Songs like That's My Pa by Champion Jack Dupree
Based on a tempo of (+/- 10%) and a similar genre
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Bessie Smith
Empty Bed Blues, Pt. 1
85 bpm • F Maj • 03:00 • -12.19db
24% Popularity • 67% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 67% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Sonny Terry
Walkin My Blues Away
85 bpm • F Maj • 03:57 • -13.06db
26% Popularity • 76% Danceability • 33% Energy • 15% Liveness
1% Instrumentalness • 81% Positiveness
26% Popularity • 76% Danceability • 33% Energy • 15% Liveness
1% Instrumentalness • 81% Positiveness
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Booker T. Laury
Early in the Morning
85 bpm • G Maj • 03:05 • -14db
20% Popularity • 68% Danceability • 31% Energy • 67% Liveness
2% Instrumentalness • 77% Positiveness
20% Popularity • 68% Danceability • 31% Energy • 67% Liveness
2% Instrumentalness • 77% Positiveness
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J.B. Lenoir
I Want to Go
85 bpm • C Maj • 01:39 • -9db
31% Popularity • 84% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 84% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Leroy Carr
How Long, How Long Blues
85 bpm • D# Maj • 03:03 • -12.26db
30% Popularity • 63% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 63% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Jimmy Dawkins
It Serves Me Right To Suffer
86 bpm • G Maj • 04:11 • -8db
15% Popularity • 53% Danceability • 63% Energy • 9% Liveness
16% Instrumentalness • 83% Positiveness
15% Popularity • 53% Danceability • 63% Energy • 9% Liveness
16% Instrumentalness • 83% Positiveness
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Jay McShann
Stompinin K.C.
86 bpm • C Maj • 05:23 • -21db
23% Popularity • 48% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 51% Positiveness
23% Popularity • 48% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 51% Positiveness
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Robert Lockwood, Jr.
Little Boy Blues
84 bpm • D Maj • 03:06 • -13db
20% Popularity • 75% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 75% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Blind Blake
Hastings Street
84 bpm • F Maj • 03:10 • -10db
28% Popularity • 56% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 77% Positiveness
28% Popularity • 56% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 77% Positiveness
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Pee Wee Crayton
Blues in the Ghetto - Rerecorded
84 bpm • A min • 03:05 • -16.54db
38% Popularity • 56% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 58% Positiveness
38% Popularity • 56% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 58% Positiveness
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Memphis Minnie
Down By the Riverside
83 bpm • G Maj • 02:35 • -6.68db
15% Popularity • 81% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 81% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Brownie McGhee
Better Day
87 bpm • D Maj • 03:03 • -11.84db
24% Popularity • 55% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 55% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Lafayette Leake
Trouble In Mind
83 bpm • F Maj • 03:38 • -16.4db
19% Popularity • 65% Danceability • 27% Energy • 11% Liveness
22% Instrumentalness • 66% Positiveness
19% Popularity • 65% Danceability • 27% Energy • 11% Liveness
22% Instrumentalness • 66% Positiveness
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Champion Jack Dupree
Dennis Rag
83 bpm • G Maj • 03:34 • -19.31db
0% Popularity • 63% Danceability • 18% Energy • 12% Liveness
3% Instrumentalness • 65% Positiveness
0% Popularity • 63% Danceability • 18% Energy • 12% Liveness
3% Instrumentalness • 65% Positiveness
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Slim Harpo
I'm Gonna Miss You (Like The Devil) - Si...
87 bpm • D Maj • 02:20 • -11.77db
37% Popularity • 63% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
37% Popularity • 63% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Big Joe Turner
S.K. Blues, Pt. 1
87 bpm • A# Maj • 03:01 • -9.96db
25% Popularity • 62% Danceability • 27% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 62% Danceability • 27% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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T-Bone Walker
Mean Old World
87 bpm • C Maj • 04:07 • -15db
50% Popularity • 73% Danceability • 24% Energy • 7% Liveness
1% Instrumentalness • 62% Positiveness
50% Popularity • 73% Danceability • 24% Energy • 7% Liveness
1% Instrumentalness • 62% Positiveness
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Tampa Red
You Missed a Good Man
87 bpm • G# Maj • 03:34 • -14.23db
17% Popularity • 75% Danceability • 26% Energy • 13% Liveness
5% Instrumentalness • 77% Positiveness
17% Popularity • 75% Danceability • 26% Energy • 13% Liveness
5% Instrumentalness • 77% Positiveness
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St. Louis Jimmy Oden
Going Down Slow
83 bpm • D# Maj • 03:11 • -12.6db
25% Popularity • 67% Danceability • 27% Energy • 16% Liveness
9% Instrumentalness • 48% Positiveness
25% Popularity • 67% Danceability • 27% Energy • 16% Liveness
9% Instrumentalness • 48% Positiveness
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Fenton Robinson
You Don't Know What Love Is - Remastered
83 bpm • F# min • 03:53 • -3.12db
50% Popularity • 46% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
50% Popularity • 46% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Eddie Boyd
Lovesick Soul
88 bpm • D Maj • 03:56 • -7.81db
28% Popularity • 61% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 61% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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A.C. Reed
She's Fine
82 bpm • A Maj • 04:18 • -14db
41% Popularity • 50% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
41% Popularity • 50% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Lonnie Johnson
Some Day Baby
82 bpm • D# Maj • 03:08 • -12.62db
25% Popularity • 50% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 50% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Robert Lockwood, Jr.
Take A Walk With Me (Take2)
88 bpm • A Maj • 03:00 • -12.36db
18% Popularity • 68% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 68% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Willie Dixon
I Can't Quit You Baby
82 bpm • G Maj • 06:39 • -17db
49% Popularity • 47% Danceability • 24% Energy • 22% Liveness
4% Instrumentalness • 42% Positiveness
49% Popularity • 47% Danceability • 24% Energy • 22% Liveness
4% Instrumentalness • 42% Positiveness
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Jimmy Witherspoon
Spoon's Blues
82 bpm • A min • 02:26 • -11db
29% Popularity • 61% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 61% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
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Pee Wee Crayton
Daybreak
88 bpm • C Maj • 02:41 • -13.74db
12% Popularity • 65% Danceability • 28% Energy • 11% Liveness
10% Instrumentalness • 68% Positiveness
12% Popularity • 65% Danceability • 28% Energy • 11% Liveness
10% Instrumentalness • 68% Positiveness
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Arthur "Big Boy" Crudup
Death Valley Blues
82 bpm • A# Maj • 02:43 • -14db
31% Popularity • 74% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 74% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Lonnie Johnson
Raise the Window High
83 bpm • G Maj • 02:39 • -13db
18% Popularity • 51% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 51% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Robert Johnson
Come On In My Kitchen
82 bpm • A# min • 02:52 • -15.31db
41% Popularity • 56% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 56% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Big Walter Horton
Easy - Remastered 2022
81 bpm • A# Maj • 02:57 • -5.55db
28% Popularity • 49% Danceability • 61% Energy • 54% Liveness
39% Instrumentalness • 48% Positiveness
28% Popularity • 49% Danceability • 61% Energy • 54% Liveness
39% Instrumentalness • 48% Positiveness
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Johnny Shines
Travelling Back Home
89 bpm • E min • 03:58 • -17.28db
32% Popularity • 50% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 50% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Jay McShann
Please Stop Playing These Blues
81 bpm • A# min • 02:56 • -15.74db
14% Popularity • 78% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 78% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Josh White
Nobody Knows You When Your Down and Out
81 bpm • B min • 03:00 • -15.17db
18% Popularity • 60% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 60% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Junior Wells' Chicago Blues Band
Vietcong Blues
81 bpm • A Maj • 04:59 • -10.99db
17% Popularity • 62% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 62% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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Arthur "Big Boy" Crudup
Katie May
89 bpm • A# Maj • 02:51 • -16.37db
20% Popularity • 72% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 72% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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John Brim
Tough Times
81 bpm • C min • 02:59 • -11.54db
26% Popularity • 55% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 55% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Johnny Shines
Evening Sun
89 bpm • F# min • 02:32 • -10db
21% Popularity • 48% Danceability • 48% Energy • 34% Liveness
60% Instrumentalness • 66% Positiveness
21% Popularity • 48% Danceability • 48% Energy • 34% Liveness
60% Instrumentalness • 66% Positiveness
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Sunnyland Slim
Every Time I Get To Drinking
81 bpm • A Maj • 02:42 • -11.23db
21% Popularity • 40% Danceability • 36% Energy • 7% Liveness
41% Instrumentalness • 46% Positiveness
21% Popularity • 40% Danceability • 36% Energy • 7% Liveness
41% Instrumentalness • 46% Positiveness
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Little Junior Parker
Drivin' Wheel - Single Version
81 bpm • A min • 02:37 • -8db
31% Popularity • 42% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 42% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Robert Johnson
Love in Vain - Take 1
90 bpm • G# Maj • 02:23 • -19db
34% Popularity • 74% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 74% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Champion Jack Dupree
Drinkin' Wine Spodie-Odie
90 bpm • G Maj • 03:32 • -12.83db
25% Popularity • 53% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 53% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Big Maceo
County Jail Blues
90 bpm • A# Maj • 02:55 • -13db
9% Popularity • 71% Danceability • 19% Energy • 12% Liveness
3% Instrumentalness • 75% Positiveness
9% Popularity • 71% Danceability • 19% Energy • 12% Liveness
3% Instrumentalness • 75% Positiveness
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Magic Sam
Mama, Mama -Talk to Your Daughter
79 bpm • D Maj • 02:46 • -11.13db
11% Popularity • 62% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 62% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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Smiley Lewis
Blue Monday
91 bpm • G# Maj • 02:41 • -7db
19% Popularity • 60% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 60% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Blind Lemon Jefferson
Match Box Blues
79 bpm • A# Maj • 03:03 • -12db
27% Popularity • 48% Danceability • 28% Energy • 8% Liveness
2% Instrumentalness • 52% Positiveness
27% Popularity • 48% Danceability • 28% Energy • 8% Liveness
2% Instrumentalness • 52% Positiveness
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Arthur "Big Boy" Crudup
My Mama Don't Allow Me
91 bpm • D Maj • 03:10 • -11db
22% Popularity • 62% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 62% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Champion Jack Dupree
Chicken Shack
91 bpm • F Maj • 03:31 • -13db
9% Popularity • 57% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 57% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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William Clarke
Lollipop Mama
91 bpm • G Maj • 03:50 • -12db
35% Popularity • 72% Danceability • 47% Energy • 30% Liveness
9% Instrumentalness • 71% Positiveness
35% Popularity • 72% Danceability • 47% Energy • 30% Liveness
9% Instrumentalness • 71% Positiveness
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Tampa Red
Mean and Evil Blues
91 bpm • G Maj • 02:53 • -10.19db
17% Popularity • 75% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 75% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Sugar Pie DeSanto
Slip-In Mules
79 bpm • B Maj • 02:47 • -8.66db
43% Popularity • 81% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
43% Popularity • 81% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
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Booker T. Laury
Booker's Boogie
79 bpm • C Maj • 03:37 • -6.98db
28% Popularity • 56% Danceability • 66% Energy • 95% Liveness
90% Instrumentalness • 91% Positiveness
28% Popularity • 56% Danceability • 66% Energy • 95% Liveness
90% Instrumentalness • 91% Positiveness
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Charley Patton
Devil Sent the Rain Blues
92 bpm • C Maj • 03:05 • -14.79db
20% Popularity • 52% Danceability • 18% Energy • 27% Liveness
77% Instrumentalness • 33% Positiveness
20% Popularity • 52% Danceability • 18% Energy • 27% Liveness
77% Instrumentalness • 33% Positiveness
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Champion Jack Dupree
Nasty Boogie
91 bpm • C Maj • 03:10 • -17db
28% Popularity • 59% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
28% Popularity • 59% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Jimmy Witherspoon
Ain't Nobody's Business - Live
92 bpm • G# Maj • 03:33 • -24db
26% Popularity • 45% Danceability • 11% Energy • 9% Liveness
18% Instrumentalness • 9% Positiveness
26% Popularity • 45% Danceability • 11% Energy • 9% Liveness
18% Instrumentalness • 9% Positiveness
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Eddie "Cleanhead" Vinson
Wee Baby Blues
78 bpm • F min • 03:20 • -16.08db
40% Popularity • 66% Danceability • 20% Energy • 9% Liveness
16% Instrumentalness • 36% Positiveness
40% Popularity • 66% Danceability • 20% Energy • 9% Liveness
16% Instrumentalness • 36% Positiveness
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Fenton Robinson
The Getaway - Remastered
92 bpm • G# min • 03:18 • -3.41db
52% Popularity • 61% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
52% Popularity • 61% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Memphis Minnie
Me and my chauffer
78 bpm • F Maj • 02:50 • -11db
14% Popularity • 66% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 66% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Leroy Carr
When the Sun Goes Down
93 bpm • A# Maj • 02:59 • -15db
17% Popularity • 50% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 50% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Champion Jack Dupree
Me And My Mule
92 bpm • A# Maj • 02:12 • -12.55db
0% Popularity • 65% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
0% Popularity • 65% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Amos Milburn
Down The Road Apiece
93 bpm • C Maj • 03:00 • -13.89db
20% Popularity • 54% Danceability • 60% Energy • 12% Liveness
28% Instrumentalness • 91% Positiveness
20% Popularity • 54% Danceability • 60% Energy • 12% Liveness
28% Instrumentalness • 91% Positiveness
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Arthur "Big Boy" Crudup
That's All Right
93 bpm • A# Maj • 02:24 • -17db
32% Popularity • 66% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 66% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Eddie Boyd
Five Long Years - Live
78 bpm • D Maj • 02:34 • -11.91db
12% Popularity • 59% Danceability • 59% Energy • 69% Liveness
11% Instrumentalness • 84% Positiveness
12% Popularity • 59% Danceability • 59% Energy • 69% Liveness
11% Instrumentalness • 84% Positiveness
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Booker T. Laury
Early In The Morning
78 bpm • G Maj • 04:32 • -19.88db
19% Popularity • 71% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 73% Positiveness
19% Popularity • 71% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 73% Positiveness
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Blind Willie McTell
I Got the Cross the River Jordan
77 bpm • C Maj • 04:00 • -14db
36% Popularity • 54% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
36% Popularity • 54% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
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Magic Sam
Lookin' Good
93 bpm • E min • 03:17 • -11.9db
19% Popularity • 47% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 64% Positiveness
19% Popularity • 47% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 64% Positiveness
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Tommy Johnson
Canned Heat Blues
93 bpm • D Maj • 03:39 • -13db
22% Popularity • 74% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 74% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Brownie McGhee
I'm Crazy 'Bout Your Pie
93 bpm • G Maj • 03:02 • -13db
21% Popularity • 67% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 67% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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John Hammond
Evil Is Going On
94 bpm • A min • 03:40 • -13.66db
32% Popularity • 62% Danceability • 28% Energy • 9% Liveness
7% Instrumentalness • 67% Positiveness
32% Popularity • 62% Danceability • 28% Energy • 9% Liveness
7% Instrumentalness • 67% Positiveness
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T-Bone Walker
T-Bone Blues
77 bpm • C Maj • 03:48 • -14db
50% Popularity • 54% Danceability • 28% Energy • 7% Liveness
4% Instrumentalness • 56% Positiveness
50% Popularity • 54% Danceability • 28% Energy • 7% Liveness
4% Instrumentalness • 56% Positiveness
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Mississippi Sheiks
Sitting On Top Of The World
94 bpm • F# Maj • 03:05 • -13.07db
17% Popularity • 52% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 52% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Arthur "Big Boy" Crudup
Dig Myself a Hole
94 bpm • A# Maj • 02:23 • -18db
34% Popularity • 70% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 70% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Slim Harpo
Shake Your Hips
94 bpm • G Maj • 02:32 • -10.32db
31% Popularity • 76% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 76% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Otis Spann
Someday (Electric)
94 bpm • C Maj • 03:26 • -14db
32% Popularity • 58% Danceability • 33% Energy • 33% Liveness
47% Instrumentalness • 49% Positiveness
32% Popularity • 58% Danceability • 33% Energy • 33% Liveness
47% Instrumentalness • 49% Positiveness
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Skip James
Devil Got My Woman
77 bpm • A# min • 05:15 • -22.7db
28% Popularity • 60% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 60% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Memphis Minnie
If You See My Rooster (Please Run Him Ho...
94 bpm • D# Maj • 03:15 • -16db
31% Popularity • 79% Danceability • 14% Energy • 11% Liveness
18% Instrumentalness • 67% Positiveness
31% Popularity • 79% Danceability • 14% Energy • 11% Liveness
18% Instrumentalness • 67% Positiveness
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Jimmy Yancey
Make Me a Pallet on the Floor
76 bpm • G# Maj • 04:34 • -12.96db
21% Popularity • 66% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 66% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Leroy Carr
Papa's on the House Top
95 bpm • D# Maj • 02:55 • -12db
27% Popularity • 68% Danceability • 28% Energy • 12% Liveness
60% Instrumentalness • 78% Positiveness
27% Popularity • 68% Danceability • 28% Energy • 12% Liveness
60% Instrumentalness • 78% Positiveness
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Earl King
Mother's Love
95 bpm • A Maj • 02:43 • -9db
27% Popularity • 57% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 49% Positiveness
27% Popularity • 57% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 49% Positiveness
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Big Joe Williams
Whistlin' Pines
95 bpm • A Maj • 02:57 • -8.97db
26% Popularity • 61% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 61% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Robert Lockwood, Jr.
Walkin' Blues
95 bpm • G Maj • 02:40 • -14db
27% Popularity • 65% Danceability • 15% Energy • 11% Liveness
5% Instrumentalness • 40% Positiveness
27% Popularity • 65% Danceability • 15% Energy • 11% Liveness
5% Instrumentalness • 40% Positiveness
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Robert Nighthawk
Friar's Point Blues
95 bpm • E Maj • 02:54 • -6db
9% Popularity • 67% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 67% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Lowell Fulson
Reconsider Baby
95 bpm • C Maj • 03:09 • -10.98db
43% Popularity • 69% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
43% Popularity • 69% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Big Joe Turner
Roll 'Em Pete
95 bpm • G min • 02:55 • -11.2db
30% Popularity • 60% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 60% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Little Junior Parker
Mystery Train - Remastered 2022
96 bpm • C# Maj • 02:24 • -10.91db
39% Popularity • 47% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 47% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Mississippi John Hurt
Candy Man
95 bpm • G Maj • 02:56 • -25db
34% Popularity • 43% Danceability • 16% Energy • 10% Liveness
16% Instrumentalness • 71% Positiveness
34% Popularity • 43% Danceability • 16% Energy • 10% Liveness
16% Instrumentalness • 71% Positiveness
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Smokey Hogg
When I've Been Drinkin
96 bpm • G Maj • 02:25 • -8db
24% Popularity • 78% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 78% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Robert Nighthawk
Kansas City Blues
96 bpm • D Maj • 02:39 • -7.88db
19% Popularity • 60% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 60% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Camille Howard
Fluff Boogie
96 bpm • A# Maj • 02:19 • -13.79db
27% Popularity • 55% Danceability • 46% Energy • 26% Liveness
91% Instrumentalness • 90% Positiveness
27% Popularity • 55% Danceability • 46% Energy • 26% Liveness
91% Instrumentalness • 90% Positiveness
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Howlin' Wolf with Steve Winwood: Piano & Organ, Bill Wyman: Bass Guitar, Shaker & Cowbell, Charlie Watts: Drums, Conga & Assorted Percussion
I Ain't Superstitious
96 bpm • G Maj • 03:30 • -7.83db
38% Popularity • 59% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 59% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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LaVern Baker
Empty Bed Blues - Mono
75 bpm • D# Maj • 04:52 • -9.74db
28% Popularity • 45% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 45% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Arthur "Big Boy" Crudup
My Mama Don’t Allow Me - Fire & Fury V...
96 bpm • F min • 02:23 • -20.48db
43% Popularity • 63% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
43% Popularity • 63% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Slim Harpo
Blues Hangover
96 bpm • G Maj • 03:06 • -7db
34% Popularity • 53% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 53% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Lafayette Leake
Feel So Blue
97 bpm • A min • 05:21 • -12db
29% Popularity • 64% Danceability • 47% Energy • 9% Liveness
28% Instrumentalness • 64% Positiveness
29% Popularity • 64% Danceability • 47% Energy • 9% Liveness
28% Instrumentalness • 64% Positiveness
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Champion Jack Dupree
Jit-A-Bug Jump
75 bpm • C Maj • 04:32 • -5.59db
9% Popularity • 56% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 56% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Big Joe Williams
Back Home Blues
97 bpm • C Maj • 04:22 • -16db
15% Popularity • 59% Danceability • 21% Energy • 9% Liveness
2% Instrumentalness • 49% Positiveness
15% Popularity • 59% Danceability • 21% Energy • 9% Liveness
2% Instrumentalness • 49% Positiveness
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Big Walter Horton
Tell Me Baby
97 bpm • B min • 03:15 • -15.23db
40% Popularity • 56% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 56% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Arthur "Big Boy" Crudup
Rock Me Mama
74 bpm • D Maj • 03:00 • -15db
16% Popularity • 68% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 68% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
