Songs like The Call Girls by Bill Rieflin & Chris Connelly
Based on a tempo of (+/- 10%) and a similar genre
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Vary Highway
Cold
79 bpm • C Maj • 02:04 • -14.29db
17% Popularity • 62% Danceability • 27% Energy • 18% Liveness
37% Instrumentalness • 45% Positiveness
17% Popularity • 62% Danceability • 27% Energy • 18% Liveness
37% Instrumentalness • 45% Positiveness
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Daniel Lanois
Moon Dog
79 bpm • C Maj • 02:10 • -16.35db
8% Popularity • 50% Danceability • 16% Energy • 30% Liveness
81% Instrumentalness • 11% Positiveness
8% Popularity • 50% Danceability • 16% Energy • 30% Liveness
81% Instrumentalness • 11% Positiveness
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Alesia Harris
Something About You
79 bpm • B Maj • 02:22 • -12.36db
17% Popularity • 48% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 48% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Nelson Adelaide
Sorry, Officer
79 bpm • F# min • 05:32 • -19db
28% Popularity • 70% Danceability • 22% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 70% Danceability • 22% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Burton Archibald
Eighteen
79 bpm • A Maj • 03:21 • -15.38db
17% Popularity • 54% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 54% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Bill Rieflin & Chris Connelly
The Call Girls
79 bpm • F Maj • 03:15 • -16.49db
0% Popularity • 26% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 26% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Eric Jordan
Robbery of My Heart
79 bpm • A# min • 02:02 • -13.37db
14% Popularity • 36% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 36% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Saskia Garel
Beddy Bye
80 bpm • F# min • 03:49 • -14.37db
15% Popularity • 17% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 17% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Creative Person
Thought Racers
78 bpm • F# min • 03:49 • -21.94db
19% Popularity • 34% Danceability • 21% Energy • 12% Liveness
78% Instrumentalness • 10% Positiveness
19% Popularity • 34% Danceability • 21% Energy • 12% Liveness
78% Instrumentalness • 10% Positiveness
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Fizzy Orange
It Hurts Me Too
80 bpm • A Maj • 01:54 • -10.85db
17% Popularity • 40% Danceability • 27% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
17% Popularity • 40% Danceability • 27% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
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The Atlanta Monsters
End of the Atlanta Monsters' Ball
78 bpm • G Maj • 02:20 • -26.04db
8% Popularity • 47% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 47% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Derek & Clive
The Horn
80 bpm • G Maj • 01:56 • -18.17db
9% Popularity • 40% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
9% Popularity • 40% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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Dave Carter Collaboration
This
78 bpm • E min • 02:17 • -14.93db
22% Popularity • 49% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 49% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Alexis Spanevello
Twilight
80 bpm • C Maj • 03:07 • -19.11db
17% Popularity • 60% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 60% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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X-Patriate: Alan J. Lipman
Skin In The Game
80 bpm • E min • 04:43 • -11.87db
22% Popularity • 31% Danceability • 51% Energy • 21% Liveness
9% Instrumentalness • 45% Positiveness
22% Popularity • 31% Danceability • 51% Energy • 21% Liveness
9% Instrumentalness • 45% Positiveness
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Hawkwind
Frozen In Time
80 bpm • E min • 03:25 • -10.82db
22% Popularity • 42% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 42% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Dhristian Eigueroa
My Room
80 bpm • G Maj • 02:21 • -31.69db
23% Popularity • 19% Danceability • 1% Energy • 10% Liveness
4% Instrumentalness • 5% Positiveness
23% Popularity • 19% Danceability • 1% Energy • 10% Liveness
4% Instrumentalness • 5% Positiveness
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amaFranx
Absent Angel
80 bpm • G# Maj • 05:01 • -13.51db
13% Popularity • 50% Danceability • 23% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
13% Popularity • 50% Danceability • 23% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
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David Mclean
Breathe in Me
78 bpm • A Maj • 03:20 • -20.64db
17% Popularity • 23% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 23% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Jamesy Carter
Changes
80 bpm • F Maj • 04:43 • -9.27db
15% Popularity • 9% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 9% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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X-Patriate: Alan J. Lipman
The World Is An Animal
80 bpm • G Maj • 06:35 • -10.79db
22% Popularity • 42% Danceability • 83% Energy • 14% Liveness
29% Instrumentalness • 35% Positiveness
22% Popularity • 42% Danceability • 83% Energy • 14% Liveness
29% Instrumentalness • 35% Positiveness
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Rudy Mancuso
CHANGE THE CHANGE
80 bpm • C Maj • 01:24 • -13.91db
16% Popularity • 34% Danceability • 31% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 34% Danceability • 31% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
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Erin Mat & Paul
It's What You Got
78 bpm • G Maj • 02:54 • -14.15db
21% Popularity • 44% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 44% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Colin Blunstone
I Won't Let You Down
81 bpm • D Maj • 02:10 • -12.24db
3% Popularity • 57% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
3% Popularity • 57% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Marte
Two Sweet Spirits
77 bpm • F Maj • 06:02 • -15.1db
10% Popularity • 28% Danceability • 23% Energy • 26% Liveness
2% Instrumentalness • 36% Positiveness
10% Popularity • 28% Danceability • 23% Energy • 26% Liveness
2% Instrumentalness • 36% Positiveness
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Quinn Carr
Art in Release
81 bpm • F# Maj • 04:11 • -16.65db
10% Popularity • 26% Danceability • 5% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
10% Popularity • 26% Danceability • 5% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Chris James
Hymn 666
81 bpm • F Maj • 02:00 • -10.47db
8% Popularity • 49% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 49% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Nelson Adelaide
When You Say
77 bpm • B min • 05:26 • -17.72db
28% Popularity • 75% Danceability • 34% Energy • 11% Liveness
70% Instrumentalness • 61% Positiveness
28% Popularity • 75% Danceability • 34% Energy • 11% Liveness
70% Instrumentalness • 61% Positiveness
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jelloBoi
"My Sooooong"
77 bpm • F# Maj • 01:05 • -16.52db
8% Popularity • 58% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 58% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Berdon Kirksaether
Extended Frames
77 bpm • A# Maj • 03:20 • -15.8db
27% Popularity • 29% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 29% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Cary Hudson
After The Rain
77 bpm • A min • 03:48 • -11.04db
18% Popularity • 32% Danceability • 29% Energy • 9% Liveness
10% Instrumentalness • 8% Positiveness
18% Popularity • 32% Danceability • 29% Energy • 9% Liveness
10% Instrumentalness • 8% Positiveness
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Jessica Graham
Miracle
77 bpm • F Maj • 03:28 • -13.68db
25% Popularity • 40% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 40% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Joao Aranha
Trust me
81 bpm • F Maj • 03:56 • -9.98db
19% Popularity • 61% Danceability • 50% Energy • 55% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 61% Danceability • 50% Energy • 55% Liveness
0% Instrumentalness • 37% Positiveness
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Ed Talbot
Cowquake
81 bpm • E Maj • 04:03 • -15.49db
7% Popularity • 31% Danceability • 28% Energy • 22% Liveness
49% Instrumentalness • 29% Positiveness
7% Popularity • 31% Danceability • 28% Energy • 22% Liveness
49% Instrumentalness • 29% Positiveness
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Paddy O'Ghoul
My Pet Doppleganger
77 bpm • C Maj • 04:31 • -15.57db
9% Popularity • 48% Danceability • 37% Energy • 5% Liveness
2% Instrumentalness • 53% Positiveness
9% Popularity • 48% Danceability • 37% Energy • 5% Liveness
2% Instrumentalness • 53% Positiveness
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The High Llamas
Tides
81 bpm • F Maj • 03:43 • -8.93db
7% Popularity • 40% Danceability • 41% Energy • 47% Liveness
0% Instrumentalness • 21% Positiveness
7% Popularity • 40% Danceability • 41% Energy • 47% Liveness
0% Instrumentalness • 21% Positiveness
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Chris Ray King
Mr. Momentum
81 bpm • E min • 02:52 • -8.82db
8% Popularity • 47% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 47% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Jane Weaver
The Sink
77 bpm • D Maj • 02:31 • -9.06db
10% Popularity • 35% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 35% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Ronnie Lane
Only A Bird In A Gilded Cage
77 bpm • G Maj • 01:03 • -17.57db
18% Popularity • 48% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 48% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Hunter S. Thompson
I Got Off The Plane Around Midnight...
81 bpm • G min • 03:34 • -11.64db
10% Popularity • 65% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 65% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Creative Person
Need to Escape
77 bpm • E Maj • 03:21 • -21.5db
19% Popularity • 31% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 29% Positiveness
19% Popularity • 31% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 29% Positiveness
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Jesse Harris
Paper Flower
81 bpm • E min • 03:13 • -13.86db
11% Popularity • 44% Danceability • 22% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 44% Danceability • 22% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Donovan
Live is Merry Go Round
77 bpm • A Maj • 03:50 • -17.51db
10% Popularity • 59% Danceability • 17% Energy • 70% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 59% Danceability • 17% Energy • 70% Liveness
0% Instrumentalness • 33% Positiveness
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Hërry Röbeen
Bitterness
76 bpm • D min • 05:57 • -13.72db
9% Popularity • 32% Danceability • 23% Energy • 9% Liveness
40% Instrumentalness • 14% Positiveness
9% Popularity • 32% Danceability • 23% Energy • 9% Liveness
40% Instrumentalness • 14% Positiveness
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Dhristian Eigueroa
My Life
82 bpm • A min • 02:52 • -22.81db
23% Popularity • 30% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 11% Positiveness
23% Popularity • 30% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 11% Positiveness
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Sophie Zelmani
Introduction of the band by Sophie
82 bpm • F min • 02:19 • -24.14db
12% Popularity • 56% Danceability • 60% Energy • 68% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 56% Danceability • 60% Energy • 68% Liveness
0% Instrumentalness • 8% Positiveness
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Punk Rockers Peace Band
You Are Not Alone, Cover.
82 bpm • G Maj • 05:43 • -15.49db
20% Popularity • 42% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 42% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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YBN Kaleb
Cake day
82 bpm • E Maj • 01:14 • -14.24db
23% Popularity • 65% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 65% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Toby Walkley
Sound in the Wind
82 bpm • C Maj • 04:44 • -17.06db
24% Popularity • 53% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 53% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Gordon Smedley
Thinking
76 bpm • F# Maj • 03:03 • -12.27db
26% Popularity • 26% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 26% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Jeff Hofmann
Waking
76 bpm • D min • 03:55 • -19.4db
12% Popularity • 34% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
12% Popularity • 34% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Trevor Clawson
Not You, Marie
76 bpm • E Maj • 04:00 • -12.71db
10% Popularity • 67% Danceability • 41% Energy • 29% Liveness
6% Instrumentalness • 67% Positiveness
10% Popularity • 67% Danceability • 41% Energy • 29% Liveness
6% Instrumentalness • 67% Positiveness
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Help Yourself
Deborah
82 bpm • F min • 03:26 • -20.19db
8% Popularity • 33% Danceability • 4% Energy • 10% Liveness
44% Instrumentalness • 16% Positiveness
8% Popularity • 33% Danceability • 4% Energy • 10% Liveness
44% Instrumentalness • 16% Positiveness
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The Dredge
Boredom
76 bpm • D Maj • 02:49 • -10.79db
5% Popularity • 22% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
5% Popularity • 22% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Blue Ranger
Switch and the Bait
76 bpm • A Maj • 03:05 • -22.41db
10% Popularity • 26% Danceability • 2% Energy • 9% Liveness
37% Instrumentalness • 11% Positiveness
10% Popularity • 26% Danceability • 2% Energy • 9% Liveness
37% Instrumentalness • 11% Positiveness
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Denis Profalla
So Far Apart
76 bpm • D Maj • 02:41 • -14.74db
20% Popularity • 52% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 52% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Bygone Dave
You're On Thin Ice, Baby!
82 bpm • B min • 03:17 • -13db
16% Popularity • 66% Danceability • 34% Energy • 14% Liveness
3% Instrumentalness • 62% Positiveness
16% Popularity • 66% Danceability • 34% Energy • 14% Liveness
3% Instrumentalness • 62% Positiveness
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Vincent Burke
A Conversation with Fate
83 bpm • A Maj • 01:51 • -14db
12% Popularity • 78% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 78% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Robbie Larkin
The Tiny Tim
76 bpm • C Maj • 04:06 • -12.23db
23% Popularity • 55% Danceability • 32% Energy • 9% Liveness
50% Instrumentalness • 30% Positiveness
23% Popularity • 55% Danceability • 32% Energy • 9% Liveness
50% Instrumentalness • 30% Positiveness
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Erised
Blanket (Violet)
83 bpm • E Maj • 04:56 • -16.08db
9% Popularity • 36% Danceability • 12% Energy • 27% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 36% Danceability • 12% Energy • 27% Liveness
0% Instrumentalness • 10% Positiveness
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Lonnie Crawford
Our World
83 bpm • A Maj • 03:51 • -13.61db
20% Popularity • 38% Danceability • 30% Energy • 24% Liveness
7% Instrumentalness • 18% Positiveness
20% Popularity • 38% Danceability • 30% Energy • 24% Liveness
7% Instrumentalness • 18% Positiveness
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Christie Hennessy
Soho Square
83 bpm • C Maj • 03:13 • -11.66db
8% Popularity • 26% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 9% Positiveness
8% Popularity • 26% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 9% Positiveness
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Donovan
Days In Silence
75 bpm • C min • 02:20 • -25.4db
15% Popularity • 60% Danceability • 5% Energy • 11% Liveness
40% Instrumentalness • 24% Positiveness
15% Popularity • 60% Danceability • 5% Energy • 11% Liveness
40% Instrumentalness • 24% Positiveness
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X-Patriate: Alan J. Lipman
Girl In America
83 bpm • E Maj • 07:27 • -9.49db
22% Popularity • 16% Danceability • 47% Energy • 46% Liveness
67% Instrumentalness • 19% Positiveness
22% Popularity • 16% Danceability • 47% Energy • 46% Liveness
67% Instrumentalness • 19% Positiveness
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Ian McNabb
Hamilton Square
83 bpm • F Maj • 04:14 • -16.09db
10% Popularity • 32% Danceability • 11% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 32% Danceability • 11% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
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Mark Fry
Behold the Nereids Under the Green Sea
75 bpm • D Maj • 04:59 • -12.66db
12% Popularity • 28% Danceability • 27% Energy • 13% Liveness
1% Instrumentalness • 26% Positiveness
12% Popularity • 28% Danceability • 27% Energy • 13% Liveness
1% Instrumentalness • 26% Positiveness
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Brian Berggoetz
Your Heart and Me
83 bpm • G Maj • 04:04 • -8.88db
3% Popularity • 47% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
3% Popularity • 47% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Topel and Ware
Still Water
83 bpm • D Maj • 03:43 • -7.91db
13% Popularity • 20% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 20% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Lennon Bruno
Remember
75 bpm • G Maj • 01:48 • -20.9db
15% Popularity • 44% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
15% Popularity • 44% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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The Mighty King of Hell
Out of the sky into the ground
75 bpm • B min • 02:18 • -16.89db
10% Popularity • 64% Danceability • 29% Energy • 58% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 64% Danceability • 29% Energy • 58% Liveness
0% Instrumentalness • 64% Positiveness
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Gabriel Hagen
Great Home
75 bpm • D# Maj • 03:39 • -14.75db
20% Popularity • 58% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 58% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Jim-Bob Jay
Shameless Shares
75 bpm • D# Maj • 01:34 • -17.78db
14% Popularity • 62% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 50% Positiveness
14% Popularity • 62% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 50% Positiveness
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Joseph Rutakangwa
Let It Be Us
83 bpm • C Maj • 02:03 • -11.22db
9% Popularity • 34% Danceability • 22% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 34% Danceability • 22% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
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Claude Fahey
Har
75 bpm • A# Maj • 03:39 • -8.94db
22% Popularity • 59% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 59% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Microdisney
Our Children
83 bpm • D Maj • 04:33 • -10.87db
11% Popularity • 57% Danceability • 30% Energy • 16% Liveness
1% Instrumentalness • 25% Positiveness
11% Popularity • 57% Danceability • 30% Energy • 16% Liveness
1% Instrumentalness • 25% Positiveness
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Salven
Ole Worn Out Cliche
83 bpm • F Maj • 02:50 • -11.5db
18% Popularity • 57% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 57% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Stuart Roberts
This Is A Wonderful Feeling
84 bpm • C Maj • 02:38 • -15.95db
26% Popularity • 52% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
26% Popularity • 52% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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The Pearlfishers
Is It Any Wonder?
84 bpm • C Maj • 06:14 • -8.22db
8% Popularity • 27% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 27% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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EloKing
Tell Me the Answer I See Now
84 bpm • D# Maj • 01:07 • -19.59db
34% Popularity • 51% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 51% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Patricia Ochien
It's All Mine Tonight
84 bpm • G min • 01:39 • -19.7db
22% Popularity • 36% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 36% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Clifford T. Ward
Someone I know
84 bpm • F Maj • 01:52 • -17.04db
9% Popularity • 60% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 31% Positiveness
9% Popularity • 60% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 31% Positiveness
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ChlokWirk L'Alqhumizta
The Intro
84 bpm • C# min • 06:43 • -14.42db
12% Popularity • 62% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 62% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Trevor Clawson
The Face Of Heaven
84 bpm • E Maj • 04:47 • -14.7db
10% Popularity • 49% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 49% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Miguel Mandrak
The Mystery of the Vision
74 bpm • F# Maj • 04:11 • -16.38db
12% Popularity • 40% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 40% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Joe Shane
Oh Yeah
74 bpm • B Maj • 03:46 • -11.86db
15% Popularity • 59% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 59% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Stuart Roberts
Danica
85 bpm • F# Maj • 04:33 • -9.98db
26% Popularity • 44% Danceability • 57% Energy • 80% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 44% Danceability • 57% Energy • 80% Liveness
0% Instrumentalness • 52% Positiveness
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Jeb Loy Nichols
A Bigger Love
74 bpm • F Maj • 03:48 • -15.92db
19% Popularity • 61% Danceability • 21% Energy • 11% Liveness
42% Instrumentalness • 23% Positiveness
19% Popularity • 61% Danceability • 21% Energy • 11% Liveness
42% Instrumentalness • 23% Positiveness
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Grace Cummings
Work Today (and Tomorrow)
85 bpm • C# min • 04:21 • -9.05db
22% Popularity • 16% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 16% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Valeryan
Memories of Amaury
74 bpm • G Maj • 03:42 • -17.45db
17% Popularity • 30% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
17% Popularity • 30% Danceability • 13% Energy • 11% Liveness
4% Instrumentalness • 6% Positiveness
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Nits
The Infinite Shoeblack
85 bpm • A min • 05:46 • -21.09db
7% Popularity • 38% Danceability • 14% Energy • 4% Liveness
24% Instrumentalness • 8% Positiveness
7% Popularity • 38% Danceability • 14% Energy • 4% Liveness
24% Instrumentalness • 8% Positiveness
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Pryor Joly
Alone Again
85 bpm • D# Maj • 04:01 • -15.22db
20% Popularity • 62% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 62% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Rik God
Down and out of here
73 bpm • B min • 02:34 • -23.65db
9% Popularity • 46% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 46% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Pasty Face
Untitled 1
73 bpm • G# Maj • 02:08 • -32.01db
35% Popularity • 26% Danceability • 1% Energy • 10% Liveness
2% Instrumentalness • 11% Positiveness
35% Popularity • 26% Danceability • 1% Energy • 10% Liveness
2% Instrumentalness • 11% Positiveness
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James Jones
Love Is a Maze
85 bpm • F# min • 03:04 • -14.35db
21% Popularity • 31% Danceability • 29% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 31% Danceability • 29% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Nelson Adelaide
Lady Is Dark
85 bpm • A Maj • 05:16 • -23.43db
28% Popularity • 31% Danceability • 2% Energy • 16% Liveness
73% Instrumentalness • 23% Positiveness
28% Popularity • 31% Danceability • 2% Energy • 16% Liveness
73% Instrumentalness • 23% Positiveness
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Claude Fahey
Wesley
85 bpm • D Maj • 01:26 • -13.12db
22% Popularity • 51% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 51% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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John Lindsay
Fly or Fight
73 bpm • F Maj • 04:05 • -14.4db
18% Popularity • 59% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 59% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Vicente Luengo
See the silence
85 bpm • E min • 04:30 • -8.63db
31% Popularity • 24% Danceability • 52% Energy • 13% Liveness
51% Instrumentalness • 39% Positiveness
31% Popularity • 24% Danceability • 52% Energy • 13% Liveness
51% Instrumentalness • 39% Positiveness
