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The Breaks
Songs like
The Breaks
by
Sarah Proctor
Based on a tempo of (+/- 10%) and a similar genre
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EXES
At The Start
130 bpm • F# Maj • 03:38 • -9.67db
14% Popularity • 66% Danceability • 34% Energy • 10% Liveness
11% Instrumentalness • 24% Positiveness
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Olivia Dean
The Hardest Part - Acoustic
130 bpm • F Maj • 02:55 • -8.38db
44% Popularity • 51% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Katie Garfield
Nothing Left to Say
130 bpm • G# min • 03:10 • -14.89db
41% Popularity • 49% Danceability • 23% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
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Griff
Earl Grey Tea
130 bpm • C# min • 02:47 • -6.53db
46% Popularity • 65% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Ber
Same Effect
130 bpm • G# Maj • 02:42 • -10.26db
29% Popularity • 53% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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CHPTRS
You Changed Everything
130 bpm • C Maj • 04:54 • -11.58db
31% Popularity • 47% Danceability • 34% Energy • 21% Liveness
29% Instrumentalness • 31% Positiveness
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Sarah Proctor
The Breaks
130 bpm • C Maj • 03:20 • -11.44db
34% Popularity • 58% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Matthew Nolan
11:11 - Acoustic
130 bpm • C# Maj • 03:33 • -9.78db
36% Popularity • 46% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Isamar
Find My Way
130 bpm • G# min • 03:55 • -9.26db
19% Popularity • 40% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Frances
Rare
130 bpm • C min • 03:22 • -11.26db
18% Popularity • 56% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Lydia Clowes
Hymn for Her
130 bpm • G min • 03:18 • -11db
28% Popularity • 42% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Ruth B.
Always You (Wedding Version) [From Maybe...
129 bpm • A Maj • 03:48 • -10.16db
36% Popularity • 39% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Sarah Proctor
The Breaks (Acoustic)
130 bpm • C Maj • 03:23 • -11.27db
13% Popularity • 61% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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DANIEL SAINT BLACK
Let It Hurt
131 bpm • B Maj • 03:44 • -9db
35% Popularity • 30% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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FLØRE
Tsunami
129 bpm • C# min • 03:53 • -11.47db
29% Popularity • 50% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Lia Marie Johnson
Smoking Gun
129 bpm • F# Maj • 04:45 • -12.05db
26% Popularity • 52% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Gracie Abrams
Brush Fire
129 bpm • D Maj • 03:10 • -9.23db
53% Popularity • 53% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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MATT TAYLOR
no matter what i say.
132 bpm • F# min • 03:55 • -12.84db
11% Popularity • 35% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Bleeding Fingers
Losing You
132 bpm • C Maj • 02:44 • -13.68db
25% Popularity • 56% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Ella Vos
Glitter and Tears
128 bpm • D min • 03:14 • -12.36db
17% Popularity • 48% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Billy Lockett
Last Thing On Your Mind
132 bpm • B Maj • 03:13 • -8.12db
25% Popularity • 58% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Kathleen Regan
Halfway There
128 bpm • G# Maj • 03:14 • -8.73db
35% Popularity • 72% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Natalie Taylor
Walls
132 bpm • E Maj • 03:49 • -8.79db
30% Popularity • 56% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Luz
permanent +1
132 bpm • B Maj • 03:32 • -12.29db
36% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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ASKYA
Stay Here
132 bpm • A# Maj • 03:41 • -10.28db
27% Popularity • 68% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Jordan Hart
Slowly
132 bpm • D Maj • 03:28 • -13.55db
24% Popularity • 39% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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MAY-A
Say Nothing - MAY-A's Version
128 bpm • D min • 03:37 • -10.26db
24% Popularity • 56% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Black Red Gold
Time Changes You
132 bpm • F# min • 03:45 • -11.76db
18% Popularity • 60% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Nick Wilson
Into You
132 bpm • G Maj • 04:46 • -5.54db
31% Popularity • 34% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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flora cash
time machine
127 bpm • C# Maj • 03:31 • -7.97db
26% Popularity • 55% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Gabrielle Aplin
Call Me - Piano Version
132 bpm • C# Maj • 03:43 • -8db
14% Popularity • 36% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Madeline Finn
Whippoorwill
127 bpm • C# Maj • 03:46 • -11db
17% Popularity • 48% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Hunter Metts
The River
133 bpm • A min • 04:18 • -12.77db
33% Popularity • 57% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Jeffrey Amor
Silver Lining
133 bpm • F# min • 04:08 • -12.37db
17% Popularity • 45% Danceability • 23% Energy • 10% Liveness
3% Instrumentalness • 19% Positiveness
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Nick Wilson
Love Can Be so Lonely, Sometimes
132 bpm • C Maj • 03:45 • -12.05db
26% Popularity • 34% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Narrowhaven
Stutter
127 bpm • C Maj • 03:20 • -9.08db
25% Popularity • 52% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Blakey
Prism of Love - Piano Acoustic
133 bpm • D# Maj • 03:05 • -9db
39% Popularity • 59% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Violet Skies
Settle
133 bpm • G# Maj • 03:47 • -12.22db
7% Popularity • 37% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Luca Fogale
Nothing Is Lost - Piano
127 bpm • F# Maj • 03:31 • -13.71db
21% Popularity • 54% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Kathleen Regan
When I'm Like This
127 bpm • A Maj • 02:47 • -8db
28% Popularity • 62% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Jordan Hart
Only Pieces of the Truth
127 bpm • F Maj • 04:22 • -10db
26% Popularity • 49% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Wafia
How To Lose A Friend
127 bpm • F# Maj • 03:25 • -10.54db
33% Popularity • 44% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Sarah Proctor
Lost
127 bpm • F# min • 03:34 • -6.64db
24% Popularity • 54% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Natalie Taylor
Climax
134 bpm • B Maj • 03:43 • -6.94db
21% Popularity • 35% Danceability • 47% Energy • 56% Liveness
0% Instrumentalness • 13% Positiveness
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Aaron Smith
Giving Up
134 bpm • G# min • 03:04 • -9.8db
20% Popularity • 54% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Devin Hoffman
Let Go of You
134 bpm • F Maj • 03:13 • -11.96db
16% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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BLÜ EYES
supposed to
134 bpm • D Maj • 02:54 • -6.33db
41% Popularity • 80% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Cian Ducrot
Know Me Again
134 bpm • E Maj • 04:15 • -10.36db
36% Popularity • 55% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Sky Li
wanna feel it too
134 bpm • A# min • 03:15 • -13db
23% Popularity • 57% Danceability • 36% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
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Valencia Grace
It Was You
126 bpm • B Maj • 02:51 • -11.11db
25% Popularity • 55% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
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Ewan J Phillips
Would You Love Me the Same
134 bpm • F# min • 03:02 • -7.69db
22% Popularity • 36% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Laura Alden
A Million Times
126 bpm • C# Maj • 03:10 • -15.84db
13% Popularity • 57% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Luca Fogale
Nothing is Lost
126 bpm • F# Maj • 03:35 • -15.63db
31% Popularity • 65% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Emily Rowed
Iris
134 bpm • G Maj • 02:28 • -18.49db
23% Popularity • 49% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Christine Parker
Ocean Of You
134 bpm • F# Maj • 03:44 • -13.11db
36% Popularity • 33% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jordan Hart
She Goes
135 bpm • C Maj • 03:51 • -12.37db
41% Popularity • 63% Danceability • 40% Energy • 12% Liveness
2% Instrumentalness • 15% Positiveness
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Haley Joelle
All Your Friends
135 bpm • C Maj • 03:02 • -8.74db
23% Popularity • 37% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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ROSIE
All my favorite songs
135 bpm • C# Maj • 02:56 • -10db
32% Popularity • 55% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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BURNS
Elevate Me
135 bpm • A# min • 02:41 • -9.31db
37% Popularity • 63% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Grace Davies
Already Gone
125 bpm • G Maj • 04:03 • -8.73db
33% Popularity • 46% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Sarah Proctor
Never Mine To Lose
135 bpm • D Maj • 04:29 • -10.7db
24% Popularity • 33% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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JESSIA
First Call
125 bpm • C Maj • 02:21 • -12db
30% Popularity • 58% Danceability • 25% Energy • 42% Liveness
0% Instrumentalness • 18% Positiveness
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Elaskia
Love is
125 bpm • C# Maj • 02:00 • -7.23db
22% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Emilia Tarrant
When It Was Chaotic - Acoustic
136 bpm • A# Maj • 03:25 • -9.57db
16% Popularity • 60% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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noelle
Therapy
136 bpm • C Maj • 03:25 • -7.56db
22% Popularity • 49% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Nicole Serrano
Whenever You Want Me
136 bpm • C Maj • 03:28 • -6.46db
13% Popularity • 67% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Regina Price
Walk This Road
136 bpm • C# Maj • 03:02 • -10.28db
15% Popularity • 65% Danceability • 52% Energy • 10% Liveness
4% Instrumentalness • 25% Positiveness
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RuthAnne
F.L.Y.
124 bpm • B min • 02:24 • -8.64db
34% Popularity • 60% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 10% Positiveness
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Luca Fogale
I Don't Want to Lose You - Acoustic
124 bpm • A# Maj • 03:13 • -12db
36% Popularity • 59% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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DANIEL SAINT BLACK
Stone Cold Floor
137 bpm • G min • 03:45 • -8.06db
22% Popularity • 32% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Adam Ragsdale
A Trip to Paris
137 bpm • G# Maj • 02:33 • -11db
30% Popularity • 44% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Sara Kays
Remember That Night? - Acoustic
124 bpm • G min • 03:42 • -13db
39% Popularity • 57% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Daniel Farrant
Someplace Else
137 bpm • C# Maj • 03:33 • -10.37db
22% Popularity • 55% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Emma McGrath
Paradise
137 bpm • C Maj • 03:10 • -6.85db
10% Popularity • 46% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Hummingbird Hotel
Only Love (Seaside Wounds Remix)
137 bpm • C Maj • 03:16 • -10.19db
25% Popularity • 63% Danceability • 52% Energy • 11% Liveness
16% Instrumentalness • 33% Positiveness
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Gaustad
93 Days
123 bpm • C Maj • 02:40 • -8db
27% Popularity • 85% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Haley Joelle
Magical Thinking
137 bpm • F Maj • 02:53 • -11.8db
31% Popularity • 52% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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EZI
not going down
123 bpm • F# min • 02:55 • -11.28db
23% Popularity • 62% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Ruth B.
Princess Peach
123 bpm • D Maj • 03:32 • -7.06db
38% Popularity • 58% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Billy Lockett
Talk
138 bpm • C# Maj • 03:26 • -8.83db
22% Popularity • 52% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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WILDES
Flames
123 bpm • A min • 04:30 • -12db
17% Popularity • 27% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Emily Rowed
Let Me Hurt (Acoustic)
138 bpm • A# Maj • 03:42 • -7.97db
42% Popularity • 49% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Daya
Montana
138 bpm • D Maj • 03:23 • -7db
42% Popularity • 60% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Sarah Proctor
Tired
138 bpm • D Maj • 03:36 • -13.51db
18% Popularity • 36% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Taylor Conrod
self(less)
138 bpm • D Maj • 03:06 • -9.99db
34% Popularity • 58% Danceability • 64% Energy • 36% Liveness
4% Instrumentalness • 18% Positiveness
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benny blanco
Unlearn
138 bpm • A# min • 02:34 • -12.27db
51% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Nadia Kamrath
Seven Steps Behind You
138 bpm • C# Maj • 04:09 • -14.19db
15% Popularity • 29% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Emily Rowed
Let Me Hurt
138 bpm • F Maj • 03:42 • -9.9db
37% Popularity • 39% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Georgia Greene
Have You Thought About Me With Somebody ...
138 bpm • C Maj • 02:46 • -10.35db
20% Popularity • 43% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Emilia Tarrant
Same for Me
122 bpm • E Maj • 03:24 • -7.59db
15% Popularity • 81% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Faith Richards
Before We're Leaving Here
139 bpm • F Maj • 03:40 • -12.16db
28% Popularity • 34% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Nick Wilson
Lose Myself
122 bpm • F Maj • 03:42 • -13.63db
20% Popularity • 42% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Sody
butterfly
122 bpm • C Maj • 03:09 • -9.5db
40% Popularity • 59% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Evalyn
Under the Same Stars
139 bpm • C Maj • 03:37 • -10db
21% Popularity • 42% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jasmine Jethwa
Golden
122 bpm • D min • 02:25 • -6.99db
25% Popularity • 54% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Sarah Close
Forgive or Forget
139 bpm • A# Maj • 03:47 • -12.02db
25% Popularity • 73% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Cian Ducrot
Crocodiles
139 bpm • G min • 04:00 • -11db
39% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Dave Thomas Junior
Disquieted
121 bpm • D Maj • 04:39 • -12.76db
27% Popularity • 53% Danceability • 52% Energy • 18% Liveness
1% Instrumentalness • 27% Positiveness
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Kings Elliot
‘Til I Die
140 bpm • C# min • 03:17 • -11.71db
25% Popularity • 47% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Grace Davies
Windows & Walls
140 bpm • G Maj • 04:16 • -7.28db
24% Popularity • 50% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Breaks