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The Blues, Part Five
Songs like
The Blues, Part Five
by
Albert Ammons
Based on a tempo of (+/- 10%) and a similar genre
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Wynonie Harris
Good Rockin' Tonight
71 bpm • G# Maj • 02:49 • -3.38db
13% Popularity • 42% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Teddy Powell
Jamaica Jam
71 bpm • G# Maj • 02:45 • -12.54db
12% Popularity • 50% Danceability • 59% Energy • 19% Liveness
1% Instrumentalness • 74% Positiveness
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Albert Ammons
Melancholy
71 bpm • A min • 04:06 • -25.54db
3% Popularity • 56% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 12% Positiveness
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Lucky Millinder
Shorty's Got to Go
72 bpm • F min • 03:15 • -8db
25% Popularity • 75% Danceability • 31% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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Floyd Dixon
450 Pound Woman
70 bpm • C Maj • 02:19 • -5db
33% Popularity • 64% Danceability • 65% Energy • 17% Liveness
1% Instrumentalness • 88% Positiveness
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Tommy Ladnier And His Orchestra
Really the Blues
70 bpm • A# Maj • 03:38 • -15.34db
17% Popularity • 60% Danceability • 19% Energy • 14% Liveness
87% Instrumentalness • 58% Positiveness
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Little Brother Montgomery
Keep Drinkin'
70 bpm • G Maj • 03:04 • -19.89db
10% Popularity • 56% Danceability • 12% Energy • 9% Liveness
61% Instrumentalness • 51% Positiveness
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Big Maceo
Things Have Changed
72 bpm • D# Maj • 03:00 • -13.11db
21% Popularity • 68% Danceability • 30% Energy • 13% Liveness
7% Instrumentalness • 81% Positiveness
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Albert Ammons
The Blues, Part Five
71 bpm • D min • 04:12 • -16.91db
2% Popularity • 63% Danceability • 10% Energy • 14% Liveness
90% Instrumentalness • 25% Positiveness
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Roy Milton
Baby I'm Gone
70 bpm • F min • 02:32 • -7db
20% Popularity • 53% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Memphis Slim
Pigalle Love - Live au Trois Mailletz, P...
68 bpm • C Maj • 04:00 • -16db
7% Popularity • 64% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Jimmy Witherspoon
Times Are Changing
74 bpm • C# Maj • 03:00 • -10.5db
8% Popularity • 59% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Erskine Hawkins
Tuxedo Junction
75 bpm • F min • 03:15 • -6.46db
23% Popularity • 63% Danceability • 37% Energy • 18% Liveness
45% Instrumentalness • 78% Positiveness
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Wynonie Harris
Sittin' On It All The Time
75 bpm • G# Maj • 02:39 • -9db
17% Popularity • 50% Danceability • 46% Energy • 31% Liveness
1% Instrumentalness • 82% Positiveness
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Albert Ammons
Solitude
73 bpm • C Maj • 04:12 • -21.63db
3% Popularity • 53% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 27% Positiveness
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Chris Barber's Jazz & Blues Band
Stormy Sunday
75 bpm • C min • 02:40 • -12.22db
18% Popularity • 60% Danceability • 27% Energy • 11% Liveness
71% Instrumentalness • 44% Positiveness
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Lucky Millinder
Who Said Shorty Wasn't Coming Back?
77 bpm • F# Maj • 02:42 • -6.77db
22% Popularity • 83% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Vernon Dilworth
Who Said Shorty Wasn't Coming Back - Luc...
77 bpm • F# Maj • 02:39 • -9.28db
20% Popularity • 84% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
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Wilbur De Paris
Madagascar
76 bpm • G# Maj • 06:21 • -11.46db
24% Popularity • 55% Danceability • 43% Energy • 32% Liveness
73% Instrumentalness • 73% Positiveness
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Jonah Jones
Jumpin' With Jonah - Remastered
78 bpm • C# Maj • 02:21 • -12.62db
22% Popularity • 74% Danceability • 38% Energy • 6% Liveness
5% Instrumentalness • 86% Positiveness
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Albert Ammons
The Blues, Part Four
74 bpm • D min • 03:55 • -20.59db
2% Popularity • 52% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 49% Positiveness
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Cootie Williams
Slidin' And Glidin'
78 bpm • A# Maj • 03:35 • -8.71db
26% Popularity • 68% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Meade "Lux" Lewis
Dupree Shake Dance
79 bpm • C Maj • 02:51 • -15.59db
1% Popularity • 58% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 77% Positiveness
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Booker T. Laury
Booker's Boogie
79 bpm • C Maj • 03:37 • -6.98db
28% Popularity • 56% Danceability • 66% Energy • 95% Liveness
90% Instrumentalness • 91% Positiveness
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George Lewis
Burgundy Street Blues
79 bpm • D min • 04:16 • -11db
28% Popularity • 60% Danceability • 23% Energy • 6% Liveness
61% Instrumentalness • 59% Positiveness
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Willie Dixon
Wrinkles
79 bpm • C Maj • 02:36 • -14.83db
15% Popularity • 64% Danceability • 46% Energy • 12% Liveness
92% Instrumentalness • 89% Positiveness
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Albert Ammons
Easy Rider Blues
78 bpm • C Maj • 04:10 • -15.6db
2% Popularity • 59% Danceability • 21% Energy • 21% Liveness
91% Instrumentalness • 46% Positiveness
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Julia Lee And Her Boyfriends
My Man Stands Out
80 bpm • D# Maj • 02:16 • -12.86db
31% Popularity • 82% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Professor Longhair
Professor Longhair Blues
80 bpm • D min • 02:29 • -10.75db
2% Popularity • 50% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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James P. Johnson
I'm Gonna Sit Right Down (And Write Myse...
81 bpm • C# Maj • 02:49 • -18db
27% Popularity • 72% Danceability • 25% Energy • 9% Liveness
85% Instrumentalness • 91% Positiveness
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Big Joe Turner
Half Tight Boogie
62 bpm • C Maj • 03:05 • -8.86db
10% Popularity • 36% Danceability • 71% Energy • 6% Liveness
87% Instrumentalness • 77% Positiveness
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King Oliver
Chimes Blues
81 bpm • C Maj • 02:51 • -10db
18% Popularity • 56% Danceability • 30% Energy • 19% Liveness
92% Instrumentalness • 79% Positiveness
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Sonny Terry and Brownie McGhee
Robbie-Doby Boogie
81 bpm • C min • 02:22 • -10db
10% Popularity • 67% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Jimmy Witherspoon
One Scotch, One Bourbon, One Beer
62 bpm • D min • 02:59 • -17.64db
34% Popularity • 72% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Meade "Lux" Lewis
Cherry Red
62 bpm • F Maj • 02:55 • -15.09db
0% Popularity • 71% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 75% Positiveness
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Boogie Woogie Kid
Boogie Woogie Kid
82 bpm • C Maj • 06:30 • -9db
15% Popularity • 44% Danceability • 55% Energy • 10% Liveness
94% Instrumentalness • 92% Positiveness
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Jay McShann
Cherry Red
83 bpm • D min • 04:04 • -14.82db
9% Popularity • 54% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Christian Bleiming
Cb's Lonesome Blues
83 bpm • D# Maj • 03:12 • -13db
22% Popularity • 50% Danceability • 32% Energy • 8% Liveness
66% Instrumentalness • 66% Positiveness
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Albert Ammons
Untitled Ammons Original
83 bpm • C Maj • 04:08 • -13.16db
2% Popularity • 54% Danceability • 27% Energy • 15% Liveness
90% Instrumentalness • 64% Positiveness
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Jimmy Liggins and His Drops Of Joy
Cadillac Boogie
84 bpm • F# Maj • 02:36 • -12.8db
28% Popularity • 62% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Meade "Lux" Lewis
Meade'S Blues
81 bpm • C Maj • 04:18 • -10db
9% Popularity • 66% Danceability • 64% Energy • 10% Liveness
87% Instrumentalness • 70% Positiveness
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Erskine Hawkins
After Hours
84 bpm • G Maj • 03:23 • -20.64db
15% Popularity • 60% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 41% Positiveness
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Boogie Woogie Kid
Sugarfoot Boogie
82 bpm • A min • 03:22 • -10db
17% Popularity • 49% Danceability • 57% Energy • 8% Liveness
64% Instrumentalness • 96% Positiveness
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Blind Blake
Hastings Street
84 bpm • F Maj • 03:10 • -10db
28% Popularity • 56% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 77% Positiveness
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Kid Ory's Creole Jazz Band
Blues for Jimmy Noone
84 bpm • A# Maj • 03:10 • -11.44db
13% Popularity • 51% Danceability • 24% Energy • 25% Liveness
91% Instrumentalness • 28% Positiveness
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Albert Ammons
Chicago In Mind
84 bpm • C Maj • 04:02 • -19db
4% Popularity • 48% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 83% Positiveness
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Meade "Lux" Lewis
Boogie Woogie Prayer, Pt. Two
83 bpm • F Maj • 02:22 • -17db
1% Popularity • 63% Danceability • 39% Energy • 9% Liveness
92% Instrumentalness • 96% Positiveness
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Erskine Hawkins
After Hours
85 bpm • G Maj • 03:20 • -11.33db
11% Popularity • 66% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 44% Positiveness
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Johnny Dodds
Wild Man Blues (Alternate Take)
85 bpm • F# min • 03:13 • -11db
19% Popularity • 74% Danceability • 30% Energy • 8% Liveness
62% Instrumentalness • 73% Positiveness
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Booker T. Laury
Early in the Morning
85 bpm • G Maj • 03:05 • -14db
20% Popularity • 68% Danceability • 31% Energy • 67% Liveness
2% Instrumentalness • 77% Positiveness
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Luca Sestak
E-Flat Flyer
86 bpm • A# min • 03:32 • -18db
31% Popularity • 47% Danceability • 28% Energy • 13% Liveness
85% Instrumentalness • 63% Positiveness
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Jay McShann
Stompinin K.C.
86 bpm • C Maj • 05:23 • -21db
23% Popularity • 48% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 51% Positiveness
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Muggsy Spanier
Relaxin' At the Touro
86 bpm • C Maj • 03:14 • -11db
22% Popularity • 69% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
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Albert Ammons
Backwater Blues
86 bpm • C Maj • 04:06 • -13.87db
4% Popularity • 55% Danceability • 27% Energy • 9% Liveness
84% Instrumentalness • 66% Positiveness
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Big Joe Turner
S.K. Blues, Pt. 1
87 bpm • A# Maj • 03:01 • -9.96db
25% Popularity • 62% Danceability • 27% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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Julia Lee And Her Boyfriends
Ugly Papa
87 bpm • A# Maj • 02:50 • -12db
15% Popularity • 74% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Joe Liggins
Whiskey, Women & Loaded Dice
88 bpm • C Maj • 02:43 • -11db
24% Popularity • 81% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Pete Johnson
Movin' the Boogie
88 bpm • C Maj • 02:49 • -11.63db
0% Popularity • 63% Danceability • 56% Energy • 10% Liveness
89% Instrumentalness • 94% Positiveness
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Jools Holland
Roll 'Em
88 bpm • C Maj • 02:53 • -9.72db
31% Popularity • 54% Danceability • 67% Energy • 28% Liveness
80% Instrumentalness • 97% Positiveness
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Albert Ammons
Mighty Blues
88 bpm • F Maj • 04:33 • -15.05db
1% Popularity • 76% Danceability • 23% Energy • 14% Liveness
88% Instrumentalness • 68% Positiveness
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Hamp Garnett
Kansas City Bounce
89 bpm • F Maj • 02:05 • -11db
14% Popularity • 62% Danceability • 50% Energy • 17% Liveness
88% Instrumentalness • 90% Positiveness
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Jan Preston
Mama Cat Boogie
90 bpm • G Maj • 02:21 • -16.97db
23% Popularity • 56% Danceability • 36% Energy • 13% Liveness
85% Instrumentalness • 90% Positiveness
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Joe Liggins
Rhythm In The Barnyard
88 bpm • C min • 04:46 • -12.1db
19% Popularity • 70% Danceability • 41% Energy • 12% Liveness
2% Instrumentalness • 71% Positiveness
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Pete Johnson
Boogie Woogie Man
90 bpm • C Maj • 02:47 • -10.16db
1% Popularity • 58% Danceability • 66% Energy • 13% Liveness
85% Instrumentalness • 97% Positiveness
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Pete Johnson
Boogie woogie man
91 bpm • C Maj • 02:49 • -9.17db
0% Popularity • 57% Danceability • 77% Energy • 18% Liveness
92% Instrumentalness • 98% Positiveness
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Albert Ammons
The Sheik (Of Araby)
89 bpm • G Maj • 02:52 • -12.48db
3% Popularity • 61% Danceability • 48% Energy • 12% Liveness
87% Instrumentalness • 93% Positiveness
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The Cats & The Fiddle
Killing Jive - Alternate Take
91 bpm • C Maj • 02:51 • -10.07db
12% Popularity • 75% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 82% Positiveness
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Caroline Dahl
Bluegrass Boogie Woogie
91 bpm • F Maj • 03:20 • -11db
21% Popularity • 42% Danceability • 81% Energy • 10% Liveness
98% Instrumentalness • 85% Positiveness
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Champion Jack Dupree
Nasty Boogie
91 bpm • C Maj • 03:10 • -17db
28% Popularity • 59% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Firehouse Five Plus Two
Fireman's Lament
91 bpm • C# Maj • 03:08 • -13.74db
16% Popularity • 40% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 20% Positiveness
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Albert Ammons & Pete Johnson
Boogie Woogie Man
92 bpm • C Maj • 02:42 • -11.06db
25% Popularity • 56% Danceability • 81% Energy • 28% Liveness
93% Instrumentalness • 97% Positiveness
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Albert Ammons
Boogie Woogie Man
90 bpm • C Maj • 02:44 • -9.15db
2% Popularity • 66% Danceability • 68% Energy • 14% Liveness
94% Instrumentalness • 96% Positiveness
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The Cats & The Fiddle
We Cats Will Swing for You
91 bpm • C min • 02:38 • -10.82db
25% Popularity • 78% Danceability • 47% Energy • 9% Liveness
62% Instrumentalness • 90% Positiveness
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Lonnie Johnson
Jet Black Blues
92 bpm • D# Maj • 03:02 • -11.89db
18% Popularity • 73% Danceability • 25% Energy • 7% Liveness
22% Instrumentalness • 69% Positiveness
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Johnny Dodds
Wild Man Blues
92 bpm • E min • 03:14 • -11.98db
18% Popularity • 61% Danceability • 13% Energy • 32% Liveness
78% Instrumentalness • 57% Positiveness
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Erskine Hawkins
Hawk's Boogie
92 bpm • G Maj • 02:58 • -5.07db
23% Popularity • 61% Danceability • 56% Energy • 30% Liveness
84% Instrumentalness • 80% Positiveness
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Billy Eckstine
Lonesome Lover Blues
92 bpm • F# Maj • 02:48 • -11.83db
15% Popularity • 64% Danceability • 50% Energy • 16% Liveness
81% Instrumentalness • 77% Positiveness
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Albert Ammons
Bugle Boogie
90 bpm • C Maj • 02:52 • -11.86db
5% Popularity • 62% Danceability • 60% Energy • 12% Liveness
92% Instrumentalness • 97% Positiveness
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Memphis Slim
Frankie And Johnny Boogie
92 bpm • F Maj • 04:06 • -13.31db
27% Popularity • 48% Danceability • 48% Energy • 8% Liveness
88% Instrumentalness • 95% Positiveness
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Lucky Millinder
I Know Who Threw the Whiskey in the Well...
92 bpm • A# Maj • 02:46 • -8.7db
21% Popularity • 75% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Julia Lee And Her Boyfriends
(Opportunity Knocks But Once) Snatch And...
93 bpm • F min • 02:54 • -12.84db
23% Popularity • 77% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Caroline Dahl
Caroline's Boogie
93 bpm • G Maj • 03:21 • -9db
24% Popularity • 48% Danceability • 75% Energy • 16% Liveness
95% Instrumentalness • 96% Positiveness
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King Oliver
Mahogany Hall Stomp
93 bpm • C Maj • 02:39 • -10.36db
27% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
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Albert Ammons
I Don't Want to See You
92 bpm • G Maj • 02:51 • -12.19db
10% Popularity • 68% Danceability • 40% Energy • 45% Liveness
0% Instrumentalness • 83% Positiveness
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Amos Milburn
Down The Road Apiece
93 bpm • C Maj • 03:00 • -13.89db
20% Popularity • 54% Danceability • 60% Energy • 12% Liveness
28% Instrumentalness • 91% Positiveness
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Earl Hooker
Pinetop's Boogie Woogie
93 bpm • G Maj • 02:58 • -11.33db
8% Popularity • 44% Danceability • 64% Energy • 13% Liveness
44% Instrumentalness • 75% Positiveness
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Edmond Hall
Downtown Café Boogie (12-18-43)
94 bpm • G Maj • 04:23 • -11.62db
8% Popularity • 61% Danceability • 46% Energy • 13% Liveness
90% Instrumentalness • 89% Positiveness
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Hamp Garnett
Mississippi Boogie
94 bpm • G Maj • 02:39 • -11db
14% Popularity • 61% Danceability • 45% Energy • 16% Liveness
95% Instrumentalness • 58% Positiveness
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King Oliver
Dipper Mouth Blues
93 bpm • A min • 02:30 • -13.6db
16% Popularity • 59% Danceability • 39% Energy • 16% Liveness
93% Instrumentalness • 93% Positiveness
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Albert Ammons
Swanee River Boogie
93 bpm • C Maj • 02:30 • -9db
14% Popularity • 57% Danceability • 59% Energy • 13% Liveness
91% Instrumentalness • 96% Positiveness
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Duke Ellington And The Jungle Band
Rockin' in Rhythm
94 bpm • C Maj • 03:03 • -8.37db
32% Popularity • 75% Danceability • 31% Energy • 17% Liveness
83% Instrumentalness • 80% Positiveness
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Boogie Woogie Kid
The Sheik of Araby
94 bpm • C Maj • 04:06 • -9db
14% Popularity • 51% Danceability • 53% Energy • 12% Liveness
95% Instrumentalness • 97% Positiveness
► Preview
Meade "Lux" Lewis
St. Louis Blues
94 bpm • G Maj • 03:43 • -13.91db
1% Popularity • 50% Danceability • 51% Energy • 9% Liveness
91% Instrumentalness • 96% Positiveness
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Fletcher Henderson
Sing You Sinners
94 bpm • C# Maj • 02:39 • -8.16db
33% Popularity • 76% Danceability • 50% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
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King Oliver
Canal Street Blues
94 bpm • F Maj • 02:28 • -9.99db
20% Popularity • 66% Danceability • 44% Energy • 14% Liveness
47% Instrumentalness • 89% Positiveness
► Preview
Norbert Susemihl
King Porter Stomp
94 bpm • F min • 03:20 • -11.23db
20% Popularity • 68% Danceability • 30% Energy • 26% Liveness
98% Instrumentalness • 82% Positiveness
► Preview
Albert Ammons
Sheik Of Araby (1947)
93 bpm • G Maj • 02:47 • -9.46db
3% Popularity • 56% Danceability • 65% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
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Nat Gonella And His Georgians
Hesitation Blues
95 bpm • G min • 03:15 • -13.63db
28% Popularity • 81% Danceability • 32% Energy • 6% Liveness
4% Instrumentalness • 73% Positiveness
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Henry "Red" Allen
Just a Closer Walk with Thee
95 bpm • G# Maj • 03:23 • -15.17db
22% Popularity • 42% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 37% Positiveness
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Silvan Zingg
Boogieology
95 bpm • F Maj • 03:23 • -19db
12% Popularity • 61% Danceability • 31% Energy • 8% Liveness
91% Instrumentalness • 71% Positiveness
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The Blues, Part Five