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The Birth Of The Blues
Songs like
The Birth Of The Blues
by
Paul Whiteman
Based on a tempo of (+/- 10%) and a similar genre
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Paul Whiteman
The Birth Of The Blues
93 bpm • F Maj • 03:18 • -16db
29% Popularity • 65% Danceability • 18% Energy • 31% Liveness
25% Instrumentalness • 78% Positiveness
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Jack Hylton
One, Two, Button Your Shoe
93 bpm • C min • 02:34 • -17.06db
17% Popularity • 86% Danceability • 22% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
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Lew Stone & His Band
Zing! Went The Strings Of My Heart
93 bpm • A min • 02:56 • -19.47db
16% Popularity • 77% Danceability • 19% Energy • 5% Liveness
77% Instrumentalness • 91% Positiveness
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Ben Selvin & His Orchestra
Between the Devil and the Deep Blue Sea
93 bpm • G min • 03:29 • -10.06db
14% Popularity • 75% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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King Oliver
Mahogany Hall Stomp
93 bpm • C Maj • 02:39 • -10.36db
27% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
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Roger Wolfe Kahn & His Orchestra
Crazy Rhythm
93 bpm • G# Maj • 03:15 • -14.41db
14% Popularity • 61% Danceability • 28% Energy • 26% Liveness
4% Instrumentalness • 88% Positiveness
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Marion Harris
Tea for Two
92 bpm • B min • 03:07 • -14.24db
10% Popularity • 34% Danceability • 12% Energy • 24% Liveness
51% Instrumentalness • 37% Positiveness
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Paul Whiteman
My Man
92 bpm • E min • 03:20 • -21.79db
1% Popularity • 73% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 88% Positiveness
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Muggsy Spanier
That Da Da Strain
92 bpm • D min • 02:30 • -13.33db
16% Popularity • 58% Danceability • 40% Energy • 31% Liveness
92% Instrumentalness • 91% Positiveness
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Erskine Hawkins
Hawk's Boogie
92 bpm • G Maj • 02:58 • -5.07db
23% Popularity • 61% Danceability • 56% Energy • 30% Liveness
84% Instrumentalness • 80% Positiveness
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Duke Ellington And The Jungle Band
Rockin' in Rhythm
94 bpm • C Maj • 03:03 • -8.37db
32% Popularity • 75% Danceability • 31% Energy • 17% Liveness
83% Instrumentalness • 80% Positiveness
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King Oliver's Creole Jazz Band
Dippermouth Blues
94 bpm • C Maj • 02:26 • -12.98db
31% Popularity • 58% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 88% Positiveness
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Lew Stone & His Band
Anything Goes
92 bpm • G# Maj • 02:47 • -13db
23% Popularity • 83% Danceability • 26% Energy • 6% Liveness
57% Instrumentalness • 93% Positiveness
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Paul Whiteman
The Darktown Strutters' Ball
94 bpm • B Maj • 02:58 • -4.9db
28% Popularity • 78% Danceability • 59% Energy • 6% Liveness
78% Instrumentalness • 91% Positiveness
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Erhard Bauschke & sein Orchester
At the Codfish Ball
94 bpm • E Maj • 03:05 • -10db
6% Popularity • 86% Danceability • 47% Energy • 13% Liveness
89% Instrumentalness • 93% Positiveness
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Kay Kyser
There Goes That Song Again
95 bpm • C# Maj • 02:22 • -12db
9% Popularity • 44% Danceability • 16% Energy • 48% Liveness
0% Instrumentalness • 47% Positiveness
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Fletcher Henderson
Sing You Sinners
94 bpm • C# Maj • 02:39 • -8.16db
33% Popularity • 76% Danceability • 50% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
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The Cats & The Fiddle
We Cats Will Swing for You
91 bpm • C min • 02:38 • -10.82db
25% Popularity • 78% Danceability • 47% Energy • 9% Liveness
62% Instrumentalness • 90% Positiveness
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Nat Gonella And His Georgians
Hesitation Blues
95 bpm • G min • 03:15 • -13.63db
28% Popularity • 81% Danceability • 32% Energy • 6% Liveness
4% Instrumentalness • 73% Positiveness
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Mills Blue Rhythm Band
Mr. Ghost Goes to Town
95 bpm • D# Maj • 03:24 • -14.05db
12% Popularity • 75% Danceability • 31% Energy • 16% Liveness
54% Instrumentalness • 88% Positiveness
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Henry Hall
Radio Times
95 bpm • G# Maj • 02:38 • -20db
15% Popularity • 81% Danceability • 23% Energy • 37% Liveness
69% Instrumentalness • 92% Positiveness
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Earl Hines
I Ain't Got Nobody
91 bpm • G Maj • 03:12 • -18.71db
25% Popularity • 63% Danceability • 10% Energy • 27% Liveness
80% Instrumentalness • 39% Positiveness
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King Oliver
Dipper Mouth Blues, Pt. 1
95 bpm • C Maj • 02:30 • -12.05db
21% Popularity • 57% Danceability • 38% Energy • 6% Liveness
92% Instrumentalness • 86% Positiveness
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Members Of The Glenn Miller Orchestra
Sunrise Serenade
91 bpm • F min • 02:03 • -13.3db
37% Popularity • 48% Danceability • 23% Energy • 7% Liveness
19% Instrumentalness • 46% Positiveness
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Ben Selvin & His Orchestra
Dardanella
91 bpm • D# Maj • 03:21 • -8.09db
1% Popularity • 55% Danceability • 44% Energy • 9% Liveness
90% Instrumentalness • 46% Positiveness
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Ray Henderson
Five Foot Two, Eyes of Blue
91 bpm • C Maj • 02:22 • -19.49db
1% Popularity • 50% Danceability • 32% Energy • 13% Liveness
84% Instrumentalness • 86% Positiveness
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Glenn Miller & The Army Air Force Band
Tail End Charlie - Remastered 2001
91 bpm • G# Maj • 03:24 • -10.87db
9% Popularity • 67% Danceability • 49% Energy • 20% Liveness
23% Instrumentalness • 76% Positiveness
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Earl Hines
Up jumped the devil
91 bpm • C# Maj • 02:48 • -12.4db
27% Popularity • 62% Danceability • 52% Energy • 37% Liveness
92% Instrumentalness • 81% Positiveness
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Jimmie Lunceford
Uptown Blues
90 bpm • C Maj • 02:57 • -9.38db
17% Popularity • 41% Danceability • 27% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
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Erskine Hawkins
Shipyard Ramble
96 bpm • C min • 03:26 • -8.75db
16% Popularity • 66% Danceability • 54% Energy • 14% Liveness
92% Instrumentalness • 67% Positiveness
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Louis Armstrong & His Hot Five
Struttin' with Some Barbecue - 78 rpm Ve...
96 bpm • G# Maj • 03:03 • -8.71db
21% Popularity • 74% Danceability • 32% Energy • 5% Liveness
87% Instrumentalness • 89% Positiveness
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Original Dixieland Jazz Band
Palesteena
96 bpm • A min • 02:48 • -22.27db
9% Popularity • 47% Danceability • 14% Energy • 22% Liveness
89% Instrumentalness • 69% Positiveness
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Jelly Roll Morton
King Porter Stomp
96 bpm • C# Maj • 02:36 • -21.8db
31% Popularity • 45% Danceability • 14% Energy • 22% Liveness
93% Instrumentalness • 67% Positiveness
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Buddy Green
Sentimental Journey
90 bpm • A# Maj • 03:03 • -16.96db
2% Popularity • 52% Danceability • 17% Energy • 13% Liveness
81% Instrumentalness • 45% Positiveness
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Ray Henderson
You're the Cream In My Coffee
97 bpm • F Maj • 02:55 • -10.69db
1% Popularity • 73% Danceability • 37% Energy • 7% Liveness
79% Instrumentalness • 89% Positiveness
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Charlie Barnet
Rockin' In Rhythm (06-19-40)
97 bpm • G# Maj • 03:11 • -9.94db
14% Popularity • 59% Danceability • 46% Energy • 10% Liveness
37% Instrumentalness • 96% Positiveness
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Woody Herman & His Orchestra
Blues in the Night
89 bpm • C Maj • 03:11 • -11.68db
26% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
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Ambrose
If I Had a Talking Picture of You
97 bpm • F min • 02:58 • -15.72db
10% Popularity • 86% Danceability • 20% Energy • 10% Liveness
72% Instrumentalness • 94% Positiveness
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Billy Jones
Yes! We Have No Bananas
97 bpm • C Maj • 02:59 • -11.77db
13% Popularity • 80% Danceability • 27% Energy • 6% Liveness
76% Instrumentalness • 74% Positiveness
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The Golden Gate Orchestra
Glad Rag Doll
97 bpm • F Maj • 03:09 • -7.18db
23% Popularity • 75% Danceability • 52% Energy • 19% Liveness
91% Instrumentalness • 83% Positiveness
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King Oliver's Creole Jazz Band
Just Gone
97 bpm • A min • 02:42 • -12.05db
13% Popularity • 68% Danceability • 45% Energy • 24% Liveness
92% Instrumentalness • 85% Positiveness
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Jimmy Dorsey & His Orchestra
In A Sentimental Mood
97 bpm • G min • 03:02 • -12.82db
25% Popularity • 46% Danceability • 20% Energy • 14% Liveness
13% Instrumentalness • 40% Positiveness
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Carroll Gibbons
The Moon Got in My Eyes
89 bpm • F Maj • 03:10 • -20.26db
21% Popularity • 36% Danceability • 7% Energy • 10% Liveness
32% Instrumentalness • 30% Positiveness
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The BBC Dance Orchestra
Anything Goes
97 bpm • G Maj • 02:50 • -20.39db
14% Popularity • 81% Danceability • 18% Energy • 8% Liveness
26% Instrumentalness • 79% Positiveness
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Larry Clinton
Let'er Go
97 bpm • C Maj • 02:18 • -8.33db
19% Popularity • 83% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Fletcher Henderson
Christopher Columbus
98 bpm • G min • 03:00 • -8.05db
16% Popularity • 67% Danceability • 53% Energy • 8% Liveness
93% Instrumentalness • 84% Positiveness
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Mills Blue Rhythm Band
Callin' Your Bluff
98 bpm • F Maj • 03:00 • -10.38db
11% Popularity • 72% Danceability • 37% Energy • 12% Liveness
72% Instrumentalness • 82% Positiveness
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Buddy DeSylva
Just A Memory
98 bpm • G# Maj • 02:28 • -11.99db
1% Popularity • 27% Danceability • 35% Energy • 24% Liveness
72% Instrumentalness • 38% Positiveness
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Henry "Red" Allen
You're Gonna Lose Your Gal
98 bpm • F# Maj • 02:53 • -9.8db
22% Popularity • 81% Danceability • 40% Energy • 8% Liveness
12% Instrumentalness • 75% Positiveness
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Eddie Condon
It's Right Here For You, Pt. 1
98 bpm • C Maj • 03:04 • -20.42db
16% Popularity • 67% Danceability • 13% Energy • 43% Liveness
91% Instrumentalness • 71% Positiveness
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Larry Clinton
True Confession
89 bpm • A# min • 02:59 • -20.79db
27% Popularity • 50% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Anonymous
George White's Scandals of 1926: Black B...
88 bpm • C min • 02:35 • -21.41db
0% Popularity • 47% Danceability • 27% Energy • 14% Liveness
83% Instrumentalness • 82% Positiveness
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Lew Brown
That Old Feeling
88 bpm • F min • 05:47 • -24.31db
13% Popularity • 64% Danceability • 12% Energy • 9% Liveness
5% Instrumentalness • 62% Positiveness
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Ben Selvin & His Orchestra
Broadway Melody
98 bpm • A# Maj • 02:33 • -9.81db
14% Popularity • 82% Danceability • 26% Energy • 33% Liveness
81% Instrumentalness • 70% Positiveness
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Red Norvo
Everyone's Wrong but Me
98 bpm • G Maj • 02:58 • -14.54db
13% Popularity • 64% Danceability • 18% Energy • 13% Liveness
41% Instrumentalness • 33% Positiveness
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Marvin Schoenberger
Whispering
98 bpm • F# min • 03:20 • -10.98db
5% Popularity • 66% Danceability • 39% Energy • 15% Liveness
72% Instrumentalness • 43% Positiveness
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Members Of The Glenn Miller Orchestra
Moonlight Cocktail
88 bpm • C min • 01:47 • -21.82db
38% Popularity • 45% Danceability • 12% Energy • 25% Liveness
35% Instrumentalness • 58% Positiveness
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Paul Whiteman
Whispering
99 bpm • D Maj • 03:16 • -21.62db
14% Popularity • 65% Danceability • 25% Energy • 48% Liveness
92% Instrumentalness • 45% Positiveness
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Turk Murphy
By and By
99 bpm • F Maj • 03:00 • -13.9db
28% Popularity • 80% Danceability • 46% Energy • 16% Liveness
91% Instrumentalness • 94% Positiveness
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Charlie Spivak & His Orchestra
Blue Champagne
99 bpm • F# Maj • 02:24 • -18db
24% Popularity • 36% Danceability • 14% Energy • 22% Liveness
84% Instrumentalness • 34% Positiveness
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Red Norvo
Some Like It Hot
98 bpm • D min • 02:54 • -9.71db
12% Popularity • 79% Danceability • 46% Energy • 16% Liveness
87% Instrumentalness • 89% Positiveness
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Ben Selvin & His Orchestra
Let Me Sing and I'm Happy
99 bpm • D min • 03:04 • -14.82db
16% Popularity • 81% Danceability • 24% Energy • 10% Liveness
60% Instrumentalness • 87% Positiveness
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Eddie Condon
I'm Gonna Stomp, Mr Henry Lee
99 bpm • C# Maj • 03:37 • -12.74db
10% Popularity • 70% Danceability • 40% Energy • 20% Liveness
49% Instrumentalness • 74% Positiveness
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Paul Whiteman
Whispering
99 bpm • D Maj • 03:17 • -11.65db
15% Popularity • 64% Danceability • 43% Energy • 33% Liveness
89% Instrumentalness • 36% Positiveness
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Larry Clinton & His Orchestra
You Go To My Head
100 bpm • D# Maj • 03:41 • -24.76db
26% Popularity • 35% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
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Johnny Dodds
Melancholy - 21/01/1938
100 bpm • C Maj • 02:43 • -12.71db
33% Popularity • 82% Danceability • 40% Energy • 6% Liveness
92% Instrumentalness • 87% Positiveness
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Mort Dixon
Bye, Bye Blackbird
100 bpm • F Maj • 02:18 • -16.06db
1% Popularity • 76% Danceability • 18% Energy • 12% Liveness
87% Instrumentalness • 86% Positiveness
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Ben Selvin & His Orchestra
Love, Your Spell Is Everywhere
99 bpm • C# Maj • 02:45 • -21.7db
20% Popularity • 54% Danceability • 10% Energy • 13% Liveness
14% Instrumentalness • 73% Positiveness
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Buddy DeSylva
The Birth of The Blues
100 bpm • A Maj • 02:22 • -5.27db
2% Popularity • 59% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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George Olsen and His Music
The Best Things in Life Are Free
100 bpm • D# Maj • 03:24 • -9.09db
12% Popularity • 63% Danceability • 34% Energy • 10% Liveness
56% Instrumentalness • 71% Positiveness
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The Cotton Club Orchestra
Charleston Ball
100 bpm • G Maj • 02:52 • -11db
16% Popularity • 74% Danceability • 46% Energy • 15% Liveness
89% Instrumentalness • 92% Positiveness
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George Gershwin
Rhapsody in Blue
86 bpm • E Maj • 03:52 • -15.57db
2% Popularity • 37% Danceability • 19% Energy • 28% Liveness
92% Instrumentalness • 34% Positiveness
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Jelly Roll Morton
Doctor Jazz
100 bpm • B Maj • 03:28 • -7.99db
24% Popularity • 74% Danceability • 47% Energy • 7% Liveness
68% Instrumentalness • 92% Positiveness
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Muggsy Spanier
Relaxin' At the Touro
86 bpm • C Maj • 03:14 • -11db
22% Popularity • 69% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
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Johnny Dodds
47Th Street Stomp
86 bpm • C Maj • 03:10 • -8.98db
14% Popularity • 65% Danceability • 46% Energy • 47% Liveness
31% Instrumentalness • 96% Positiveness
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Charlie Barnet & His Orchestra
Pompton Turnpike
86 bpm • F min • 03:02 • -13.67db
20% Popularity • 43% Danceability • 22% Energy • 9% Liveness
28% Instrumentalness • 27% Positiveness
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N/A
Tea Dolls' Parade
101 bpm • D# Maj • 03:05 • -11.44db
2% Popularity • 64% Danceability • 21% Energy • 9% Liveness
76% Instrumentalness • 72% Positiveness
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Eddy Howard
I Married an Angel
101 bpm • F Maj • 02:27 • -9db
23% Popularity • 69% Danceability • 46% Energy • 26% Liveness
34% Instrumentalness • 82% Positiveness
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Paul Whiteman
I'm in the Seventh Heaven
101 bpm • A# Maj • 03:15 • -17.31db
1% Popularity • 67% Danceability • 16% Energy • 10% Liveness
8% Instrumentalness • 63% Positiveness
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Ted Lewis
Alexander's Ragtime Band
101 bpm • F Maj • 03:03 • -8db
10% Popularity • 73% Danceability • 50% Energy • 40% Liveness
19% Instrumentalness • 97% Positiveness
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Bob Crosby & The Bob Cats
When My Dream Boat Comes Home
86 bpm • A# Maj • 02:29 • -11.96db
28% Popularity • 68% Danceability • 25% Energy • 28% Liveness
34% Instrumentalness • 62% Positiveness
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Original Memphis Five
Fireworks
101 bpm • G# Maj • 02:31 • -7db
14% Popularity • 82% Danceability • 54% Energy • 8% Liveness
93% Instrumentalness • 97% Positiveness
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Ted Heath
Stardust
101 bpm • C# Maj • 02:42 • -13db
20% Popularity • 46% Danceability • 24% Energy • 12% Liveness
6% Instrumentalness • 32% Positiveness
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George Gershwin
Rhapsody In Blue
85 bpm • A Maj • 09:15 • -16.29db
3% Popularity • 37% Danceability • 20% Energy • 15% Liveness
88% Instrumentalness • 27% Positiveness
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Glenn Miller & The Army Air Force Band
Along The Santa Fe Trail - Remastered 20...
85 bpm • A# Maj • 03:18 • -13.76db
15% Popularity • 36% Danceability • 12% Energy • 15% Liveness
2% Instrumentalness • 21% Positiveness
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Paul Whiteman
S'posin'
102 bpm • G Maj • 03:13 • -15.87db
1% Popularity • 48% Danceability • 17% Energy • 15% Liveness
30% Instrumentalness • 51% Positiveness
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Fletcher Henderson & His Orchestra
Sugar Foot Stomp
102 bpm • A# Maj • 02:46 • -12.66db
27% Popularity • 78% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
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Lew Stone & His Band
The Continental
102 bpm • G# Maj • 02:58 • -21db
15% Popularity • 64% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 53% Positiveness
► Preview
Johnny Dodds
Wild Man Blues (Alternate Take)
85 bpm • F# min • 03:13 • -11db
19% Popularity • 74% Danceability • 30% Energy • 8% Liveness
62% Instrumentalness • 73% Positiveness
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Jimmy Dorsey & His Orchestra
The Darktown Strutter's Ball
102 bpm • F min • 02:27 • -8db
26% Popularity • 71% Danceability • 55% Energy • 51% Liveness
3% Instrumentalness • 84% Positiveness
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Richard Rodgers
Slaughter on Tenth Avenue
85 bpm • G Maj • 07:58 • -12.95db
1% Popularity • 34% Danceability • 17% Energy • 11% Liveness
83% Instrumentalness • 15% Positiveness
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Bea Wain
My Reverie
102 bpm • F Maj • 03:25 • -12db
18% Popularity • 35% Danceability • 15% Energy • 36% Liveness
3% Instrumentalness • 40% Positiveness
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Lew Brown
Together
84 bpm • C Maj • 03:11 • -13.97db
1% Popularity • 9% Danceability • 25% Energy • 25% Liveness
92% Instrumentalness • 4% Positiveness
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Paul Whiteman
Poor Butterfly
103 bpm • A# Maj • 02:53 • -18.73db
0% Popularity • 46% Danceability • 11% Energy • 23% Liveness
89% Instrumentalness • 32% Positiveness
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Jerome Kern
Smoke Gets In Your Eyes - (RKO film "Rob...
103 bpm • G# Maj • 03:15 • -7db
22% Popularity • 72% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 76% Positiveness
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Bunk Johnson
Panama
103 bpm • F min • 02:38 • -15db
16% Popularity • 82% Danceability • 32% Energy • 36% Liveness
88% Instrumentalness • 97% Positiveness
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Johnny Hodges & His Orchestra
Squaty Roo - Remastered - 1995
103 bpm • A# min • 02:23 • -14db
29% Popularity • 68% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 72% Positiveness
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Marion Harris
Charleston Crazy
103 bpm • D# min • 02:43 • -11db
19% Popularity • 83% Danceability • 42% Energy • 23% Liveness
84% Instrumentalness • 89% Positiveness
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The Merry Macs
La Paloma
84 bpm • D Maj • 02:21 • -16db
31% Popularity • 69% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 76% Positiveness
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John Vincent's Californians
Loving You the Way I Do
84 bpm • D min • 02:49 • -11.73db
23% Popularity • 69% Danceability • 31% Energy • 7% Liveness
86% Instrumentalness • 96% Positiveness
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The Birth Of The Blues