Songs like Thaïs: Méditation (Arr. for Violin and Orchestra) by Jules Massenet
Based on a tempo of (+/- 10%) and a similar genre
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo sinfoni...
95 bpm • F Maj • 03:27 • -20db
33% Popularity • 19% Danceability • 10% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
33% Popularity • 19% Danceability • 10% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Jules Massenet
Massenet: Thaïs, Act 2: Méditation (Ar...
95 bpm • D Maj • 05:12 • -23.92db
31% Popularity • 22% Danceability • 8% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
31% Popularity • 22% Danceability • 8% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
95 bpm • G Maj • 07:34 • -20.77db
39% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
39% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
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John Rutter
Suite: O, Waly Waly
95 bpm • G Maj • 03:53 • -32.5db
21% Popularity • 12% Danceability • 4% Energy • 9% Liveness
68% Instrumentalness • 8% Positiveness
21% Popularity • 12% Danceability • 4% Energy • 9% Liveness
68% Instrumentalness • 8% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 3. Spring Mornin...
95 bpm • A Maj • 07:24 • -26db
30% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Violin Concerto No. 1 in D Major: II. An...
95 bpm • A# Maj • 05:57 • -21.56db
38% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
38% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Pur ti Miro from 'L'incoronazione di Pop...
95 bpm • A Maj • 03:37 • -20.49db
24% Popularity • 27% Danceability • 4% Energy • 11% Liveness
23% Instrumentalness • 15% Positiveness
24% Popularity • 27% Danceability • 4% Energy • 11% Liveness
23% Instrumentalness • 15% Positiveness
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Jules Massenet
Thaïs / Acte Deux: Meditation
95 bpm • E min • 06:01 • -24.29db
27% Popularity • 12% Danceability • 8% Energy • 37% Liveness
83% Instrumentalness • 4% Positiveness
27% Popularity • 12% Danceability • 8% Energy • 37% Liveness
83% Instrumentalness • 4% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
95 bpm • E Maj • 02:54 • -22db
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
95 bpm • D# Maj • 08:43 • -16.03db
17% Popularity • 20% Danceability • 18% Energy • 10% Liveness
38% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 18% Energy • 10% Liveness
38% Instrumentalness • 4% Positiveness
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Luis Enriquez Bacalov
Il Postino
95 bpm • C Maj • 03:42 • -14.58db
14% Popularity • 20% Danceability • 25% Energy • 12% Liveness
4% Instrumentalness • 8% Positiveness
14% Popularity • 20% Danceability • 25% Energy • 12% Liveness
4% Instrumentalness • 8% Positiveness
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Maria Theresia von Paradis
Sicilienne In E Flat Major - Arr. Hazell
94 bpm • D# Maj • 03:23 • -26.18db
17% Popularity • 14% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
17% Popularity • 14% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
52% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
52% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Jules Massenet
Thais: Méditation de Thais - Arr. for V...
95 bpm • D Maj • 03:50 • -24.13db
19% Popularity • 18% Danceability • 7% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 7% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
I. Allegro
96 bpm • E Maj • 03:33 • -17db
37% Popularity • 38% Danceability • 11% Energy • 11% Liveness
71% Instrumentalness • 14% Positiveness
37% Popularity • 38% Danceability • 11% Energy • 11% Liveness
71% Instrumentalness • 14% Positiveness
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Oskar Merikanto
Kesaillan idylli (Summer Night's Idyll),...
97 bpm • F Maj • 01:18 • -34db
42% Popularity • 17% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
42% Popularity • 17% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt: Tanzlied des Pierrot (Ar...
97 bpm • C# Maj • 04:19 • -16.78db
14% Popularity • 17% Danceability • 20% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 20% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Carl Orff
In trutina from Carmina Burana
93 bpm • D Maj • 02:32 • -23.65db
25% Popularity • 24% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 24% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.2 op. 55 Solveig's So...
93 bpm • A min • 05:14 • -32db
34% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
34% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Jules Massenet
Thaïs: Méditation (Arr. for Violin and...
95 bpm • D Maj • 04:59 • -16db
34% Popularity • 18% Danceability • 16% Energy • 11% Liveness
48% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 16% Energy • 11% Liveness
48% Instrumentalness • 4% Positiveness
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Luigi Boccherini
Quintet in E Major, Op. 11, No. 5, G.275...
93 bpm • A Maj • 03:42 • -28.24db
20% Popularity • 43% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 43% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Antonio Vivaldi
Mandolin Concerto in C Major, RV 425: I....
97 bpm • C Maj • 02:45 • -22.36db
41% Popularity • 46% Danceability • 22% Energy • 15% Liveness
86% Instrumentalness • 66% Positiveness
41% Popularity • 46% Danceability • 22% Energy • 15% Liveness
86% Instrumentalness • 66% Positiveness
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Edward Elgar
Sospiri, Op. 70 (Arr. for Violin and Pia...
93 bpm • D min • 04:10 • -27.26db
31% Popularity • 20% Danceability • 4% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 4% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Richard Strauss
Morgen! Op. 27, No. 4
93 bpm • G Maj • 03:41 • -21.93db
17% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7, Träumerei ...
93 bpm • F Maj • 02:30 • -23.05db
29% Popularity • 20% Danceability • 8% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
29% Popularity • 20% Danceability • 8% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Jules Massenet
Méditation de Thaïs
96 bpm • E min • 05:18 • -29db
23% Popularity • 12% Danceability • 5% Energy • 33% Liveness
55% Instrumentalness • 4% Positiveness
23% Popularity • 12% Danceability • 5% Energy • 33% Liveness
55% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: III. Siciliana: And...
93 bpm • C min • 03:58 • -23.41db
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
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Max Bruch
Scottish Fantasy for Violin and Orchestr...
93 bpm • G# Maj • 06:37 • -15.52db
22% Popularity • 19% Danceability • 18% Energy • 11% Liveness
39% Instrumentalness • 9% Positiveness
22% Popularity • 19% Danceability • 18% Energy • 11% Liveness
39% Instrumentalness • 9% Positiveness
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Marie Auguste Durand
Waltz No. 1 in E-Flat Major, Op. 83
93 bpm • D# Maj • 05:39 • -29db
20% Popularity • 28% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
20% Popularity • 28% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Paul Reade
Suite from The Victorian Kitchen Garden:...
93 bpm • A# Maj • 03:13 • -30.78db
16% Popularity • 21% Danceability • 1% Energy • 11% Liveness
40% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 1% Energy • 11% Liveness
40% Instrumentalness • 4% Positiveness
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Claude Debussy
Debussy / Arr. Roelens: Suite bergamasqu...
93 bpm • C# Maj • 04:40 • -30db
26% Popularity • 17% Danceability • 3% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
26% Popularity • 17% Danceability • 3% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
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Jules Massenet
Elegie
94 bpm • E min • 01:45 • -21.45db
16% Popularity • 19% Danceability • 10% Energy • 11% Liveness
79% Instrumentalness • 8% Positiveness
16% Popularity • 19% Danceability • 10% Energy • 11% Liveness
79% Instrumentalness • 8% Positiveness
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Johan Svendsen
2 Swedish Folk-Melodies, Op. 27: No. 1 A...
92 bpm • E min • 03:10 • -23.3db
31% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Max Bruch
Scottish Fantasy for Violin and Orchestr...
97 bpm • D# Maj • 08:38 • -11.04db
21% Popularity • 34% Danceability • 22% Energy • 10% Liveness
63% Instrumentalness • 14% Positiveness
21% Popularity • 34% Danceability • 22% Energy • 10% Liveness
63% Instrumentalness • 14% Positiveness
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Henryk Wieniawski
Polonaise de Concert in D Major, Op. 4
98 bpm • D Maj • 05:44 • -13.74db
26% Popularity • 40% Danceability • 20% Energy • 8% Liveness
2% Instrumentalness • 37% Positiveness
26% Popularity • 40% Danceability • 20% Energy • 8% Liveness
2% Instrumentalness • 37% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R.125: Le Cygne
98 bpm • G Maj • 03:50 • -25.9db
25% Popularity • 19% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 19% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Claude Debussy
Petite suite: I. En bateau (arr. H. Buss...
93 bpm • G Maj • 03:47 • -30.82db
54% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
54% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
None but the Lonely Heart, Op. 6, No. 6
98 bpm • F min • 02:47 • -18.81db
14% Popularity • 19% Danceability • 18% Energy • 22% Liveness
97% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 18% Energy • 22% Liveness
97% Instrumentalness • 4% Positiveness
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Jules Massenet
Massenet: Thaïs, Act 2: Méditation
97 bpm • E min • 05:17 • -29db
27% Popularity • 34% Danceability • 1% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
27% Popularity • 34% Danceability • 1% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
92 bpm • G Maj • 07:33 • -9.98db
17% Popularity • 36% Danceability • 32% Energy • 12% Liveness
24% Instrumentalness • 21% Positiveness
17% Popularity • 36% Danceability • 32% Energy • 12% Liveness
24% Instrumentalness • 21% Positiveness
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Seattle Symphony Orchestra
Symphony No. 3 in F major, Op. 90: III. ...
92 bpm • C min • 06:48 • -26.93db
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
98 bpm • B Maj • 07:20 • -34.5db
35% Popularity • 26% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
35% Popularity • 26% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Vincenzo Bellini
I Capuleti e i Montecchi: Oh quante volt...
92 bpm • G min • 04:24 • -16.85db
39% Popularity • 15% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
39% Popularity • 15% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Nigel Hess
Olga
99 bpm • G min • 03:29 • -20.24db
11% Popularity • 23% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 6% Positiveness
11% Popularity • 23% Danceability • 13% Energy • 10% Liveness
3% Instrumentalness • 6% Positiveness
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Jules Massenet
Massenet / Arr. Marsick: Thaïs, Act 2: ...
97 bpm • E min • 04:51 • -22.28db
21% Popularity • 19% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
91 bpm • G Maj • 07:32 • -15db
21% Popularity • 34% Danceability • 18% Energy • 5% Liveness
25% Instrumentalness • 28% Positiveness
21% Popularity • 34% Danceability • 18% Energy • 5% Liveness
25% Instrumentalness • 28% Positiveness
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Fritz Kreisler
Liebesfreud
99 bpm • F Maj • 03:46 • -16.76db
30% Popularity • 45% Danceability • 11% Energy • 5% Liveness
43% Instrumentalness • 35% Positiveness
30% Popularity • 45% Danceability • 11% Energy • 5% Liveness
43% Instrumentalness • 35% Positiveness
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Johann Sebastian Bach
Orchestral Suite No. 3 in D major, BWV 1...
91 bpm • D Maj • 04:52 • -16.16db
39% Popularity • 19% Danceability • 25% Energy • 9% Liveness
3% Instrumentalness • 9% Positiveness
39% Popularity • 19% Danceability • 25% Energy • 9% Liveness
3% Instrumentalness • 9% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47: Mon coeur s'ou...
91 bpm • G Maj • 03:10 • -23.44db
24% Popularity • 21% Danceability • 5% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
24% Popularity • 21% Danceability • 5% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
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Louis Gallet
Thais (arr. L. Gallet for violin and pia...
91 bpm • D Maj • 04:30 • -21.39db
7% Popularity • 15% Danceability • 10% Energy • 7% Liveness
6% Instrumentalness • 5% Positiveness
7% Popularity • 15% Danceability • 10% Energy • 7% Liveness
6% Instrumentalness • 5% Positiveness
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Jules Massenet
Thaïs: Méditation
91 bpm • D Maj • 06:01 • -29.86db
29% Popularity • 11% Danceability • 3% Energy • 18% Liveness
47% Instrumentalness • 4% Positiveness
29% Popularity • 11% Danceability • 3% Energy • 18% Liveness
47% Instrumentalness • 4% Positiveness
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Alessandro Marcello
Adagio
91 bpm • D min • 02:49 • -33.56db
36% Popularity • 47% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
36% Popularity • 47% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
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Oliver Davis
Liberty, for Violin, Viola, Piano and St...
91 bpm • D Maj • 03:32 • -17db
9% Popularity • 16% Danceability • 17% Energy • 12% Liveness
79% Instrumentalness • 8% Positiveness
9% Popularity • 16% Danceability • 17% Energy • 12% Liveness
79% Instrumentalness • 8% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 1. Summer Evenin...
90 bpm • D Maj • 06:17 • -24db
34% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
34% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
91 bpm • G Maj • 03:25 • -28db
44% Popularity • 10% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
44% Popularity • 10% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel's Minuet
90 bpm • D# Maj • 03:50 • -9.28db
17% Popularity • 16% Danceability • 39% Energy • 9% Liveness
52% Instrumentalness • 26% Positiveness
17% Popularity • 16% Danceability • 39% Energy • 9% Liveness
52% Instrumentalness • 26% Positiveness
► Preview
Jules Massenet
Massenet: Thaïs, Act 2: Méditation
99 bpm • D Maj • 05:32 • -19.99db
13% Popularity • 16% Danceability • 12% Energy • 14% Liveness
73% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 12% Energy • 14% Liveness
73% Instrumentalness • 4% Positiveness
► Preview
Fritz Kreisler
La Gitana
100 bpm • D Maj • 03:15 • -22.51db
15% Popularity • 28% Danceability • 7% Energy • 6% Liveness
72% Instrumentalness • 14% Positiveness
15% Popularity • 28% Danceability • 7% Energy • 6% Liveness
72% Instrumentalness • 14% Positiveness
► Preview
Erik Satie
Gymnopédie No. 3
90 bpm • G Maj • 03:47 • -19.09db
18% Popularity • 11% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 11% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Chen Gang
Butterfly Lovers Violin Concerto: I. Ada...
90 bpm • G Maj • 05:09 • -16.44db
23% Popularity • 22% Danceability • 18% Energy • 62% Liveness
8% Instrumentalness • 13% Positiveness
23% Popularity • 22% Danceability • 18% Energy • 62% Liveness
8% Instrumentalness • 13% Positiveness
► Preview
Edward Elgar
Variations on an Original Theme, Op. 36 ...
90 bpm • A# Maj • 04:00 • -19.85db
34% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Alexander Borodin
String Quartet No. 2 in D Major: III. No...
100 bpm • A Maj • 06:38 • -20.69db
23% Popularity • 26% Danceability • 9% Energy • 8% Liveness
66% Instrumentalness • 10% Positiveness
23% Popularity • 26% Danceability • 9% Energy • 8% Liveness
66% Instrumentalness • 10% Positiveness
► Preview
Jules Massenet
Thaïs: Méditation (Arr. R. Nichols for...
90 bpm • E min • 05:59 • -22.77db
17% Popularity • 12% Danceability • 8% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
17% Popularity • 12% Danceability • 8% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
► Preview
Jacques Offenbach
Les larmes de Jacqueline, Op. 76, No. 2
90 bpm • C Maj • 07:11 • -19.82db
27% Popularity • 20% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Yuja Wang
Wallfisch: Lamorma
100 bpm • G Maj • 03:05 • -21db
33% Popularity • 18% Danceability • 7% Energy • 22% Liveness
91% Instrumentalness • 7% Positiveness
33% Popularity • 18% Danceability • 7% Energy • 22% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Edvard Grieg
Solveig Song
90 bpm • E min • 03:45 • -18.9db
13% Popularity • 20% Danceability • 12% Energy • 7% Liveness
36% Instrumentalness • 6% Positiveness
13% Popularity • 20% Danceability • 12% Energy • 7% Liveness
36% Instrumentalness • 6% Positiveness
► Preview
Claude Debussy
Claire de Lune
90 bpm • C# Maj • 04:21 • -29db
36% Popularity • 10% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
36% Popularity • 10% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Vocalise, Op. 34, No. 14 (Arranged for V...
100 bpm • E min • 05:49 • -15.57db
20% Popularity • 18% Danceability • 25% Energy • 30% Liveness
85% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 25% Energy • 30% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Jules Massenet
Thaïs: Méditation (Arr. for String Ens...
90 bpm • D Maj • 05:14 • -22.81db
20% Popularity • 15% Danceability • 9% Energy • 12% Liveness
41% Instrumentalness • 4% Positiveness
20% Popularity • 15% Danceability • 9% Energy • 12% Liveness
41% Instrumentalness • 4% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
100 bpm • D# Maj • 09:33 • -29.92db
22% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
► Preview
Aram Khachaturian
Khachaturian: Spartacus Suite No. 2: I. ...
101 bpm • C# Maj • 04:45 • -19.62db
30% Popularity • 15% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
30% Popularity • 15% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Fritz Kreisler
Caprice Viennois, Op. 2
101 bpm • B Maj • 04:31 • -24.81db
11% Popularity • 24% Danceability • 5% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
11% Popularity • 24% Danceability • 5% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Tomaso Albinoni
Albinoni: Adagio in G Minor
90 bpm • C min • 05:53 • -20.28db
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
Academy of St. Martin in the Fields
Rupert Bear
90 bpm • A# Maj • 01:27 • -18db
46% Popularity • 21% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
46% Popularity • 21% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Manuel de Falla
Nana (Bercuese) from Siete conciones pop...
89 bpm • A Maj • 02:07 • -23db
17% Popularity • 23% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Jules Massenet
Méditation from Thaïs
89 bpm • E min • 05:31 • -23.42db
56% Popularity • 11% Danceability • 7% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
56% Popularity • 11% Danceability • 7% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Serenade for Strings in C, ...
101 bpm • G Maj • 03:34 • -17db
39% Popularity • 24% Danceability • 22% Energy • 18% Liveness
59% Instrumentalness • 30% Positiveness
39% Popularity • 24% Danceability • 22% Energy • 18% Liveness
59% Instrumentalness • 30% Positiveness
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César Franck
Messe a 3 voix (Mass in 3 voices), Op. 1...
89 bpm • A Maj • 05:01 • -28db
27% Popularity • 17% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
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Charles Gounod
Ave Maria: Arr. from Bach's Prelude No. ...
89 bpm • C Maj • 05:30 • -22.93db
28% Popularity • 10% Danceability • 6% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
28% Popularity • 10% Danceability • 6% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: X. Nocturne -...
89 bpm • A min • 05:03 • -25db
36% Popularity • 15% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
36% Popularity • 15% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Edward Elgar
Chanson de Matin, Op. 15 No. 2 (Arr. Cul...
89 bpm • G Maj • 03:05 • -22.24db
31% Popularity • 24% Danceability • 11% Energy • 60% Liveness
92% Instrumentalness • 11% Positiveness
31% Popularity • 24% Danceability • 11% Energy • 60% Liveness
92% Instrumentalness • 11% Positiveness
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Léo Delibes
Coppelia: Act I - Valse
89 bpm • D# Maj • 02:21 • -26.69db
55% Popularity • 20% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
55% Popularity • 20% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
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Archibald James Potter
Fantasia Gaelach No. 1
89 bpm • G# Maj • 08:36 • -34db
29% Popularity • 10% Danceability • 1% Energy • 9% Liveness
61% Instrumentalness • 4% Positiveness
29% Popularity • 10% Danceability • 1% Energy • 9% Liveness
61% Instrumentalness • 4% Positiveness
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Jules Massenet
Meditation From Thais
102 bpm • G Maj • 04:50 • -25.95db
8% Popularity • 17% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
89 bpm • C min • 04:15 • -26.89db
42% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
42% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
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Sergei Rachmaninoff
Morceaux de Fantaisie, Op. 3: 1. Elégie
89 bpm • D# min • 05:17 • -22db
35% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Manuel de Falla
7 Canciones populares españolas - Arran...
89 bpm • A min • 03:04 • -31.33db
40% Popularity • 12% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
40% Popularity • 12% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
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Nigel Hess
Potatoes
102 bpm • D Maj • 01:49 • -25.11db
8% Popularity • 27% Danceability • 3% Energy • 13% Liveness
71% Instrumentalness • 34% Positiveness
8% Popularity • 27% Danceability • 3% Energy • 13% Liveness
71% Instrumentalness • 34% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
88 bpm • C min • 08:46 • -12db
18% Popularity • 20% Danceability • 24% Energy • 15% Liveness
55% Instrumentalness • 4% Positiveness
18% Popularity • 20% Danceability • 24% Energy • 15% Liveness
55% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Violin Sonata No. 1 in D Minor, Op. 75: ...
102 bpm • D min • 06:58 • -20db
16% Popularity • 28% Danceability • 7% Energy • 10% Liveness
18% Instrumentalness • 9% Positiveness
16% Popularity • 28% Danceability • 7% Energy • 10% Liveness
18% Instrumentalness • 9% Positiveness
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AntonÃn Dvořák
Songs My Mother Taught Me, Op. 55, No. 4...
102 bpm • D Maj • 02:44 • -17.69db
29% Popularity • 25% Danceability • 15% Energy • 13% Liveness
53% Instrumentalness • 7% Positiveness
29% Popularity • 25% Danceability • 15% Energy • 13% Liveness
53% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
88 bpm • C# Maj • 02:54 • -23.84db
56% Popularity • 20% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
56% Popularity • 20% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Hollywood Symphony Orchestra
Pachelbel - Canon In D
102 bpm • D Maj • 04:51 • -22db
44% Popularity • 21% Danceability • 14% Energy • 37% Liveness
84% Instrumentalness • 16% Positiveness
44% Popularity • 21% Danceability • 14% Energy • 37% Liveness
84% Instrumentalness • 16% Positiveness
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JoaquÃn Rodrigo
FantasÃa para un Gentilhombre: IIa. Esp...
88 bpm • A min • 05:04 • -23.4db
40% Popularity • 33% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
40% Popularity • 33% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
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Slovak Philharmonic
Romance No. 2 In F Major, Op. 50
88 bpm • F Maj • 09:50 • -23db
38% Popularity • 18% Danceability • 6% Energy • 30% Liveness
28% Instrumentalness • 8% Positiveness
38% Popularity • 18% Danceability • 6% Energy • 30% Liveness
28% Instrumentalness • 8% Positiveness
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Jules Massenet
Thaïs: Méditation (Arr. A. de la Vega ...
88 bpm • D Maj • 04:57 • -25.82db
21% Popularity • 20% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Fritz Kreisler
Praeludium and Allegro
103 bpm • E min • 05:45 • -17.31db
32% Popularity • 39% Danceability • 25% Energy • 15% Liveness
66% Instrumentalness • 19% Positiveness
32% Popularity • 39% Danceability • 25% Energy • 15% Liveness
66% Instrumentalness • 19% Positiveness
