Songs like The Ballad of Mingus Rude by Kyle Beltran
Based on a tempo of (+/- 10%) and a similar genre
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Adam Guettel
ACT I the Rescue, the Riddle Song
98 bpm • C# Maj • 08:34 • -12db
10% Popularity • 54% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 54% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Kyle Mcarthur
The Adventures of the Amazing Sea-Marine...
98 bpm • G Maj • 01:06 • -5.8db
11% Popularity • 44% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 44% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Kyle Beltran
The Ballad of Mingus Rude
98 bpm • G# Maj • 06:19 • -8.88db
4% Popularity • 72% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
4% Popularity • 72% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Caroline Huerta
Crazy
99 bpm • F min • 05:01 • -5.56db
11% Popularity • 53% Danceability • 51% Energy • 41% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 53% Danceability • 51% Energy • 41% Liveness
0% Instrumentalness • 55% Positiveness
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Kate Baldwin
Your Texas
98 bpm • C Maj • 03:29 • -8db
9% Popularity • 30% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 30% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
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Daniella Bowen
It's a Myth
99 bpm • D Maj • 03:26 • -6.95db
9% Popularity • 79% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 79% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Original Cast of Amélie
Sister's Pickle
99 bpm • F# Maj • 02:07 • -7db
29% Popularity • 56% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 56% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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David A. Austin
We're Just Friends
99 bpm • A# Maj • 02:35 • -8.55db
16% Popularity • 76% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 76% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Adam Pascal
Three Times a Lady
99 bpm • G# Maj • 01:24 • -11.1db
12% Popularity • 41% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 41% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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Nikki M. James
If You Were My Beloved
99 bpm • F# Maj • 03:19 • -9.53db
21% Popularity • 45% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 45% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Ellie Fishman
The Duration
96 bpm • G Maj • 04:28 • -5db
13% Popularity • 41% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 41% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Steven Booth
Open Road
100 bpm • F Maj • 02:59 • -9db
13% Popularity • 48% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 48% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Kate Baldwin
Superhero
100 bpm • C# Maj • 05:08 • -9db
8% Popularity • 36% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 36% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Liam Pearce
Under Control
96 bpm • A# Maj • 03:48 • -10.49db
24% Popularity • 34% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 34% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Krysta Rodriguez
Dinner For Three (Part 1)
100 bpm • C Maj • 01:59 • -9.37db
10% Popularity • 80% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 80% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Alice Ripley
Who's Crazy / My Psychopharmacologist an...
96 bpm • G min • 05:02 • -12db
36% Popularity • 48% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 48% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Sarah Charles Lewis
Follow The Stars
96 bpm • C min • 03:09 • -7db
14% Popularity • 63% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 63% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Maya Sharpe
Say Goodbye (Act 3)
101 bpm • A min • 01:50 • -13db
9% Popularity • 62% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 62% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Seth Rudetsky
Feelings
96 bpm • E min • 01:39 • -9.04db
14% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Drew Gasparini
The Essence Of George
96 bpm • G Maj • 04:48 • -11db
8% Popularity • 43% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 43% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Neil Bartram
I'm Allergic to Cats
101 bpm • F Maj • 03:31 • -12db
22% Popularity • 60% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 60% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Imani Russell
Reincarnation
95 bpm • E min • 02:59 • -12.24db
17% Popularity • 38% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 38% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Jeanine Tesori
It All Comes Back (Opening)
95 bpm • F Maj • 05:05 • -12db
27% Popularity • 46% Danceability • 28% Energy • 46% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 46% Danceability • 28% Energy • 46% Liveness
0% Instrumentalness • 23% Positiveness
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'Twelfth Night' Company
Word On The Street II
102 bpm • C Maj • 01:18 • -6.38db
15% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Jeremy Jordan
Four Downs To The Ten-Yard Line
95 bpm • A# Maj • 03:43 • -7db
13% Popularity • 57% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 57% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Ellie Fishman
Answer the Call
102 bpm • B Maj • 04:16 • -6db
15% Popularity • 49% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 49% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Michael R. Jackson
Black Woman in the Driver's Seat
94 bpm • B min • 03:12 • -6.09db
14% Popularity • 63% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 63% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Working: A Musical (Original London Cast)
All the Livelong Day
102 bpm • B Maj • 03:37 • -11.21db
15% Popularity • 46% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 46% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Shaina Taub
Prologue: All The World's A Stage
102 bpm • C# Maj • 03:05 • -10.47db
15% Popularity • 68% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 68% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Nanya-Akuki Goodrich
I Am She - Reprise
94 bpm • G min • 00:52 • -14.88db
12% Popularity • 52% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 52% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Victoria Platt
We're Not Children Anymore
94 bpm • C min • 04:20 • -9.48db
9% Popularity • 62% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 62% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Cathryn Wake
Je M'en Fiche
102 bpm • E Maj • 03:41 • -5.86db
14% Popularity • 64% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 64% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Lyndsi Nobles
The Tide
94 bpm • E Maj • 01:54 • -10.26db
8% Popularity • 37% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 37% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Adam Chanler-Berat
Middle Spaces
94 bpm • G Maj • 04:07 • -11.08db
3% Popularity • 36% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
3% Popularity • 36% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Danny Burstein
Tangled
103 bpm • G# Maj • 03:58 • -10db
15% Popularity • 71% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 71% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Paul Williams
What I Dreamed Last Night (Reprise)
103 bpm • C# Maj • 02:08 • -6.36db
10% Popularity • 65% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 65% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 63% Positiveness
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Ramin Karimloo
You're Still Here
93 bpm • G min • 04:40 • -11.6db
18% Popularity • 36% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 36% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Lili Thomas
Quinze Minutes
102 bpm • F min • 04:25 • -5.9db
12% Popularity • 55% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 55% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
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Sydney Farley
Revolution Song
103 bpm • C Maj • 04:17 • -6db
11% Popularity • 52% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 52% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Hunter Foster
You're Never Alone
93 bpm • A min • 02:56 • -7.12db
18% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Michael R. Jackson
Zack Paul Gosselar
93 bpm • F# Maj • 02:29 • -9.92db
17% Popularity • 60% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 60% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Bryce Pinkham
How Do You Do This Again? / You Don't Kn...
93 bpm • C# Maj • 03:53 • -8db
9% Popularity • 29% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 29% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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J. Elaine Marcos
Without the Guy
103 bpm • G Maj • 04:59 • -6db
8% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Caroline Bowman
Decontaminate Me
93 bpm • E Maj • 01:41 • -7.77db
10% Popularity • 57% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 57% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Shaina Taub
Play On
93 bpm • D# Maj • 04:36 • -6.9db
22% Popularity • 47% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 47% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Amina Faye
I Hope
93 bpm • F# Maj • 05:19 • -8.25db
10% Popularity • 42% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 42% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Derek Klena
Step Back
92 bpm • D Maj • 05:23 • -13.8db
8% Popularity • 57% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 57% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Kyle Mcarthur
My Dad, The Superhero
104 bpm • C Maj • 03:10 • -9db
8% Popularity • 47% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 47% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Stuart Matthew Price
As Long as You're There
104 bpm • A# Maj • 03:41 • -7.62db
12% Popularity • 49% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 49% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Ahna O'Reilly
Sleepy Man
92 bpm • G Maj • 03:28 • -10.97db
8% Popularity • 31% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 31% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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'Twelfth Night' Company
Word On The Street
104 bpm • C Maj • 01:04 • -7.84db
19% Popularity • 63% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 63% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Denée Benton
You Chose Me
104 bpm • D Maj • 03:15 • -10.04db
8% Popularity • 52% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 52% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Daniella Bowen
Sweet Summer Days
92 bpm • D Maj • 03:39 • -6.11db
8% Popularity • 64% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 64% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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John Cardoza
That's How You Know
92 bpm • D Maj • 02:40 • -7.58db
17% Popularity • 64% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 64% Danceability • 47% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Ryan Scott Oliver
A Ball of Gold in a Blood Sky
105 bpm • F Maj • 03:09 • -11.57db
12% Popularity • 55% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 55% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Shoshana Bean
The Flagmaker, 1775
92 bpm • G Maj • 04:27 • -9.15db
18% Popularity • 38% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 38% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Vivian Jett
Is This Not Love - Reprise
105 bpm • F Maj • 01:04 • -6.93db
13% Popularity • 42% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 42% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Liam Tamne
Delivery
91 bpm • C# min • 04:02 • -12db
17% Popularity • 62% Danceability • 48% Energy • 63% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 62% Danceability • 48% Energy • 63% Liveness
0% Instrumentalness • 64% Positiveness
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Original Off-Broadway Cast of Nevermore
We Are Your Nightmares
105 bpm • C Maj • 04:59 • -9.56db
8% Popularity • 52% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 52% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Janet Metz
Something Funny's Going On
105 bpm • C Maj • 01:46 • -9db
14% Popularity • 80% Danceability • 51% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 80% Danceability • 51% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
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'[title of show]' Original Cast
Untitled Opening Number
91 bpm • D Maj • 02:15 • -8.98db
18% Popularity • 63% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 63% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Carner & Gregor
Make It Here
91 bpm • C# Maj • 03:08 • -11db
7% Popularity • 49% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
7% Popularity • 49% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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John Bucchino
Taking the Wheel
91 bpm • G Maj • 04:05 • -6.5db
9% Popularity • 49% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 49% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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Nunsense 30th Anniversary Cast
Playing Second Fiddle
91 bpm • B min • 02:01 • -16.08db
11% Popularity • 67% Danceability • 26% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 67% Danceability • 26% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Daniella Bowen
Look to the Sky
106 bpm • A min • 02:58 • -7.25db
8% Popularity • 72% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 72% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Jenn Colella
Number 5 with a Bullet
90 bpm • A min • 04:46 • -6db
11% Popularity • 58% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 58% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Adam Makké
Rose Stopnick Can Cook
107 bpm • C Maj • 01:16 • -10.61db
10% Popularity • 67% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 67% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Carner & Gregor
Dancing in Pairs
106 bpm • C Maj • 03:29 • -15db
11% Popularity • 51% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 51% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Daphne Rubin-Vega
Dance with Me
90 bpm • A Maj • 02:15 • -6.59db
7% Popularity • 56% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 56% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Will Reynolds
A Special Word
107 bpm • G# Maj • 03:25 • -10.77db
13% Popularity • 49% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 49% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Krystina Alabado
The Girl Who Drove Away
90 bpm • F Maj • 02:41 • -9.66db
28% Popularity • 36% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 36% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Anna DeNoia
Familiar
107 bpm • C Maj • 02:12 • -4.3db
9% Popularity • 55% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 55% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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'Twelfth Night' Company
Word On The Street III
107 bpm • D# min • 00:53 • -6.07db
14% Popularity • 50% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 50% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Carner & Gregor
I'll Take It All
90 bpm • A min • 03:19 • -12db
7% Popularity • 77% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
7% Popularity • 77% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Roger Rees
A Man of No Importance
89 bpm • C Maj • 08:17 • -13db
12% Popularity • 50% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 50% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Will Reynolds
I Know How It Ends
107 bpm • D Maj • 03:16 • -11db
18% Popularity • 60% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 60% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Matt Doyle
Stroke by Stroke
108 bpm • D Maj • 03:41 • -6db
15% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Christopher M. Allport
I've Lived a Thousand Lifetimes
108 bpm • C Maj • 01:35 • -7.92db
11% Popularity • 56% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 56% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Maria Thayer
Hey Boys
89 bpm • A# min • 01:07 • -5db
17% Popularity • 71% Danceability • 53% Energy • 42% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 71% Danceability • 53% Energy • 42% Liveness
0% Instrumentalness • 87% Positiveness
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Janet Metz
Times Like This
89 bpm • B Maj • 03:35 • -16db
15% Popularity • 44% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 44% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Brian D'Arcy James
I'll Jump
108 bpm • E min • 04:56 • -9.2db
14% Popularity • 46% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 46% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Michelle Knight
Big Tits
109 bpm • D Maj • 04:21 • -3.67db
10% Popularity • 63% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 63% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Will Reynolds
Bright
108 bpm • D Maj • 03:11 • -10.55db
13% Popularity • 65% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 65% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Keith Carradine
Keep Your Hands on It
109 bpm • D Maj • 05:17 • -8.52db
8% Popularity • 62% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 62% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
'[title of show]' Original Cast
Nine People's Favorite Thing
88 bpm • C Maj • 04:39 • -8.39db
20% Popularity • 57% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 57% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Andy Mientus
Back Home
109 bpm • F Maj • 02:05 • -15.7db
8% Popularity • 50% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 50% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
André De Shields
Take Me to the Bridge
109 bpm • G Maj • 04:50 • -6.81db
7% Popularity • 48% Danceability • 48% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 48% Danceability • 48% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
Patti Murin
I Don't Need Love
88 bpm • B Maj • 01:31 • -18db
10% Popularity • 47% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 47% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Will Reynolds
Ease
109 bpm • G Maj • 02:21 • -7.32db
24% Popularity • 60% Danceability • 59% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 60% Danceability • 59% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Sierra Boggess
A Little Bit Less Than
88 bpm • D Maj • 03:11 • -6.37db
17% Popularity • 41% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 41% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Caesar Samayoa
The How-Tos
88 bpm • F Maj • 03:59 • -9.04db
19% Popularity • 50% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 50% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Matt Doyle
Goodbye Jasper
110 bpm • D Maj • 06:07 • -7.8db
11% Popularity • 57% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 57% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Stuart Matthew Price
Before After
110 bpm • C Maj • 04:41 • -8.04db
7% Popularity • 48% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 48% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Michael K. Lee
Paradise
110 bpm • B min • 03:23 • -8.52db
8% Popularity • 86% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 86% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Working: A Musical (Original London Cast)
If I Could've Been
110 bpm • E Maj • 03:52 • -12.69db
13% Popularity • 39% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 39% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Lauren Kennedy
The Argument
87 bpm • D# Maj • 02:01 • -11.14db
9% Popularity • 58% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 58% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
Darlesia Cearcy
Getting Ready for the Dance
87 bpm • F Maj • 03:33 • -9.53db
18% Popularity • 33% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 33% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
George Salazar
Iron Mike
110 bpm • C Maj • 04:33 • -9db
10% Popularity • 43% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 43% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
