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That's the Way to Get Along
Songs like
That's the Way to Get Along
by
Marie Adams
Based on a tempo of (+/- 10%) and a similar genre
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Marie Adams
That's The Way To Get Along
122 bpm • G min • 02:16 • -4.14db
4% Popularity • 61% Danceability • 71% Energy • 4% Liveness
18% Instrumentalness • 88% Positiveness
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The Chiefs
Apache
122 bpm • B min • 02:24 • -9.44db
9% Popularity • 51% Danceability • 50% Energy • 9% Liveness
48% Instrumentalness • 78% Positiveness
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Jackson and the Janks
Sleep On, Mother
122 bpm • C Maj • 04:23 • -8.44db
10% Popularity • 67% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Dave Bartholomew
Single Life
122 bpm • F Maj • 02:15 • -10.01db
29% Popularity • 72% Danceability • 40% Energy • 19% Liveness
4% Instrumentalness • 56% Positiveness
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Huey "Piano" Smith
She Got Low Down
122 bpm • D# Maj • 02:34 • -9.88db
10% Popularity • 71% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Vernon Green
A Lover's Prayer
122 bpm • F min • 02:48 • -11.26db
11% Popularity • 66% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Marie Adams
That's the Way to Get Along
122 bpm • G min • 03:17 • -2.49db
2% Popularity • 60% Danceability • 81% Energy • 4% Liveness
8% Instrumentalness • 83% Positiveness
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Ruth Brown
I Hope We Meet - On the Road Some Day
122 bpm • F min • 02:44 • -13.72db
8% Popularity • 73% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Phyllis Dillon
Humpty Dumpty
123 bpm • F# Maj • 02:28 • -9.55db
10% Popularity • 61% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Esther Phillips
Wild Child
123 bpm • F Maj • 02:17 • -6.52db
10% Popularity • 59% Danceability • 82% Energy • 19% Liveness
10% Instrumentalness • 68% Positiveness
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Gladys Knight
Stop Running Around
123 bpm • G# Maj • 02:10 • -7.99db
12% Popularity • 61% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Fontella Bass
My Good Loving
121 bpm • D# Maj • 02:25 • -9.22db
8% Popularity • 81% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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The Clovers
Crawlin'
121 bpm • D# Maj • 02:35 • -11.98db
10% Popularity • 71% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Ruth Brown
Try Me and See
123 bpm • G Maj • 02:11 • -7.65db
9% Popularity • 61% Danceability • 75% Energy • 61% Liveness
0% Instrumentalness • 77% Positiveness
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Helen Humes
Airplane Blues
123 bpm • G# Maj • 02:36 • -10db
9% Popularity • 61% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Charles Sheffield
Rock 'n' Roll Train
123 bpm • D# Maj • 02:15 • -8.46db
15% Popularity • 64% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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Etta Jones
Lonely Crowd - 2016 Remaster
124 bpm • B min • 02:39 • -15.06db
11% Popularity • 46% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Huey "Piano" Smith
Just a Lonely Clown
120 bpm • C Maj • 02:13 • -4.51db
24% Popularity • 72% Danceability • 91% Energy • 12% Liveness
24% Instrumentalness • 94% Positiveness
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Mable John
Who Wouldn't Love A Man Like That - Firs...
120 bpm • D Maj • 02:44 • -8.23db
23% Popularity • 80% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Big Mama Thornton
The Fish
124 bpm • G Maj • 02:42 • -11.46db
8% Popularity • 76% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Marie Adams
That´s the Way to Get Along
124 bpm • G# Maj • 02:13 • -6.8db
0% Popularity • 64% Danceability • 62% Energy • 19% Liveness
10% Instrumentalness • 77% Positiveness
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Jerry Butler
Ain't That Loving You Baby
120 bpm • F Maj • 02:44 • -8.95db
9% Popularity • 60% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Ruth Brown
Somebody Touched Me
124 bpm • A# Maj • 02:27 • -15.87db
22% Popularity • 74% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Huey "Piano" Smith
Just a Lonely Clown
120 bpm • C Maj • 02:10 • -7.59db
18% Popularity • 71% Danceability • 86% Energy • 35% Liveness
63% Instrumentalness • 97% Positiveness
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Mable John
Catch That Man - Take 9
124 bpm • A# min • 02:29 • -9.55db
11% Popularity • 77% Danceability • 63% Energy • 7% Liveness
43% Instrumentalness • 76% Positiveness
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Bill Doggett
Ram-Bunk-Shush
124 bpm • G Maj • 02:33 • -8.07db
28% Popularity • 51% Danceability • 61% Energy • 14% Liveness
12% Instrumentalness • 84% Positiveness
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Sugar Pie DeSanto
Open Your Heart
124 bpm • A Maj • 02:04 • -5.94db
12% Popularity • 52% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Wilson Pickett
You're on My Mind
124 bpm • E Maj • 02:39 • -5.06db
8% Popularity • 56% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
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Chuck Berry
Do You Love Me
120 bpm • D Maj • 02:18 • -10.78db
9% Popularity • 61% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
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Aaron Neville
Why Worry
124 bpm • F Maj • 02:31 • -13.95db
9% Popularity • 57% Danceability • 48% Energy • 39% Liveness
4% Instrumentalness • 79% Positiveness
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Johnny "Guitar" Watson
Posin'
120 bpm • D Maj • 02:40 • -7.94db
11% Popularity • 68% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Garnet Mimms & The Enchanters
So Close
120 bpm • G Maj • 02:12 • -11.96db
10% Popularity • 75% Danceability • 50% Energy • 62% Liveness
0% Instrumentalness • 96% Positiveness
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Art Neville
Rockin' Pneumonia And The Boogie-Woogie ...
120 bpm • C Maj • 02:10 • -10.68db
14% Popularity • 80% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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Brook Benton
Ninety-Nine Percent - Remastered
125 bpm • C# min • 02:03 • -7.57db
14% Popularity • 60% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Fenton Robinson
Mississippi Steamboat
125 bpm • D# Maj • 02:48 • -11db
8% Popularity • 57% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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Eddie Bo
Baby I'm Wise
125 bpm • A# Maj • 02:31 • -8.46db
14% Popularity • 76% Danceability • 68% Energy • 7% Liveness
17% Instrumentalness • 92% Positiveness
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Juanita Nixon
Stop Knockin'
125 bpm • B Maj • 02:35 • -5db
10% Popularity • 60% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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The Viceroys
Granny's Pad
125 bpm • G Maj • 02:12 • -4.52db
13% Popularity • 70% Danceability • 96% Energy • 12% Liveness
70% Instrumentalness • 97% Positiveness
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Garnet Mimms & The Enchanters
Cry To Me
125 bpm • F Maj • 02:25 • -9.84db
14% Popularity • 65% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Mable John
My Thanks
119 bpm • G# Maj • 02:33 • -10.66db
11% Popularity • 82% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Roosevelt Sykes
Satellite Baby
119 bpm • D# Maj • 02:46 • -10db
10% Popularity • 54% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Bobby Charles
Preacher's Daughter
125 bpm • A# Maj • 02:18 • -9.64db
10% Popularity • 79% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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The Hi-Stakes
Why Do I Have To Give A Reason
119 bpm • F min • 02:34 • -8.07db
10% Popularity • 86% Danceability • 42% Energy • 12% Liveness
7% Instrumentalness • 65% Positiveness
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Sammy Price And The Rock Band
Rib Joint
119 bpm • G# Maj • 02:39 • -5db
11% Popularity • 60% Danceability • 70% Energy • 4% Liveness
55% Instrumentalness • 96% Positiveness
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Chuck Berry
21
119 bpm • C min • 02:25 • -10.5db
11% Popularity • 74% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
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Jane Baker
Sing On Baby
125 bpm • G Maj • 02:40 • -8db
10% Popularity • 55% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Lucky Millinder & His Orchestra
More, More, More
119 bpm • C min • 02:43 • -7.42db
11% Popularity • 64% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Nappy Brown
Coal Miner
119 bpm • A# min • 02:38 • -9.31db
26% Popularity • 77% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Little Willie John
I'll Never Go Back On My Word
119 bpm • A# Maj • 01:52 • -9.63db
17% Popularity • 55% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
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Huey "Piano" Smith
I Think You're Jiving Me
119 bpm • C Maj • 02:27 • -9.14db
18% Popularity • 79% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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Varetta Dillard
Easy, Easy Baby
119 bpm • A# Maj • 02:38 • -8.02db
32% Popularity • 78% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Jack McVea
Inflation Blues - Remastered
126 bpm • A# Maj • 02:39 • -6.51db
9% Popularity • 61% Danceability • 36% Energy • 69% Liveness
0% Instrumentalness • 84% Positiveness
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Betty Harris
12 Red Roses - 2024 Remastered
126 bpm • A# min • 02:31 • -5.55db
8% Popularity • 63% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
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Tiny Grimes
Back Slider And Hypocrite
126 bpm • D# Maj • 04:40 • -9.71db
10% Popularity • 63% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Bill Black's Combo
Accentuate the Positive
118 bpm • C Maj • 01:53 • -6.69db
19% Popularity • 87% Danceability • 56% Energy • 6% Liveness
91% Instrumentalness • 86% Positiveness
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Huey "Piano" Smith
Little Chicken Wah Wah
126 bpm • G Maj • 02:05 • -7db
18% Popularity • 82% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
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Little Jimmy Ray
You Need to Fall in Love
118 bpm • A Maj • 02:29 • -6.28db
13% Popularity • 63% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Chuck Berry
In-Go
118 bpm • B Maj • 02:27 • -11.12db
11% Popularity • 74% Danceability • 51% Energy • 17% Liveness
84% Instrumentalness • 88% Positiveness
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Marie Adams
You Don't Know
126 bpm • G# Maj • 02:17 • -3.7db
0% Popularity • 62% Danceability • 80% Energy • 4% Liveness
8% Instrumentalness • 67% Positiveness
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Sugar Pie DeSanto
I Want To Know
126 bpm • C Maj • 03:00 • -6.38db
30% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Lisa Marné
Like Young
118 bpm • D Maj • 02:29 • -11db
12% Popularity • 75% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Huey "Piano" Smith
Little Chickie Wah Wah
126 bpm • C Maj • 02:10 • -5db
33% Popularity • 89% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Little Willie John
My Nerves
127 bpm • C# min • 02:33 • -10.01db
17% Popularity • 48% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Charlie Rich
Finally Found Out - Remastered 2023
127 bpm • F Maj • 02:21 • -4.83db
15% Popularity • 73% Danceability • 83% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
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Barrett Strong
What Is Love
127 bpm • F Maj • 02:29 • -7.82db
10% Popularity • 77% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Chris Kenner
Packing Up
117 bpm • D# Maj • 02:43 • -10.37db
11% Popularity • 74% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Big Jay McNeely
All That Wine Is Gone
128 bpm • C min • 02:56 • -6.57db
10% Popularity • 64% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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The Hi-Stakes
He Ain't Gonna Do You No Good
127 bpm • C min • 03:49 • -11.45db
10% Popularity • 57% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Little Willie John
My Nerves
127 bpm • G# min • 02:33 • -7db
21% Popularity • 46% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Johnny Thunder
Al-La-Wetta
116 bpm • G Maj • 02:16 • -11.28db
9% Popularity • 75% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Raymond Hill
I'm Back Pretty Baby
128 bpm • A# Maj • 02:42 • -11.49db
4% Popularity • 65% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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Champion Jack Dupree
Daybreak Rock
128 bpm • E Maj • 02:33 • -9.39db
16% Popularity • 66% Danceability • 61% Energy • 33% Liveness
76% Instrumentalness • 84% Positiveness
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Jimmy McCracklin
The Wobble
116 bpm • D min • 02:18 • -8.9db
9% Popularity • 73% Danceability • 94% Energy • 10% Liveness
1% Instrumentalness • 96% Positiveness
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Fay Cooper
Lot's Of Folks Do-Others Don't
116 bpm • B min • 02:40 • -10db
22% Popularity • 81% Danceability • 35% Energy • 5% Liveness
2% Instrumentalness • 76% Positiveness
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Sugar Pie DeSanto
I Don't Feel Sorry
116 bpm • A# Maj • 02:16 • -6.49db
28% Popularity • 77% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Sonny Til & The Orioles
Hey! Little Woman
128 bpm • E min • 02:22 • -7db
10% Popularity • 62% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
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Snooks Eaglin
Travellin' Mood
116 bpm • E Maj • 02:19 • -8.88db
17% Popularity • 73% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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Little Willie John
There's A Difference
128 bpm • G min • 02:25 • -12db
21% Popularity • 61% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Mamie Perry
My Baby Waited Too Long
116 bpm • G min • 02:46 • -8db
10% Popularity • 64% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
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Cookie & The Cupcakes
I Cried
129 bpm • C Maj • 02:36 • -6.75db
9% Popularity • 52% Danceability • 73% Energy • 47% Liveness
78% Instrumentalness • 83% Positiveness
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The Robins
Truble
129 bpm • F# min • 02:25 • -6db
4% Popularity • 54% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Titus Turner
Coralee
115 bpm • F min • 02:35 • -5db
11% Popularity • 61% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Hank Ballard & The Midnighters
Do You Know How To Twist
129 bpm • G# Maj • 02:27 • -14db
10% Popularity • 74% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Little Willie John
I'm Stickin' With You Baby
129 bpm • C# Maj • 02:53 • -8.77db
11% Popularity • 59% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Marie Adams
Ma (He's Makin' Eyes At Me) [Live]
115 bpm • F# Maj • 02:24 • -7.67db
0% Popularity • 40% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Baby Washington
Let Love Go By
129 bpm • D Maj • 01:54 • -9.07db
18% Popularity • 63% Danceability • 60% Energy • 73% Liveness
0% Instrumentalness • 95% Positiveness
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Sammy Price And The Rock Band
After Hour Swing
115 bpm • G Maj • 02:41 • -6.59db
8% Popularity • 74% Danceability • 70% Energy • 14% Liveness
74% Instrumentalness • 92% Positiveness
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Wynona Carr
What Do You Know (About Love)
115 bpm • F Maj • 02:47 • -12.53db
12% Popularity • 69% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Brook Benton
Ain't It Good - Remastered
115 bpm • G Maj • 02:35 • -6.18db
13% Popularity • 78% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Ivory Joe Hunter
It's a Doggone Crying Shame
115 bpm • A# Maj • 02:39 • -9.54db
11% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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The Crescents
Here You Come Again
115 bpm • D# Maj • 02:34 • -10.23db
9% Popularity • 58% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Peppermint Harris
Cadillac Funeral
130 bpm • B Maj • 01:56 • -10.7db
22% Popularity • 66% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Jimmy Witherspoon
Big Heart
130 bpm • F# min • 02:42 • -8.6db
13% Popularity • 56% Danceability • 51% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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Ann Cole
Got My Mo-Jo Working (But It Just Won't ...
130 bpm • D# Maj • 02:37 • -7.59db
17% Popularity • 68% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Wynona Carr
Now That I'm Free
115 bpm • D# Maj • 02:38 • -10.53db
25% Popularity • 69% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Chuck Willis
What'cha Gonna Do (When Your Baby Leaves...
130 bpm • D min • 02:45 • -9db
28% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Mo' Flow
Tell Em'
130 bpm • F# Maj • 02:19 • -9.54db
16% Popularity • 50% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Big Jay McNeely
Tondalayo
114 bpm • D# min • 02:48 • -18.31db
4% Popularity • 51% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 43% Positiveness
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The Contours
The Old Miner
114 bpm • E Maj • 02:32 • -10.49db
12% Popularity • 75% Danceability • 47% Energy • 72% Liveness
0% Instrumentalness • 94% Positiveness
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Ernie K-Doe
a Certain Girl
131 bpm • C# Maj • 02:49 • -9db
12% Popularity • 82% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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That's the Way to Get Along