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The Beast
Songs like
The Beast - From "Sicario"
by
Jóhann Jóhannsson
Based on a tempo of (+/- 10%) and a similar genre
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Jóhann Jóhannsson
The Beast
93 bpm • A min • 03:13 • -23.45db
48% Popularity • 17% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Tyler Bates
Dear John
93 bpm • A min • 01:48 • -27.05db
30% Popularity • 15% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 9% Positiveness
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Trevor Morris
Hvitserk's choice
93 bpm • E Maj • 03:12 • -24.72db
50% Popularity • 12% Danceability • 2% Energy • 13% Liveness
97% Instrumentalness • 3% Positiveness
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Ben Salisbury
Falling
93 bpm • G# Maj • 05:36 • -30db
28% Popularity • 21% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Dan Romer
A Sleeping Beast
92 bpm • F Maj • 03:33 • -31.35db
11% Popularity • 10% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Max Richter
Journey Sequence
92 bpm • A# Maj • 03:20 • -24.3db
36% Popularity • 11% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Mark Isham
Warrior
92 bpm • E Maj • 03:54 • -18.62db
16% Popularity • 32% Danceability • 32% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Tyler Bates
Peace & Vodka
94 bpm • G min • 02:59 • -9.78db
27% Popularity • 20% Danceability • 63% Energy • 36% Liveness
92% Instrumentalness • 13% Positiveness
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Trent Reznor and Atticus Ross
THE BRICK
92 bpm • A Maj • 04:01 • -10.97db
33% Popularity • 58% Danceability • 35% Energy • 9% Liveness
76% Instrumentalness • 10% Positiveness
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Thomas Wander
Bombing Six
92 bpm • C min • 03:38 • -16.22db
22% Popularity • 28% Danceability • 45% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Jeff Beal
Roll Call
92 bpm • D# Maj • 01:43 • -25.06db
39% Popularity • 40% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
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Nicholas Britell
Song of Hal: Conclusio in C Minor
92 bpm • C min • 04:50 • -16.58db
41% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
Starling
92 bpm • D# min • 02:15 • -30.91db
25% Popularity • 21% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Disasterpeace
America is Listening
91 bpm • A Maj • 01:32 • -21.35db
14% Popularity • 23% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Tyler Bates
Missing Helen
95 bpm • A min • 02:16 • -20.97db
28% Popularity • 12% Danceability • 17% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Volker Bertelmann
Tanks
95 bpm • C# Maj • 01:46 • -15.71db
37% Popularity • 50% Danceability • 35% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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James Newton Howard
Nightcrawler
95 bpm • D Maj • 01:58 • -16.9db
24% Popularity • 26% Danceability • 18% Energy • 9% Liveness
61% Instrumentalness • 7% Positiveness
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Thomas Newman
40 Below
95 bpm • F Maj • 03:58 • -26.31db
9% Popularity • 14% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
Armoured Vehicle
91 bpm • C# min • 01:41 • -29db
32% Popularity • 32% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
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Jeff Beal
One Bite At A Time
91 bpm • F Maj • 02:30 • -17db
38% Popularity • 40% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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CUTS
Bunsen Burner
95 bpm • C min • 04:02 • -12.73db
37% Popularity • 12% Danceability • 26% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Mac Quayle
2.8_2-ph4se.vox
96 bpm • A# min • 04:43 • -20db
30% Popularity • 42% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Tyler Bates
Santino
96 bpm • D Maj • 05:49 • -19.87db
25% Popularity • 22% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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Daft Punk
Rinzler
90 bpm • A Maj • 02:17 • -14.68db
44% Popularity • 50% Danceability • 64% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
Night Vision
90 bpm • F# min • 03:45 • -22.7db
29% Popularity • 31% Danceability • 18% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
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Max Richter
I'd Hoped to Settle this…
90 bpm • D Maj • 02:07 • -16.67db
25% Popularity • 18% Danceability • 23% Energy • 17% Liveness
82% Instrumentalness • 4% Positiveness
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Yair Elazar Glotman
Childhood / Land of the Young
90 bpm • F Maj • 05:35 • -23.45db
27% Popularity • 10% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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ConfidentialMX
View from the Voyager
90 bpm • C Maj • 03:16 • -15.29db
19% Popularity • 10% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Jason Hill
A New Hairdo for Beverly Jean
90 bpm • A# min • 03:21 • -29db
20% Popularity • 15% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Mac Quayle
3.9_3-wo-ai-ni.0cc
97 bpm • G Maj • 05:19 • -13.97db
27% Popularity • 12% Danceability • 23% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
The Border
90 bpm • A# min • 02:58 • -25.46db
35% Popularity • 50% Danceability • 23% Energy • 16% Liveness
88% Instrumentalness • 17% Positiveness
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Zack Hemsey
Graven Image
96 bpm • A# min • 02:04 • -17.11db
33% Popularity • 53% Danceability • 28% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
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Clinton Shorter
A Lot of Secrets
97 bpm • C# Maj • 02:27 • -16.33db
16% Popularity • 42% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
Demimonde (Main Title)
97 bpm • A min • 01:36 • -15.04db
38% Popularity • 16% Danceability • 40% Energy • 27% Liveness
96% Instrumentalness • 7% Positiveness
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Thomas Wander
Dogfight
97 bpm • D# Maj • 02:29 • -14.83db
20% Popularity • 38% Danceability • 74% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Dan Romer
Better Look Me in the Eyes
89 bpm • A# min • 03:49 • -15.03db
24% Popularity • 17% Danceability • 33% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
Flight from the City
90 bpm • A# Maj • 06:31 • -21.92db
54% Popularity • 13% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Tyler Bates
Man Of Focus
89 bpm • G Maj • 03:24 • -10db
40% Popularity • 25% Danceability • 52% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Clinton Shorter
A Lifetime of Losing
89 bpm • A# Maj • 01:35 • -24.95db
43% Popularity • 10% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Clint Mansell
"We're Not Programs, GERTY, We're People...
89 bpm • C Maj • 05:10 • -22.73db
39% Popularity • 17% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Hildur Guðnadóttir
Defeated Clown
97 bpm • G Maj • 02:39 • -16.53db
45% Popularity • 20% Danceability • 24% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Thomas Newman
Road To Perdition
98 bpm • A Maj • 03:55 • -22.22db
53% Popularity • 15% Danceability • 10% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
Convoy
90 bpm • B min • 02:57 • -25db
31% Popularity • 50% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Abel Korzeniowski
Wayward Sisters
98 bpm • F# min • 02:55 • -12.56db
49% Popularity • 28% Danceability • 44% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
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Yair Elazar Glotman
Remembrance of the Past
98 bpm • F min • 02:34 • -27.01db
17% Popularity • 13% Danceability • 4% Energy • 6% Liveness
29% Instrumentalness • 3% Positiveness
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Michael Giacchino
It's Raining Vengeance
98 bpm • B Maj • 04:31 • -22.53db
45% Popularity • 15% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Dan Romer
Blind Spots
88 bpm • F min • 02:34 • -21.9db
29% Popularity • 13% Danceability • 10% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Charge
99 bpm • E min • 01:18 • -18db
64% Popularity • 18% Danceability • 52% Energy • 63% Liveness
78% Instrumentalness • 10% Positiveness
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Jóhann Jóhannsson
Following Keller
89 bpm • C Maj • 02:11 • -19.04db
20% Popularity • 16% Danceability • 24% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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Abel Korzeniowski
Exhibition
88 bpm • G Maj • 01:12 • -14.14db
43% Popularity • 24% Danceability • 40% Energy • 40% Liveness
83% Instrumentalness • 4% Positiveness
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Ryuichi Sakamoto
Cat & Mouse
88 bpm • D Maj • 05:42 • -17.92db
27% Popularity • 20% Danceability • 36% Energy • 30% Liveness
88% Instrumentalness • 3% Positiveness
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Volker Bertelmann
Uniform
88 bpm • F min • 01:49 • -14.76db
39% Popularity • 23% Danceability • 47% Energy • 7% Liveness
83% Instrumentalness • 22% Positiveness
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Ben Salisbury
Out
99 bpm • B min • 02:02 • -20db
42% Popularity • 49% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 2% Positiveness
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Tyler Bates
Excomunicado
88 bpm • G Maj • 01:25 • -9db
45% Popularity • 60% Danceability • 66% Energy • 10% Liveness
87% Instrumentalness • 56% Positiveness
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Jóhann Jóhannsson
Prisoners
89 bpm • C min • 06:59 • -17db
28% Popularity • 10% Danceability • 15% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Earth
87 bpm • E Maj • 02:35 • -22.46db
40% Popularity • 20% Danceability • 14% Energy • 10% Liveness
98% Instrumentalness • 8% Positiveness
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Marco Beltrami
The Bends
87 bpm • D# min • 01:36 • -13.01db
17% Popularity • 15% Danceability • 27% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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James Horner
The Car Chase
87 bpm • A# min • 02:24 • -20.68db
37% Popularity • 17% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Robin Carolan
The Land of the Rus
87 bpm • C Maj • 01:42 • -11.02db
46% Popularity • 65% Danceability • 70% Energy • 10% Liveness
91% Instrumentalness • 76% Positiveness
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Michael McCann
Main Menu
99 bpm • G min • 01:50 • -22.58db
43% Popularity • 13% Danceability • 28% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
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Jóhann Jóhannsson
Black Skulls
89 bpm • F Maj • 02:45 • -12.37db
22% Popularity • 12% Danceability • 46% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Ryuichi Sakamoto
Church Dream
87 bpm • E min • 02:38 • -20.11db
34% Popularity • 20% Danceability • 26% Energy • 6% Liveness
88% Instrumentalness • 3% Positiveness
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Thomas Newman
Engländer
100 bpm • A# min • 04:29 • -22db
32% Popularity • 27% Danceability • 29% Energy • 14% Liveness
85% Instrumentalness • 4% Positiveness
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Ludwig Göransson
Manhattan Project
100 bpm • A min • 03:01 • -17.69db
58% Popularity • 57% Danceability • 54% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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Daft Punk
The Game Has Changed
100 bpm • C# min • 03:25 • -14.75db
45% Popularity • 54% Danceability • 51% Energy • 11% Liveness
73% Instrumentalness • 7% Positiveness
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Sarah Schachner
Modern Warfare Main Theme
100 bpm • A Maj • 03:26 • -12.9db
46% Popularity • 20% Danceability • 38% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
Alejandro's Song
88 bpm • C Maj • 05:47 • -17.05db
30% Popularity • 9% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 2% Positiveness
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Hildur Guðnadóttir
The Door
100 bpm • B Maj • 02:43 • -17db
34% Popularity • 52% Danceability • 33% Energy • 37% Liveness
92% Instrumentalness • 9% Positiveness
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Ramin Djawadi
A Lannister Always Pays His Debts
86 bpm • D min • 02:50 • -16.52db
60% Popularity • 29% Danceability • 29% Energy • 17% Liveness
95% Instrumentalness • 10% Positiveness
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Ludwig Göransson
THE ALGORITHM
100 bpm • F min • 05:58 • -11.8db
38% Popularity • 21% Danceability • 59% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Daft Punk
Arena
100 bpm • C# Maj • 01:33 • -13.56db
43% Popularity • 33% Danceability • 42% Energy • 7% Liveness
99% Instrumentalness • 9% Positiveness
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Volker Bertelmann
Retreat
100 bpm • G Maj • 01:46 • -15.9db
38% Popularity • 18% Danceability • 45% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
Good Night, Day
98 bpm • A min • 03:48 • -17.52db
18% Popularity • 17% Danceability • 16% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Meeting Bruce Wayne
100 bpm • F# min • 04:35 • -14.16db
38% Popularity • 30% Danceability • 40% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
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Ryuichi Sakamoto
The Revenant Theme (Alva Noto Remodel)
86 bpm • D Maj • 04:00 • -28.74db
33% Popularity • 19% Danceability • 5% Energy • 11% Liveness
73% Instrumentalness • 3% Positiveness
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Ludwig Göransson
THE PROTAGONIST
100 bpm • D# min • 04:48 • -27.01db
41% Popularity • 33% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Cliff Martinez
Hammer
101 bpm • D Maj • 04:44 • -22.99db
30% Popularity • 17% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
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Christopher Drake
The Dark Knight Triumphant / End Titles
101 bpm • A Maj • 05:09 • -14.41db
34% Popularity • 24% Danceability • 32% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
Soccer Game
87 bpm • E min • 04:20 • -19db
31% Popularity • 9% Danceability • 19% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Bathroom Dance
86 bpm • G# min • 02:08 • -19.22db
56% Popularity • 17% Danceability • 7% Energy • 8% Liveness
26% Instrumentalness • 4% Positiveness
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Volker Bertelmann
Paul
85 bpm • G min • 01:42 • -13.46db
44% Popularity • 17% Danceability • 18% Energy • 18% Liveness
48% Instrumentalness • 3% Positiveness
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Christophe Beck
No Courage Without Fear
85 bpm • C min • 03:00 • -17.01db
22% Popularity • 20% Danceability • 42% Energy • 6% Liveness
90% Instrumentalness • 7% Positiveness
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Yair Elazar Glotman
The Navigators
85 bpm • C# Maj • 08:08 • -21db
25% Popularity • 9% Danceability • 8% Energy • 12% Liveness
83% Instrumentalness • 3% Positiveness
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Thomas Newman
Gehenna
85 bpm • A Maj • 03:34 • -30.02db
35% Popularity • 21% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
Surveillance
86 bpm • C Maj • 01:29 • -15.94db
26% Popularity • 26% Danceability • 33% Energy • 10% Liveness
79% Instrumentalness • 19% Positiveness
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Ramin Djawadi
Freeze All Motor Functions
102 bpm • D Maj • 03:03 • -22.3db
32% Popularity • 50% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Bridge of Death
86 bpm • B min • 04:44 • -17.43db
36% Popularity • 15% Danceability • 37% Energy • 59% Liveness
90% Instrumentalness • 4% Positiveness
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Volker Bertelmann
Flares
102 bpm • C min • 01:35 • -16db
42% Popularity • 26% Danceability • 31% Energy • 7% Liveness
25% Instrumentalness • 3% Positiveness
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Clinton Shorter
The Expanse
85 bpm • C Maj • 01:04 • -13.23db
48% Popularity • 9% Danceability • 36% Energy • 9% Liveness
26% Instrumentalness • 17% Positiveness
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John Murphy
How to Leave Your Body
102 bpm • B min • 06:16 • -8db
37% Popularity • 24% Danceability • 54% Energy • 44% Liveness
90% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
Sand
85 bpm • E Maj • 02:02 • -12.44db
22% Popularity • 8% Danceability • 16% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Nicholas Britell
Conclusion - The Transplant
102 bpm • G# min • 07:07 • -16.84db
21% Popularity • 26% Danceability • 30% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
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Christophe Beck
Solo Flight
85 bpm • C min • 03:11 • -22.56db
37% Popularity • 31% Danceability • 4% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
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Hildur Guðnadóttir
Overcast
84 bpm • E min • 03:18 • -17.43db
26% Popularity • 9% Danceability • 14% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Clinton Shorter
Heading Home
85 bpm • D min • 01:14 • -17.33db
39% Popularity • 27% Danceability • 18% Energy • 18% Liveness
88% Instrumentalness • 9% Positiveness
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Ramin Djawadi
Journey Into Night
84 bpm • B min • 05:29 • -16db
28% Popularity • 14% Danceability • 35% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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Jóhann Jóhannsson
Heptapod B (Arr. Knoth)
84 bpm • D# min • 03:31 • -17.61db
18% Popularity • 29% Danceability • 30% Energy • 11% Liveness
77% Instrumentalness • 29% Positiveness
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Jon Ekstrand
Godspeed, Doctor
84 bpm • C# Maj • 05:02 • -15db
15% Popularity • 8% Danceability • 22% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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John Paesano
Fogwell's Gym
103 bpm • A# min • 03:53 • -11.73db
35% Popularity • 22% Danceability • 71% Energy • 10% Liveness
67% Instrumentalness • 3% Positiveness
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Christopher Drake
Slice & Dice / Never Again
84 bpm • F min • 03:00 • -17.05db
22% Popularity • 31% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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The Beast