Songs like The Cat by Marty Paich
Based on a tempo of (+/- 10%) and a similar genre
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Art Farmer With The Quincy Jones Orchestra
Sometimes I'm Happy (Bonus Track)
90 bpm • G min • 05:52 • -13.17db
20% Popularity • 66% Danceability • 29% Energy • 14% Liveness
10% Instrumentalness • 74% Positiveness
20% Popularity • 66% Danceability • 29% Energy • 14% Liveness
10% Instrumentalness • 74% Positiveness
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Jackie Paris
If Love Is Good To Me
90 bpm • A# Maj • 03:13 • -19.15db
30% Popularity • 31% Danceability • 12% Energy • 37% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 31% Danceability • 12% Energy • 37% Liveness
0% Instrumentalness • 24% Positiveness
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Sonny Rollins
Manhattan
90 bpm • G# Maj • 04:30 • -16db
37% Popularity • 60% Danceability • 14% Energy • 21% Liveness
9% Instrumentalness • 38% Positiveness
37% Popularity • 60% Danceability • 14% Energy • 21% Liveness
9% Instrumentalness • 38% Positiveness
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Red Garland Trio
Teach Me Tonight - Instrumental
90 bpm • C min • 09:02 • -17.72db
24% Popularity • 59% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
24% Popularity • 59% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
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Dorothy Dandridge
It's Easy To Remember
90 bpm • F min • 02:25 • -19.62db
31% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Marty Paich
The Cat
90 bpm • F min • 02:19 • -11.59db
3% Popularity • 60% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
3% Popularity • 60% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Jack Sheldon
'Deed I Do
91 bpm • C Maj • 02:28 • -15.26db
0% Popularity • 69% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 61% Positiveness
0% Popularity • 69% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 61% Positiveness
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Bud Shank
Steve Allen Theme
90 bpm • A# min • 04:11 • -12db
28% Popularity • 65% Danceability • 25% Energy • 7% Liveness
83% Instrumentalness • 48% Positiveness
28% Popularity • 65% Danceability • 25% Energy • 7% Liveness
83% Instrumentalness • 48% Positiveness
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Bobby Hackett
Smile
89 bpm • F Maj • 02:45 • -13.22db
11% Popularity • 25% Danceability • 26% Energy • 8% Liveness
76% Instrumentalness • 22% Positiveness
11% Popularity • 25% Danceability • 26% Energy • 8% Liveness
76% Instrumentalness • 22% Positiveness
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Bud Powell
I Cover The Waterfront
89 bpm • F Maj • 02:32 • -16.67db
31% Popularity • 47% Danceability • 15% Energy • 32% Liveness
60% Instrumentalness • 32% Positiveness
31% Popularity • 47% Danceability • 15% Energy • 32% Liveness
60% Instrumentalness • 32% Positiveness
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Gloria Lynne
I Wish You Love
91 bpm • C Maj • 03:40 • -11.45db
17% Popularity • 30% Danceability • 25% Energy • 22% Liveness
2% Instrumentalness • 22% Positiveness
17% Popularity • 30% Danceability • 25% Energy • 22% Liveness
2% Instrumentalness • 22% Positiveness
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Calvin Jackson
Never on Sunday
91 bpm • C min • 02:39 • -11.06db
28% Popularity • 64% Danceability • 46% Energy • 7% Liveness
40% Instrumentalness • 78% Positiveness
28% Popularity • 64% Danceability • 46% Energy • 7% Liveness
40% Instrumentalness • 78% Positiveness
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Bill Evans Trio
Beautiful Love (Take 1)
89 bpm • F Maj • 06:06 • -23.11db
34% Popularity • 56% Danceability • 17% Energy • 11% Liveness
55% Instrumentalness • 42% Positiveness
34% Popularity • 56% Danceability • 17% Energy • 11% Liveness
55% Instrumentalness • 42% Positiveness
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Bud Shank
Just In Time
89 bpm • C min • 03:45 • -12.34db
38% Popularity • 60% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 55% Positiveness
38% Popularity • 60% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 55% Positiveness
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Gerry Mulligan Quartet
Frenesi
91 bpm • C min • 03:11 • -9.47db
32% Popularity • 57% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 57% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Blue Mitchell
Rigor Mortez - Rudy Van Gelder 24-Bit Ma...
92 bpm • C min • 06:21 • -10.16db
37% Popularity • 56% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 56% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Gloria Lynne
Out of This World
88 bpm • C# Maj • 04:07 • -12.22db
2% Popularity • 25% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
2% Popularity • 25% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Irene Kral
Memphis In June
92 bpm • G# Maj • 02:55 • -13.85db
29% Popularity • 35% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 35% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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King Pleasure
Farmer's Market
88 bpm • C# Maj • 02:43 • -11.71db
29% Popularity • 64% Danceability • 34% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 64% Danceability • 34% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Gordon Jenkins
Softly, as in a Morning Sunrise
92 bpm • A min • 02:01 • -18.54db
15% Popularity • 48% Danceability • 10% Energy • 13% Liveness
21% Instrumentalness • 46% Positiveness
15% Popularity • 48% Danceability • 10% Energy • 13% Liveness
21% Instrumentalness • 46% Positiveness
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Freddy Cole
This Is The Life
88 bpm • G Maj • 03:19 • -12db
13% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Marty Paich
Thinkin' Things
93 bpm • A# Maj • 03:44 • -13.35db
1% Popularity • 48% Danceability • 22% Energy • 14% Liveness
45% Instrumentalness • 12% Positiveness
1% Popularity • 48% Danceability • 22% Energy • 14% Liveness
45% Instrumentalness • 12% Positiveness
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Gloria Lynne
Don't Worry 'Bout Me
88 bpm • C# Maj • 02:44 • -13.29db
3% Popularity • 26% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
3% Popularity • 26% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Illinois Jacquet
Star Dust
87 bpm • C# Maj • 03:44 • -12.76db
15% Popularity • 49% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 27% Positiveness
15% Popularity • 49% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 27% Positiveness
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Jack Sheldon
When Your Lover Has Gone
87 bpm • D# Maj • 02:40 • -14.08db
0% Popularity • 70% Danceability • 17% Energy • 13% Liveness
82% Instrumentalness • 50% Positiveness
0% Popularity • 70% Danceability • 17% Energy • 13% Liveness
82% Instrumentalness • 50% Positiveness
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Luiz Bonfá
Jazzato Twist
93 bpm • G min • 01:13 • -16db
23% Popularity • 66% Danceability • 40% Energy • 8% Liveness
80% Instrumentalness • 87% Positiveness
23% Popularity • 66% Danceability • 40% Energy • 8% Liveness
80% Instrumentalness • 87% Positiveness
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Marc Hemmeler
Marada Blues
93 bpm • C min • 04:49 • -19.1db
29% Popularity • 56% Danceability • 17% Energy • 21% Liveness
88% Instrumentalness • 58% Positiveness
29% Popularity • 56% Danceability • 17% Energy • 21% Liveness
88% Instrumentalness • 58% Positiveness
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The Ben Webster Quintet
Makin' Whoopee
93 bpm • G# Maj • 04:31 • -19.13db
43% Popularity • 53% Danceability • 6% Energy • 12% Liveness
12% Instrumentalness • 36% Positiveness
43% Popularity • 53% Danceability • 6% Energy • 12% Liveness
12% Instrumentalness • 36% Positiveness
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Gloria Lynne
My Devotion
93 bpm • F Maj • 04:02 • -14.59db
2% Popularity • 28% Danceability • 11% Energy • 13% Liveness
1% Instrumentalness • 6% Positiveness
2% Popularity • 28% Danceability • 11% Energy • 13% Liveness
1% Instrumentalness • 6% Positiveness
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Marty Paich
Dool's Blues
87 bpm • G# Maj • 03:40 • -19.67db
3% Popularity • 62% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
3% Popularity • 62% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 20% Positiveness
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Francy Boland
Lille Mor
94 bpm • F Maj • 02:16 • -18.94db
25% Popularity • 24% Danceability • 22% Energy • 26% Liveness
1% Instrumentalness • 51% Positiveness
25% Popularity • 24% Danceability • 22% Energy • 26% Liveness
1% Instrumentalness • 51% Positiveness
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Chris Connor
I've Got A Crush On You
94 bpm • D min • 02:18 • -20db
38% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Jimmy Scott
Our Day Will Come
86 bpm • A# min • 03:50 • -14.69db
32% Popularity • 25% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 25% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Hank Mobley
A Dab Of This And That
94 bpm • F min • 05:12 • -10.5db
42% Popularity • 59% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 59% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Kai Winding
Recado Bossa Nova
94 bpm • A# min • 03:46 • -16.27db
21% Popularity • 64% Danceability • 29% Energy • 13% Liveness
93% Instrumentalness • 89% Positiveness
21% Popularity • 64% Danceability • 29% Energy • 13% Liveness
93% Instrumentalness • 89% Positiveness
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Pete Fountain
Lazy River - Remastered
95 bpm • C Maj • 05:04 • -11.78db
22% Popularity • 58% Danceability • 34% Energy • 26% Liveness
13% Instrumentalness • 48% Positiveness
22% Popularity • 58% Danceability • 34% Energy • 26% Liveness
13% Instrumentalness • 48% Positiveness
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The Three Sounds
Loose Walk
95 bpm • F min • 04:55 • -12db
10% Popularity • 53% Danceability • 47% Energy • 12% Liveness
86% Instrumentalness • 72% Positiveness
10% Popularity • 53% Danceability • 47% Energy • 12% Liveness
86% Instrumentalness • 72% Positiveness
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Jakob Manz
Little Lucy
95 bpm • A# Maj • 03:53 • -10.83db
43% Popularity • 67% Danceability • 57% Energy • 15% Liveness
88% Instrumentalness • 68% Positiveness
43% Popularity • 67% Danceability • 57% Energy • 15% Liveness
88% Instrumentalness • 68% Positiveness
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Duke Jordan
Two Lovers
95 bpm • C Maj • 03:07 • -21.54db
34% Popularity • 51% Danceability • 6% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
34% Popularity • 51% Danceability • 6% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
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The Ben Webster Quintet
Time On My Hands
85 bpm • D Maj • 04:19 • -20.78db
28% Popularity • 48% Danceability • 2% Energy • 7% Liveness
2% Instrumentalness • 22% Positiveness
28% Popularity • 48% Danceability • 2% Energy • 7% Liveness
2% Instrumentalness • 22% Positiveness
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Gene Krupa
How High The Moon
95 bpm • C Maj • 03:16 • -16.14db
27% Popularity • 50% Danceability • 27% Energy • 25% Liveness
7% Instrumentalness • 73% Positiveness
27% Popularity • 50% Danceability • 27% Energy • 25% Liveness
7% Instrumentalness • 73% Positiveness
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Morgana King
Everything I Love
96 bpm • A# Maj • 03:19 • -17.16db
41% Popularity • 46% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 46% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Jack Sheldon
Basin Street Blues
85 bpm • D# Maj • 02:47 • -14.37db
1% Popularity • 62% Danceability • 12% Energy • 14% Liveness
94% Instrumentalness • 50% Positiveness
1% Popularity • 62% Danceability • 12% Energy • 14% Liveness
94% Instrumentalness • 50% Positiveness
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Oliver Nelson
The Critic's Choice
96 bpm • F min • 02:19 • -9.65db
35% Popularity • 58% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 58% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Cory Weeds
Thedia
96 bpm • D Maj • 05:03 • -10.77db
19% Popularity • 60% Danceability • 39% Energy • 13% Liveness
54% Instrumentalness • 52% Positiveness
19% Popularity • 60% Danceability • 39% Energy • 13% Liveness
54% Instrumentalness • 52% Positiveness
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Buddy Greco
So Danco Samba
96 bpm • F min • 02:59 • -22.79db
43% Popularity • 54% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 48% Positiveness
43% Popularity • 54% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 48% Positiveness
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Bud Powell
Blues In The Closet
97 bpm • C Maj • 03:00 • -19.99db
40% Popularity • 70% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 42% Positiveness
40% Popularity • 70% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 42% Positiveness
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Randy Brecker
Morning Song
84 bpm • D Maj • 04:09 • -15.9db
41% Popularity • 50% Danceability • 23% Energy • 18% Liveness
80% Instrumentalness • 54% Positiveness
41% Popularity • 50% Danceability • 23% Energy • 18% Liveness
80% Instrumentalness • 54% Positiveness
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Camille Howard
Has Your Love Grown Cold? - Vocal
97 bpm • C min • 02:40 • -16db
32% Popularity • 66% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 66% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Bud Shank
Pensativa
84 bpm • C# Maj • 03:29 • -15.41db
14% Popularity • 53% Danceability • 29% Energy • 13% Liveness
37% Instrumentalness • 40% Positiveness
14% Popularity • 53% Danceability • 29% Energy • 13% Liveness
37% Instrumentalness • 40% Positiveness
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Förnuft och Känsla
Blues Vaccine
97 bpm • A# min • 06:00 • -14.98db
18% Popularity • 59% Danceability • 41% Energy • 12% Liveness
87% Instrumentalness • 66% Positiveness
18% Popularity • 59% Danceability • 41% Energy • 12% Liveness
87% Instrumentalness • 66% Positiveness
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Marty Paich
Summertime
97 bpm • G# Maj • 02:32 • -3.83db
1% Popularity • 40% Danceability • 71% Energy • 7% Liveness
69% Instrumentalness • 46% Positiveness
1% Popularity • 40% Danceability • 71% Energy • 7% Liveness
69% Instrumentalness • 46% Positiveness
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Ronny Lang and His All-Stars
Taking a Chance on Love
97 bpm • D min • 03:01 • -13.54db
0% Popularity • 72% Danceability • 34% Energy • 7% Liveness
93% Instrumentalness • 92% Positiveness
0% Popularity • 72% Danceability • 34% Energy • 7% Liveness
93% Instrumentalness • 92% Positiveness
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Mark Murphy
Fascinating Rhythm
97 bpm • C Maj • 02:04 • -14.36db
20% Popularity • 74% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 74% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Hank Crawford
Blueberry Hill (Single Version)
97 bpm • G# Maj • 02:54 • -15.33db
1% Popularity • 47% Danceability • 21% Energy • 3% Liveness
2% Instrumentalness • 55% Positiveness
1% Popularity • 47% Danceability • 21% Energy • 3% Liveness
2% Instrumentalness • 55% Positiveness
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Vince Guaraldi
Star Song
83 bpm • G min • 03:36 • -14.2db
30% Popularity • 34% Danceability • 29% Energy • 12% Liveness
38% Instrumentalness • 41% Positiveness
30% Popularity • 34% Danceability • 29% Energy • 12% Liveness
38% Instrumentalness • 41% Positiveness
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James Moody
Si jolie
98 bpm • D min • 02:28 • -13.18db
19% Popularity • 25% Danceability • 27% Energy • 12% Liveness
14% Instrumentalness • 45% Positiveness
19% Popularity • 25% Danceability • 27% Energy • 12% Liveness
14% Instrumentalness • 45% Positiveness
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Lambert, Hendricks & Ross
Four
98 bpm • D# Maj • 04:13 • -13.54db
11% Popularity • 68% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 68% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Marty Paich
Heal The World
83 bpm • G Maj • 04:07 • -7.36db
3% Popularity • 52% Danceability • 52% Energy • 70% Liveness
0% Instrumentalness • 36% Positiveness
3% Popularity • 52% Danceability • 52% Energy • 70% Liveness
0% Instrumentalness • 36% Positiveness
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Billy Taylor
Solace
83 bpm • G# Maj • 02:35 • -19db
45% Popularity • 58% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 34% Positiveness
45% Popularity • 58% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 34% Positiveness
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Johnny Hodges & His Orchestra
Jeep's Blues
83 bpm • A# Maj • 02:56 • -14.01db
39% Popularity • 56% Danceability • 21% Energy • 18% Liveness
84% Instrumentalness • 62% Positiveness
39% Popularity • 56% Danceability • 21% Energy • 18% Liveness
84% Instrumentalness • 62% Positiveness
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Tutti Camarata
Girl from Ipanema
83 bpm • C# Maj • 03:04 • -23.92db
11% Popularity • 51% Danceability • 11% Energy • 14% Liveness
96% Instrumentalness • 32% Positiveness
11% Popularity • 51% Danceability • 11% Energy • 14% Liveness
96% Instrumentalness • 32% Positiveness
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The Ben Webster Quintet
Where Are You?
83 bpm • G# min • 04:43 • -21.06db
28% Popularity • 44% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 33% Positiveness
28% Popularity • 44% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 33% Positiveness
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Les Elgart
Willie Boy
83 bpm • C# Maj • 01:37 • -11db
36% Popularity • 46% Danceability • 46% Energy • 6% Liveness
64% Instrumentalness • 78% Positiveness
36% Popularity • 46% Danceability • 46% Energy • 6% Liveness
64% Instrumentalness • 78% Positiveness
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Morgana King
Bill
83 bpm • G Maj • 02:47 • -18.36db
31% Popularity • 39% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 39% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Vera Lynn
A Kiss to Build a Dream On - 2016 Remast...
82 bpm • G Maj • 03:13 • -14.17db
38% Popularity • 50% Danceability • 14% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 50% Danceability • 14% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Marty Paich
I Love Paris - Remastered Version
99 bpm • G min • 06:13 • -28.74db
0% Popularity • 53% Danceability • 1% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 53% Danceability • 1% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Don Byas
Georgia On My Mind
82 bpm • F Maj • 02:52 • -12.69db
39% Popularity • 53% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 41% Positiveness
39% Popularity • 53% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 41% Positiveness
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Bud Powell
There Will Never Be Another You
82 bpm • F min • 04:17 • -16.67db
26% Popularity • 58% Danceability • 33% Energy • 24% Liveness
90% Instrumentalness • 77% Positiveness
26% Popularity • 58% Danceability • 33% Energy • 24% Liveness
90% Instrumentalness • 77% Positiveness
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Gloria Lynne
Through a Long and Sleepless Night
82 bpm • A# Maj • 03:02 • -15.22db
2% Popularity • 32% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
2% Popularity • 32% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Eddie "Lockjaw" Davis
You Stepped Out Of A Dream
82 bpm • G# Maj • 03:04 • -9.82db
26% Popularity • 63% Danceability • 29% Energy • 13% Liveness
74% Instrumentalness • 63% Positiveness
26% Popularity • 63% Danceability • 29% Energy • 13% Liveness
74% Instrumentalness • 63% Positiveness
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Chet Baker Quartet
But Not for Me (Instrumental)
82 bpm • F min • 03:05 • -11.85db
35% Popularity • 62% Danceability • 21% Energy • 10% Liveness
29% Instrumentalness • 70% Positiveness
35% Popularity • 62% Danceability • 21% Energy • 10% Liveness
29% Instrumentalness • 70% Positiveness
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Marty Paich
That Old Black Magic
99 bpm • D min • 03:22 • -13.42db
1% Popularity • 72% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
1% Popularity • 72% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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Don Byas
Smoke Gets In Your Eyes (11-01-45)
99 bpm • D# Maj • 02:50 • -14.86db
16% Popularity • 51% Danceability • 20% Energy • 18% Liveness
90% Instrumentalness • 40% Positiveness
16% Popularity • 51% Danceability • 20% Energy • 18% Liveness
90% Instrumentalness • 40% Positiveness
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Jan Geijtenbeek
Happy Song No. 2
100 bpm • D# Maj • 03:01 • -17.37db
18% Popularity • 51% Danceability • 29% Energy • 11% Liveness
86% Instrumentalness • 21% Positiveness
18% Popularity • 51% Danceability • 29% Energy • 11% Liveness
86% Instrumentalness • 21% Positiveness
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Art Pepper
You and the Night and the Music
81 bpm • F min • 03:23 • -12.4db
7% Popularity • 69% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 69% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Arnett Cobb
Blues Around Dusk
100 bpm • G Maj • 08:18 • -19.5db
19% Popularity • 73% Danceability • 12% Energy • 18% Liveness
66% Instrumentalness • 51% Positiveness
19% Popularity • 73% Danceability • 12% Energy • 18% Liveness
66% Instrumentalness • 51% Positiveness
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Gil Evans
Last Night When We Were Young
81 bpm • E Maj • 04:35 • -24.98db
9% Popularity • 32% Danceability • 6% Energy • 12% Liveness
96% Instrumentalness • 11% Positiveness
9% Popularity • 32% Danceability • 6% Energy • 12% Liveness
96% Instrumentalness • 11% Positiveness
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Marty Paich
Too Close for Comfort - Remastered Versi...
81 bpm • A# min • 03:50 • -20.81db
0% Popularity • 64% Danceability • 10% Energy • 20% Liveness
12% Instrumentalness • 70% Positiveness
0% Popularity • 64% Danceability • 10% Energy • 20% Liveness
12% Instrumentalness • 70% Positiveness
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Ferber
Waiter, Ask The Man To Play The Blues
81 bpm • G min • 02:17 • -17.97db
34% Popularity • 60% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 60% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Art Blakey
Des Femmes Disparaissent - BOF "Des Femm...
101 bpm • F min • 01:01 • -7.21db
40% Popularity • 45% Danceability • 16% Energy • 28% Liveness
1% Instrumentalness • 44% Positiveness
40% Popularity • 45% Danceability • 16% Energy • 28% Liveness
1% Instrumentalness • 44% Positiveness
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Charlie Rouse
When Sunny Gets Blue
101 bpm • F Maj • 05:48 • -14db
38% Popularity • 55% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 27% Positiveness
38% Popularity • 55% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 27% Positiveness
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Hank Mobley
The More I See You - Rudy Van Gelder Edi...
80 bpm • G# Maj • 06:47 • -13.21db
45% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Jimmy Raney
Pennies from Heaven
101 bpm • B min • 03:19 • -15.78db
30% Popularity • 65% Danceability • 28% Energy • 10% Liveness
80% Instrumentalness • 68% Positiveness
30% Popularity • 65% Danceability • 28% Energy • 10% Liveness
80% Instrumentalness • 68% Positiveness
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Marty Paich
From Now On
100 bpm • A# min • 05:57 • -15.74db
2% Popularity • 70% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
2% Popularity • 70% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Jack Teagarden
Afternoon In August
80 bpm • G# Maj • 03:22 • -11.62db
14% Popularity • 44% Danceability • 21% Energy • 46% Liveness
72% Instrumentalness • 29% Positiveness
14% Popularity • 44% Danceability • 21% Energy • 46% Liveness
72% Instrumentalness • 29% Positiveness
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Jack Sheldon
Am I Blue?
80 bpm • A min • 02:29 • -14.3db
0% Popularity • 69% Danceability • 16% Energy • 17% Liveness
84% Instrumentalness • 52% Positiveness
0% Popularity • 69% Danceability • 16% Energy • 17% Liveness
84% Instrumentalness • 52% Positiveness
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Tommy Dorsey Orchestra
Swanee River
80 bpm • A# Maj • 02:20 • -14db
45% Popularity • 45% Danceability • 32% Energy • 23% Liveness
71% Instrumentalness • 61% Positiveness
45% Popularity • 45% Danceability • 32% Energy • 23% Liveness
71% Instrumentalness • 61% Positiveness
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Coleman Hawkins Quartet
Put On Your Old Grey Bonnet
101 bpm • D# Maj • 09:50 • -12.48db
25% Popularity • 54% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
25% Popularity • 54% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Shirley Scott
Corcovado
80 bpm • C Maj • 05:21 • -16.79db
13% Popularity • 50% Danceability • 28% Energy • 8% Liveness
77% Instrumentalness • 45% Positiveness
13% Popularity • 50% Danceability • 28% Energy • 8% Liveness
77% Instrumentalness • 45% Positiveness
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Marty Paich
I Love Paris
101 bpm • A# Maj • 06:13 • -22.1db
0% Popularity • 55% Danceability • 3% Energy • 12% Liveness
75% Instrumentalness • 30% Positiveness
0% Popularity • 55% Danceability • 3% Energy • 12% Liveness
75% Instrumentalness • 30% Positiveness
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Joe Henderson
Felicidade
101 bpm • A min • 04:44 • -16.49db
42% Popularity • 68% Danceability • 28% Energy • 10% Liveness
59% Instrumentalness • 61% Positiveness
42% Popularity • 68% Danceability • 28% Energy • 10% Liveness
59% Instrumentalness • 61% Positiveness
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Curtis Fuller
In The Wee Small Hours Of The Morning
101 bpm • C Maj • 04:54 • -16.32db
25% Popularity • 55% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 55% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Caity Gyorgy
September In The Rain
80 bpm • F min • 04:08 • -9.79db
44% Popularity • 57% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
44% Popularity • 57% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
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Sonny Red
Alone Too Long
102 bpm • F Maj • 02:58 • -17.64db
22% Popularity • 52% Danceability • 16% Energy • 10% Liveness
10% Instrumentalness • 65% Positiveness
22% Popularity • 52% Danceability • 16% Energy • 10% Liveness
10% Instrumentalness • 65% Positiveness
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Coleman Hawkins Quartet
Don't Sit Under The Apple Tree
80 bpm • F Maj • 04:29 • -12.4db
34% Popularity • 59% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 62% Positiveness
34% Popularity • 59% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 62% Positiveness
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Gloria Lynne
Folks Who Live on the Hill
80 bpm • G Maj • 04:10 • -14.31db
3% Popularity • 27% Danceability • 12% Energy • 14% Liveness
2% Instrumentalness • 7% Positiveness
3% Popularity • 27% Danceability • 12% Energy • 14% Liveness
2% Instrumentalness • 7% Positiveness
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Bobby Hackett
Basin Street Blues
79 bpm • A# Maj • 04:42 • -12.63db
13% Popularity • 52% Danceability • 19% Energy • 16% Liveness
3% Instrumentalness • 63% Positiveness
13% Popularity • 52% Danceability • 19% Energy • 16% Liveness
3% Instrumentalness • 63% Positiveness
