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The 6 Realms: V. The Human Realm
Songs like
The 6 Realms: V. The Human Realm
by
Peter Lieberson
Based on a tempo of (+/- 10%) and a similar genre
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Igor Stravinsky
Stravinsky: Symphony of Psalms: I. Exaud...
86 bpm • C Maj • 03:24 • -18.69db
7% Popularity • 17% Danceability • 11% Energy • 8% Liveness
79% Instrumentalness • 7% Positiveness
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Claude Debussy
Debussy: Nocturnes, CD 98, L. 91: No. 1,...
86 bpm • C Maj • 08:07 • -37.25db
0% Popularity • 14% Danceability • 1% Energy • 6% Liveness
85% Instrumentalness • 3% Positiveness
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Traditional
Traditional / Arr. Moore: I Will Walk wi...
86 bpm • F min • 01:58 • -16.47db
9% Popularity • 34% Danceability • 18% Energy • 68% Liveness
1% Instrumentalness • 18% Positiveness
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Arnold Schoenberg
Gurre-Lieder / Part 1: 3. "O, wenn des M...
86 bpm • C# Maj • 03:14 • -23.86db
8% Popularity • 16% Danceability • 8% Energy • 14% Liveness
8% Instrumentalness • 4% Positiveness
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Peter Lieberson
The 6 Realms: V. The Human Realm
86 bpm • D Maj • 03:54 • -28db
0% Popularity • 13% Danceability • 3% Energy • 37% Liveness
77% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 8 in E-Flat Major, "Symphon...
87 bpm • F min • 06:25 • -19.43db
9% Popularity • 9% Danceability • 18% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
86 bpm • C# Maj • 08:48 • -27.77db
10% Popularity • 15% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Frederick Delius
Hassan, DCW 8, Act 5 Scene 2: Closing Sc...
87 bpm • G min • 10:16 • -26.95db
10% Popularity • 13% Danceability • 2% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Dybbuk: Part I: IV. Dream
87 bpm • C# Maj • 03:58 • -34db
19% Popularity • 15% Danceability • 1% Energy • 12% Liveness
49% Instrumentalness • 3% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: IX. Sancta mater
87 bpm • A# min • 02:55 • -16.37db
8% Popularity • 19% Danceability • 17% Energy • 15% Liveness
1% Instrumentalness • 6% Positiveness
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Peter Lieberson
Amor mio, si muero y tu no mueres
85 bpm • A min • 07:11 • -22db
3% Popularity • 22% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Gustav Mahler
Mahler: Das Lied von der Erde: V. Der Tr...
87 bpm • A Maj • 04:47 • -14db
9% Popularity • 23% Danceability • 28% Energy • 9% Liveness
20% Instrumentalness • 18% Positiveness
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Karol Szymanowski
Stabat Mater, Op. 53: I. Stala Matka bol...
87 bpm • E min • 06:30 • -37db
9% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Igor Stravinsky
Orpheus: Scene I: Lento sostenuto
85 bpm • C Maj • 02:20 • -43.64db
12% Popularity • 15% Danceability • 0% Energy • 9% Liveness
69% Instrumentalness • 9% Positiveness
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Frank Martin
Golgotha, Première Partie: I. Chœur d'...
85 bpm • F min • 07:45 • -18.82db
11% Popularity • 9% Danceability • 15% Energy • 32% Liveness
92% Instrumentalness • 3% Positiveness
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Anders Hillborg
O dessa ögon
85 bpm • G Maj • 04:48 • -31.19db
8% Popularity • 21% Danceability • 2% Energy • 23% Liveness
0% Instrumentalness • 3% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: I. Det syng
85 bpm • D min • 03:43 • -14.57db
11% Popularity • 40% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Edward Elgar
The Dream of Gerontius, Op. 38, Pt. 2: L...
85 bpm • D Maj • 07:51 • -30.61db
26% Popularity • 10% Danceability • 3% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
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Lili Boulanger
Reflets
85 bpm • D Maj • 02:44 • -24db
12% Popularity • 22% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 3% Positiveness
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Gustav Mahler
Rückert-Lieder: Liebst du um Schönheit
87 bpm • D# Maj • 02:15 • -30.67db
9% Popularity • 16% Danceability • 2% Energy • 13% Liveness
76% Instrumentalness • 4% Positiveness
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Maurice Ravel
Valses nobles et sentimentales, M. 61 (1...
85 bpm • E min • 01:26 • -28.95db
20% Popularity • 21% Danceability • 1% Energy • 11% Liveness
44% Instrumentalness • 8% Positiveness
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Felix Mendelssohn
Elijah, Op. 70, MWV A25 / Part 1: Introd...
87 bpm • D Maj • 01:07 • -25db
8% Popularity • 18% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Béla Bartók
Music for Strings, Percussion and Celest...
85 bpm • A# min • 06:33 • -28.41db
19% Popularity • 8% Danceability • 1% Energy • 8% Liveness
55% Instrumentalness • 3% Positiveness
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Henri Duparc
Chanson triste (version for voice and pi...
87 bpm • D# Maj • 03:25 • -22db
15% Popularity • 18% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
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Arnold Schoenberg
Verklärte Nacht, Op. 4: Molto rallentan...
84 bpm • F# min • 04:53 • -19.93db
9% Popularity • 21% Danceability • 10% Energy • 36% Liveness
83% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
6 Romances, Op. 4: No. 4, Do Not Sing, M...
84 bpm • F Maj • 05:01 • -21.1db
20% Popularity • 24% Danceability • 5% Energy • 7% Liveness
8% Instrumentalness • 4% Positiveness
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James Whitbourn
Annelies (chamber version): I. Introit -...
84 bpm • C min • 04:33 • -21.96db
11% Popularity • 13% Danceability • 10% Energy • 12% Liveness
61% Instrumentalness • 4% Positiveness
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Peter Lieberson
King Gesar: Pt. 1, Calling on the Power ...
88 bpm • C# Maj • 07:56 • -19.4db
0% Popularity • 42% Danceability • 26% Energy • 7% Liveness
4% Instrumentalness • 10% Positiveness
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Edward Elgar
The Music Makers, Op. 69: III. With wond...
88 bpm • C min • 01:51 • -16.35db
13% Popularity • 18% Danceability • 27% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
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Ottorino Respighi
Fontane di Roma, P. 106: I. La fontana d...
88 bpm • C Maj • 04:01 • -38.18db
18% Popularity • 15% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
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Lili Boulanger
D'un soir triste
84 bpm • C Maj • 10:36 • -26.3db
8% Popularity • 8% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: II. Veslemøy
88 bpm • E min • 02:15 • -16db
11% Popularity • 32% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Philip Creasy
The Pirates of Penzance: Oh! False One, ...
88 bpm • G Maj • 03:09 • -23db
8% Popularity • 33% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Giacomo Puccini
Turandot, Act III: Nessun dorma!
84 bpm • D Maj • 03:00 • -14.35db
27% Popularity • 16% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Edward Elgar
Sea Pictures, Op. 37: No. 1, Sea Slumber...
88 bpm • C Maj • 05:18 • -30db
12% Popularity • 18% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Symphony No. 5: IV. Passacaglia. Moderat...
84 bpm • G Maj • 10:11 • -18.95db
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Igor Stravinsky
Symphony in 3 Movements: I. Allegro
84 bpm • G Maj • 09:56 • -23.44db
12% Popularity • 32% Danceability • 5% Energy • 12% Liveness
85% Instrumentalness • 6% Positiveness
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Claude Debussy
Beau soir, L. 6
88 bpm • E min • 02:30 • -21db
9% Popularity • 25% Danceability • 6% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
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Gustav Mahler
Mahler: Kindertotenlieder: No. 1, Nun wi...
88 bpm • G min • 06:00 • -25.57db
17% Popularity • 11% Danceability • 5% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
88 bpm • A min • 05:11 • -17.71db
0% Popularity • 26% Danceability • 13% Energy • 5% Liveness
4% Instrumentalness • 9% Positiveness
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Frederick Delius
Delius: Irmelin Prelude
88 bpm • F# Maj • 05:50 • -23db
13% Popularity • 10% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Giacomo Puccini
Puccini: Tosca, Act 2: "E qual via scegl...
88 bpm • D Maj • 02:38 • -12.75db
12% Popularity • 23% Danceability • 16% Energy • 9% Liveness
39% Instrumentalness • 9% Positiveness
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Harold Arlen
Over the Rainbow (Arr. for String Quarte...
84 bpm • C Maj • 03:39 • -23.97db
11% Popularity • 11% Danceability • 7% Energy • 16% Liveness
89% Instrumentalness • 5% Positiveness
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Giuseppe Verdi
Messa da Requiem for Soloists, Chorus an...
84 bpm • D Maj • 05:08 • -24.39db
8% Popularity • 25% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Gustav Mahler
Symphony No. 8 in E Flat Major "Symphony...
84 bpm • D# Maj • 05:29 • -17.52db
10% Popularity • 11% Danceability • 20% Energy • 38% Liveness
28% Instrumentalness • 4% Positiveness
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Peter Lieberson
Feast Day: III. The Dance
84 bpm • G Maj • 04:08 • -26.67db
0% Popularity • 24% Danceability • 4% Energy • 13% Liveness
62% Instrumentalness • 4% Positiveness
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Willy Heinz Müller
Träumen, Op. 7
88 bpm • B min • 01:28 • -18.32db
20% Popularity • 27% Danceability • 22% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
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Benjamin Britten
Spring Symphony, Op. 44, Part I: The Dri...
88 bpm • F min • 01:59 • -23db
6% Popularity • 28% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Giacomo Puccini
Il tabarro, SC 85: Introduzione
84 bpm • A min • 02:02 • -26.17db
10% Popularity • 13% Danceability • 6% Energy • 77% Liveness
95% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
La forza del destino, Act IV, Scene II: ...
88 bpm • C min • 05:23 • -16.48db
10% Popularity • 32% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Olivier Messiaen
Messiaen: Éclairs sur l'au-delà...: XI...
84 bpm • A Maj • 07:39 • -31.69db
11% Popularity • 13% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Peter Lieberson
King Gesar: Pt. 3, Gesar in the Desert
84 bpm • G# Maj • 04:42 • -25.75db
1% Popularity • 42% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Leonard Bernstein
Leonard Bernstein on “The Age of Anxie...
88 bpm • E min • 01:47 • -37.33db
9% Popularity • 60% Danceability • 8% Energy • 40% Liveness
0% Instrumentalness • 41% Positiveness
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Manuel de Falla
El amor brujo (Love, the Magician): En l...
89 bpm • G# Maj • 02:15 • -34db
9% Popularity • 14% Danceability • 1% Energy • 19% Liveness
60% Instrumentalness • 4% Positiveness
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Benjamin Britten
Peter Grimes: 4 Sea Interludes, Op. 33a:...
84 bpm • D# Maj • 04:26 • -31db
12% Popularity • 8% Danceability • 0% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
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Edward Elgar
The Dream of Gerontius, Op. 38: No. 2, "...
83 bpm • C min • 03:54 • -29.37db
9% Popularity • 19% Danceability • 6% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Cinderella Suite, Op. 87: Act I: Introdu...
89 bpm • C Maj • 02:30 • -28.86db
10% Popularity • 9% Danceability • 4% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
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Peter Lieberson
Garland: VII
84 bpm • A# min • 01:58 • -29.11db
0% Popularity • 36% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 14% Positiveness
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Leoš Janáček
Katya Kabanova, JW I/8, Act I Scene 1: I...
83 bpm • F# Maj • 01:18 • -24.86db
17% Popularity • 11% Danceability • 3% Energy • 34% Liveness
90% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Symphony of Psalms: II. Expectans expect...
83 bpm • A# min • 06:07 • -20.99db
17% Popularity • 9% Danceability • 2% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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Benjamin Britten
A Midsummer Night's Dream / Act 1: "Over...
89 bpm • G Maj • 04:04 • -21.69db
9% Popularity • 21% Danceability • 21% Energy • 72% Liveness
1% Instrumentalness • 8% Positiveness
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Maurice Ravel
Le Tombeau de Couperin, M.68: 3. Menuet
83 bpm • G Maj • 04:30 • -26.78db
1% Popularity • 14% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 11% Positiveness
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Dmitri Shostakovich
Symphony No. 14, Op. 135: I. De profundi...
83 bpm • G# Maj • 04:42 • -34.08db
8% Popularity • 10% Danceability • 4% Energy • 36% Liveness
7% Instrumentalness • 4% Positiveness
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Peter Lieberson
Rilke Songs: No. 5, Stiller Freund (Live...
89 bpm • A Maj • 04:35 • -21.21db
0% Popularity • 25% Danceability • 9% Energy • 59% Liveness
0% Instrumentalness • 3% Positiveness
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Dr. Jeffrey Thompson
The Planets Suite: Venus, Bringer Of Pea...
83 bpm • F min • 08:48 • -30.15db
14% Popularity • 8% Danceability • 3% Energy • 8% Liveness
69% Instrumentalness • 3% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: X. Fac ut portem
89 bpm • A Maj • 03:29 • -20.59db
9% Popularity • 21% Danceability • 13% Energy • 12% Liveness
15% Instrumentalness • 3% Positiveness
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Claude Debussy
Ariettes oubliées: 1. C'est l'extase la...
89 bpm • F# min • 02:59 • -24.68db
7% Popularity • 28% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Das Traumbild, K. 530
83 bpm • B Maj • 04:35 • -21.84db
12% Popularity • 35% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
Messa da Requiem for Soloists, Chorus an...
83 bpm • A Maj • 10:42 • -26.86db
11% Popularity • 15% Danceability • 5% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
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Peter Lieberson
Neruda Songs: No. 5. Amor mio, si muero ...
83 bpm • A min • 07:13 • -25.74db
0% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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David Abramovitz
Reves
89 bpm • G min • 01:25 • -30.1db
30% Popularity • 27% Danceability • 2% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
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Henri Dutilleux
Symphony No. 1: III. Intermezzo
83 bpm • E Maj • 06:47 • -31.61db
9% Popularity • 8% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Anton Bruckner
Te Deum, WAB 45: II. Te ergo quaesumus
83 bpm • F min • 02:42 • -31.5db
17% Popularity • 14% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Arnold Schoenberg
Gurrelieder, Pt. 1: No. 1, Orchestral Pr...
83 bpm • D# Maj • 06:50 • -30db
16% Popularity • 8% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Igor Stravinsky
L'Oiseau de feu (1911 Version): XVIII. R...
90 bpm • A# min • 02:45 • -24db
11% Popularity • 10% Danceability • 0% Energy • 9% Liveness
33% Instrumentalness • 5% Positiveness
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Peter Lieberson
Drala for orchestra (1986): 1. Gathering
83 bpm • D Maj • 02:41 • -21.32db
0% Popularity • 34% Danceability • 28% Energy • 52% Liveness
88% Instrumentalness • 17% Positiveness
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Hector Berlioz
Roméo et Juliette, Op. 17, H 79, Pt. 1:...
83 bpm • G Maj • 06:30 • -25.3db
9% Popularity • 18% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
82 bpm • E Maj • 07:14 • -21.2db
8% Popularity • 20% Danceability • 17% Energy • 72% Liveness
0% Instrumentalness • 6% Positiveness
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Lili Boulanger
Pie Jesu
82 bpm • C Maj • 04:17 • -20.42db
8% Popularity • 16% Danceability • 16% Energy • 11% Liveness
21% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Abendempfindung, K. 523
82 bpm • G min • 04:46 • -22.44db
13% Popularity • 31% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Igor Stravinsky
Symphony in 3 Movements: II. Andante - I...
82 bpm • C Maj • 06:37 • -40.36db
10% Popularity • 11% Danceability • 1% Energy • 20% Liveness
51% Instrumentalness • 7% Positiveness
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Arnold Schoenberg
Gurre-Lieder / Part 1: 1. Orchestral Pre...
82 bpm • G# Maj • 06:56 • -31.47db
8% Popularity • 12% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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György Ligeti
Violin Concerto: III. Intermezzo
82 bpm • A# Maj • 02:31 • -24db
15% Popularity • 22% Danceability • 10% Energy • 43% Liveness
74% Instrumentalness • 12% Positiveness
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Albert Roussel
Le festin de l'araignee (The Spider's Ba...
82 bpm • G Maj • 04:40 • -32db
8% Popularity • 10% Danceability • 2% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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Peter Lieberson
Three Songs for soprano and orchestra (1...
82 bpm • A Maj • 01:39 • -29.91db
0% Popularity • 32% Danceability • 3% Energy • 9% Liveness
16% Instrumentalness • 6% Positiveness
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Charlotte Hoather
Do Not Go My Love
90 bpm • D Maj • 03:11 • -13.45db
8% Popularity • 38% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
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Richard Strauss
Strauss, R: 8 Lieder, Op. 49: No. 1, Wal...
82 bpm • C# Maj • 03:04 • -25.34db
18% Popularity • 21% Danceability • 4% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: IV....
82 bpm • D Maj • 10:03 • -21db
27% Popularity • 8% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act I Scene 3: Nun se...
82 bpm • A Maj • 09:30 • -26db
10% Popularity • 20% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Théodore Dubois
Les 7 paroles du Christ: 5e Parole - "Si...
82 bpm • G min • 05:28 • -21db
11% Popularity • 20% Danceability • 8% Energy • 5% Liveness
9% Instrumentalness • 5% Positiveness
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Othmar Schoeck
Schoeck: Notturno, Op. 47: V. Ach, wer m...
90 bpm • E min • 09:34 • -25.88db
11% Popularity • 17% Danceability • 3% Energy • 30% Liveness
1% Instrumentalness • 5% Positiveness
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Alban Berg
Wozzeck, Op. 7, Act III Scene 4: Forest ...
82 bpm • F min • 07:50 • -21db
8% Popularity • 17% Danceability • 11% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
► Preview
György Ligeti
Ligeti: Romanian Concerto: I. Andantino
91 bpm • C Maj • 03:01 • -30.21db
9% Popularity • 16% Danceability • 2% Energy • 35% Liveness
95% Instrumentalness • 4% Positiveness
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Richard Strauss
Strauss, R: 5 Lieder, Op. 48: No. 4, Win...
91 bpm • A# Maj • 03:23 • -24.69db
13% Popularity • 28% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Edward Elgar
Sea Pictures, Op. 37: No. 4, Where Coral...
91 bpm • B min • 04:00 • -27db
11% Popularity • 21% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Witold Lutosławski
Concerto for Orchestra: II. Capriccio no...
81 bpm • C# Maj • 05:46 • -25.68db
8% Popularity • 18% Danceability • 6% Energy • 36% Liveness
56% Instrumentalness • 10% Positiveness
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Karl Jenkins
The Armed Man (Ensemble Version): VIII. ...
81 bpm • D Maj • 04:27 • -33.27db
11% Popularity • 13% Danceability • 2% Energy • 22% Liveness
0% Instrumentalness • 3% Positiveness
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Carlo Rizzi
Tosca Symphonic Suite - Radio Edit
91 bpm • F# Maj • 03:49 • -15.74db
9% Popularity • 21% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Benjamin Britten
Britten: Four Sea Interludes from Peter ...
81 bpm • A Maj • 03:34 • -20.09db
0% Popularity • 24% Danceability • 15% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
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Gustav Mahler
Rückert-Lieder: Um Mitternacht
91 bpm • A min • 06:08 • -23db
3% Popularity • 16% Danceability • 6% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
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The 6 Realms: V. The Human Realm