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that way
Songs like
that way
by
Tate McRae
Based on a tempo of (+/- 10%) and a similar genre
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Tate McRae
slower
105 bpm • C# min • 03:07 • -8.08db
59% Popularity • 59% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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Benson Boone
Beautiful Things
105 bpm • A# Maj • 03:00 • -5.69db
29% Popularity • 47% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Dove Cameron
We Go Down Together
105 bpm • A min • 03:04 • -9.79db
65% Popularity • 49% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Bazzi
I.F.L.Y.
105 bpm • D Maj • 02:45 • -4.82db
69% Popularity • 81% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Lauren Spencer Smith
Bigger Person
105 bpm • G Maj • 02:41 • -8.16db
69% Popularity • 50% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Jeremy Zucker
always, i'll care
105 bpm • F# Maj • 02:26 • -12.62db
67% Popularity • 73% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Tate McRae
what would you do?
105 bpm • A Maj • 02:46 • -6db
64% Popularity • 79% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Lewis Capaldi
Grace
104 bpm • E Maj • 03:05 • -5.85db
71% Popularity • 72% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Rachel Grae
Outsider
105 bpm • G# Maj • 02:56 • -6.9db
62% Popularity • 43% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Sabrina Carpenter
Skin
106 bpm • G Maj • 02:57 • -5.37db
66% Popularity • 56% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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SYML
Where's My Love
104 bpm • C min • 03:22 • -10.11db
81% Popularity • 60% Danceability • 36% Energy • 11% Liveness
3% Instrumentalness • 37% Positiveness
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Regard
You
106 bpm • C Maj • 03:53 • -5.6db
69% Popularity • 69% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Tate McRae
all my friends are fake
105 bpm • B min • 03:06 • -7.46db
57% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Jeremy Zucker
all the kids are depressed
104 bpm • A Maj • 02:49 • -8.28db
69% Popularity • 77% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 71% Positiveness
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Lewis Capaldi
Hold Me While You Wait
107 bpm • B Maj • 03:25 • -5.51db
78% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Lauv
Feelings
103 bpm • A Maj • 03:09 • -8.91db
66% Popularity • 70% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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SAYGRACE
Boys Ain't Shit
103 bpm • C# min • 03:06 • -5.21db
54% Popularity • 80% Danceability • 64% Energy • 41% Liveness
0% Instrumentalness • 71% Positiveness
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flora cash
You're Somebody Else
103 bpm • C# Maj • 03:39 • -9.06db
69% Popularity • 71% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Tate McRae
that way
105 bpm • C Maj • 02:55 • -11.02db
77% Popularity • 45% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 33% Positiveness
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Selena Gomez
Lose You To Love Me
103 bpm • E Maj • 03:26 • -8.99db
80% Popularity • 49% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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Chase Atlantic
Friends
107 bpm • B min • 03:50 • -6.37db
82% Popularity • 33% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Cian Ducrot
All For You
103 bpm • D Maj • 03:41 • -7.72db
58% Popularity • 48% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Maddie Zahm
Fat Funny Friend
108 bpm • C Maj • 03:19 • -7.89db
67% Popularity • 50% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Benson Boone
Cry
108 bpm • A# Maj • 03:06 • -5.25db
41% Popularity • 71% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Tate McRae
go away
106 bpm • A Maj • 03:33 • -9db
58% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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RAYE
Escapism. - Sped Up
108 bpm • F# min • 03:59 • -5.35db
74% Popularity • 44% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Lewis Capaldi
Wish You The Best
108 bpm • D# Maj • 03:30 • -3.59db
80% Popularity • 68% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Jeremy Zucker
you were good to me
102 bpm • D Maj • 03:39 • -15.1db
72% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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James Arthur
Can I Be Him
108 bpm • B Maj • 04:06 • -6.16db
79% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Conan Gray
Heather
102 bpm • F Maj • 03:18 • -7.3db
87% Popularity • 36% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Tate McRae
what's your problem?
104 bpm • D min • 02:47 • -6.97db
60% Popularity • 72% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Selena Gomez
Back To You
102 bpm • F# Maj • 03:27 • -4.86db
74% Popularity • 60% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Maisie Peters
Worst of You
102 bpm • E Maj • 03:17 • -7.26db
58% Popularity • 74% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Lewis Capaldi
Forget Me
102 bpm • C# min • 03:23 • -3.77db
77% Popularity • 66% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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James Arthur
Naked
102 bpm • F# Maj • 03:53 • -6.79db
70% Popularity • 52% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Conan Gray
Maniac
108 bpm • G# Maj • 03:05 • -5.46db
79% Popularity • 63% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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Alexander Stewart
leave me in the dark
102 bpm • A Maj • 02:29 • -6.68db
61% Popularity • 61% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Tate McRae
greedy acoustic
104 bpm • F min • 02:22 • -7.28db
59% Popularity • 72% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Jeremy Zucker
scared
108 bpm • F Maj • 03:27 • -15.84db
58% Popularity • 58% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Ruth B.
Dandelions - slowed + reverb
102 bpm • G# min • 04:28 • -3.33db
65% Popularity • 33% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Lauv
i'm so tired...
101 bpm • B Maj • 02:42 • -7.57db
73% Popularity • 55% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Vancouver Sleep Clinic
Someone To Stay
109 bpm • C# Maj • 04:14 • -7.24db
75% Popularity • 44% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Olivia Rodrigo
traitor
101 bpm • D# Maj • 03:49 • -7.89db
86% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Tate McRae
stay done
106 bpm • E Maj • 02:51 • -9.47db
65% Popularity • 53% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Lauren Spencer Smith
Fingers Crossed
110 bpm • F Maj • 02:55 • -7.17db
75% Popularity • 61% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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AJ Mitchell
I Don't Want You Back
110 bpm • F Maj • 03:44 • -6.49db
53% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Adele
Love In The Dark
110 bpm • A min • 04:45 • -6.06db
80% Popularity • 33% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Michael Schulte
Falling Apart
110 bpm • G min • 03:18 • -9.36db
73% Popularity • 54% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Gracie Abrams
I miss you, I’m sorry
110 bpm • G Maj • 02:47 • -6.41db
83% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Tate McRae
chaotic
107 bpm • F Maj • 02:55 • -6.99db
69% Popularity • 66% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Lewis Capaldi
Someone You Loved
110 bpm • C# Maj • 03:02 • -5.68db
89% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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PLVTINUM
Champagne & Sunshine
110 bpm • F min • 03:16 • -10.03db
70% Popularity • 61% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Kina
Can We Kiss Forever?
110 bpm • E Maj • 03:07 • -18.72db
73% Popularity • 52% Danceability • 13% Energy • 9% Liveness
3% Instrumentalness • 12% Positiveness
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Harry Styles
Falling
110 bpm • E Maj • 04:00 • -6.5db
83% Popularity • 57% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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David Kushner
Miserable Man
110 bpm • A# Maj • 03:52 • -10.29db
70% Popularity • 63% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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Tate McRae
working
107 bpm • G Maj • 03:30 • -7.78db
59% Popularity • 78% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Ryan Mack
Forever and Ever and Always
110 bpm • C Maj • 02:20 • -10.56db
69% Popularity • 72% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
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Zoe Wees
Girls Like Us
100 bpm • C# Maj • 03:09 • -5.26db
50% Popularity • 62% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Logic
1-800-273-8255
100 bpm • F min • 04:10 • -7.79db
75% Popularity • 62% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Clinton Kane
CHICKEN TENDIES
100 bpm • G Maj • 03:16 • -6db
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Dermot Kennedy
Better Days
100 bpm • C Maj • 03:18 • -7.05db
66% Popularity • 68% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Tate McRae
Shoulder to Shoulder
110 bpm • D min • 03:50 • -6.38db
51% Popularity • 70% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Ashe
Till Forever Falls Apart
100 bpm • D Maj • 03:42 • -6.94db
74% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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SZA
Nobody Gets Me
100 bpm • G Maj • 03:00 • -8.29db
85% Popularity • 36% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Zach Hood
Flashbacks
100 bpm • B Maj • 03:03 • -7.38db
60% Popularity • 55% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Dean Lewis
Looks Like Me
111 bpm • B Maj • 03:10 • -5db
65% Popularity • 77% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Halsey
You should be sad
111 bpm • D Maj • 03:25 • -6.35db
71% Popularity • 59% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Tate McRae
greedy
111 bpm • F# min • 02:11 • -3.18db
96% Popularity • 75% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Taylor Swift
Afterglow
111 bpm • A Maj • 03:43 • -8.75db
78% Popularity • 76% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Lewis Capaldi
Bruises
111 bpm • E Maj • 03:40 • -7.83db
81% Popularity • 74% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Christian Leave
Please Notice
111 bpm • D Maj • 01:56 • -8.45db
65% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jeremy Zucker
better off
99 bpm • G# min • 03:13 • -12.46db
60% Popularity • 71% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Anson Seabra
Broken
99 bpm • F# Maj • 05:05 • -14.2db
55% Popularity • 48% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Sadie Jean
Locksmith
99 bpm • C# Maj • 02:44 • -10.73db
75% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Alexander Stewart
House of Cards
99 bpm • G# Maj • 03:34 • -6db
56% Popularity • 46% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Kehlani
Toxic
112 bpm • G min • 02:48 • -5.4db
67% Popularity • 65% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Lauren Spencer Smith
For Granted
99 bpm • C Maj • 03:12 • -3.84db
52% Popularity • 49% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Niall Horan
This Town
112 bpm • A Maj • 03:52 • -8.47db
81% Popularity • 68% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Peter Manos
In My Head
112 bpm • A min • 03:34 • -15.36db
58% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Lewis Capaldi
Before You Go
112 bpm • D# Maj • 03:35 • -4.86db
84% Popularity • 46% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Stephen Dawes
Teenage Dream
112 bpm • A# Maj • 02:58 • -9.07db
72% Popularity • 62% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Labrinth
Never Felt So Alone
98 bpm • F Maj • 02:40 • -4.44db
76% Popularity • 44% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Khalid
Better
98 bpm • C min • 03:49 • -10.32db
75% Popularity • 70% Danceability • 59% Energy • 11% Liveness
32% Instrumentalness • 11% Positiveness
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Tate McRae
guilty conscience
98 bpm • G# Maj • 02:32 • -3.67db
69% Popularity • 76% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Matt Hansen
something to remember
112 bpm • C# Maj • 02:42 • -6.9db
79% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Calum Scott
Dancing On My Own
113 bpm • C# Maj • 04:20 • -8.75db
81% Popularity • 68% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Jaymes Young
Happiest Year
113 bpm • C# Maj • 03:48 • -14.06db
74% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Andy Grammer
Don't Give Up On Me
113 bpm • C min • 03:16 • -5.45db
58% Popularity • 64% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Conan Gray
Memories
113 bpm • B Maj • 04:08 • -6.31db
79% Popularity • 34% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Tate McRae
hurt my feelings
98 bpm • D Maj • 02:02 • -3.74db
73% Popularity • 67% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Jamie Miller
Here's Your Perfect
113 bpm • F# Maj • 02:38 • -5.34db
76% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Anson Seabra
Welcome to Wonderland
97 bpm • E Maj • 03:19 • -10.91db
68% Popularity • 70% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Lauren Spencer Smith
Narcissist
113 bpm • D# Maj • 02:52 • -6.63db
63% Popularity • 40% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Dylan Conrique
birthday cake
113 bpm • D# Maj • 03:25 • -8.62db
70% Popularity • 44% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Alessia Cara
Scars To Your Beautiful
97 bpm • C Maj • 03:50 • -5.74db
78% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Tate McRae
we're not alike
113 bpm • G# Maj • 03:00 • -5db
71% Popularity • 71% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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James Arthur
Falling Like The Stars
114 bpm • F# Maj • 03:31 • -9.54db
71% Popularity • 55% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Conor Maynard
You Broke Me First
114 bpm • D Maj • 02:40 • -7.47db
66% Popularity • 40% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Zoe Wees
Control
114 bpm • E Maj • 03:50 • -4.98db
67% Popularity • 60% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
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salem ilese
Mad at Disney
114 bpm • C Maj • 02:16 • -7.31db
69% Popularity • 74% Danceability • 62% Energy • 69% Liveness
0% Instrumentalness • 72% Positiveness
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that way