • -9.63db
26% Popularity • 45% Danceability • 49% Energy • 9% Liveness
44% Instrumentalness • 39% Positiveness
26% Popularity • 45% Danceability • 49% Energy • 9% Liveness
44% Instrumentalness • 39% Positiveness
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Six Finger Satellite
Pulling A Train
143 bpm • A Maj • 03:03 • -9.91db
12% Popularity • 21% Danceability • 86% Energy • 8% Liveness
69% Instrumentalness • 76% Positiveness
12% Popularity • 21% Danceability • 86% Energy • 8% Liveness
69% Instrumentalness • 76% Positiveness
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Essential Logic
Brute Fury
133 bpm • A min • 03:56 • -5db
28% Popularity • 69% Danceability • 62% Energy • 7% Liveness
4% Instrumentalness • 94% Positiveness
28% Popularity • 69% Danceability • 62% Energy • 7% Liveness
4% Instrumentalness • 94% Positiveness
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Dog Faced Hermans
Fortune
144 bpm • F Maj • 04:22 • -7.78db
14% Popularity • 37% Danceability • 94% Energy • 17% Liveness
83% Instrumentalness • 73% Positiveness
14% Popularity • 37% Danceability • 94% Energy • 17% Liveness
83% Instrumentalness • 73% Positiveness
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Pere Ubu
I, Will Wait
143 bpm • E Maj • 01:45 • -10.13db
17% Popularity • 50% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 50% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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The Lounge Lizards
Do The Wrong Thing
132 bpm • C Maj • 02:42 • -13.89db
25% Popularity • 69% Danceability • 61% Energy • 7% Liveness
86% Instrumentalness • 84% Positiveness
25% Popularity • 69% Danceability • 61% Energy • 7% Liveness
86% Instrumentalness • 84% Positiveness
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Pulsallama
Ungawa Pt. II (Way Out Guyana)
144 bpm • F min • 02:19 • -11.8db
9% Popularity • 56% Danceability • 76% Energy • 14% Liveness
79% Instrumentalness • 80% Positiveness
9% Popularity • 56% Danceability • 76% Energy • 14% Liveness
79% Instrumentalness • 80% Positiveness
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Half Japanese
Stripping for Cash
144 bpm • E Maj • 01:20 • -10.09db
25% Popularity • 25% Danceability • 82% Energy • 12% Liveness
81% Instrumentalness • 32% Positiveness
25% Popularity • 25% Danceability • 82% Energy • 12% Liveness
81% Instrumentalness • 32% Positiveness
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Public Image Ltd.
Poptones
132 bpm • A Maj • 07:46 • -12.72db
25% Popularity • 45% Danceability • 57% Energy • 7% Liveness
5% Instrumentalness • 36% Positiveness
25% Popularity • 45% Danceability • 57% Energy • 7% Liveness
5% Instrumentalness • 36% Positiveness
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james chance
Hell On Earth
132 bpm • A min • 06:12 • -16.16db
1% Popularity • 52% Danceability • 59% Energy • 65% Liveness
44% Instrumentalness • 95% Positiveness
1% Popularity • 52% Danceability • 59% Energy • 65% Liveness
44% Instrumentalness • 95% Positiveness
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Essential Logic
Fanfare In The Garden - 2023 Remaster
132 bpm • B min • 03:08 • -12.3db
12% Popularity • 65% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 65% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Swell Maps
Midget Submarines
144 bpm • A Maj • 04:34 • -10.73db
11% Popularity • 30% Danceability • 93% Energy • 61% Liveness
84% Instrumentalness • 16% Positiveness
11% Popularity • 30% Danceability • 93% Energy • 61% Liveness
84% Instrumentalness • 16% Positiveness
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Young Marble Giants
Sporting Life - Taken From The Final Day...
144 bpm • A min • 01:04 • -14.41db
37% Popularity • 58% Danceability • 40% Energy • 12% Liveness
95% Instrumentalness • 90% Positiveness
37% Popularity • 58% Danceability • 40% Energy • 12% Liveness
95% Instrumentalness • 90% Positiveness
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Marcel Gidote's Holy Crab
RaubÃri
144 bpm • A# min • 03:05 • -11.75db
21% Popularity • 32% Danceability • 72% Energy • 15% Liveness
90% Instrumentalness • 93% Positiveness
21% Popularity • 32% Danceability • 72% Energy • 15% Liveness
90% Instrumentalness • 93% Positiveness
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James Chance & The Contortions
Don't Stop Till You Get Enough
144 bpm • F min • 06:14 • -8.78db
9% Popularity • 68% Danceability • 73% Energy • 77% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 68% Danceability • 73% Energy • 77% Liveness
0% Instrumentalness • 68% Positiveness
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Gang Of Four
It's Her Factory
132 bpm • C# min • 03:09 • -9.38db
15% Popularity • 83% Danceability • 58% Energy • 5% Liveness
56% Instrumentalness • 92% Positiveness
15% Popularity • 83% Danceability • 58% Energy • 5% Liveness
56% Instrumentalness • 92% Positiveness
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Essential Logic
Music Is A Better Noise - 2023 Remaster
132 bpm • G# Maj • 04:01 • -10.27db
10% Popularity • 51% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 51% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
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The Fall
Your Heart Out
145 bpm • D# min • 03:07 • -6.78db
19% Popularity • 35% Danceability • 88% Energy • 30% Liveness
70% Instrumentalness • 77% Positiveness
19% Popularity • 35% Danceability • 88% Energy • 30% Liveness
70% Instrumentalness • 77% Positiveness
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Swell Maps
Let's Buy a Bridge
144 bpm • A Maj • 01:54 • -8.98db
8% Popularity • 40% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 40% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Clock DVA
Piano Pain
145 bpm • B min • 03:17 • -6.65db
8% Popularity • 23% Danceability • 91% Energy • 16% Liveness
52% Instrumentalness • 16% Positiveness
8% Popularity • 23% Danceability • 91% Energy • 16% Liveness
52% Instrumentalness • 16% Positiveness
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Pylon
Weather Radio - Remastered
145 bpm • C Maj • 02:16 • -9.22db
21% Popularity • 54% Danceability • 88% Energy • 10% Liveness
75% Instrumentalness • 91% Positiveness
21% Popularity • 54% Danceability • 88% Energy • 10% Liveness
75% Instrumentalness • 91% Positiveness
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Gang Of Four
Why Theory?
132 bpm • E Maj • 02:34 • -11.36db
19% Popularity • 67% Danceability • 82% Energy • 9% Liveness
14% Instrumentalness • 96% Positiveness
19% Popularity • 67% Danceability • 82% Energy • 9% Liveness
14% Instrumentalness • 96% Positiveness
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Debra Hollon
How To Act
145 bpm • E min • 02:17 • -11.15db
17% Popularity • 72% Danceability • 43% Energy • 10% Liveness
3% Instrumentalness • 63% Positiveness
17% Popularity • 72% Danceability • 43% Energy • 10% Liveness
3% Instrumentalness • 63% Positiveness
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The Fall
Surmount All Obstacles
145 bpm • D Maj • 03:55 • -5.81db
8% Popularity • 43% Danceability • 99% Energy • 55% Liveness
10% Instrumentalness • 29% Positiveness
8% Popularity • 43% Danceability • 99% Energy • 55% Liveness
10% Instrumentalness • 29% Positiveness
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Faust
So Far
131 bpm • A min • 06:20 • -13.87db
13% Popularity • 66% Danceability • 53% Energy • 8% Liveness
63% Instrumentalness • 70% Positiveness
13% Popularity • 66% Danceability • 53% Energy • 8% Liveness
63% Instrumentalness • 70% Positiveness
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Royal Trux
The Banana Question
131 bpm • D Maj • 03:48 • -3.57db
10% Popularity • 28% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 28% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
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Pere Ubu
On the Surface
131 bpm • G Maj • 02:35 • -8.95db
26% Popularity • 62% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 62% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Gang Of Four
Love Like Anthrax
145 bpm • D Maj • 04:24 • -9.47db
29% Popularity • 70% Danceability • 71% Energy • 10% Liveness
73% Instrumentalness • 37% Positiveness
29% Popularity • 70% Danceability • 71% Energy • 10% Liveness
73% Instrumentalness • 37% Positiveness
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23 Skidoo
Last Words (Edit) - 7" Edit
146 bpm • D Maj • 03:39 • -9.13db
13% Popularity • 65% Danceability • 71% Energy • 32% Liveness
32% Instrumentalness • 78% Positiveness
13% Popularity • 65% Danceability • 71% Energy • 32% Liveness
32% Instrumentalness • 78% Positiveness
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The Monochrome Set
The Puerto Rican Fence Climber
131 bpm • C Maj • 02:57 • -12.37db
13% Popularity • 46% Danceability • 59% Energy • 8% Liveness
84% Instrumentalness • 92% Positiveness
13% Popularity • 46% Danceability • 59% Energy • 8% Liveness
84% Instrumentalness • 92% Positiveness
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Chrome
Zombie Warfare
131 bpm • C# Maj • 05:48 • -7.93db
5% Popularity • 44% Danceability • 92% Energy • 86% Liveness
48% Instrumentalness • 49% Positiveness
5% Popularity • 44% Danceability • 92% Energy • 86% Liveness
48% Instrumentalness • 49% Positiveness
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Suburban Lawns
Not Allowed
131 bpm • G Maj • 02:17 • -10.71db
25% Popularity • 48% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 48% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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james chance
Hyp No Tease
146 bpm • D Maj • 07:07 • -8.28db
1% Popularity • 60% Danceability • 85% Energy • 71% Liveness
0% Instrumentalness • 81% Positiveness
1% Popularity • 60% Danceability • 85% Energy • 71% Liveness
0% Instrumentalness • 81% Positiveness
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Pylon
M-Train - Remastered
146 bpm • D Maj • 03:48 • -7.24db
22% Popularity • 58% Danceability • 83% Energy • 6% Liveness
2% Instrumentalness • 87% Positiveness
22% Popularity • 58% Danceability • 83% Energy • 6% Liveness
2% Instrumentalness • 87% Positiveness
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Blurt
Get - Original
146 bpm • D# min • 03:45 • -8.47db
9% Popularity • 57% Danceability • 92% Energy • 8% Liveness
12% Instrumentalness • 70% Positiveness
9% Popularity • 57% Danceability • 92% Energy • 8% Liveness
12% Instrumentalness • 70% Positiveness
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Marty O'Shiel
She's Crazy for Love
146 bpm • C# min • 02:49 • -13.62db
14% Popularity • 44% Danceability • 67% Energy • 25% Liveness
6% Instrumentalness • 75% Positiveness
14% Popularity • 44% Danceability • 67% Energy • 25% Liveness
6% Instrumentalness • 75% Positiveness
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Ut
Sham Shack
146 bpm • F# Maj • 04:23 • -8.57db
8% Popularity • 54% Danceability • 78% Energy • 11% Liveness
75% Instrumentalness • 80% Positiveness
8% Popularity • 54% Danceability • 78% Energy • 11% Liveness
75% Instrumentalness • 80% Positiveness
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The Alvedons
Stick To Rock'n Roll
130 bpm • D Maj • 04:18 • -10.32db
7% Popularity • 52% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 52% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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james chance
My Infatuation
146 bpm • F min • 03:42 • -21.21db
0% Popularity • 75% Danceability • 47% Energy • 94% Liveness
71% Instrumentalness • 93% Positiveness
0% Popularity • 75% Danceability • 47% Energy • 94% Liveness
71% Instrumentalness • 93% Positiveness
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Swell Maps
Read About Seymour
130 bpm • D Maj • 01:28 • -8.94db
23% Popularity • 32% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 32% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Blurt
Get
146 bpm • D# min • 03:43 • -11.36db
8% Popularity • 56% Danceability • 86% Energy • 10% Liveness
8% Instrumentalness • 70% Positiveness
8% Popularity • 56% Danceability • 86% Energy • 10% Liveness
8% Instrumentalness • 70% Positiveness
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Silver Apples
I Don't Care What the People Say
130 bpm • D min • 03:09 • -12.68db
18% Popularity • 53% Danceability • 64% Energy • 9% Liveness
36% Instrumentalness • 85% Positiveness
18% Popularity • 53% Danceability • 64% Energy • 9% Liveness
36% Instrumentalness • 85% Positiveness
