Songs like The Bells of Lal, Pt.1 by Joe Satriani
Based on a tempo of (+/- 10%) and a similar genre
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Joe Satriani
The Bells of Lal, Pt.1
63 bpm • G# Maj • 01:19 • -17.48db
23% Popularity • 19% Danceability • 29% Energy • 4% Liveness
84% Instrumentalness • 31% Positiveness
23% Popularity • 19% Danceability • 29% Energy • 4% Liveness
84% Instrumentalness • 31% Positiveness
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Greg Howe
Bach Mock
67 bpm • A# min • 01:14 • -8db
22% Popularity • 29% Danceability • 81% Energy • 20% Liveness
90% Instrumentalness • 69% Positiveness
22% Popularity • 29% Danceability • 81% Energy • 20% Liveness
90% Instrumentalness • 69% Positiveness
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Marco Sfogli
Never Forgive Me
75 bpm • D Maj • 04:10 • -4.71db
25% Popularity • 26% Danceability • 67% Energy • 26% Liveness
66% Instrumentalness • 42% Positiveness
25% Popularity • 26% Danceability • 67% Energy • 26% Liveness
66% Instrumentalness • 42% Positiveness
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George Lynch
Memory Jack
75 bpm • B Maj • 01:37 • -17.65db
12% Popularity • 10% Danceability • 28% Energy • 17% Liveness
74% Instrumentalness • 6% Positiveness
12% Popularity • 10% Danceability • 28% Energy • 17% Liveness
74% Instrumentalness • 6% Positiveness
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Dave Martone
Angel Fish
75 bpm • A Maj • 03:46 • -5.04db
11% Popularity • 45% Danceability • 87% Energy • 17% Liveness
90% Instrumentalness • 46% Positiveness
11% Popularity • 45% Danceability • 87% Energy • 17% Liveness
90% Instrumentalness • 46% Positiveness
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Kerry Livgren
To Live for the King - Remix Version
77 bpm • B min • 05:54 • -12.91db
16% Popularity • 45% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 45% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Joe Satriani
Out of the Sunrise
75 bpm • D Maj • 05:42 • -8.61db
17% Popularity • 57% Danceability • 64% Energy • 8% Liveness
88% Instrumentalness • 71% Positiveness
17% Popularity • 57% Danceability • 64% Energy • 8% Liveness
88% Instrumentalness • 71% Positiveness
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Jeff Kollman
Loss
77 bpm • F min • 01:55 • -14.51db
20% Popularity • 38% Danceability • 19% Energy • 11% Liveness
69% Instrumentalness • 26% Positiveness
20% Popularity • 38% Danceability • 19% Energy • 11% Liveness
69% Instrumentalness • 26% Positiveness
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Jeff Beck
Stand On It
79 bpm • E Maj • 04:57 • -12.65db
20% Popularity • 45% Danceability • 68% Energy • 17% Liveness
71% Instrumentalness • 43% Positiveness
20% Popularity • 45% Danceability • 68% Energy • 17% Liveness
71% Instrumentalness • 43% Positiveness
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Gary Hoey
Lost Dreams
79 bpm • E min • 01:38 • -6.85db
14% Popularity • 18% Danceability • 60% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
14% Popularity • 18% Danceability • 60% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
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Thomas Blug
Beauty (Don't Fall In Love)
78 bpm • E min • 04:57 • -8.95db
15% Popularity • 39% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 39% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Michael Angelo Batio
Dream On
79 bpm • E min • 04:36 • -6.61db
18% Popularity • 31% Danceability • 70% Energy • 36% Liveness
66% Instrumentalness • 27% Positiveness
18% Popularity • 31% Danceability • 70% Energy • 36% Liveness
66% Instrumentalness • 27% Positiveness
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Joe Satriani
Until We Say Goodbye
76 bpm • C Maj • 04:31 • -7.17db
37% Popularity • 54% Danceability • 62% Energy • 12% Liveness
79% Instrumentalness • 34% Positiveness
37% Popularity • 54% Danceability • 62% Energy • 12% Liveness
79% Instrumentalness • 34% Positiveness
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Guthrie Govan
Where We Started
80 bpm • G Maj • 02:33 • -7.17db
41% Popularity • 60% Danceability • 53% Energy • 8% Liveness
84% Instrumentalness • 20% Positiveness
41% Popularity • 60% Danceability • 53% Energy • 8% Liveness
84% Instrumentalness • 20% Positiveness
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Ian Gillan
Bluesy Blue Sea
81 bpm • E Maj • 04:27 • -14.49db
12% Popularity • 39% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 39% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
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Gary Hoey
Peahi
79 bpm • C# min • 04:22 • -7.47db
8% Popularity • 40% Danceability • 75% Energy • 23% Liveness
77% Instrumentalness • 50% Positiveness
8% Popularity • 40% Danceability • 75% Energy • 23% Liveness
77% Instrumentalness • 50% Positiveness
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Extreme
Waiting For The Punchline
81 bpm • C# Maj • 06:01 • -9.57db
19% Popularity • 42% Danceability • 84% Energy • 5% Liveness
64% Instrumentalness • 50% Positiveness
19% Popularity • 42% Danceability • 84% Energy • 5% Liveness
64% Instrumentalness • 50% Positiveness
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Marco Sfogli
Seven
81 bpm • C min • 05:01 • -4db
16% Popularity • 15% Danceability • 57% Energy • 20% Liveness
30% Instrumentalness • 16% Positiveness
16% Popularity • 15% Danceability • 57% Energy • 20% Liveness
30% Instrumentalness • 16% Positiveness
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Joe Satriani
Home
78 bpm • G Maj • 03:25 • -11.62db
33% Popularity • 43% Danceability • 31% Energy • 13% Liveness
91% Instrumentalness • 21% Positiveness
33% Popularity • 43% Danceability • 31% Energy • 13% Liveness
91% Instrumentalness • 21% Positiveness
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Guthrie Govan
Heart of the City
81 bpm • G Maj • 02:00 • -7.21db
47% Popularity • 40% Danceability • 46% Energy • 33% Liveness
75% Instrumentalness • 35% Positiveness
47% Popularity • 40% Danceability • 46% Energy • 33% Liveness
75% Instrumentalness • 35% Positiveness
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The Aristocrats
I Want A Parrot
82 bpm • B Maj • 09:58 • -7.71db
23% Popularity • 40% Danceability • 59% Energy • 35% Liveness
74% Instrumentalness • 37% Positiveness
23% Popularity • 40% Danceability • 59% Energy • 35% Liveness
74% Instrumentalness • 37% Positiveness
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John Norum
Spirit World
82 bpm • B Maj • 05:15 • -6.77db
8% Popularity • 41% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 41% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Michael Angelo Batio
Intro: This CD is dedicated to you
83 bpm • A# min • 01:54 • -13.34db
12% Popularity • 12% Danceability • 50% Energy • 13% Liveness
2% Instrumentalness • 18% Positiveness
12% Popularity • 12% Danceability • 50% Energy • 13% Liveness
2% Instrumentalness • 18% Positiveness
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Daniele Gottardo
Ziprexalake
83 bpm • B min • 03:53 • -6db
29% Popularity • 14% Danceability • 65% Energy • 11% Liveness
63% Instrumentalness • 16% Positiveness
29% Popularity • 14% Danceability • 65% Energy • 11% Liveness
63% Instrumentalness • 16% Positiveness
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Joe Satriani
Rubina
80 bpm • B min • 05:53 • -11db
27% Popularity • 69% Danceability • 45% Energy • 19% Liveness
31% Instrumentalness • 50% Positiveness
27% Popularity • 69% Danceability • 45% Energy • 19% Liveness
31% Instrumentalness • 50% Positiveness
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Shawn Lane
Hardcase (Bonus Track)
83 bpm • C# min • 04:58 • -9.31db
13% Popularity • 51% Danceability • 75% Energy • 26% Liveness
77% Instrumentalness • 49% Positiveness
13% Popularity • 51% Danceability • 75% Energy • 26% Liveness
77% Instrumentalness • 49% Positiveness
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Patrick Rondat
Amphibia, Pt. 1
85 bpm • D Maj • 03:39 • -13.69db
8% Popularity • 28% Danceability • 12% Energy • 18% Liveness
84% Instrumentalness • 3% Positiveness
8% Popularity • 28% Danceability • 12% Energy • 18% Liveness
84% Instrumentalness • 3% Positiveness
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Neil Zaza
Prelude
86 bpm • A min • 01:03 • -8.76db
35% Popularity • 16% Danceability • 51% Energy • 12% Liveness
99% Instrumentalness • 10% Positiveness
35% Popularity • 16% Danceability • 51% Energy • 12% Liveness
99% Instrumentalness • 10% Positiveness
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Mattias IA Eklundh
The Grey Hat of Compromise
85 bpm • D min • 03:45 • -8.85db
12% Popularity • 64% Danceability • 53% Energy • 14% Liveness
56% Instrumentalness • 35% Positiveness
12% Popularity • 64% Danceability • 53% Energy • 14% Liveness
56% Instrumentalness • 35% Positiveness
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Joe Satriani, Steve Vai & Eric Johnson
Going Down - Live
87 bpm • A# Maj • 05:47 • -6.58db
25% Popularity • 37% Danceability • 87% Energy • 99% Liveness
16% Instrumentalness • 34% Positiveness
25% Popularity • 37% Danceability • 87% Energy • 99% Liveness
16% Instrumentalness • 34% Positiveness
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Joe Satriani
Overdriver
82 bpm • E min • 05:05 • -5.7db
20% Popularity • 46% Danceability • 90% Energy • 17% Liveness
90% Instrumentalness • 71% Positiveness
20% Popularity • 46% Danceability • 90% Energy • 17% Liveness
90% Instrumentalness • 71% Positiveness
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The Aristocrats
Bad Asteroid
87 bpm • B min • 05:53 • -7.26db
42% Popularity • 48% Danceability • 73% Energy • 16% Liveness
76% Instrumentalness • 39% Positiveness
42% Popularity • 48% Danceability • 73% Energy • 16% Liveness
76% Instrumentalness • 39% Positiveness
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Kiko Loureiro
Excuse Me
88 bpm • E min • 04:27 • -5.89db
14% Popularity • 55% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 55% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Liquid Tension Experiment
Beating the Odds
88 bpm • D Maj • 06:08 • -6.49db
31% Popularity • 22% Danceability • 95% Energy • 14% Liveness
77% Instrumentalness • 60% Positiveness
31% Popularity • 22% Danceability • 95% Energy • 14% Liveness
77% Instrumentalness • 60% Positiveness
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Chickenfoot
Down The Drain
88 bpm • D# Maj • 06:17 • -4.36db
20% Popularity • 37% Danceability • 87% Energy • 32% Liveness
22% Instrumentalness • 31% Positiveness
20% Popularity • 37% Danceability • 87% Energy • 32% Liveness
22% Instrumentalness • 31% Positiveness
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Shawn Lane
Drum and Guitar Solo - Live
89 bpm • C# Maj • 04:27 • -13.01db
8% Popularity • 38% Danceability • 82% Energy • 31% Liveness
73% Instrumentalness • 17% Positiveness
8% Popularity • 38% Danceability • 82% Energy • 31% Liveness
73% Instrumentalness • 17% Positiveness
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Joe Satriani
Circles
82 bpm • E min • 03:29 • -9.7db
37% Popularity • 62% Danceability • 64% Energy • 11% Liveness
15% Instrumentalness • 66% Positiveness
37% Popularity • 62% Danceability • 64% Energy • 11% Liveness
15% Instrumentalness • 66% Positiveness
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Eloy
Paralyzed Civilization
89 bpm • A Maj • 09:28 • -7db
8% Popularity • 40% Danceability • 78% Energy • 8% Liveness
4% Instrumentalness • 11% Positiveness
8% Popularity • 40% Danceability • 78% Energy • 8% Liveness
4% Instrumentalness • 11% Positiveness
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Steve Morse Band
Rally Cry
89 bpm • A Maj • 04:33 • -10.24db
11% Popularity • 49% Danceability • 72% Energy • 14% Liveness
92% Instrumentalness • 78% Positiveness
11% Popularity • 49% Danceability • 72% Energy • 14% Liveness
92% Instrumentalness • 78% Positiveness
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Thomas Blug
I'll Be There - Live
90 bpm • F# min • 09:25 • -9.94db
8% Popularity • 35% Danceability • 55% Energy • 45% Liveness
74% Instrumentalness • 30% Positiveness
8% Popularity • 35% Danceability • 55% Energy • 45% Liveness
74% Instrumentalness • 30% Positiveness
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Outlanders
The Sleeping Indian
90 bpm • C min • 06:13 • -7.7db
25% Popularity • 58% Danceability • 72% Energy • 9% Liveness
86% Instrumentalness • 18% Positiveness
25% Popularity • 58% Danceability • 72% Energy • 9% Liveness
86% Instrumentalness • 18% Positiveness
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Patrik Carlsson
Lost Soul
90 bpm • B min • 05:22 • -8.05db
13% Popularity • 60% Danceability • 50% Energy • 38% Liveness
82% Instrumentalness • 25% Positiveness
13% Popularity • 60% Danceability • 50% Energy • 38% Liveness
82% Instrumentalness • 25% Positiveness
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Joe Satriani
Stars Race Across the Sky
85 bpm • G# min • 04:45 • -10.03db
24% Popularity • 52% Danceability • 75% Energy • 11% Liveness
91% Instrumentalness • 54% Positiveness
24% Popularity • 52% Danceability • 75% Energy • 11% Liveness
91% Instrumentalness • 54% Positiveness
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King's X
Flies and Blue Skies
90 bpm • C Maj • 05:00 • -8.31db
24% Popularity • 23% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 23% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Greg Howe
Child's Play
90 bpm • A min • 04:23 • -7.81db
15% Popularity • 58% Danceability • 74% Energy • 16% Liveness
49% Instrumentalness • 71% Positiveness
15% Popularity • 58% Danceability • 74% Energy • 16% Liveness
49% Instrumentalness • 71% Positiveness
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Thomas Blug
Longing
90 bpm • A min • 04:57 • -12.38db
9% Popularity • 48% Danceability • 53% Energy • 13% Liveness
61% Instrumentalness • 31% Positiveness
9% Popularity • 48% Danceability • 53% Energy • 13% Liveness
61% Instrumentalness • 31% Positiveness
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Gary Hoey
Peace Pipe
90 bpm • F min • 05:08 • -8.78db
9% Popularity • 51% Danceability • 80% Energy • 6% Liveness
91% Instrumentalness • 76% Positiveness
9% Popularity • 51% Danceability • 80% Energy • 6% Liveness
91% Instrumentalness • 76% Positiveness
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Extreme
Li'l Jack Horny
91 bpm • F# Maj • 04:51 • -8.81db
34% Popularity • 46% Danceability • 87% Energy • 7% Liveness
19% Instrumentalness • 32% Positiveness
34% Popularity • 46% Danceability • 87% Energy • 7% Liveness
19% Instrumentalness • 32% Positiveness
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Bozzio Levin Stevens
Chaos / Control
91 bpm • G Maj • 08:49 • -9.46db
8% Popularity • 34% Danceability • 82% Energy • 41% Liveness
78% Instrumentalness • 50% Positiveness
8% Popularity • 34% Danceability • 82% Energy • 41% Liveness
78% Instrumentalness • 50% Positiveness
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The Aristocrats
Boing!... I'm In the Back
91 bpm • D Maj • 04:59 • -6.89db
26% Popularity • 34% Danceability • 76% Energy • 4% Liveness
77% Instrumentalness • 43% Positiveness
26% Popularity • 34% Danceability • 76% Energy • 4% Liveness
77% Instrumentalness • 43% Positiveness
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Kiko Loureiro
Dreamlike
92 bpm • D Maj • 03:49 • -6db
32% Popularity • 34% Danceability • 82% Energy • 11% Liveness
80% Instrumentalness • 47% Positiveness
32% Popularity • 34% Danceability • 82% Energy • 11% Liveness
80% Instrumentalness • 47% Positiveness
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Thomas Blug
I'll Be There
90 bpm • F# min • 04:31 • -8.32db
14% Popularity • 42% Danceability • 71% Energy • 19% Liveness
21% Instrumentalness • 37% Positiveness
14% Popularity • 42% Danceability • 71% Energy • 19% Liveness
21% Instrumentalness • 37% Positiveness
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Marco Sfogli
Corrosion
92 bpm • D Maj • 04:29 • -5.5db
31% Popularity • 42% Danceability • 90% Energy • 36% Liveness
75% Instrumentalness • 60% Positiveness
31% Popularity • 42% Danceability • 90% Energy • 36% Liveness
75% Instrumentalness • 60% Positiveness
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Dave Martone
Bossa Dorado
92 bpm • D min • 03:42 • -7db
24% Popularity • 50% Danceability • 87% Energy • 10% Liveness
74% Instrumentalness • 58% Positiveness
24% Popularity • 50% Danceability • 87% Energy • 10% Liveness
74% Instrumentalness • 58% Positiveness
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David Lee Roth
Big Trouble (En Busca de Pleito)
92 bpm • F# min • 03:59 • -12.53db
31% Popularity • 56% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 56% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Shawn Lane
Tri-7\5
92 bpm • C Maj • 04:19 • -8db
23% Popularity • 53% Danceability • 75% Energy • 16% Liveness
80% Instrumentalness • 50% Positiveness
23% Popularity • 53% Danceability • 75% Energy • 16% Liveness
80% Instrumentalness • 50% Positiveness
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Kiko Loureiro
Vital Signs
92 bpm • E min • 04:32 • -5db
28% Popularity • 28% Danceability • 97% Energy • 33% Liveness
83% Instrumentalness • 14% Positiveness
28% Popularity • 28% Danceability • 97% Energy • 33% Liveness
83% Instrumentalness • 14% Positiveness
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Saigon Kick
The V Train
92 bpm • G Maj • 05:14 • -15.34db
7% Popularity • 46% Danceability • 76% Energy • 41% Liveness
96% Instrumentalness • 16% Positiveness
7% Popularity • 46% Danceability • 76% Energy • 41% Liveness
96% Instrumentalness • 16% Positiveness
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Jeff Kollman
Fat, Mean & Nasty
93 bpm • F min • 04:50 • -10.17db
19% Popularity • 59% Danceability • 64% Energy • 11% Liveness
84% Instrumentalness • 44% Positiveness
19% Popularity • 59% Danceability • 64% Energy • 11% Liveness
84% Instrumentalness • 44% Positiveness
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Joe Satriani
House Full of Bullets
92 bpm • B min • 05:33 • -6db
25% Popularity • 42% Danceability • 90% Energy • 14% Liveness
84% Instrumentalness • 67% Positiveness
25% Popularity • 42% Danceability • 90% Energy • 14% Liveness
84% Instrumentalness • 67% Positiveness
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Yes
Shoot High, Aim Low
93 bpm • D Maj • 06:59 • -10.08db
36% Popularity • 27% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 45% Positiveness
36% Popularity • 27% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 45% Positiveness
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Joe Satriani, Steve Vai & Eric Johnson
My Guitar Wants To Kill Your Mama - Live
93 bpm • B Maj • 05:21 • -5.2db
28% Popularity • 40% Danceability • 98% Energy • 99% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 40% Danceability • 98% Energy • 99% Liveness
0% Instrumentalness • 36% Positiveness
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Neronia
Broken Vision
93 bpm • D Maj • 06:45 • -6.29db
12% Popularity • 53% Danceability • 79% Energy • 15% Liveness
2% Instrumentalness • 25% Positiveness
12% Popularity • 53% Danceability • 79% Energy • 15% Liveness
2% Instrumentalness • 25% Positiveness
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Extreme
Peacemaker Die
93 bpm • G# Maj • 06:03 • -9db
30% Popularity • 66% Danceability • 71% Energy • 31% Liveness
2% Instrumentalness • 64% Positiveness
30% Popularity • 66% Danceability • 71% Energy • 31% Liveness
2% Instrumentalness • 64% Positiveness
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Steve Morse Band
Slice of Time
93 bpm • G Maj • 02:37 • -16.39db
22% Popularity • 64% Danceability • 29% Energy • 12% Liveness
87% Instrumentalness • 76% Positiveness
22% Popularity • 64% Danceability • 29% Energy • 12% Liveness
87% Instrumentalness • 76% Positiveness
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Joe Satriani
Cool #9
93 bpm • G min • 05:59 • -8.25db
27% Popularity • 63% Danceability • 57% Energy • 14% Liveness
68% Instrumentalness • 51% Positiveness
27% Popularity • 63% Danceability • 57% Energy • 14% Liveness
68% Instrumentalness • 51% Positiveness
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UFO
Darker Days - 2023 Remaster
94 bpm • C Maj • 05:38 • -3.32db
15% Popularity • 42% Danceability • 96% Energy • 33% Liveness
1% Instrumentalness • 42% Positiveness
15% Popularity • 42% Danceability • 96% Energy • 33% Liveness
1% Instrumentalness • 42% Positiveness
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Neil Zaza
Baking @ 350 Degrees
94 bpm • F# Maj • 01:06 • -16.02db
27% Popularity • 22% Danceability • 43% Energy • 13% Liveness
93% Instrumentalness • 64% Positiveness
27% Popularity • 22% Danceability • 43% Energy • 13% Liveness
93% Instrumentalness • 64% Positiveness
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King's X
Everybody Knows a Little Bit of Somethin...
95 bpm • A min • 03:57 • -12.59db
18% Popularity • 59% Danceability • 76% Energy • 78% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 59% Danceability • 76% Energy • 78% Liveness
0% Instrumentalness • 86% Positiveness
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Extreme
Politicalamity
93 bpm • G# Maj • 05:04 • -8.43db
34% Popularity • 69% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 69% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Shawn Lane
One Note at a Time
95 bpm • G# Maj • 03:30 • -7.36db
16% Popularity • 58% Danceability • 73% Energy • 21% Liveness
67% Instrumentalness • 60% Positiveness
16% Popularity • 58% Danceability • 73% Energy • 21% Liveness
67% Instrumentalness • 60% Positiveness
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Joe Satriani
Dream Song
94 bpm • G# Maj • 04:48 • -6.74db
34% Popularity • 60% Danceability • 66% Energy • 15% Liveness
90% Instrumentalness • 39% Positiveness
34% Popularity • 60% Danceability • 66% Energy • 15% Liveness
90% Instrumentalness • 39% Positiveness
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John Petrucci
Terminal Velocity
95 bpm • E Maj • 06:07 • -6.33db
38% Popularity • 47% Danceability • 97% Energy • 11% Liveness
81% Instrumentalness • 43% Positiveness
38% Popularity • 47% Danceability • 97% Energy • 11% Liveness
81% Instrumentalness • 43% Positiveness
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Neil Zaza
St. Valentine
94 bpm • C Maj • 03:12 • -8.19db
20% Popularity • 38% Danceability • 49% Energy • 20% Liveness
1% Instrumentalness • 14% Positiveness
20% Popularity • 38% Danceability • 49% Energy • 20% Liveness
1% Instrumentalness • 14% Positiveness
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Mr. Fastfinger
Humble Moves
95 bpm • A Maj • 03:24 • -12.88db
23% Popularity • 63% Danceability • 76% Energy • 14% Liveness
82% Instrumentalness • 41% Positiveness
23% Popularity • 63% Danceability • 76% Energy • 14% Liveness
82% Instrumentalness • 41% Positiveness
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Marco Sfogli
Nothing Is Lost
95 bpm • B Maj • 05:31 • -6.3db
34% Popularity • 21% Danceability • 73% Energy • 8% Liveness
86% Instrumentalness • 23% Positiveness
34% Popularity • 21% Danceability • 73% Energy • 8% Liveness
86% Instrumentalness • 23% Positiveness
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Buckethead
Star Chasing
95 bpm • E min • 02:56 • -5.2db
37% Popularity • 64% Danceability • 64% Energy • 11% Liveness
56% Instrumentalness • 19% Positiveness
37% Popularity • 64% Danceability • 64% Energy • 11% Liveness
56% Instrumentalness • 19% Positiveness
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Joe Satriani
The Extremist
95 bpm • A# min • 03:43 • -5.97db
40% Popularity • 44% Danceability • 91% Energy • 9% Liveness
84% Instrumentalness • 49% Positiveness
40% Popularity • 44% Danceability • 91% Energy • 9% Liveness
84% Instrumentalness • 49% Positiveness
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David Lee Roth
Lady Luck
95 bpm • G Maj • 04:40 • -9.15db
21% Popularity • 51% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 51% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 52% Positiveness
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King's X
Prisoner
96 bpm • G Maj • 04:14 • -9.93db
23% Popularity • 47% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 47% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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White Lion
Blue Monday
95 bpm • A min • 04:19 • -11db
33% Popularity • 51% Danceability • 30% Energy • 23% Liveness
48% Instrumentalness • 20% Positiveness
33% Popularity • 51% Danceability • 30% Energy • 23% Liveness
48% Instrumentalness • 20% Positiveness
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Michael Lee Firkins
Rain in the Tunnel
96 bpm • A Maj • 05:23 • -16db
24% Popularity • 49% Danceability • 66% Energy • 25% Liveness
71% Instrumentalness • 55% Positiveness
24% Popularity • 49% Danceability • 66% Energy • 25% Liveness
71% Instrumentalness • 55% Positiveness
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Jeff Beck
Savoy
97 bpm • E Maj • 03:51 • -12.7db
21% Popularity • 43% Danceability • 88% Energy • 32% Liveness
92% Instrumentalness • 26% Positiveness
21% Popularity • 43% Danceability • 88% Energy • 32% Liveness
92% Instrumentalness • 26% Positiveness
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Joe Satriani
Revelation
96 bpm • G Maj • 05:55 • -5.6db
27% Popularity • 47% Danceability • 83% Energy • 24% Liveness
87% Instrumentalness • 28% Positiveness
27% Popularity • 47% Danceability • 83% Energy • 24% Liveness
87% Instrumentalness • 28% Positiveness
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Reb Beach
Cutting Loose
97 bpm • F# Maj • 03:28 • -4.4db
21% Popularity • 47% Danceability • 93% Energy • 34% Liveness
85% Instrumentalness • 63% Positiveness
21% Popularity • 47% Danceability • 93% Energy • 34% Liveness
85% Instrumentalness • 63% Positiveness
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Kansas
Crowded Isolation
97 bpm • E min • 06:10 • -4db
10% Popularity • 57% Danceability • 95% Energy • 12% Liveness
3% Instrumentalness • 44% Positiveness
10% Popularity • 57% Danceability • 95% Energy • 12% Liveness
3% Instrumentalness • 44% Positiveness
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Chickenfoot
Big Foot
97 bpm • E Maj • 03:49 • -4.05db
32% Popularity • 60% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 60% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
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TOTO
Gypsy Train
98 bpm • G Maj • 06:44 • -6.25db
26% Popularity • 57% Danceability • 90% Energy • 59% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 57% Danceability • 90% Energy • 59% Liveness
0% Instrumentalness • 56% Positiveness
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Journey
Nickel & Dime
99 bpm • B Maj • 04:13 • -9.17db
19% Popularity • 32% Danceability • 87% Energy • 34% Liveness
83% Instrumentalness • 51% Positiveness
19% Popularity • 32% Danceability • 87% Energy • 34% Liveness
83% Instrumentalness • 51% Positiveness
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Joe Satriani
God Is Crying
98 bpm • G# Maj • 04:52 • -7.34db
23% Popularity • 47% Danceability • 73% Energy • 9% Liveness
75% Instrumentalness • 51% Positiveness
23% Popularity • 47% Danceability • 73% Energy • 9% Liveness
75% Instrumentalness • 51% Positiveness
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George Lynch
I Will Remember
99 bpm • D# min • 04:18 • -7db
27% Popularity • 55% Danceability • 63% Energy • 9% Liveness
72% Instrumentalness • 15% Positiveness
27% Popularity • 55% Danceability • 63% Energy • 9% Liveness
72% Instrumentalness • 15% Positiveness
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Whitesnake
Belgian Tom's Hat Trick - 2011 Remaster
99 bpm • D Maj • 03:26 • -6.85db
17% Popularity • 43% Danceability • 90% Energy • 12% Liveness
20% Instrumentalness • 63% Positiveness
17% Popularity • 43% Danceability • 90% Energy • 12% Liveness
20% Instrumentalness • 63% Positiveness
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Greg Howe
Kick It All Over
99 bpm • F# min • 05:03 • -9.87db
15% Popularity • 36% Danceability • 73% Energy • 12% Liveness
86% Instrumentalness • 45% Positiveness
15% Popularity • 36% Danceability • 73% Energy • 12% Liveness
86% Instrumentalness • 45% Positiveness
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Thomas Blug
Still Alive
99 bpm • C# min • 03:27 • -12.61db
11% Popularity • 58% Danceability • 49% Energy • 7% Liveness
26% Instrumentalness • 85% Positiveness
11% Popularity • 58% Danceability • 49% Energy • 7% Liveness
26% Instrumentalness • 85% Positiveness
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Michael Angelo Batio
Hands Without Shadows
99 bpm • A# Maj • 05:27 • -6.72db
22% Popularity • 50% Danceability • 90% Energy • 35% Liveness
80% Instrumentalness • 70% Positiveness
22% Popularity • 50% Danceability • 90% Energy • 35% Liveness
80% Instrumentalness • 70% Positiveness
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Mattias IA Eklundh
Lisa's Passion for Heavy Metal
99 bpm • D min • 02:04 • -7.45db
29% Popularity • 57% Danceability • 78% Energy • 25% Liveness
46% Instrumentalness • 84% Positiveness
29% Popularity • 57% Danceability • 78% Energy • 25% Liveness
46% Instrumentalness • 84% Positiveness
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Reb Beach
Train of Thought
99 bpm • B min • 05:41 • -9.31db
19% Popularity • 61% Danceability • 70% Energy • 7% Liveness
74% Instrumentalness • 60% Positiveness
19% Popularity • 61% Danceability • 70% Energy • 7% Liveness
74% Instrumentalness • 60% Positiveness
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Explorers Club
Impact 3 - No Returning
100 bpm • E min • 08:20 • -6.73db
9% Popularity • 28% Danceability • 86% Energy • 13% Liveness
2% Instrumentalness • 32% Positiveness
9% Popularity • 28% Danceability • 86% Energy • 13% Liveness
2% Instrumentalness • 32% Positiveness