Songs like That Song That We Used To Make Love To by Carrie Underwood
Based on a tempo of (+/- 10%) and a similar genre
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BROWN & GRAY
Top Down
128 bpm • D Maj • 03:01 • -4db
41% Popularity • 63% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 63% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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The Band Perry
Comeback Kid
128 bpm • D# Maj • 03:51 • -5.74db
34% Popularity • 79% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 79% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Chris Young
I'm Comin' Over
128 bpm • A# Maj • 03:17 • -3.84db
66% Popularity • 57% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
66% Popularity • 57% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Carrie Underwood
Renegade Runaway
128 bpm • F# min • 03:39 • -4db
40% Popularity • 52% Danceability • 94% Energy • 53% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 52% Danceability • 94% Energy • 53% Liveness
0% Instrumentalness • 33% Positiveness
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Lee Brice
You Can't Help Who You Love
128 bpm • A# Maj • 02:40 • -7.63db
34% Popularity • 57% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 57% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Maddie & Tae
Lay Here With Me
127 bpm • G Maj • 02:58 • -6db
42% Popularity • 57% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 57% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Miranda Lambert
Kerosene
127 bpm • G Maj • 03:05 • -3.25db
61% Popularity • 63% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
61% Popularity • 63% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Martina McBride
This One's for the Girls
127 bpm • G# Maj • 04:03 • -4.43db
60% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
60% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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David Fanning
Ex Thing
129 bpm • G Maj • 03:12 • -7.03db
27% Popularity • 64% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 64% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Carrie Underwood
That Song That We Used To Make Love To
128 bpm • D# min • 03:35 • -4.82db
36% Popularity • 59% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 59% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Leaving Thomas
Blame It on the Neon
127 bpm • F Maj • 03:38 • -4db
14% Popularity • 62% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 62% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Pistol Annies
Sugar Daddy
129 bpm • C min • 03:38 • -6.03db
29% Popularity • 65% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
29% Popularity • 65% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
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Cassadee Pope
Stupid Boy - The Voice Performance
129 bpm • A# Maj • 03:39 • -4.91db
32% Popularity • 43% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 43% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Camila Cabello
Never Be the Same
130 bpm • C Maj • 03:45 • -4.88db
48% Popularity • 60% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
48% Popularity • 60% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Maddie & Tae
One Heart To Another
130 bpm • F# Maj • 03:38 • -7.5db
31% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Carrie Underwood
Someday When I Stop Loving You
128 bpm • C Maj • 04:02 • -5.61db
37% Popularity • 55% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 55% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Kane Brown
What's Mine Is Yours
130 bpm • D# min • 03:36 • -6.33db
54% Popularity • 63% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
54% Popularity • 63% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Michael Ray
Everything in Between
130 bpm • F# Maj • 03:29 • -6db
32% Popularity • 65% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 65% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
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Chuck Wicks
Whole Damn Thing
126 bpm • A Maj • 04:01 • -7.06db
37% Popularity • 59% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 59% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Thompson Square
A Love Like This
126 bpm • C# Maj • 03:20 • -4db
32% Popularity • 65% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 65% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Cam
Want It All
126 bpm • C Maj • 03:08 • -4.35db
26% Popularity • 73% Danceability • 79% Energy • 12% Liveness
1% Instrumentalness • 84% Positiveness
26% Popularity • 73% Danceability • 79% Energy • 12% Liveness
1% Instrumentalness • 84% Positiveness
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Carrie Underwood
Backsliding
129 bpm • G Maj • 04:37 • -4.27db
38% Popularity • 53% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
38% Popularity • 53% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Loretta Lynn
Still Woman Enough
130 bpm • E min • 03:37 • -6.7db
36% Popularity • 71% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 71% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Devin Dawson
Placebo
130 bpm • F min • 03:04 • -3.98db
25% Popularity • 66% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 66% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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Tenille Arts
Missing You
126 bpm • G# Maj • 02:57 • -5.8db
34% Popularity • 57% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 57% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Brad Paisley
Oh Love
130 bpm • C# min • 04:09 • -9db
29% Popularity • 56% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 56% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Christie Huff
Black and White
131 bpm • B Maj • 03:46 • -8.59db
15% Popularity • 62% Danceability • 42% Energy • 43% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 62% Danceability • 42% Energy • 43% Liveness
0% Instrumentalness • 7% Positiveness
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Walker Hayes
90's Country
125 bpm • C# min • 02:52 • -5.78db
50% Popularity • 74% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
50% Popularity • 74% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Carrie Underwood
Clock Don't Stop
125 bpm • G# min • 03:21 • -2.24db
35% Popularity • 61% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 61% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Luke Bryan
Bad Lovers
125 bpm • B Maj • 03:36 • -4.24db
36% Popularity • 71% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 71% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Maren Morris
RSVP
125 bpm • F# min • 03:34 • -7.24db
36% Popularity • 69% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 69% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Carly Pearce
Finish Your Sentences
124 bpm • D Maj • 02:49 • -4.7db
42% Popularity • 57% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 57% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Keith Urban
The Fighter
132 bpm • B min • 03:04 • -5.17db
50% Popularity • 68% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
50% Popularity • 68% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Heather Morgan
Your Hurricane
132 bpm • A# Maj • 03:23 • -6db
20% Popularity • 42% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 42% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Carrie Underwood
I Know You Won't
132 bpm • A# Maj • 04:18 • -5.65db
32% Popularity • 50% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
32% Popularity • 50% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Jerrod Niemann
God Made A Woman
132 bpm • G Maj • 03:28 • -8.7db
39% Popularity • 53% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 53% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Kelleigh Bannen
Church Clothes
124 bpm • F Maj • 04:02 • -6db
19% Popularity • 64% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 64% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Caylee Hammack
Preciatcha
124 bpm • B min • 03:01 • -7.01db
22% Popularity • 76% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 76% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Kelly Clarkson
I Don't Think About You
133 bpm • G# Maj • 03:44 • -5.84db
48% Popularity • 48% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
48% Popularity • 48% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Sara Evans
All the Love You Left Me
133 bpm • E min • 04:17 • -7.41db
25% Popularity • 48% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 48% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Carrie Underwood
Change
124 bpm • G Maj • 03:12 • -3.53db
31% Popularity • 57% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 57% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Carly Pearce
Careless
133 bpm • A Maj • 03:42 • -4.15db
31% Popularity • 62% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
31% Popularity • 62% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
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Devin Dawson
Asking For A Friend
123 bpm • E Maj • 03:59 • -8db
46% Popularity • 71% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 71% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Sandra Lynn
Somebody Kissed Me at a Bar
134 bpm • C# Maj • 03:58 • -4.4db
12% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Ryan Hurd
Hold You Back
134 bpm • A Maj • 03:34 • -6.78db
36% Popularity • 59% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 59% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Russell Dickerson
Yours - Intl Mix
134 bpm • B Maj • 03:29 • -5.25db
22% Popularity • 54% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 54% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Carrie Underwood
Wine After Whiskey
134 bpm • C# Maj • 03:51 • -2.95db
35% Popularity • 44% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
35% Popularity • 44% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Bobby Bones & The Raging Idiots
We Can't Stand Each Other
122 bpm • G Maj • 03:41 • -7.33db
10% Popularity • 67% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 67% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 17% Positiveness
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Jana Kramer
Last Song
122 bpm • E Maj • 03:11 • -6db
27% Popularity • 68% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 68% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Renee Blair
Gotta Quit Drinkin
135 bpm • D# min • 03:37 • -4.88db
15% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Ryan Hurd
Love in a Bar
134 bpm • C# Maj • 03:07 • -6.4db
40% Popularity • 51% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 51% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Russell Dickerson
Yours
134 bpm • B Maj • 03:36 • -6db
64% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
64% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Carrie Underwood
Ghosts On The Stereo
134 bpm • E Maj • 04:13 • -3.81db
34% Popularity • 49% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 49% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
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Jillian Jacqueline
God Bless This Mess
135 bpm • C Maj • 03:47 • -4.96db
30% Popularity • 48% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 48% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Abby Anderson
Dance Away My Broken Heart
135 bpm • C min • 03:07 • -5db
29% Popularity • 69% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 69% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Jessica Mitchell
Maybe It's Me
136 bpm • F Maj • 04:00 • -7.64db
14% Popularity • 51% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 51% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Carly Pearce
It Won’t Always Be Like This
136 bpm • G Maj • 03:44 • -6.43db
38% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Russell Dickerson
Mgno
121 bpm • C# Maj • 03:21 • -5db
45% Popularity • 59% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 59% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Smithfield
Hey Whiskey
136 bpm • G Maj • 03:30 • -4.8db
34% Popularity • 46% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 46% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Carrie Underwood
Love Wins
135 bpm • G Maj • 03:48 • -4.7db
45% Popularity • 52% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 52% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Abby Anderson
Guy Like You
121 bpm • D# Maj • 02:45 • -5db
27% Popularity • 84% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 84% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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LANCO
So Long (I Do)
136 bpm • A Maj • 02:59 • -5.25db
30% Popularity • 58% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 58% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Ruthie Collins
Get Drunk and Cry
136 bpm • E Maj • 03:34 • -6.85db
9% Popularity • 55% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 55% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
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Adam Craig
Just a Phase
136 bpm • E Maj • 03:06 • -5.48db
40% Popularity • 71% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 71% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Ryan Hurd
To a T
120 bpm • B Maj • 02:58 • -6db
52% Popularity • 69% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
52% Popularity • 69% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Jojo Mason
Future
120 bpm • G# Maj • 02:59 • -6.57db
29% Popularity • 66% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 66% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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Adam Sanders
Over Did It
120 bpm • C Maj • 03:11 • -4.55db
32% Popularity • 69% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 69% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Eli Young Band
Never Land
120 bpm • C Maj • 03:23 • -5db
34% Popularity • 56% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 56% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Carrie Underwood
Chaser
120 bpm • C Maj • 04:22 • -4.13db
36% Popularity • 49% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 49% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Maddie & Tae
Tourist In This Town
120 bpm • G# min • 03:25 • -5.5db
30% Popularity • 61% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 61% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Jillian Jacqueline
Priorities
120 bpm • C# Maj • 03:33 • -4.79db
13% Popularity • 74% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 74% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
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Elle King
Drunk (And I Don't Wanna Go Home)
120 bpm • F Maj • 04:04 • -5db
63% Popularity • 61% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
63% Popularity • 61% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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LANCO
Born to Love You - RISE Recording
120 bpm • G Maj • 03:31 • -7.89db
35% Popularity • 57% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 57% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Old Dominion
Bad At Love - Recorded at Sound Stage St...
120 bpm • F Maj • 03:01 • -4.67db
43% Popularity • 77% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 77% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Carrie Underwood
Whenever You Remember
120 bpm • F Maj • 03:47 • -4.31db
36% Popularity • 61% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 61% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Sugarland
Tuesday's Broken
137 bpm • F Maj • 03:14 • -6.73db
25% Popularity • 42% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 42% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Jana Kramer
Dammit
120 bpm • C Maj • 03:53 • -8db
36% Popularity • 57% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 57% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Rachael Fahim
What I Don't Know
119 bpm • D# Maj • 03:36 • -4.48db
17% Popularity • 46% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 46% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Dierks Bentley
Woman, Amen
120 bpm • F Maj • 02:59 • -6db
53% Popularity • 48% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
53% Popularity • 48% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Russell Dickerson
You Look Like a Love Song
119 bpm • F Maj • 04:37 • -5.75db
25% Popularity • 66% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 66% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Carrie Underwood
Cowboy Casanova
120 bpm • F Maj • 03:56 • -2.53db
62% Popularity • 60% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
62% Popularity • 60% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Thompson Square
Stuck in My Head
119 bpm • D Maj • 03:39 • -4.26db
12% Popularity • 58% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 58% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Kellie Pickler
Didn't You Know How Much I Loved You
138 bpm • A Maj • 04:45 • -4.7db
39% Popularity • 52% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 52% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Faren Rachels
On Paper
138 bpm • E Maj • 03:28 • -6.49db
27% Popularity • 62% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 62% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Seth Ennis
Think & Drive
138 bpm • B Maj • 03:55 • -6.7db
40% Popularity • 60% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 60% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Cassadee Pope
Still Got It
138 bpm • F# Maj • 03:34 • -4.51db
19% Popularity • 59% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 59% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Carrie Underwood
Wanted Woman
120 bpm • A Maj • 03:19 • -5.33db
32% Popularity • 72% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 72% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Michael Ray
Fan Girl
138 bpm • G# Maj • 03:30 • -4.33db
33% Popularity • 56% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 56% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Carly Pearce
Dare Ya
138 bpm • F# Maj • 03:34 • -5.17db
36% Popularity • 61% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 61% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Craig Campbell
When She Grows Up
138 bpm • A Maj • 03:50 • -7.26db
38% Popularity • 59% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 59% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Florida Georgia Line
Women
118 bpm • F# Maj • 03:31 • -4.32db
39% Popularity • 37% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 37% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Tyler Farr
Love by the Moon
118 bpm • A Maj • 02:41 • -3db
31% Popularity • 70% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 70% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Carrie Underwood
The Bullet
138 bpm • C# Maj • 04:10 • -4.01db
33% Popularity • 43% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 43% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Sierra Black
Make It Easy
140 bpm • G Maj • 03:23 • -5db
24% Popularity • 44% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 44% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Carly Pearce
I Hope You’re Happy Now
118 bpm • A# Maj • 03:18 • -4.73db
69% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
69% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Sara Evans
I Don't Trust Myself
140 bpm • C# Maj • 03:34 • -7.08db
12% Popularity • 55% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 55% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Brooks & Dunn
You're Gonna Miss Me When I'm Gone - wit...
140 bpm • G Maj • 04:18 • -8db
41% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
41% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Thompson Square
Let's Do Something Stupid
140 bpm • F# Maj • 03:22 • -8.71db
20% Popularity • 66% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
20% Popularity • 66% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
