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the climb
Songs like
the climb
by
ROLE MODEL
Based on a tempo of (+/- 10%) and a similar genre
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young friend
ARIZONA
78 bpm • C# min • 03:35 • -9.45db
46% Popularity • 63% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Dreamer Boy
Simple
78 bpm • E min • 04:16 • -9.61db
30% Popularity • 40% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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ROLE MODEL
the climb
78 bpm • E Maj • 02:46 • -7.39db
33% Popularity • 70% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Nolie
Renaissance
79 bpm • B min • 02:54 • -9db
22% Popularity • 27% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
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Ben Kenney
back to august
78 bpm • F# Maj • 02:38 • -6.11db
8% Popularity • 62% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Anna Sofia
Waste My Time With You
77 bpm • A Maj • 03:54 • -9.66db
17% Popularity • 51% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 14% Positiveness
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Bensie
All Good.
77 bpm • G# Maj • 03:10 • -11.88db
15% Popularity • 57% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Conan Gray
Idle Town
77 bpm • G Maj • 03:57 • -6.04db
58% Popularity • 61% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Blanks
Bittersweet
77 bpm • D Maj • 02:43 • -4.92db
34% Popularity • 52% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Jelani Aryeh
Lavender Love
77 bpm • E Maj • 02:35 • -13db
29% Popularity • 77% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Carson Shmyr
Sunday Cartoons
77 bpm • C Maj • 05:11 • -14.14db
16% Popularity • 84% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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John-Robert
USMO
77 bpm • A Maj • 02:33 • -10.25db
21% Popularity • 63% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Forrest Nolan
Still Friends
79 bpm • D Maj • 02:11 • -11.11db
27% Popularity • 68% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Ethan DeRose
Wrong
79 bpm • C# min • 02:37 • -12.86db
20% Popularity • 78% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Rome Hero Foxes
Falling Out of Love With You
79 bpm • A# min • 03:41 • -9db
34% Popularity • 46% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Still Woozy
BS
80 bpm • D# Maj • 02:13 • -11.83db
59% Popularity • 62% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Ben Kessler
Known Like This
79 bpm • D Maj • 03:23 • -10db
24% Popularity • 35% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Kid Bloom
CIRCLES
80 bpm • A Maj • 02:40 • -6db
45% Popularity • 54% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Alt Bloom
Call It Home
76 bpm • D min • 02:44 • -8.3db
31% Popularity • 54% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Will Tulip
Ooh Yeah
80 bpm • G# Maj • 04:04 • -14.35db
23% Popularity • 63% Danceability • 26% Energy • 11% Liveness
60% Instrumentalness • 45% Positiveness
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ROLE MODEL
a little more time
80 bpm • G# Maj • 03:30 • -7.44db
54% Popularity • 52% Danceability • 49% Energy • 11% Liveness
4% Instrumentalness • 25% Positiveness
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Forrest Nolan
waste your time
76 bpm • D Maj • 03:04 • -12.6db
26% Popularity • 78% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Fintan
Better Broken
80 bpm • E Maj • 03:10 • -5.69db
21% Popularity • 70% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Jelani Aryeh
Daunt
80 bpm • G# min • 03:13 • -7.82db
40% Popularity • 65% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
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Sky McCreery
good side
76 bpm • C# Maj • 02:48 • -12db
20% Popularity • 71% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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lovelytheband
when you're lonely - interlude
80 bpm • C Maj • 01:22 • -18.93db
17% Popularity • 54% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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ROLE MODEL
going out
80 bpm • F Maj • 02:54 • -5.62db
45% Popularity • 75% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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James Droll
Old School Heartbreak
81 bpm • C Maj • 03:13 • -8.46db
23% Popularity • 54% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Ethan DeRose
What Do I Say
76 bpm • A Maj • 03:58 • -15.48db
29% Popularity • 61% Danceability • 29% Energy • 37% Liveness
15% Instrumentalness • 7% Positiveness
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JP Saxe
Hold It Together
81 bpm • G Maj • 03:39 • -12.51db
35% Popularity • 56% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Hunter Moreau
Drive In
75 bpm • G min • 03:16 • -7.07db
11% Popularity • 53% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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toast
tlking about you
81 bpm • E Maj • 02:48 • -9.19db
16% Popularity • 44% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
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Weston Estate
Cotton Candy
81 bpm • A# Maj • 02:34 • -10db
47% Popularity • 61% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Ashe
Someone To Lose
81 bpm • F Maj • 04:10 • -6.18db
30% Popularity • 50% Danceability • 60% Energy • 60% Liveness
0% Instrumentalness • 36% Positiveness
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Sky McCreery
Problem
81 bpm • C Maj • 02:10 • -9db
30% Popularity • 67% Danceability • 43% Energy • 12% Liveness
2% Instrumentalness • 10% Positiveness
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Molokai
She Don't Wear the Same Clothes
75 bpm • B Maj • 03:22 • -9.15db
31% Popularity • 66% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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DWLLRS
It's Only Up From Here
75 bpm • A Maj • 03:42 • -5.68db
23% Popularity • 61% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Kid Indigo
Coffee Kisses
75 bpm • G min • 03:28 • -7.8db
25% Popularity • 85% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Motel 7
But Now It's Gone
75 bpm • C# Maj • 02:01 • -15.06db
17% Popularity • 59% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Ryan Beatty
God in Jeans
75 bpm • G Maj • 02:52 • -6.72db
44% Popularity • 58% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Sky McCreery
Fill My Void
75 bpm • F min • 03:05 • -17db
41% Popularity • 71% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 21% Positiveness
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Forrest Nolan
Second Base
81 bpm • F# Maj • 02:37 • -12.94db
30% Popularity • 56% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Dead Emerson
Cold Summer
82 bpm • F# Maj • 03:22 • -6.35db
34% Popularity • 51% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Eddie Benjamin
Speechless
82 bpm • F# min • 02:58 • -11.33db
31% Popularity • 34% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Alice Kristiansen
A Million Times
74 bpm • F min • 03:29 • -7.71db
20% Popularity • 52% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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BENEE
Wishful Thinking
82 bpm • E Maj • 03:33 • -6.16db
59% Popularity • 64% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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ROLE MODEL
Stolen Car
74 bpm • D# min • 03:14 • -14db
37% Popularity • 59% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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BETWEEN FRIENDS
blushing!
82 bpm • C Maj • 03:51 • -6db
49% Popularity • 36% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
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Joshua Malilay
Odds & Ends
82 bpm • E Maj • 03:44 • -15.77db
25% Popularity • 36% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Dylan Reynolds
No Control
74 bpm • B Maj • 03:12 • -9.82db
30% Popularity • 67% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Christian French
breaking all the rules
82 bpm • G# Maj • 03:26 • -7.73db
29% Popularity • 53% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Oscar Welsh
Weird Times
83 bpm • G Maj • 02:51 • -10db
19% Popularity • 31% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
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ROLE MODEL
Puerto Rican
82 bpm • G# Maj • 02:55 • -8.04db
33% Popularity • 78% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Ryan Beatty
Evergreen
83 bpm • A# Maj • 03:44 • -8.37db
46% Popularity • 59% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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HONNE
one way to tokyo
83 bpm • C Maj • 02:30 • -13.86db
37% Popularity • 39% Danceability • 13% Energy • 38% Liveness
0% Instrumentalness • 18% Positiveness
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Daren
I DON'T WANNA FEEL THIS WAY
83 bpm • A# Maj • 03:21 • -10.06db
17% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Christian French
hungover sunday
83 bpm • D Maj • 03:00 • -7.67db
48% Popularity • 67% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Fintan
Light Personified
83 bpm • C min • 03:20 • -10db
30% Popularity • 68% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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ROLE MODEL
i don't rly like u
73 bpm • G# Maj • 03:25 • -8.99db
34% Popularity • 34% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Avery McGuire
Wait for Me
83 bpm • E Maj • 04:27 • -7.81db
13% Popularity • 40% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Carneyval
i'd call you but i can't
84 bpm • D min • 02:15 • -12.39db
29% Popularity • 58% Danceability • 35% Energy • 85% Liveness
0% Instrumentalness • 40% Positiveness
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Ben Zaidi
Smallness.
84 bpm • F# Maj • 02:27 • -10db
11% Popularity • 45% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Roy Blair
Hazel
84 bpm • G# Maj • 04:06 • -12.01db
42% Popularity • 58% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Dreamer Boy
HUES
84 bpm • F# min • 02:44 • -7.97db
50% Popularity • 66% Danceability • 44% Energy • 47% Liveness
0% Instrumentalness • 62% Positiveness
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Androcles
Curiosity
84 bpm • D min • 03:10 • -12db
19% Popularity • 51% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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The True Blue
pLAyed Out
84 bpm • F Maj • 03:24 • -8db
31% Popularity • 65% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Olin Johnson
Al X
84 bpm • A# min • 03:29 • -22db
26% Popularity • 42% Danceability • 23% Energy • 10% Liveness
39% Instrumentalness • 7% Positiveness
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Rex Orange County
Stressed Out
84 bpm • G Maj • 01:45 • -9.27db
53% Popularity • 65% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
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Ben Kessler
Just Wanna Be Your Friend
72 bpm • G# min • 02:27 • -9.26db
31% Popularity • 44% Danceability • 43% Energy • 63% Liveness
0% Instrumentalness • 46% Positiveness
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Sky McCreery
half a heart
72 bpm • C Maj • 02:13 • -11.37db
32% Popularity • 67% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Zekey
Your Eyes
84 bpm • C# min • 02:27 • -11.29db
10% Popularity • 54% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Christian French
butterfly fields
72 bpm • A# Maj • 03:28 • -7.5db
41% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Noah Ransom
Anyways
85 bpm • D# Maj • 02:42 • -11.62db
34% Popularity • 64% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Valley
All the Animals I Drew as a Kid
72 bpm • A# Maj • 04:04 • -10.6db
33% Popularity • 38% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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BENEE
Want Me Back
85 bpm • A Maj • 03:54 • -6.45db
52% Popularity • 54% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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BabyJake
Confidant
85 bpm • C# min • 03:02 • -8.36db
49% Popularity • 80% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Ben Kessler
Even When You're Home
72 bpm • C# min • 03:31 • -8db
30% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jill Baylon
Crush Phase
85 bpm • C min • 03:10 • -9.31db
24% Popularity • 49% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
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Beau Bonin
Summer Eyes
85 bpm • A# Maj • 02:25 • -11.24db
20% Popularity • 70% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Slush Puppy
Summertime Sucks
86 bpm • E Maj • 04:56 • -7.87db
26% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Gus Dapperton
First Aid
70 bpm • A# min • 04:28 • -4.39db
45% Popularity • 60% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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JP Saxe
3 Minutes
70 bpm • G Maj • 03:31 • -11.26db
42% Popularity • 50% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Ben Kessler
Lying
86 bpm • F# Maj • 03:05 • -8.39db
30% Popularity • 58% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Benjamin Carter
Cosmic
87 bpm • A Maj • 02:44 • -9.73db
31% Popularity • 56% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Verzache
January
88 bpm • E Maj • 03:16 • -13.33db
50% Popularity • 69% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
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Still Woozy
Maybe She
88 bpm • B min • 02:49 • -11db
51% Popularity • 62% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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bodie
teenage love
88 bpm • E min • 02:57 • -10.3db
25% Popularity • 71% Danceability • 48% Energy • 48% Liveness
0% Instrumentalness • 60% Positiveness
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JP Saxe
Women Who Look Like You
87 bpm • G min • 03:06 • -7db
32% Popularity • 66% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
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Dayglow
Dear Friend,
88 bpm • C Maj • 02:22 • -10.92db
46% Popularity • 41% Danceability • 38% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
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Ryan Woods
how i'm feeling
90 bpm • F# Maj • 02:51 • -9db
39% Popularity • 32% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Aidan Bissett
Communication
90 bpm • B Maj • 03:07 • -7.02db
46% Popularity • 58% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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blackbear
90210
90 bpm • C min • 03:27 • -9.71db
47% Popularity • 82% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Walkabout
comehangoutcuzimagoodtime
90 bpm • F# Maj • 02:39 • -7db
34% Popularity • 73% Danceability • 75% Energy • 65% Liveness
3% Instrumentalness • 19% Positiveness
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Kayshawn
Save Your Love
90 bpm • E Maj • 03:22 • -10db
19% Popularity • 68% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Ryan Beatty
Backseat
90 bpm • B Maj • 03:59 • -14.3db
39% Popularity • 56% Danceability • 27% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
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Zack Whisler
Between U & Me
90 bpm • F# min • 03:28 • -5db
13% Popularity • 73% Danceability • 55% Energy • 47% Liveness
10% Instrumentalness • 88% Positiveness
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Andrew Douglas
Feeling Low
90 bpm • G# Maj • 03:44 • -7db
16% Popularity • 65% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Evann McIntosh
Better Now
90 bpm • C Maj • 02:42 • -13.06db
22% Popularity • 55% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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khai dreams
Lost in You
90 bpm • F min • 01:41 • -12.02db
60% Popularity • 77% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Oscar Welsh
S.A.D
90 bpm • C# min • 03:20 • -7.58db
22% Popularity • 69% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 33% Positiveness
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the climb