Songs like That's Not Me by DOBBY
Based on a tempo of (+/- 10%) and a similar genre
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Miss Kaninna
Pinnacle Bitch
130 bpm • G Maj • 03:21 • -7.9db
34% Popularity • 87% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 87% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Elsy Wameyo
River Nile
130 bpm • A Maj • 03:22 • -7db
30% Popularity • 69% Danceability • 82% Energy • 41% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 69% Danceability • 82% Energy • 41% Liveness
0% Instrumentalness • 34% Positiveness
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Drmngnow
Survive
130 bpm • A min • 02:54 • -4.01db
14% Popularity • 74% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 74% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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DOBBY
That's Not Me
130 bpm • A Maj • 03:43 • -4.87db
7% Popularity • 91% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 91% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 55% Positiveness
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Kinder
Say It Right - triple j Like A Version
130 bpm • C# min • 03:00 • -10.07db
32% Popularity • 61% Danceability • 83% Energy • 12% Liveness
28% Instrumentalness • 16% Positiveness
32% Popularity • 61% Danceability • 83% Energy • 12% Liveness
28% Instrumentalness • 16% Positiveness
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Haiku Hands
Grandma
130 bpm • C Maj • 02:48 • -4.96db
22% Popularity • 76% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 76% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Djanaba
Way We Move
130 bpm • C Maj • 03:41 • -5.72db
30% Popularity • 80% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 80% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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A.B. Original
Dumb Things - triple j Like A Version
130 bpm • A min • 04:34 • -7.09db
40% Popularity • 61% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
40% Popularity • 61% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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BIG WETT
BAGS
130 bpm • G Maj • 03:01 • -6.92db
22% Popularity • 92% Danceability • 79% Energy • 35% Liveness
3% Instrumentalness • 50% Positiveness
22% Popularity • 92% Danceability • 79% Energy • 35% Liveness
3% Instrumentalness • 50% Positiveness
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A.GIRL
Higher Ground - triple j Like A Version
130 bpm • C# Maj • 03:19 • -8.16db
31% Popularity • 76% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 76% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Zion Garcia
MUNCH
130 bpm • C# Maj • 03:06 • -3.96db
9% Popularity • 71% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 71% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Nyassa
Ghost
130 bpm • G# Maj • 02:16 • -5.44db
25% Popularity • 60% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 60% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Djanaba
F.U.
130 bpm • E min • 02:55 • -6.17db
27% Popularity • 70% Danceability • 93% Energy • 13% Liveness
26% Instrumentalness • 63% Positiveness
27% Popularity • 70% Danceability • 93% Energy • 13% Liveness
26% Instrumentalness • 63% Positiveness
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Bumpy
Hide & Seek
129 bpm • E Maj • 04:26 • -7.91db
17% Popularity • 51% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 51% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Fred Leone
Yirimi Gundir
130 bpm • G# Maj • 02:31 • -6.51db
16% Popularity • 72% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 72% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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SoSoon
C'est la Vie
131 bpm • A# min • 05:29 • -7.65db
0% Popularity • 76% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 76% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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King Stingray
Milkumana
131 bpm • D Maj • 03:07 • -6.34db
39% Popularity • 67% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 67% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
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Citizen Kay
it is what it is
131 bpm • F min • 04:06 • -10.01db
9% Popularity • 65% Danceability • 70% Energy • 11% Liveness
1% Instrumentalness • 68% Positiveness
9% Popularity • 65% Danceability • 70% Energy • 11% Liveness
1% Instrumentalness • 68% Positiveness
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Burger Joint
Pub in the Middle of Nowhere
131 bpm • A Maj • 03:04 • -7.82db
8% Popularity • 75% Danceability • 74% Energy • 39% Liveness
31% Instrumentalness • 81% Positiveness
8% Popularity • 75% Danceability • 74% Energy • 39% Liveness
31% Instrumentalness • 81% Positiveness
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Stiff Gins
Fleetingly
129 bpm • C# Maj • 02:43 • -6.93db
16% Popularity • 80% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 80% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Fred Leone
Yirimi Gundir (trials remix)
129 bpm • C min • 03:05 • -6.52db
22% Popularity • 64% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 64% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
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Miiesha
Blood Cells
132 bpm • G# min • 02:49 • -7.79db
18% Popularity • 77% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 77% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Citrus Fresh
304
132 bpm • E min • 00:59 • -7.74db
19% Popularity • 79% Danceability • 73% Energy • 14% Liveness
88% Instrumentalness • 85% Positiveness
19% Popularity • 79% Danceability • 73% Energy • 14% Liveness
88% Instrumentalness • 85% Positiveness
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Sam Buckingham
Rich Girl
132 bpm • F# min • 03:04 • -8.85db
18% Popularity • 89% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 89% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Sereen
UNTIL WE'RE ALL FREE
128 bpm • C# min • 05:22 • -5.99db
20% Popularity • 77% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 77% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
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Nerve
WASTED
133 bpm • C min • 03:53 • -3db
27% Popularity • 50% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 50% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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DOBBY
DOBBY - triple j Bars of Steel
128 bpm • G# Maj • 03:29 • -15.07db
8% Popularity • 72% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 72% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Ani DiFranco
Little Plastic Castle - Tune-Yards Remix
127 bpm • D Maj • 04:00 • -7.35db
10% Popularity • 68% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 68% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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JK-47
Abandoned
127 bpm • G# Maj • 03:20 • -11.81db
20% Popularity • 63% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 63% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Minas
Payday
127 bpm • C Maj • 02:32 • -7.85db
11% Popularity • 77% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 77% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Dumb Buoys Fishing Club
FORTUNE TELLER
134 bpm • D Maj • 02:39 • -4.39db
31% Popularity • 82% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 82% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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King Stingray
Sweet Arnhem Land
134 bpm • E min • 03:21 • -5.62db
29% Popularity • 50% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 50% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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DOBBY
My Mind
127 bpm • E min • 04:05 • -7.74db
1% Popularity • 83% Danceability • 69% Energy • 68% Liveness
0% Instrumentalness • 37% Positiveness
1% Popularity • 83% Danceability • 69% Energy • 68% Liveness
0% Instrumentalness • 37% Positiveness
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Siobhan Cotchin
How Does It Feel?
126 bpm • G# Maj • 02:51 • -6.33db
11% Popularity • 52% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 52% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Jesswar
Hit Em With Bass
126 bpm • C# Maj • 03:35 • -7.11db
8% Popularity • 89% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 89% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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JK-47
Avalanche
126 bpm • C# min • 02:36 • -7.99db
24% Popularity • 51% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 51% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Electric Fields
Gold Energy
125 bpm • G min • 03:25 • -5.24db
26% Popularity • 56% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 56% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Jem Cassar-Daley
Oh No
126 bpm • C# min • 02:10 • -6.68db
28% Popularity • 95% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 95% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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DOBBY
My Mind
127 bpm • E min • 03:52 • -7.47db
2% Popularity • 82% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
2% Popularity • 82% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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NIDALA
Colours of My People
125 bpm • B min • 03:27 • -8.3db
10% Popularity • 59% Danceability • 44% Energy • 48% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 59% Danceability • 44% Energy • 48% Liveness
0% Instrumentalness • 29% Positiveness
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Drmngnow
Indigenous Land
135 bpm • A# min • 03:13 • -7.59db
15% Popularity • 92% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 92% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Milan Ring
Let It Glide
135 bpm • G# Maj • 03:38 • -8.55db
9% Popularity • 67% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 67% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Gold Fang
Badness Issa Habit
135 bpm • B min • 03:07 • -8.2db
27% Popularity • 95% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 95% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Briggs
Go To War
135 bpm • F# Maj • 03:22 • -11.21db
25% Popularity • 76% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 76% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Sojøurn
Where We Go
135 bpm • G# min • 03:24 • -8.49db
10% Popularity • 60% Danceability • 63% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
10% Popularity • 60% Danceability • 63% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
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3%
Sleezy Steezy Cool
125 bpm • G# min • 03:00 • -4.74db
32% Popularity • 71% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 71% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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JessB
Moment
125 bpm • A Maj • 02:39 • -6.72db
18% Popularity • 88% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 88% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Mambali
Yuwani
125 bpm • D Maj • 03:12 • -7.12db
19% Popularity • 60% Danceability • 69% Energy • 21% Liveness
2% Instrumentalness • 20% Positiveness
19% Popularity • 60% Danceability • 69% Energy • 21% Liveness
2% Instrumentalness • 20% Positiveness
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Mo’Ju
Something Wrong
125 bpm • A min • 03:11 • -10.14db
10% Popularity • 77% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 77% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Electric Fields
We The People
125 bpm • E min • 03:24 • -6.33db
19% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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BVT
BASJIA! B∆SJI∆!
125 bpm • A# min • 03:17 • -10.35db
16% Popularity • 94% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 94% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Charlie Needs Braces
Daryung
124 bpm • C min • 03:47 • -9.16db
16% Popularity • 66% Danceability • 83% Energy • 38% Liveness
38% Instrumentalness • 29% Positiveness
16% Popularity • 66% Danceability • 83% Energy • 38% Liveness
38% Instrumentalness • 29% Positiveness
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Playlunch
No Hat No Play
136 bpm • C Maj • 03:31 • -8.99db
28% Popularity • 84% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 84% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Scott Darlow
Deadly Heart
136 bpm • E min • 03:47 • -5.9db
5% Popularity • 52% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
5% Popularity • 52% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Andrew Gurruwiwi Band
Gatjumak
124 bpm • B min • 03:32 • -5.18db
13% Popularity • 66% Danceability • 97% Energy • 16% Liveness
6% Instrumentalness • 78% Positiveness
13% Popularity • 66% Danceability • 97% Energy • 16% Liveness
6% Instrumentalness • 78% Positiveness
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Haiku Hands
Feels So Good
124 bpm • B min • 03:06 • -6.95db
26% Popularity • 62% Danceability • 86% Energy • 19% Liveness
1% Instrumentalness • 66% Positiveness
26% Popularity • 62% Danceability • 86% Energy • 19% Liveness
1% Instrumentalness • 66% Positiveness
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Regurgitator
This is Not a Pop Song
137 bpm • D Maj • 02:40 • -7.08db
35% Popularity • 90% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
35% Popularity • 90% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Good Health Good Wealth
Eating Good
123 bpm • D Maj • 02:17 • -9.19db
30% Popularity • 93% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 93% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Alex Lahey
Make Your Own Kind Of Music - triple j L...
123 bpm • B Maj • 03:24 • -9.69db
35% Popularity • 42% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 42% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Gurridyula
Rise Of The Phoenix
122 bpm • E min • 04:13 • -12.3db
11% Popularity • 85% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 85% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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DOBBY
Susie Q
138 bpm • D Maj • 03:59 • -5.73db
21% Popularity • 43% Danceability • 83% Energy • 41% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 43% Danceability • 83% Energy • 41% Liveness
0% Instrumentalness • 60% Positiveness
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Baker Boy
Better Days - Airwolf Remix
122 bpm • C# Maj • 02:36 • -7db
16% Popularity • 85% Danceability • 87% Energy • 15% Liveness
2% Instrumentalness • 55% Positiveness
16% Popularity • 85% Danceability • 87% Energy • 15% Liveness
2% Instrumentalness • 55% Positiveness
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Jelani Blackman
Voice
122 bpm • B min • 03:21 • -8.07db
29% Popularity • 79% Danceability • 76% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 79% Danceability • 76% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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The Whitlams
You Sound Like Louis Burdett
139 bpm • F Maj • 04:14 • -4.54db
27% Popularity • 56% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 56% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Nooky
Always Was Always Will Be
139 bpm • G# min • 02:58 • -9.72db
17% Popularity • 55% Danceability • 74% Energy • 67% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 55% Danceability • 74% Energy • 67% Liveness
0% Instrumentalness • 45% Positiveness
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Drapht
Tomorrow Today
121 bpm • G Maj • 03:17 • -6db
24% Popularity • 85% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 85% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Bumpy
Leave It All Behind
139 bpm • A Maj • 03:55 • -9.41db
25% Popularity • 56% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 56% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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common goldfish
Tottenham Ritzy
121 bpm • A# Maj • 02:58 • -7.22db
21% Popularity • 63% Danceability • 88% Energy • 29% Liveness
1% Instrumentalness • 75% Positiveness
21% Popularity • 63% Danceability • 88% Energy • 29% Liveness
1% Instrumentalness • 75% Positiveness
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Sascha Astrid
Being Alone
121 bpm • A Maj • 02:22 • -8.73db
12% Popularity • 82% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 82% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Gurridyula
My Vibe
121 bpm • B min • 02:57 • -11.04db
14% Popularity • 95% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 95% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Electric Fields
From Little Things Big Things Grow
140 bpm • A min • 05:13 • -9.94db
22% Popularity • 61% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 61% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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CLOE TERARE
The Plumber (Wet Hot American Summer)
121 bpm • C# Maj • 01:55 • -10.64db
20% Popularity • 91% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 91% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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WILDFIRE MANWURRK
Mararradj
140 bpm • A min • 03:38 • -7.55db
12% Popularity • 55% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 55% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Black Rock Band
Red Black and Yellow
140 bpm • E min • 03:52 • -6.77db
9% Popularity • 47% Danceability • 74% Energy • 48% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 47% Danceability • 74% Energy • 48% Liveness
0% Instrumentalness • 55% Positiveness
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Flewnt
Summertime Flow
140 bpm • A# min • 03:02 • -6.07db
14% Popularity • 60% Danceability • 77% Energy • 50% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 60% Danceability • 77% Energy • 50% Liveness
0% Instrumentalness • 62% Positiveness
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Kakadu Collective
MAYALI
140 bpm • D Maj • 03:55 • -5.82db
10% Popularity • 91% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 91% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Hilltop Hoods
Laced Up
140 bpm • C Maj • 03:22 • -3.04db
53% Popularity • 92% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 92% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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One Day
Not Many - triple j Like A Version
140 bpm • F min • 03:56 • -7.28db
24% Popularity • 66% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 66% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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King Stingray
Through The Trees
140 bpm • A Maj • 03:08 • -4.81db
43% Popularity • 44% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 44% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Sampa the Great
DNA - triple j Like A Version
140 bpm • C Maj • 03:51 • -8.36db
31% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Briggs
That's Money
140 bpm • D Maj • 03:06 • -9.81db
8% Popularity • 92% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 92% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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3%
OUR PEOPLE
140 bpm • F min • 03:54 • -3.31db
31% Popularity • 63% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 63% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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DENNI
Runaways
140 bpm • C# Maj • 03:12 • -11.61db
18% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Full Flower Moon Band
Trainspotting
120 bpm • D Maj • 02:18 • -5.36db
26% Popularity • 56% Danceability • 78% Energy • 42% Liveness
47% Instrumentalness • 60% Positiveness
26% Popularity • 56% Danceability • 78% Energy • 42% Liveness
47% Instrumentalness • 60% Positiveness
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Sam Buckingham
Dear John
120 bpm • F# Maj • 03:27 • -10.4db
21% Popularity • 72% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 72% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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DOBBY
Welcome
120 bpm • G# Maj • 02:14 • -9.32db
3% Popularity • 89% Danceability • 53% Energy • 86% Liveness
0% Instrumentalness • 77% Positiveness
3% Popularity • 89% Danceability • 53% Energy • 86% Liveness
0% Instrumentalness • 77% Positiveness
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Barkaa
Godz
120 bpm • C# Maj • 03:11 • -6.01db
22% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Greta Stanley
It's Cool to Be in Love
120 bpm • C Maj • 03:33 • -4.18db
22% Popularity • 47% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 47% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 29% Positiveness
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CHAII
Main Thing
120 bpm • G# Maj • 02:16 • -5.83db
19% Popularity • 71% Danceability • 60% Energy • 22% Liveness
5% Instrumentalness • 33% Positiveness
19% Popularity • 71% Danceability • 60% Energy • 22% Liveness
5% Instrumentalness • 33% Positiveness
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The Merindas
Boomerang
120 bpm • E min • 03:48 • -5.19db
13% Popularity • 75% Danceability • 86% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
13% Popularity • 75% Danceability • 86% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Downsyde
Call
120 bpm • C# min • 04:40 • -4.94db
22% Popularity • 69% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 69% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Birdz
Aussie Aussie
120 bpm • G# Maj • 02:05 • -10.81db
20% Popularity • 81% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 81% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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JessB
Come Find Me
120 bpm • A# min • 02:27 • -7.23db
31% Popularity • 92% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 92% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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The Buoys
Settle Petal
120 bpm • E min • 03:06 • -3.47db
25% Popularity • 58% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 58% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Tjaka
Break It Down
120 bpm • C Maj • 03:22 • -4.93db
16% Popularity • 85% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 85% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Mitch Tambo
Great Southern Land
120 bpm • A Maj • 05:27 • -3.7db
28% Popularity • 64% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 64% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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The Merindas
History Eraser - Original by Courtney Ba...
120 bpm • D Maj • 03:33 • -10.53db
11% Popularity • 84% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 84% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Djanaba
Don't Really Care
120 bpm • G# min • 02:58 • -3.46db
31% Popularity • 85% Danceability • 75% Energy • 33% Liveness
1% Instrumentalness • 50% Positiveness
31% Popularity • 85% Danceability • 75% Energy • 33% Liveness
1% Instrumentalness • 50% Positiveness
