Songs like The Bro Duet by George Salazar
Based on a tempo of (+/- 10%) and a similar genre
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Katherine Lynn-Rose
Eye of the Storm
100 bpm • A Maj • 03:36 • -11.38db
28% Popularity • 47% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 47% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Kelvin Moon Loh
No Control
100 bpm • D Maj • 03:16 • -6db
39% Popularity • 64% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 64% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Chaz Duffy
Talia
100 bpm • C# Maj • 03:44 • -14.71db
52% Popularity • 39% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
52% Popularity • 39% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
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Lizard Boy Original Cast
Recess
100 bpm • G Maj • 03:01 • -6.32db
14% Popularity • 50% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 50% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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George Salazar
The Bro Duet
100 bpm • F# Maj • 03:11 • -16.54db
38% Popularity • 65% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
38% Popularity • 65% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Grey Henson
Revenge Party
100 bpm • G# Maj • 05:06 • -4.75db
60% Popularity • 52% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
60% Popularity • 52% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Ryan McCartan
Meant to Be Yours
100 bpm • F# Maj • 03:25 • -6.92db
67% Popularity • 50% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
67% Popularity • 50% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Katherine Lynn-Rose
Balance
100 bpm • A# min • 07:45 • -14.31db
29% Popularity • 36% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 36% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Tiffany Tatreau
What the World Needs
100 bpm • G# Maj • 03:03 • -9db
56% Popularity • 76% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
56% Popularity • 76% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Phillipa Soo
Burn
100 bpm • D Maj • 03:45 • -9.13db
68% Popularity • 58% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
68% Popularity • 58% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Lewberger
Disney Princess
99 bpm • C Maj • 03:37 • -6db
27% Popularity • 35% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 35% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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CollegeHumor's Dropout
This Is My Chance
101 bpm • A# Maj • 01:34 • -11.82db
25% Popularity • 54% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 54% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Danny Gonzalez
In Love With A Creeper
99 bpm • G# Maj • 02:53 • -9.45db
41% Popularity • 81% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 81% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Anthony Warlow
I Need to Know
99 bpm • F# min • 03:42 • -7.94db
37% Popularity • 37% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 37% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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Megan Hilty
Before You Go
101 bpm • C Maj • 01:49 • -9.69db
27% Popularity • 73% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 73% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Jon Cozart
After Ever After 3
99 bpm • A Maj • 05:21 • -7db
36% Popularity • 42% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 42% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Mikaela Bennett
Travel
101 bpm • C Maj • 02:03 • -7.67db
3% Popularity • 38% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
3% Popularity • 38% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Ann Harada
"Stepsister's Lament"
101 bpm • C Maj • 02:40 • -6.93db
39% Popularity • 78% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 78% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Jonathan Groff
Get This Right - Outtake
99 bpm • B min • 03:46 • -7.17db
51% Popularity • 72% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
51% Popularity • 72% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Barrett Wilbert Weed
Fight for Me
99 bpm • D# Maj • 02:35 • -9db
55% Popularity • 34% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
55% Popularity • 34% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
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Kate Shindle
The Mad Hatter
98 bpm • E min • 03:02 • -10.23db
38% Popularity • 52% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 52% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Thomas Sanders
Disney Friendship Mash-Up
98 bpm • A# Maj • 04:40 • -12.09db
25% Popularity • 37% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 37% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Brian D'Arcy James
Once Shattered, Now Whole
98 bpm • D Maj • 01:46 • -12db
29% Popularity • 26% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 26% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Lea Salonga
Nothing Good
98 bpm • D Maj • 01:40 • -7db
37% Popularity • 44% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 44% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Jamie Muscato
Meant to be Yours
98 bpm • F# min • 03:30 • -6.36db
59% Popularity • 55% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
59% Popularity • 55% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Leslie Kritzer
No Reason
98 bpm • F# Maj • 03:11 • -5.6db
49% Popularity • 69% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 69% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Mike Faist
Sincerely, Me
98 bpm • G Maj • 03:42 • -5.71db
61% Popularity • 68% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
61% Popularity • 68% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Top Memes
Stripper Magician
102 bpm • A# min • 01:04 • -9db
30% Popularity • 77% Danceability • 57% Energy • 41% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 77% Danceability • 57% Energy • 41% Liveness
0% Instrumentalness • 96% Positiveness
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Backseat Vagabond
No Strings Attached (Enemies to Lovers)
98 bpm • G Maj • 03:10 • -12.18db
33% Popularity • 82% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 82% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Rosalie Craig
Welcome to the Bay
98 bpm • G# Maj • 01:50 • -10db
34% Popularity • 66% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 66% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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George Salazar
The Tree on the Hill
102 bpm • G Maj • 02:57 • -12.41db
40% Popularity • 41% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 41% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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SIX
I Don't Need Your Love
98 bpm • F Maj • 06:07 • -8.57db
57% Popularity • 54% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
57% Popularity • 54% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Jay Armstrong Johnson
Leave Luanne
103 bpm • D min • 07:33 • -6.05db
39% Popularity • 47% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 47% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Christian Borle
The Thrill of First Love
102 bpm • G# Maj • 04:12 • -6.7db
49% Popularity • 61% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
49% Popularity • 61% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Sarah Smallwood Parsons
The Song That No One Likes
97 bpm • C Maj • 03:37 • -11.85db
20% Popularity • 53% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 53% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Stage Stars
It Sucks to Be Me - Accompaniment with G...
103 bpm • F# min • 05:04 • -8.74db
17% Popularity • 81% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 81% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Carrie Compere
Strong
97 bpm • D Maj • 03:26 • -7.69db
39% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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SIX
Get Down
103 bpm • E min • 04:13 • -9.91db
61% Popularity • 90% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
61% Popularity • 90% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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CollegeHumor's Dropout
Ticket To Somewhere New/Home Run
97 bpm • F# Maj • 02:43 • -12.91db
24% Popularity • 46% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 46% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Original StarKid Cast of Nightmare Time 2
Next Time
97 bpm • F Maj • 03:54 • -12.65db
22% Popularity • 57% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 57% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Thomas Sanders
Forbidden Fruit (The Duke's Theme)
96 bpm • C# Maj • 02:44 • -13.6db
36% Popularity • 75% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 75% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Spence Hood
So You Wanna Marry Daisy
103 bpm • G# min • 03:29 • -6db
46% Popularity • 46% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 46% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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![After Everything I've Done For You (That You Didn't Ask For) [feat. Donna Lynne Champlin] cover art](https://i.scdn.co/image/ab67616d00001e02e2682f9803c2d2f1531ecd39)
Crazy Ex-Girlfriend Cast
After Everything I've Done For You (That...
96 bpm • C Maj • 02:43 • -6db
30% Popularity • 59% Danceability • 49% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 59% Danceability • 49% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
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Andrew Rannells
Kevin
104 bpm • D min • 05:22 • -5db
32% Popularity • 52% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 52% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Ben Platt
For Forever
96 bpm • F Maj • 05:01 • -7.67db
57% Popularity • 37% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
57% Popularity • 37% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Jeremy Jordan
Santa Fe
96 bpm • G Maj • 03:12 • -11.7db
53% Popularity • 41% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
53% Popularity • 41% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Matt Dahan
Impress Me
104 bpm • A Maj • 05:43 • -7.62db
24% Popularity • 65% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 65% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Eric William Morris
The Pitiful Children
104 bpm • G# Maj • 03:49 • -4.72db
40% Popularity • 45% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 45% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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George Salazar
Broadway, Here I Come!
104 bpm • A Maj • 04:40 • -14db
26% Popularity • 54% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
26% Popularity • 54% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Chris McCarrell
The Last Day of Summer
104 bpm • B Maj • 03:35 • -9.07db
44% Popularity • 50% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 50% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 38% Positiveness
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Krystina Alabado
Go Tonight
104 bpm • G# Maj • 04:41 • -9.39db
35% Popularity • 64% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 64% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Alice Ripley
Who's Crazy / My Psychopharmacologist an...
96 bpm • G min • 05:02 • -12db
35% Popularity • 48% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 48% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Write Out Loud
Don't Trust Her
96 bpm • A# Maj • 02:06 • -11.92db
23% Popularity • 76% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 76% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Ben Platt
If I Could Tell Her
96 bpm • E Maj • 04:08 • -8.25db
58% Popularity • 58% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
58% Popularity • 58% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Jason Tam
The Pitiful Children
104 bpm • C min • 04:16 • -5db
29% Popularity • 39% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 39% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Chris McCarrell
Lost!
96 bpm • F min • 03:18 • -6.41db
44% Popularity • 76% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 76% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Nick Blaemire
Love Heals
96 bpm • D Maj • 03:58 • -9.17db
6% Popularity • 36% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
6% Popularity • 36% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Original Cast of Hadestown
Mitchell: Way Down Hadestown (Live)
96 bpm • F min • 04:55 • -6.31db
33% Popularity • 63% Danceability • 72% Energy • 94% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 63% Danceability • 72% Energy • 94% Liveness
0% Instrumentalness • 54% Positiveness
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Joriah Kwamé
Little Miss Perfect
96 bpm • D Maj • 04:02 • -12db
15% Popularity • 56% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 56% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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'Twelfth Night' Company
Word On The Street
104 bpm • C Maj • 01:04 • -7.84db
18% Popularity • 63% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 63% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Jessica Keenan Wynn
Yo Girl
104 bpm • C# Maj • 01:46 • -8.71db
54% Popularity • 69% Danceability • 43% Energy • 59% Liveness
0% Instrumentalness • 60% Positiveness
54% Popularity • 69% Danceability • 43% Energy • 59% Liveness
0% Instrumentalness • 60% Positiveness
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36 Questions
A Better Version
96 bpm • D# Maj • 05:31 • -13.37db
33% Popularity • 57% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 57% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Ben Platt
Words Fail
96 bpm • C Maj • 05:51 • -9.49db
51% Popularity • 37% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
51% Popularity • 37% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Madds Buckley
Little Big Boy
96 bpm • G Maj • 03:29 • -9db
42% Popularity • 42% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
42% Popularity • 42% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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George Salazar
Andy's Song
105 bpm • A Maj • 03:56 • -12.03db
27% Popularity • 65% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 65% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Alex Brightman
A Little Bit
105 bpm • C Maj • 04:08 • -9.88db
27% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Heidi Blickenstaff
I Got This
95 bpm • C# Maj • 04:51 • -5db
31% Popularity • 66% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 66% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Barrett Wilbert Weed
A Cautionary Tale
105 bpm • D min • 01:36 • -4.21db
55% Popularity • 55% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 42% Positiveness
55% Popularity • 55% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 42% Positiveness
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Eric William Morris
Be More Chill - Pt. 2
105 bpm • E Maj • 02:13 • -7db
30% Popularity • 50% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 50% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Madds Buckley
Reach
105 bpm • D Maj • 03:06 • -9.27db
35% Popularity • 54% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 54% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Henry Crater
Your World / Safe
95 bpm • C Maj • 05:15 • -10.09db
12% Popularity • 56% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 56% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Jason Gotay
Brooklyn Crush
95 bpm • B min • 02:20 • -4.07db
0% Popularity • 56% Danceability • 89% Energy • 53% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 56% Danceability • 89% Energy • 53% Liveness
0% Instrumentalness • 65% Positiveness
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Jonathan Raviv
Their Sign
105 bpm • E Maj • 03:00 • -9.73db
38% Popularity • 60% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 60% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Jon Cozart
Anything Vine Can Do, YouTube Does Bette...
95 bpm • D min • 02:29 • -12.13db
26% Popularity • 57% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 57% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Thomas Sanders
Birds
106 bpm • F Maj • 03:29 • -9.12db
37% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Mandy Moore
Crossing the Line
106 bpm • A# Maj • 02:42 • -6.61db
47% Popularity • 39% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
47% Popularity • 39% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Original Broadway Company of Natasha, Pierre and the Great Comet of 1812
Prologue
106 bpm • E min • 04:21 • -8.85db
44% Popularity • 54% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 54% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Cringe and the Lizards
Bi Wife Energy
106 bpm • F min • 00:58 • -16.42db
37% Popularity • 94% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 94% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Barrett Wilbert Weed
Dead Girl Walking
106 bpm • D# Maj • 03:24 • -6.5db
64% Popularity • 54% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
64% Popularity • 54% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Alex Brightman
Crazytown
94 bpm • F# Maj • 05:06 • -9db
32% Popularity • 67% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 67% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Eli Bolin
Christmas With My Dad
94 bpm • G Maj • 04:07 • -5.42db
12% Popularity • 55% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 55% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Stephanie Hsu
I Love Play Rehearsal
94 bpm • C Maj • 03:26 • -8db
25% Popularity • 54% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 54% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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George Salazar
Where Do the Lonely Souls Go?
94 bpm • E Maj • 05:14 • -16db
9% Popularity • 54% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 54% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Jason Gotay
Women and Sandwiches
107 bpm • G# Maj • 03:24 • -7.62db
27% Popularity • 73% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 73% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Caitlin Kinnunen
Hey Now!
107 bpm • G Maj • 02:36 • -7.6db
2% Popularity • 53% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
2% Popularity • 53% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Alex Brightman
Say My Name
94 bpm • F min • 03:55 • -5.94db
64% Popularity • 53% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
64% Popularity • 53% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Nick Blaemire
Out of My Dreams
107 bpm • C# Maj • 04:39 • -6.96db
6% Popularity • 64% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
6% Popularity • 64% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Rachel Bay Jones
Anybody Have a Map?
108 bpm • G Maj • 02:26 • -6.37db
56% Popularity • 63% Danceability • 60% Energy • 54% Liveness
0% Instrumentalness • 74% Positiveness
56% Popularity • 63% Danceability • 60% Energy • 54% Liveness
0% Instrumentalness • 74% Positiveness
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![Haven't You Noticed (I'm a Star) [feat. Olivia Olson] cover art](https://i.scdn.co/image/ab67616d00001e02e18ff29a2fe8e9c0df309fa6)
Steven Universe
Haven't You Noticed (I'm a Star)
93 bpm • G Maj • 01:05 • -7.48db
50% Popularity • 62% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
50% Popularity • 62% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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The Guy Who Didn't Like Musicals Cast
The Guy Who Didn't Like Musicals
108 bpm • G# Maj • 04:05 • -8.24db
41% Popularity • 73% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 73% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Original StarKid Cast of Twisted
If I Believed
108 bpm • D Maj • 01:57 • -9db
35% Popularity • 43% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 43% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Jason Gotay
Spaceship
92 bpm • G Maj • 02:37 • -7.54db
0% Popularity • 55% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 55% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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Madds Buckley
The Red Means I Love You (Album Version)
92 bpm • G Maj • 04:20 • -8.04db
44% Popularity • 31% Danceability • 39% Energy • 69% Liveness
0% Instrumentalness • 27% Positiveness
44% Popularity • 31% Danceability • 39% Energy • 69% Liveness
0% Instrumentalness • 27% Positiveness
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Rachel Bay Jones
Good For You
108 bpm • D# Maj • 03:05 • -4.69db
56% Popularity • 63% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
56% Popularity • 63% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Will Connolly
Voices in My Head
109 bpm • G Maj • 04:18 • -6db
33% Popularity • 51% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 51% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Ryan Cassata
Daughter
92 bpm • C Maj • 03:00 • -8.53db
33% Popularity • 75% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 75% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Chris McCarrell
The Minotaur / The Weirdest Dream
92 bpm • F Maj • 01:40 • -8.26db
36% Popularity • 48% Danceability • 39% Energy • 48% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 48% Danceability • 39% Energy • 48% Liveness
0% Instrumentalness • 26% Positiveness
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Christian Borle
A Tight-Knit Family / Love Is Blind
109 bpm • D Maj • 05:59 • -7db
42% Popularity • 55% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 55% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
