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Testify
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Emerson Drive
Based on a tempo of (+/- 10%) and a similar genre
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Bucky Covington
American Friday Night
138 bpm • D Maj • 03:21 • -3.74db
14% Popularity • 51% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Emerson Drive
Testify
138 bpm • D Maj • 03:32 • -6.21db
12% Popularity • 56% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Dean Brody
Canadian Girls
138 bpm • G Maj • 03:56 • -6.15db
43% Popularity • 61% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Yankee Grey
Another Nine Minutes
138 bpm • G Maj • 03:10 • -6db
14% Popularity • 67% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
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Clay Walker
Ordinary People
137 bpm • D Maj • 03:50 • -8.64db
18% Popularity • 41% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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David Lee Murphy
Velvet Lies
139 bpm • E Maj • 03:23 • -7.83db
10% Popularity • 74% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Buddy Jewell
If She Were Any Other Woman
139 bpm • D# Maj • 03:14 • -8.18db
19% Popularity • 56% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Doc Walker
Put It into Drive
137 bpm • C# Maj • 03:49 • -7.46db
10% Popularity • 55% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Rodney Atkins
About The South
139 bpm • G# Maj • 02:58 • -3.54db
35% Popularity • 64% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Kellie Coffey
Texas Plates
139 bpm • F# Maj • 03:44 • -3db
19% Popularity • 55% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Dierks Bentley
So So Long
139 bpm • E Maj • 03:24 • -3.34db
23% Popularity • 63% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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McAlister Kemp
A Good Idea
137 bpm • E Maj • 03:51 • -3db
10% Popularity • 60% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 86% Positiveness
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Emerson Drive
She's My Kind of Crazy
137 bpm • F Maj • 03:23 • -4.96db
37% Popularity • 56% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Clint Black
Tuckered Out
137 bpm • A Maj • 03:36 • -8.18db
26% Popularity • 53% Danceability • 93% Energy • 42% Liveness
0% Instrumentalness • 76% Positiveness
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Sawyer Brown
Ain't Goin' Out That Way
137 bpm • A# Maj • 03:05 • -2.69db
8% Popularity • 58% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
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Mickey Pye
When She's Drinkin'
139 bpm • D Maj • 03:30 • -4.81db
19% Popularity • 65% Danceability • 75% Energy • 10% Liveness
6% Instrumentalness • 78% Positiveness
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The Wilkinsons
Boy Oh Boy
137 bpm • C Maj • 03:02 • -5.45db
21% Popularity • 75% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Trick Pony
Ain't Wastin' Good Whiskey On You
139 bpm • B Maj • 02:58 • -3.48db
18% Popularity • 51% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Keith Anderson
C'MON!
137 bpm • D Maj • 03:33 • -2.8db
3% Popularity • 56% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Adam Gregory
Get It On
140 bpm • A Maj • 03:50 • -3.18db
21% Popularity • 53% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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CreatiVets
Makes Us Who We Are
140 bpm • B Maj • 03:11 • -6.23db
29% Popularity • 58% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Matt Morson
Tailgate Patio
136 bpm • G# Maj • 03:31 • -4.92db
8% Popularity • 56% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Clay Walker
Average Joe
140 bpm • C Maj • 03:09 • -6.25db
15% Popularity • 65% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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David Lee Murphy
100 Years Too Late
136 bpm • G Maj • 04:10 • -10.98db
7% Popularity • 55% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Andy Griggs
You Made Me That Way
140 bpm • D Maj • 03:14 • -7.34db
20% Popularity • 62% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Craig Morgan
I'm Country
140 bpm • A Maj • 03:19 • -4.97db
28% Popularity • 65% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
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Yankee Grey
All Things Considered
141 bpm • G# Maj • 02:39 • -5.38db
32% Popularity • 66% Danceability • 75% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
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Darius Rucker
One Tequila
136 bpm • C# min • 03:59 • -6db
19% Popularity • 51% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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Bobby Wills
Crazy Enough
135 bpm • A min • 03:50 • -5.34db
26% Popularity • 61% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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Bucky Covington
It's Good To Be Us
135 bpm • E Maj • 03:04 • -3.2db
26% Popularity • 50% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Dan Davidson
Cinderella
135 bpm • D Maj • 03:00 • -4.6db
25% Popularity • 56% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Steve Holy
A Cliff In Colorado
141 bpm • A Maj • 03:35 • -4.79db
11% Popularity • 49% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Chris Cummings
Sure Enough
135 bpm • D# Maj • 03:14 • -5.69db
22% Popularity • 56% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
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Dean Brody
Sand in My Soul
135 bpm • E Maj • 02:49 • -7.39db
27% Popularity • 66% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Darryl Worley
Unsung Heroes
141 bpm • D Maj • 03:47 • -9.13db
8% Popularity • 55% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Emerson Drive
With You
142 bpm • A Maj • 03:06 • -7.57db
12% Popularity • 46% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Aaron Pritchett
Wake You With a Kiss
134 bpm • D# Maj • 03:37 • -5.93db
18% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Steve Holy
Brand New Girlfriend
134 bpm • D Maj • 03:40 • -3.55db
52% Popularity • 67% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Jason McCoy
I Feel A Sin Comin' On
143 bpm • D min • 02:37 • -7.49db
29% Popularity • 64% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Sons Of The Desert
What I Did Right
144 bpm • A Maj • 04:48 • -6.52db
11% Popularity • 57% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Dylan Miller
Good Ride Cowboy
132 bpm • A Maj • 03:24 • -2.21db
20% Popularity • 55% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Emerson Drive
Moments
142 bpm • A Maj • 04:58 • -8db
41% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Aaron Pritchett
Hold My Beer
134 bpm • E Maj • 04:10 • -4.98db
30% Popularity • 62% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Steve Holy
Heart Of A Hero
144 bpm • D# Maj • 03:20 • -2.85db
9% Popularity • 50% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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George Strait
Everybody Wants To Go To Heaven
132 bpm • A# Maj • 03:25 • -6.07db
17% Popularity • 70% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Sons Of The Desert
Change
133 bpm • G Maj • 03:23 • -5db
8% Popularity • 59% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Tim Hicks
She Don’t Drink Whiskey Anymore
144 bpm • A min • 03:03 • -5.18db
16% Popularity • 50% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Doc Walker
The Show Is Free
132 bpm • E Maj • 03:35 • -8.77db
16% Popularity • 62% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Emerson Drive
We Are This Town
132 bpm • C Maj • 03:42 • -4.91db
10% Popularity • 60% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Jeff Bates
Good People
144 bpm • D Maj • 03:03 • -4.18db
9% Popularity • 66% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Brad Cox
Drinking Season
145 bpm • D Maj • 02:52 • -3.26db
30% Popularity • 42% Danceability • 98% Energy • 42% Liveness
7% Instrumentalness • 51% Positiveness
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James Otto
You Don't Act Like My Woman
145 bpm • D Maj • 04:13 • -5.22db
9% Popularity • 48% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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Jason McCoy
Learnin' a Lot About Love
131 bpm • F# Maj • 03:37 • -8.08db
13% Popularity • 65% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Dean Brody
Dirt
131 bpm • D# Maj • 03:16 • -6.95db
30% Popularity • 70% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Emerson Drive
Devil Went Down to Georgia
145 bpm • G Maj • 03:56 • -6.44db
10% Popularity • 55% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Adam Gregory
No Vacancy
131 bpm • F# Maj • 03:28 • -4.96db
9% Popularity • 55% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
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Dierks Bentley
Domestic, Light And Cold
131 bpm • C# min • 04:00 • -4.12db
22% Popularity • 65% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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David Lee Murphy
Every Time I Get Around You
131 bpm • D Maj • 03:26 • -11db
36% Popularity • 75% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 84% Positiveness
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Jason McCoy
She's Good for Me
146 bpm • G Maj • 03:27 • -3.62db
14% Popularity • 52% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Jason Michael Carroll
Growing Up Is Getting Old
146 bpm • G Maj • 03:09 • -5db
24% Popularity • 54% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Emerson Drive
Still Got Yesterday
145 bpm • D Maj • 03:40 • -4.87db
16% Popularity • 60% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Joe Diffie
My Redneck of the Woods
146 bpm • F Maj • 03:58 • -4.91db
7% Popularity • 61% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Jason Blaine
They Don't Make Em Like That Anymore
146 bpm • F Maj • 03:43 • -3.88db
27% Popularity • 46% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Jeff Carson
Holdin' Onto Something
130 bpm • G Maj • 02:51 • -7.92db
16% Popularity • 66% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Trailer Choir
In My Next 5 Beers
130 bpm • D Maj • 02:43 • -4.1db
12% Popularity • 64% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Jason Michael Carroll
God Only Knows
130 bpm • E min • 03:52 • -5.15db
14% Popularity • 50% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Sawyer Brown
'Round Here
147 bpm • G Maj • 04:02 • -9.68db
10% Popularity • 55% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Emerson Drive
Belongs to You (Acoustic)
129 bpm • F Maj • 03:50 • -5.51db
3% Popularity • 50% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Billy Currington
Little Bit Lonely
129 bpm • C Maj • 03:45 • -3.05db
24% Popularity • 65% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Mark Collie
Hard Lovin' Woman
148 bpm • E Maj • 03:19 • -8.18db
15% Popularity • 68% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Rodney Atkins
Wasted Whiskey
129 bpm • G Maj • 03:42 • -3.06db
27% Popularity • 62% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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James Wesley
Thank a Farmer
148 bpm • C Maj • 03:35 • -3.96db
20% Popularity • 47% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Sawyer Brown
Drive Me Wild
129 bpm • D Maj • 03:35 • -8db
31% Popularity • 65% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
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Keith Anderson
Lost In This Moment
148 bpm • A# Maj • 04:33 • -6db
1% Popularity • 49% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Andy Griggs
I Miss You The Most
148 bpm • D Maj • 03:09 • -7.46db
17% Popularity • 51% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Buddy Jewell
Sweet Southern Comfort
148 bpm • D Maj • 03:32 • -7db
48% Popularity • 50% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Little Texas
Life Goes On
129 bpm • G Maj • 02:38 • -5.67db
24% Popularity • 71% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Emerson Drive
The Road
148 bpm • C# Maj • 03:35 • -4.15db
25% Popularity • 55% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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David Lee Murphy
She's Really Something To See
148 bpm • D Maj • 03:58 • -13.37db
9% Popularity • 57% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Carla Tempesta
Girls Weekend
148 bpm • E Maj • 03:09 • -7.27db
14% Popularity • 49% Danceability • 83% Energy • 58% Liveness
0% Instrumentalness • 35% Positiveness
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Charlie Major
I'm Feeling Kind Of Lucky Tonight
128 bpm • A Maj • 03:39 • -7.02db
15% Popularity • 70% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
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The Washboard Union
Feel Like That
128 bpm • A# Maj • 03:10 • -5db
25% Popularity • 55% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Jason Blaine
On a Night Like This
128 bpm • G# Maj • 03:31 • -3.63db
15% Popularity • 63% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Lonestar
Does Your Daddy Know About Me
149 bpm • A Maj • 03:02 • -6.1db
16% Popularity • 68% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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David Lee Murphy
Can't Turn It Off
149 bpm • G Maj • 03:23 • -10.57db
29% Popularity • 70% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Jason McCoy
This Used to Be Our Town
127 bpm • D Maj • 03:47 • -7.3db
15% Popularity • 71% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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James Wesley
Real
150 bpm • F Maj • 03:36 • -6.57db
21% Popularity • 38% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Jason Michael Carroll
Where I'm From
150 bpm • G# Maj • 04:36 • -6db
45% Popularity • 53% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Deric Ruttan
Up All Night
127 bpm • E Maj • 03:39 • -4db
23% Popularity • 52% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Robert Ellis Orrall
Boom! It Was Over
150 bpm • G Maj • 02:36 • -10.55db
10% Popularity • 67% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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David Lee Murphy
Gettin' Out The Good Stuff
127 bpm • F Maj • 03:41 • -10.07db
13% Popularity • 74% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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LOCASH
Beach Boys
150 bpm • G# Maj • 03:00 • -3.58db
33% Popularity • 56% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Chad Brock
Yes!
127 bpm • D Maj • 03:26 • -6db
43% Popularity • 67% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
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Rascal Flatts
Here's To You
126 bpm • G# Maj • 03:37 • -4.78db
37% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Hot Apple Pie
We're Makin' Up
151 bpm • E Maj • 02:51 • -6.11db
7% Popularity • 74% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Big & Rich
Get Your Game On (Unleash the Beast Vers...
126 bpm • B min • 03:31 • -4.9db
22% Popularity • 64% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Trent Tomlinson
Cheatin' On My Honky-Tonk
126 bpm • F# Maj • 03:29 • -3.93db
16% Popularity • 69% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Jason McCoy
Ten Million Teardrops
126 bpm • A Maj • 03:15 • -6db
13% Popularity • 72% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Jason Blaine
Friends of Mine
126 bpm • E Maj • 03:32 • -4.26db
12% Popularity • 65% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Charlie Major
Nobody Gets Too Much Love
126 bpm • A# Maj • 03:27 • -8.02db
16% Popularity • 66% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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